Category Archives: Tinta Cão

How you gonna keep him down on the Pharm?

2016-07-30 15.16.40It was high time Your West Coast Oenophile venture outside my frequent stomping grounds and undertake some serious exploration of the joints—I mean, wineries—that I have vetted for Sostevinobile primarily through trade tastings in San Francisco and on Treasure Island. And so I threw caution to the wind and risked upping my per-mile bracket with Metromile and headed north beyond the confines of Sonoma and Napa for the other regions that constitute the vast North Coast AVA: Lake and Mendocino counties.

After several years’ worth of invites, I finally capitulated and agreed to attend the annual picnic and members meeting for the Redwood Forest Foundation (RFFI) in Ukiah. This foundation represents a laudable effort to preserve not only much of the old growth redwoods throughout California but to protect the wildlife that inhabit these preserves. Naturally, the focus of their efforts aligns synergistically with the sustainable aims of Sostevinobile, but I am not entirely sanguine about the use of cap & trade carbon credits to offset their budget deficit. Global warming has now reached the point where merely maintaining current level of carbon emissions—which, in effect, is what carbon credits facilitates—rather than radically reducing them, is not sufficient to offset the pending catastrophic impact from our profligate industrial consumption.

In spite of such conundrums, Mendocino still can lay valid claim to its self-professed accolade as “The Greenest AVA in America.” Many may claim this is a double-entendre, and yet my only encounter with any semblance of cannabis culture was a sign at the gateway to Hopland. There was no indication, however, that they operated a tasting room.

No dearth of visible tasting rooms existed for the numerous wineries that have sprung up in county since I first visited with Mendocino’s first varietal producer, the late John Parducci. Before locating the Redwood Forest picnic, I fittingly managed to squeeze a visit with Rich Parducci’s McNab Ridge, a winery I had featured a few years ago at a tasting I designed for NAAAP-SF. As eclectic in his tastes as his grandfather, Rich bottles an extraordinary array of organically grown selections that span from a strikingly appealing 2014 French Colombard to his admirable rendition of the 2013 Pinotage. I was quite taken with McNab Ridge’s exemplary 2013 Primitivo, but still managed to spare enough room to sample their 2013 John Parducci Signature Series Port, an opulent blend of Touriga Nacional (55%), Tinta Roriz (16%), Touriga Francesca (10%), Tinta Barroca (10%), and Tinta Cão (9%).

Time constraints dictated that I cut short my visit with McNab Ridge and depart Hopland’s quaint confines for the aforementioned luncheon, aptly situated amid a redwood grove at Nelson Family Vineyards. As these wines are not commonly distributed beyond subscribers and visitors to the tasting room, I took the opportunity to sample through their roster after the RFFI conclave. Starting with their NV Brut, one of Mendocino’s signature expressions, I segued to a delightfully light 2014 Pinot Grigio. Nelson’s deft touch truly manifested itself next in their 2013 Viognier, a well-balanced expression of the grape that proved neither austere nor cloying.

Creative minds most certainly lurked behind their 2015 Barn Blend, a unique blend of Cabernet Sauvignon, Petit Verdot, Zinfandel and Viognier. More traditional, the 2013 Top Row Reserve Cabernet Sauvignon, an intensified wine crafted from a prized block on their estate vineyard. Finally, Nelson revealed its true virtuosity in their exceptional 2013 Zinfandel, a dense, jammy wine that long lingered on the palate.

I next veered southward back to Hopland, where I spent a most enjoyable hour visiting with César Toxqui at the tasting room he maintains alongside Bruotocao’s. His affable 2013 Muscat Canelli prefaced 2014 Rosé of Zinfandel, a wine most definitely not to be confused with the much-maligned White Zin concoction that ruled the 1980s. I found his 2012 Pinot Noir Russian River Valley appealing, his 2010 Grenache decidely more so. Here again, the 2007 Immigrant Zinfandel reigned supreme, closely followed by a 2013 Zinfandel Dry Creek, sourced from across the county line.

César also poured a noteworthy single vineyard Cabernet, his 2013 Cabernet Sauvignon Bloom Vineyards. His trademark, however, stems from his non-vintage blends, the Ruthless Red, a mélange of 80% Zinfandel, 10% Syrah, and 10% Merlot , dedicated to his wife, and the Heirloom Cinco, a solera now in its fifth cuvée, produced from Cabernet Sauvignon, Merlot, Zinfandel, and Viognier.

Following an a raucous evening indulging in all two of downtown Ukiah’s hot spots, I rose early the next day, squeezed in a few laps across the motel pool, and headed out to the foot of Anderson Valley for their annual Barrel Tasting Weekend. Before I reached the festival, I popped into Simaine, an bootstrap winery/tasting room housed in a light industrial complex where my GPS steered me in my quest to locate Germain-Robin. Owner Vic Símon graciously received me just as he prepared to open for the day and opened a selection of his current offerings, starting with his personal favorite, the 2012 Sangiovese. Other wine, designated as Reserve, included the 2010 Petite Sirah and a 2010 Carignane, both of which proved balanced and approachable. His final selection, a Bordeaux blend with the rather elusive name, the 2011 Virisda.

After departing Simaine, the scenic 17-mile expanse of Hwy. 253 wound across the county to Boonville, where I collected my credentials at Philo Ridge’s tasting room. I had hoped to surprise Fred Buonanno with my long-delayed visit but was informed he was still nursing the after-effects of his 60th birthday celebration the night before. Nonetheless, I managed to soldier on and taste through a number of his selections. Having recently sampled several of their Pinot Noir selections at June’s Taste of Mendocino, I opted to taste through an array of white varietals, starting with a lean 2014 Chardonnay Haiku Ranch.Seventeen syllables later, I moved onto the 2014 Pinot Gris Nelson Vineyard, a fresh, tank-fermented rendition of the grape. Also, tank-fermented: the floral yet delicate 2014 Viognier Nelson Ranch, a perfect white for what would prove a scorchingly hot afternoon.

Several Mendocino growers have collaborated over the past several years on a bottling a regional proprietary wine they call Coro. In keeping with this Zinfandel-focused blend, Philo Ridge bottles an intriguing mélange they call Vino di Mendocino. Currently in its fourth release, this wine marries Zinfandel with Syrah, Petite Sirah, and Carignane. The wine was delightful but the burden of becoming a sexagenarian had evidently taken its toll, so I abandoned the notion of waiting for Fred to appear and moseyed onto the next stop.

It was rather surprising to find a town as quaint and remote as Boonville dotted with so many satellite tasting rooms; I would have thought such a laid-back rural setting more conducive to onsite estate visits. Nonetheless, it proved rather convenient to meander between premises and sampling their offerings. Having tried Seebass Family Wines at numerous tastings over the years, I correlated their wines with the impressive Bavarian coat of arms that highlights their label. The tasting room proved to be anything but ponderous, manned by Brigitte Seebass’ daughter Michelle Myrenne Willoughby. Michelle ably navigated five different parties that had bellied up to her bar, yet still found time to attend to my personal discretion. We started with her 2015 Family Chardonnay, a bold wine, like all of Seebass’ selections, sourced from estate-grown, hand-harvested, hand-pruned, sustainably farmed fruit. Quelling my thirst from the 95° F heat, the delightfully chilled 2015 Fantasie proved a compelling Rosé of Grenache.

Varietal bottlings constitute a distinct strength at Seebass, starting with the 2012 Grand Reserve Merlot and punctuated by the exceptionally well-rounded 2011 Old Vine Zinfandel, honed from 100+ year old vines. Nonetheless, I also greatly enjoyed their 2012 Romantik, a blend of Syrah and Grenache, along with their NV Mysteriös, a proprietary mix from their 2011 & 2012 harvests, combining Grenache, Syrah, Merlot and Zinfandel.

Though certainly a pleasant wine, admittedly the most striking aspect of the Mysteriös was the artistic design of it label, a reproduction of one of Michelle’s late father’s paintings, a geometric design that echoed the prints of op art’s grandfather, renowned Hungarian-French master Victor Vasarely. Coincidentally, I bounced over next to Boonville’s John Hanes Fine Art, a modern gallery that shares space with Harmonique. I would like to think the hermaphroditic statuary that adorned the entrance to this facility dissuaded me from partaking of the various Chardonnays and Pinot Noirs for which Harmonique is prized, but, in truth, Harmonique’s absence from the roster of the Anderson Valley Barrel Tasting precluded my visiting.

And so I ambled across the street to the Boonville Hotel, the onetime home of the legendary New Boonville Hotel, a restaurant that had turned this area into a culinary mecca. In the courtyard, I found Paul and Valerie Gordon of Halcón Vineyards, an intrepid couple who sojourn weekly from their Silicon Valley home to produce Mendocino wine. Their al fresco tasting in the hotel’s garden court included a slew of exemplary wines, starting with their 2013 Prado, a classic Rhône blend of Roussanne and Marsanne. From there, we progressed to the 2014 Rosé, a deft melding of Grenache and Syrah, then segued onto the 2014 Alturas Estate Syrah, classically cofermented with a scintilla of Viognier. Opting for a pure expression of the varietal, Paul poured his 2014 Tierra Petite Sirah, a wine quite reflective of its Yorkville Highlands pedigree. His coup de grâce most certainly, however,was the 2014 Wentzel Vineyard Pinot Noir, an exceptionally well-balanced wine, neither light nor ponderous, a blend with 35% whole cluster that clung to the palate ever so delightfully.

Following this stop, I backpedaled from the center of downtown Boonville to visit with Joe Webb at Foursight. This boutique operation has long stood as one of Mendocino’s premier Pinot Noir labels, but first I had to try the refreshingly chilled 2013 Charles Vineyard Sémillon, a most pleasant, understated wine. Though it may be a noble experiment, I confess that I did not cotton to the 2013 Unoaked Pinot Noir, a simplified expression of the grape that struck me as overly sour. In contrast, Joe’s signature wine, the 2014 Paraboll Pinot Noir presented a geometric leap over the Unoaked, a truly exquisite wine that attested to Anderson Valley’s rightful place in California’s Pinot hierarchy.

Onward, returned to my car and headed north to Elke, the first onsite tasting room on the trail. The dirt road, clapboard barn, unpretentious landscaping embodied just the kind of ramshackle setting I had envisioned before I’d arrived, and while owner Mary Elke was not on hand this afternoon, I still enjoyed a most pleasant session, sipping through a welcomely-chilled NV Sparkling Brut crafted from Chardonnay and Pinot Noir. I found myself equally pleased—and refreshed—by both the 2014 Chardonnay Anderson Valley and a candy-like 2014 Rosé of Pinot Noir Anderson Valley. For balance, I finished with their 2014 Cabernet Sauvignon Lake County, a heterodoxical selection for the afternoon.

Creeping back onto the highway, I next dropped in on Witching Stick, another understated operation that belied the sophistication of its œnology. Owner Van Williamson began my tasting with a straightforward yet excellent 2014 Durrell Vineyard Chardonnay, then moved to the delightful albeit atypical 2014 Carignano Rosato. After these chilled wines, I delighted in an enticing 2012 Valenti Vineyard Syrah before delving into Van’s Pinot lineup. The 2013 Gianoli Vineyard Pinot Noir and the 2013 Perli Vineyard Pinot Noir proved equally compelling, but both were clearly outshone by the lushness of the 2012 Gianoli Vineyard Pinot Noir. But the pinnacle at this stop turned out to be the 2013 Fashauer Vineyard Zinfandel, a deep, complex , jammy wine.

Across the street, Phil T. G. Baxter welcomed me like an old friend to the intimate confines of his eponymous tasting room. As with Witching Stick, the tasting centered on his lineup of Pinot Noir, starting with an acutely focused 2013 Weir Vineyard Pinot Noir. I found both the 2013 Valenti Vineyard Pinot Noir and the 2013 Langley Vineyard Pinot Noir on par with the 2013s from across the street, while the 2012 Oppenlander Vineyard Pinot Noir once again underscored the superior quality of this vintage. Phil concluded our visit with a sample of his 2013 Valenti Vineyard Syrah, a perfectly amiable wine that complement a perfectly amiable setting.

I have often expressed my personal qualms about engaging in Mergers & Acquisitions, my original role in the wine industry and a practice I’ve recently resumed on behalf of Sostevinobile. One of my favorite Mendocino labels has long been Greenwood Ridge, and I had hoped to visit with Allan Green in Philo, but the winery had been acquired back in March by Diane and Ken Wilson and folded into the mini-empire they have quietly cobbled together in Sonoma and Mendocino. Though Allan will be sorely missed, the new regime has nonetheless stayed the course, including the winery’s focus on organic farming and winemaking; the wines I sampled here, however, were produced under the former ownership, so assaying the perpetuation of these practices remains undetermined. Nevertheless, I cottoned immensely to all three wines I tasted, starting with the 2015 Sauvignon Blanc, the first wine to open my eyes to the full potential organic winemaking. Complementing this indubitable bottling, the 2015 Riesling retained just enough sweetness to taste refined, not cloying. Rounding out my visit, the whimsically-labelled 2013 Hundred Point Pinot Noir, named for a promontory along the Mendocino Coast where 100 ships have wrecked, bore fitting testament to Allan’s legacy.

Not quite Helen of Troy (was this the face that launched a thousand ships?), but close. My combined 18 years’ inculcation in Greek & Latin literature begs for allusion as often as I can cite it. As such, I need confess the allure of Lula Cellars stemmed not merely from the beauty of its wines but the striking pulchritude of their delightful hostess. Kacy managed, despite my overt distraction, to steer me through Lula’s lineup with considerable aplomb, commencing her tasting session with an exceptional 2014 Dry Gewürztraminer, a varietal that for many years characterized Mendocino for me. The 2015 Rosato displayed a delight derivation of a Pinot Noir, while the 2013 Anderson Valley Pinot Noir simply resounded. Rounding out this visit, the 2014 Mariah Vineyard Zinfandel provided a rich dénouement to a most productive afternoon.

Only my tasting day was far from over. Resolved to head back to San Francisco along the leisurely coastal route, I continued up toward along Route 128 toward the town of Albion, below which it interests with Highway 1. To my great surprise, nearly all the wineries along this road remained open until 7pm, a far cry from Napa and Sonoma, where 4:30pm seems the general rule of thumb. And so I abruptly veered into the parking lot for Domaine Anderson, the new branch of Roederer Estate dedicated to still wines. I had first encountered these wines at San Francisco’s Pinot Days, where Wine Club Manager Jennie Dallery had apparently drawn the short straw and was relegated to the antechamber at Bespoke, along with a handful of other wineries forced to compete against subway-level acoustics. I had promised her I would visit soon and discuss these wines in an audible setting, but was chagrined to learn she had left the premises a mere five minutes before my arrival. Nonetheless, I made the best of my visit and sampled both the 2014 Estate Chardonnay and the notably lemony 2013 Dach Chardonnay, both complements to the designate Pinot Noirs I had tried in San Francisco, before continuing my trek to an old familiar, Handley Cellars.

I’ve lost count how many times I’ve sampled (and enjoyed) these wines at tastings throughout the year since 2008 and have even attended a luncheon where seven selections of their Pinot Noirs and Chardonnays were paired to each course. So here I was more than happy to taste through their non-standard selections, starting with the exquisitely floral 2014 Pinot Blanc Mendocino County. Complementing this wine, the 2015 Pinot Gris Anderson Valley seemed a bit more subdued but approachable, while the 2015 Riesling Anderson Valley gave considerable credence to Mendocino’s claim as California’s prime AVA for Alsatian varietals.

I bypassed Handley’s all-too-familiar lineup of Pinots for a selection of their other reds, including the unlisted 2013 Vittorio Petite Sirah. I found the 2013 Zinfandel Russian River Valley equally pleasurable, yet both combine, along with a healthy share of Carignane to make a true standout, the 2013 Vittorio Red Table Wine. Meanwhile, standing out on its own merits: the 2013 Syrah Kazmet Vineyard.

Truth be told: I had two primary destinations in mind when I embarked on this journey. Although I finally did manage to determine the actual location for Germain-Robin, I learned that weekend appointments would not have been available anyway. My other Holy Grail, of course, was sparkling wine virtuoso Roederer Estate, which was just about to close its doors as I arrived. I almost convinced the tasting room staff I had won a case of L’Ermitage, but settled for the final tasting of the day as reward for my ruse. Their base offering, the Brut MV, artfully combined a blend of 60% Chardonnay and 40% Pinot Noir. Roederer serves this wine from different size bottles, and clearly the Brut MV Magnum outshone the confines of the standard 750ml bottling. I could not have asked more of the Brut Rosé MV, a Pinot-dominant blend, while their Tête du Cuvée, my cherished 2009 L’Ermitage reaffirmed itself as my perennial favorite sparkling.

2016-07-24-16-33-40While my return to Mendocino proved both fruitful and enlightening, I confess I was surprised that I never once stumbled across the mood-altering botanical for which it is primarily known. Perhaps because it has been a few decades since I cultivated an affinity for the weed that its whereabouts eluded me. Perhaps it was because I have had little to praise for the few bottlings of marijuana-infused wine that I’ve tried. Or could it be that this reputation is simply an elaborate hoax, a convoluted pharmaceutical paronomasia?


I passed through Mendocino a week later, en route to a wine tasting in neighboring Lake County, another AVA I have been remiss in visiting. But with so many fires having recently ravaged this pristine preserve, it seemed almost obligatory that I journey north as a gesture of solidarity with the fourteen wineries on hand for The People’s Choice Wine Tasting.2016-07-30 15.44.28Admittedly, I could have made better timing in getting to the Kelseyville destination, but I decided to follow the scenic mountain route over from Hopland.As I began my descent down Highway 175, the vista from atop Cobb Mountain provided a breathtaking panoramic of Clear Lake, a natural phenomenon often unfairly depicted as a poor man’s Lake Tahoe. The vast expanse of this waterway was an unanticipated revelation, tinged with regret that I have not taken advantage of the resorts that dot its shore, especially when San Francisco summers have taken an Arctic turn.

My other epiphany came as I wound down from Middleton to the back stretches of Bottle Rock Road: seemingly every other vineyard I passed was tagged with a Beckstoffer sign. Behind this ubiquity lies a concerted effort to bolster the quality and reputation of Lake County’s wines, particularly Cabernet Sauvignon hailing from the Red Hills AVA, where they farm nearly 1,300 acres of vineyard. This past winter, owner Andy Beckstoffer announced a program wherein he would provide one acres’ worth of Cabernet for free to ten select vintners in the county to draw help catalyze this ambitious project. Despite being seen by some merely as theatricality, the chosen vintners with whom I spoke wear their selection as a badge of honor.

I arrived at host Moore Family Winery amid their own theatricality, a blind tasting of thirteen Lake County Sauvignon Blancs. As with the Anderson Valley Barrel Tasting, I quickly drifted from the staged event inside the Tasting Room and focused my visit on the wineries pouring their Gold Medal selections. Host Steve Moore offered a distinctive lineup, starting with his 2015 Sauvignon Blanc, a wine that had not taken part in the shootout. I clearly favored his 2015 Chardonnay, however, but did cotton to the 2009 Late Harvest Sauvignon Blanc, a most deserving dessert wine.

In a similar vein, Kelseyville’s Chacewater showcased their 2014 Chardonnay, a wine I would have liked to contrast with their Organic Certified 2015 Chardonnay. Complementing this vintage, however, was the 2015 Muscat Canelli, a sweet yet appealing wine, to be sure. Former Kendall-Jackson winemaker Jed Steele had his various labels out in force, impressing with the Sweepstake Red Winner, the 2012 Steele-Stymie Merlot and, in a nod to poetic justice,the 2015 Writer’s Block Roussanne.

Forsooth, Fults Family Vineyards, a winery I had not previously encountered, countered with a pair of their amiable whites, the 2015 Sauvignon Blanc and the 2015 Chardonnay. Contrasting quite nicely, the stainless steel 2015 Endeavor, a limited release Chardonnay from Wildhurst, which showcased its 2013 Petite Sirah alongside. And in keeping with the caliber of his worldwide wine portfolio,a standout 2013 Petite Sirah came from Langtry, new NHL team owner Bill Foley’s Lake County acquisition.

While Foley has ponied up $500,000,000 for the construction of T-Mobile Arena in Las Vegas, the more anticlimactic redevelopment of San Francisco’s Treasure Island has begun displacing the cottage wine industry there, starting with the myriad labels produced at The Winery SF. Nonetheless, owner Bryan Kane remains committed to the Lake County fruit he sources for his personal Sol Rouge label, resulting in an ever-reliable 2013 Petite Sirah and a most compelling bottling of his 2012 Cabernet Franc. Another multilabel enterprise, Shannon Ridge showed atypical restraint, pouring a mere four selections from their seemingly inexhaustible lineup. Both the 2013 Wrangler Red, a blend of 44% Zinfandel, 43% Syrah, 11% Petite Sirah, and 2% Cabernet Sauvignon, and the 2012 Single Vineyard Cabernet Sauvignon seemed tepid, particularly when juxtaposed with their 2015 High Elevation Sauvignon Blanc and the superb 2013 High Elevation Chardonnay. Another winery that featured a blend was Fore Family Vineyards, also previously unfamiliar to Sostevinobile, with their delightful Grenache-based 2013 GSM; deftly displaying the potential of the Red Hills volcanic soil, their 2012 Cabernet Sauvignon proved sheer elegant.

From Clearlake Oaks, Cache Creek Vineyards shares only a name with the more familiar casino, but a kindred spirit with its Lake County brethren. Their 2014 Rosé of Cabernet attested to their acuity of their vinification, while the 2012 Cabernet Sauvignon constituted yet another testament to the potential of this AVA. Admittedly, I found myself wondering if Jack Welch would deem that Six Sigma’s somewhat tepid 2014 Sauvignon Blanc held to continuous efforts to achieve stable and predictable process results, but I was especially pleased to taste their 2013 Diamond Mine Cuvée, a black belt mélange of Tempranillo with lesser parts Cabernet Sauvignon and Syrah.

Also veering from the predominant French focus of the afternoon, Nick Buttitta made an impromptu appearance on behalf of his Rosa d’Oro label, sharing his intense 2013 Aglianico, a dense, intense interpretation of this varietal. Still, I concede that the standout wine of the afternoon was the opulent 2014 Viognier from Gregory Graham, one of the most acclaimed winemakers in Lake County.

Andy Beckstoffer contends Lake County’s “Red Hills is the most promising Cabernet Sauvignon site outside of Europe.” At the heart of this AVA sits Tricycle Wine Partners’ Obsidian Ridge, whose wines compare favorably at 2-3 times the price from their southerly neighbors in Napa. Underscoring this point today, they wowed the crowd with considerable aplomb, pouring a robust 2013 Estate Syrah, their 2013 Cabernet Sauvignon, co-winner of the Sweepstake Red award, and a distinctive Meritage, the 2012 Half Mile Proprietary Red, a wondrous blend of Cabernet Sauvignon and Petit Verdot.

I wish I had allotted more time to this visit, as many intriguing Lake County ventures that participated in this competition could not be present. I find myself now filled with trepidation that I may never have the opportunity to visit with several of these; as most people know, a series of wildfires have struck since my visit, threatening to undermine the emergence of Lake County as a world-class AVA. Fortunately, the arsonist responsible for many of these conflagrations has been apprehended. Moving forward, absent of natural catastrophe, perhaps Lake County can look toward their westerly neighbor for definition of the expression “up in smoke!”

What wine goes best with Fruit Loop-encrusted doughnuts?

In our last installment, Your West Coast Oenophile alluded to a continuing need to augment the databank of labels and varietals being assembled for Sostevinobile.
Over the past several weeks, I’ve had the opportunity both to visit
with new wineries and to attend a number of new industry events that
further exposed me to intriguing labels of which I had not previously been aware.


There can be a certain charm when a new, perennial wine tasting starts to get its footing. Or when a perennial tasting reinvigorates itself. The first gathering of the current cycle, the“season” between bud break and harvest, the always delightful benefit in Larkspur for the Marin Agricultural Land Trust, has augmented itself over the past few years, as plantings in Marin County, technically an extension of the Sonoma Coast AVA, have expanded and diversified.


Just as the savory game charcuterie from Mark Pasternak’s Devils Gulch Ranch
has evolved from rabbit sausage and venison shanks to include an array
of farm-bred patés, so too has the selection of wines grown in this
semi-rural county grown beyond the monopoly of cold climate Pinot Noir
to include a broad array of plantings. Famed for its olive oils, McEvoy Ranch in the Marin portion of Petaluma debuted its first wine foray here, the 2010 Evening Standard Estate Pinot Noir, a tribute to owner
Nan McEvoy’s newspaper legacy. But this wine was merely a portent of
things to come, as 25 acres of this special preserve have been planted
to Pinot Noir, Syrah, Montepulciano, Refosco, Alicante Bouschet,
Grenache, and Viognier.


I often stumble upon wineries through Internet searches and articles I read, then try to connect with them for Sostevinobile. One such venture with which I had corresponded over the past several years but never had the chance to taste is Department C Wines, a Pinot-focused label that had originated in San Francisco. Their first Marin release, the 2011 Chileno Valley Vineyard Pinot Noir, finally afforded me the opportunity to meet Ian Bunje and acquaint myself with his œnological prowess.


As it evolves in its own right as a sub-AVA, Marin will mold an identity, one that is not so restrictive that it creates a de facto orthodoxy. In this vein, Pacheco Ranch had first broken through the Pinot Noir stranglehold with its dry-farmed Cabernet, here represented by both the 2006 Reserve Bottled Cabernet Sauvignon and the 2006 & 2007 vintages of the Estate Bottled Cabernet Sauvignon. Pushing even further, newcomer West Wind Wines showcased their Nicasio-grown 2006 Cabernet Franc and 2006 Cabernet Sauvignon. Add to this array the return of Pey-Marin’s 2012 The Shell Mound Riesling and Kendric’s introduction of their 2012 Marin Viognier, and behold the seeds of a varied and distinct AVA being sown.


There are still parts of San Francisco to which realtors fancifully ascribe—or worse, deceptive concoct—a nomenclature to feign the appearance of a desirable locale. A few years ago, restored stucco houses in the Presidio, along the edge of the Outer Richmond, were designated Wyman Avenue Cottages and wishfully described as “lakeside properties.” True, the sludge-filled pond known as Mountain Lake lies but a mere 50 yards away, but in between lies Veterans Boulevard, an impassable four-lane thoroughfare to the Golden Gate Bridge. Try to imagine these residents dashing out the front door for an early morning swim before heading off to work!


The
pundits of real estate commerce have yet to devise a sobriquet for the
triangular wedge that lies between the gradually gentrified Dogpatch, a
strip of abandoned factories and obsolete shipyards along Third Street and its Muni rail line (and home to both August West Wines and Crushpad’s renaissance, Dogpatch Wineworks) and the still-foreboding enclaves of Bayview, Hunter’s Point, and India Basin. Here, in the heart of this terra incognita, the peripatetic Bryan Harrington has settled on a home for his Harrington label.


I’ve known Bryan for more than a decade, ever since his then Berkeley-based operations donated to the annual fundraiser my playwrights’ workshop, Play Café, produces. Bryan’s migration westward parallels an ascendancy in his wine making, both in terms of quality and in breadth; his forte in Pinot Noir has gradually been augmented with an impressive lineup of Italian varietals, including his off-dry 2012 Muscat Canelli Fratelli Vineyard. I was duly impressed with his 2010 Nebbiolo Paso Robles, but most striking had to be his bottling of three different interpretations of Fiano. First up was his striking 2012 Fiano Fratelli Vineyard from the Santa Clara Valley, an emerging niche for Italian varietals. Sourced from the same vineyard in Paso Robles, the 2011 Terrane Fiano, a sulfite-free expression, contrasted quite favorably with the 2012 Fiano Luna Matta Vineyard, an organic vintage.


I made the intrepid trek on my since-purloined Trek 1.2 to Harrington’s Spring Open House in the ramshackle warehouse he shares with an industrial designer and was rewarded for my efforts not only with the aforementioned wines but an exceptionally generous selection of local cheeses and salumi. But perhaps the most intriguing aspect of this semi-annual gathering was the portent of things to come,
with barrel selections from his 2012 Négrette, Trousseau, Teroldego,
Charbono, Lagrein, and Carignane. Quite the evolution from the
specialized Pinot producer I first met, and certainly one that appeals
to the esoteric predilections of Sostevinobile! I am certainly looking forward to sampling the bottled versions of these varietals in 2014.



A lot of people are surprised to learn that, beneath my hirsute (beard, ponytail) exterior, lies a discernable discomfort with, if not dread of, San Francisco’s Haight-Ashbury neighborhood. Back when I returned to San Francisco with my freshly-minted Master’s in Creative Writing, I financed my literary aspirations with a series of bartending gigs, more often than not in the less desirable establishments, where customers invariably tipped with unwashed coins, not crisp dollar bills.


One of the most despicable employers I had to endure ran a tawdry, mildew-laden saloon that feigned a veneer of sophistication with nomenclature bearing trite homage to Greek mythology. One evening, the pusillanimous dweeb who owned this dive inexplicably launched a tirade of racially-laden epithets against a clandestinely-armed patron, who, upon being ejected from the bar, lurked outside at the corner of Haight & Clayton, intent on stabbing me as I headed out.


Fortunately, several of the more level-headed regulars diffused this situation before my shift ended, but what perturbed me most wasn’t so much the volatility of this situation as the
sudden realization that many other habitués of this downbeat district
could have spontaneously sprung into violence without provocation, as if still strung out on a rumored batch of bad LSD had pervaded the neighborhood some fifteen years before.


But what
of the hippies who fortuitously managed to drop the good batch of acid
back then? These folks, so the story goes, packed up and settled in
Fairfax, a quasi-gentrified enclave that straddles the edges of
yuppified Central and still-rustic West Marin. As in Humboldt County, wine in Fairfax now constitutes the second-most preferred social lubricant, and so it seemed most befitting that the annual Fairfax Ecofest sponsor an organic wine tasting tent this year.


Without even a semblance of a site map, I fumbled my way through booths hawking handcrafted flying pig mobiles, energy gems, lobbyists for Palestinian solidarity, artisan ceramic and jewelry makers, tripped over innumerable loose dogs and unleashed children, nearly fell into the brook, but eventually wound my way up the hill, through the Fairfax Pavillion, and onto the hilltop tent perched above the Ball Field of FUN. There I sampled through an admittedly smaller than advertised selection of mostly familiar stalwarts of organic winemaking like Medlock Ames, Terra Sávia, Ceàgo, Scenic Root’s Spicerack, and Chacewater.


Of course, I found it most heartening to sample through an array of organic Sangiovese and Tuscan blends from old friends at Frey, Petroni, Barra’s Girasole, and Lou Bock’s Chance Creek, but the serendipity of the afternoon came from Fairfax’ own Maysie Cellars, a boutique operation that poured its 2012 Rosato and the 2010 Sangiovese Masút, one of three different Sangio/Tuscan bottlings they offer. 


Also of note, an outstanding 2010 Velocity, the flagship Malbec from Velocity Cellars in Ashland, Oregon, which also is known the home of California’s leading Shakespeare festival—at least it is in Fairfax, where altered perceptions of geography remain kind of de rigeur!


One could argue that Washington was the first state to have an AVA highlighted in a hit song—Alvin and the Chipmunks’ 1958 chart topper, My Friend the Witch Doctor (oo-ee-oo-aah-aah, ting-tang, Walla Walla bing-bang). I prefer to believe this distinction belongs to California, Sir Douglas Quintet’s Top 100 hit in 1969, Mendocino. At least, that was how my initial introduction to this rising star on the viticultural landscape came about.


Now in its fifth incarnation, after devolving from The Golden Glass (sadly, an event now in search of itself), Taste of Mendocino revamped its format from last year’s extravaganza at Terra; the dissolution of the Mendocino Winegrape & Wine Commission gave rise to the newly-formed Mendocino WineGrowers, which offered a scaled-down event at the Presidio’s Golden Gate Club.


Even
though wine was the central focus of this event, the panoply of
Mendocino’s offerings in the gustatory realm was amply displayed here.
Culinary exhibitors like Assaggiare Mendocino, Kemmy’s Pies, Eat Mendocino, Pennyroyal Farm, Mendocino Organics, and Ocean Harvest Sea Vegetable
served up exceptional tidbits that included savory panini sandwiches,
slices of homemade fruit pies, several cheese selections, and an
assortment of delectable dried seaweed snacks


And of course, there was the wine. Over the years, I have tasted numerous wines from Alder Springs Vineyard, but can’t recall any from under his own label. Given owner R. Stuart Bewley’s beverage
pedigree, it would be all too tempting to quip how these four wines
were far better than California Coolers; then again, they were far better than many, many wines I have tried over the years I have been building the wine program for Sostevinobile. I was well impressed by both of the white selections on hand, the 2011 Row Five Viognier-Marsanne and the 2010 Estate Chardonnay, while the 2011 Estate Syrah easily proved their equal. The standout, however, was a claret-style wine deftly blending Merlot, Cabernet Franc, Cabernet Sauvignon, and Petit Verdot, the sumptuous 2009 13 Tasks
. Tempting, of course, to describe this wine as Herculean, but that would leave it a task short.


The
beauty of the wine program I am designing comes from the breadth I
allowed for creativity, particularly in designing categories for the 16
three-wine flights that will form the core of our menu every week. With
such an expansive latitude, I needn’t restrict myself only to varietal
groupings, featured AVAs, focus on a particular winemaker, etc., and can
create truly esoteric groupings, like Euphonic Wineries (Harmony Wynelands, Harmonique and Harmony Cellars),
Wines of the NFL or Ivy League Winemakers or something else that
strikes my fancy. Shortly after Marc Mondavi released his own Divining Rod label, I learned about Van Williamson’s Witching Stick Wines, here ably represented by their 2010 Fashauer Zinfandel. Now all I need is a third label predicated on dowsing and I’ll have my category!


On the other hand, I will never be able to bring myself to have a flight based on pet-themed labels. Or really bad proselytizing puns, like Same Sex Meritage. But Testa Vineyards
could earn an entire flight for themselves, were they take up my
suggestion that they give their wines Italian colloquial names. Such as Testa Dura, something my paternal grandfather used to call me in moments of exasperation (other terms, in his native dialetto napoletano, comprise an orthography far too mangled for me to attempt). Nonetheless, with wines like the 2010 Simply Black Tré, a striking blend of Cabernet Sauvignon, Carignane, and Petite Sirah, and the compelling 2010 Simply Charbono, my suggestions were likely superfluous.




It
should be noted that regional dialects are not merely the province of
former Italian city-states. Up in Mendocino, the natives of Boonville
concocted Boontling, their own derivation on English peppered with numerous derivations from Scottish Gaelic, Irish, Pomoan and Spanish, along with unique local coinages. Frati Horn, the Boontling term for “glass of wine,” produced limited releases of the 2010 Anderson Valley Pinot Noir and its more complex successor, the just-released 2011 Anderson Valley Pinot Noir. Apparently, this esoteric dialect is facing the possibility of extinction, with only 12 fluent speakers remaining, but even an outsider can understand that these wines make for bahl hornin’!






Familiar faces populated the rest of the tables at the Golden Gate Club this afternoon. Standout wines included a surprisingly subtle 2009 Merlot from Albertina, along with their 2009 Cabernet Franc and textured 2009 Cabernet Sauvignon Grand Reserve. Bink Wines proved just as formidable with their 2009 Merlot Hawkes Butte Vineyard, while Phillip Baxter excelled with both his 2009 Pinot Noir and 2009 Syrah Valente Vineyard.


As has been almost a rule of thumb, the pourings of 2010 Pinot Noir from Claudia Springs and from Greenwood Ridge proved outstanding, as did the latter’s perennial favorite 2012 Sauvignon Blanc, a masterful organic expression. Elke Vineyards also shone with their 2010 Pinot Noir Donnelly Creek Pinot Noir, while the aforementioned Harmonique dazzled with both the 2007 Pinot Noir The Noble One and the 2008 Chardonnay Un-Oaked,


Normally, I’d be quite skeptical of any self-canonized winemaker, but
Gregory Graziano has certainly committed himself to the promulgation of
Italian varietals in California as devoutly as any evangelical,
particularly with his Monte Volpe and Enotria labels. Under the latter auspices, his 2009 Dolcetto proved a delightfully unexpected discovery. Biodynamic adherents Jeriko Estate contrasted a compelling 2011 Pinot Noir Pommard Clone with a vastly impressive 2010 Sangiovese.


The
2011 vintage seems to be erratic for Pinot Noir, though not without
splendid bottlings throughout both California and Oregon’s
Burgundian-focused AVAs; on the other hand, 2010 continues to show
uniformly excellent, as also evidenced here by both Lula Cellars
2010 Mendocino Coast Pinot Noir and Navarro’s 2010 Pinot Noir Méthode à l’Ancienne.


Rounding out my most notable list for the afternoon, Meyer Cellars impressed with their Meyer 2009 Syrah High Ground, while my longtime friend Fred Buonanno displayed his usual aplomb with both the 2009 Pinot Noir Marguerite Vineyard and the 2012 Gewürztraminer Ferrington Vineyard from his meticulously sustainable Philo Ridge.


I
am not meaning to give short-shrift to the other wineries pouring here
and covered numerous times in this column. At the risk of sounding
trite, the whole event this day was greater than the sum of its parts,
and, in many ways, Taste of Mendocino proved an ideal
tasting, with the right balance of wine and food, and just the right
number of participating producers that one could both enjoy each of the
wines without the sense of being rushed or scrambling to cover as much
as possible.



Ordinarily, wine serves as a complement to food, an equal partner in gustatory pairings. At the 6th Annual Vinify Get a Taste tasting in Santa Rosa, the culinary indulgence of Vinoteca co-owner
Hillary Lattanzio came close overwhelming the collective vinifications
of 14 boutique winemakers. Trays upon trays of hand-pressed
meatballs—three varieties in three different sauces—lured attendees from
the different wine stations set up along this cozy custom crush
facility parked inside the same Santa Rosa industrial complex that
houses Carol Shelton and Salinia.


Along with anchor winery Lattanzio, well-known produces like Olson Ogden, Sojourn, Couloir, and Calluna poured alongside Baker Lane, Argot, Bjørnstad, Desmond, and Frostwatch. Boutique producers included pulchritudinous Pfendler, co-tenant Super Sonoman, and Syrah virtuoso Westerhold. Having cited these labels in numerous Sostevinobile posts, I was nonetheless pleased to discover Randal Bennett’s Townley Wines pouring their 2010 Chardonnay Alder Springs Vineyard, the almost foolproof 2010 Pinot Noir La Encantada Vineyard, and a curiously-named 2008 The Shizzle Reserve Cabernet Sauvignon from Napa Valley. 
Other revelations here came from microproducer Cowan Cellars2012 Sauvignon Blanc Lake County2012 Rosé North Coast2010 Isa, and 2010 Pinot Noir Sonoma Coast, while Couloir’s alter ego, Straight Line Wines impressed with a trio of wines: the 2011 Sauvignon Blanc, 2011 Syrah, and, most welcome, 2011 Tempranillo.


Over the past few years, T.A.P.A.S.
has proven the most peripatetic of the major tastings, changing venues
with almost each iteration until settling this year, as have many
others, at the Golden Gate Club. One of the cornerstones of this event
has always been its gargantuan paella dish, this Spanish culinary
staple being the perfect complement to Tempranillo. Whether it were a
matter of funding or the challenges of the Presidio setting, I cannot
attest, but its absence this year sorely impacted the overall tasting. 

Nonetheless,
the smaller venue paired nicely with the intimate collection of
wineries for the sixth staging of the Grand Tasting. The forty wineries
on hand included a number of new participants (at least, new for Sostevinobile, as commitments to a synchronous event in St. Helena precluded my attending), a list that began with Egan Cellars, a boutique operation that impressed with its
2011 Albariño Terra Alta Vineyard and 2011 Tempranillo Liberty Oaks Vineyard (along with an anomalous 2012 Vermentino Las Lomas Vineyard they graciously poured).

From Paso Robles, the delightfully-named Pasoport focuses on fortified wines whose sanctioned nomenclature, fortunately, was grandfathered in before the U.S. /EU Wine Agreement on Certificates of Label Approval took effect, as well as other Portuguese-style blends and varietals. Starting with their 2011 Vinho Blanco Edna Valley, a light, competent Albariño that prefaced their 2008 Vinho Tinto, a deft blend of 30%
Tempranillo, 25% Touriga, 23% Tinta Cão, and 22% Souzão. Beyond these
still wines, their port offerings took center stage: the 2008 PasoPort Brandi Touriga Nacional and the utterly superb 2007 Violeta, an intense marriage of 53% Touriga, 28% Souzão, and 19% Tinta Cão.

The US/EU Wine Agreement covers a number of Spanish regional designations, but not the labeling within. As such, Dubost Ranch can call its red blend—40% Tempranillo, 40% Syrah, 20% Garnacha—a 2009 Crianza (though
Syrah is not a designated varietal of the Rioja DOCa, this wine does
conform to the aging prerequisites of Crianza classification).
Similarly, the 2009 Reserva Starr Ranch, a co-fermented blend of 30% Tempranillo and 70% Syrah, aged in barrels for three years before bottling, as Rioja requires.

After selling off their vast R. H. Philips
operations, Lane and John Giguiere remained in Yolo County and opened
their Crew Wine company, a multi-label holding company that includes Matchbook in Zamora, CA. Their Iberian offerings include the 2009 Tempranillo Dunnigan Hills, the crisp 2012 Rosé of Tempranillo Dunnigan Hills, and a 2009 Tinto Rey, a crossover blend of 40% Tempranillo, 33% Syrah, 19% Graciano, 4% Cabernet Sauvignon, and 4% Tannat. From Sonora, Inner Sanctum Cellars featured a more traditional blend, the intriguing 2010 Torro, a mélange of 90% Tempranillo and 10% Graciano.

Though
distinctly California town, Sonora and Zamora sound as if they belong
in Arizona. Each year, T.A.P.A.S includes a growing contingent of
wineries from the Sonoita AVA and the Verde Valley; as the quality of
these wines incrementally improves, it becomes more and more compelling
to expand the scope of Sostevinobile’s wine program (though technically not part of the West Coast, these vineyards do fall within the 750-mile radius from San Francisco).Highlights from the Cactus State included a competent 2012 Tempranillo from Javelina Leap, Dos Cabezas three-headed blend of Tempranillo, Monastrell, and Garnacha, the 2010 Aguileon Cochise County, and longtime participant Callaghan Vineyards, returning here with their 2009 Claire’s Sonoita, a blend of 55% Monastrell and 45% Garnacha.

One of the state’s highest profile winery, Caduceus Cellars, stems from the pioneering vision of Maynard James Keenan, lead singer of Tool. At T.A.P.A.S., his 2010 Sancha artfully blended Tempranillo with 8% Garnacha. Meanwhile, sister winery Arizona Stronghold poured their 2010 Site Archive Mourvèdre, aka Monastrell, as well as the 2011 Site Archive Malvasia Mid-Block, a varietal whose Spanish name eludes me.

In 2013, Arizona Stronghold brought a number of new varietals into production, including their Cabernet Pfeffer. Kenneth Volk,
which sources Cabernet Pfeffer from California’s only known plantings,
broadly impressed here with their wide selection of Iberian varietals,
most notably the 2010 Verdelho, Paso Robles, a striking 2009 Grenache San Benito Vineyard, and the redoubtable 2008 Tempranillo San Benito (though technically not part of the official T.A.P.A.S. roster, both the outstanding 2010 Tannat Bella Collina Vineyards and 2007 Cabernet Franc Paso Robles underscored Volk’s legendary viticultural prowess).

As
with Primitivo and Zinfandel, or Charbono and Dolcetto, there continues
to be considerable debate on whether Cabernet Pfeffer and Gros Verdot
are distinct varietals or simply different nomenclature for the same
grape (Sostevinobile is wont to believe they are not).
Nonetheless, let me move onto Petit Verdot, another grape that is
normally foreign to the Iberian lexicon; here, this ancillary Bordelaise
varietal comprised a third of the trilogy that comprised Starr Ranch’s 2010 Orion, in what has previously constituted a Tempranillo-Garnacha-Monastrell blend. Starr Ranch also served up an amiable 2011 Tempranillo Paso Robles and an exquisite 2011 Estate Grenache.

The rest of the tasting featured wineries that have sustained this event since its inception. Berryessa Gap, which hales from the rather isolated confines of Winters, showcased their 2009 Rocky Ridge Tempranillo. Bodegas Paso Robles stunned with their 2008 Pimenteiro, a 2:1 blend of Bastardo and Tempranillo and a delightful 2010 Monastrell.

I do wish Baiocchi
specialized in Italian varietals, but nonetheless they excelled here
with a trio of outstanding Grenache-focused wines, starting with the 2011 Gminor,
a mixto of 44% Garnacha with 32% Syrah and 24% Tempranillo. The
equally-splendid 2010 Orellana featured Tempranillo and Garnacha in a
3:2 blend, while the 2012 Neophyte Rosé (100% Garnacha) proved utterly stellar. Other Garnacha standouts were Turkovich’s 2011 Grenache California, Twisted Oak’s 2009 Torcido Calaveras County, and Core’s 2008 Grenache Reserve Santa Barbara County.

Of course, Tempranillo ruled the roost here, with veterans like Clayhouse, with their 2010 Casa de Arcilla Tempranillo and Verdad’s 2010 Tempranillo Sawyer Lindquist Vineyard. Berryessa Gap in Winters offered a scintillating 2009 Rocky Ridge Tempranillo, as did Sutter Creek’s Yorba with their 2009 Tempranillo Amador County, while from Oregon’s Rogue Valley, Folin Cellars weighed in with their sumptuous 2007 Estate Reserve Tempranillo.

Oregon’s other representative here, founding T.A.P.A.S. member Abacela, brought their perennial favorite, the 2009 Port, a blend of 46% Tempranillo, 19% Tinta Amarela, 18% Bastardo, 11% Tinta Cão, and 6% Touriga Naçional that even an abecedarian could cotton to! Closer to home, Lake County’s Six Sigma showcased their 2010 Diamond Mine Cuvée, an atypical blend of 54% Cabernet Sauvignon, 38% Tempranillo, and 8% Syrah, while Lodi’s venerable Riaza intrigued with their NV Viña Selecta, a “sort-of-proprietary red blend” consisting of 80% Tempranillo, 10% Garnacha, 5% Graciano, and 5% ???

Lodi’s other mainstays here, Bokisch proved across-the-board excellent, with this year’s standouts coming from the 2012 Verdelho Borden Ranch, a striking 2010 Tempranillo Lodi, their 2010 Monastrell Clement Hills, and an always-dazzling 2010 Graciano Lodi. And in addition to their own excellent 2010 Tempranillo Lodi, Harney Lane yet again produced a dazzling 2012 Albariño Lodi.
Regrettably absent from this year’s Grand Tasting: Forlorn Hope, Berghold, and Silvaspoons, three wineries that have long impressed me here and on other occasions. But it would be absent of me not to cite attending wineries like St. Jorge which, in their stead, showcased a trio of esoteric varietals, including the 2009 Touriga Nacional Silvaspoons Vineyard, a sublime 2009 Souzão Silvaspoons Vineyard, and (to the best of my knowledge) California’s first 2010 Trincadeira Silvaspoons Vineyard. A final singular grape expression came from the 2011 Arinto San Antonio Valley, bottled (I had tried the barrel sample earlier this year) by Lockwood’s Pierce Ranch, complemented perfectly by their 2011 Albariño San Antonio Valley.
Even though the San Antonio Valley AVA is in Monterey County, it reminds that the first T.A.P.A.S. Grand
Tasting featured a Texas winery, an absence I can’t say I totally
regret. But this event has thrived, in the past, not just by its wines
but through pairing and the totality of the Iberian tasting experience.
Certainly locating a venue that can accommodate the full panoply of the
event would bode well for the Seventh Grand Tasting next year.


The following week saw the return of a perennial megatasting Pinot Days
in its final Fort Mason appearance. Even if the exhibit halls were not
being shut down for a dramatic redesign, I suspect relocation of this
and numerous other wine events would have been desirable. Shrinking
attendance, as well as a notable diminution of participating wineries,
have reached a point where the Festival Pavilion has begun to feel
cavernous.
With
the desertion of the once-teeming crowd and numerous wineries, there
was also a notable absence of any kind of substantive food offering,
It’s not just that five hours of tasting requires a lot of stamina and a
continuous need to replenish. It’s primarily a safety measure to
provide attendees a modicum of something to nosh and keep from hammered
after visiting eight or so tables. But perhaps a new venue next year
will come with onsite catering.
Meanwhile, Sostevinobile was able to acquaint itself with a handful of new wineries and begin to gain a perspective on the 2011 vintage (and even a glimpse into 2012). First up was Santa Rosa’s Amelle Wines, a specialist in both Pinot Noir and Zinfandel, with a refined 2010 Sonoma Coast Pinot Noir and a stellar 2010 La Cruz Pinot Noir. As would be pattern, the 2011 Amelle Pinot Noir Pratt Vineyard, while quite amiable, did not prove the equal to the preceding vintage. Showcasing their first commercial bottling, Apogee served up an equally appealing 2010 Sonoma Coast Pinot Noir, a 130 case effort.
With Siduri’s Adam Lee as their winemaker, Healdsburg’s Bucher offered a tepid rendition of the 2011 Pinot Noir but surprised with a sneak pouring of their strikingly rounded 2012 Chardonnay. Chris Donatiello is another veteran winemaker, and while his C. Donatiello label isn’t new or unfamiliar, it does represent a sort of resurrection since his schism with Hambrecht Wine Group. Here his 2010 Pinot Noir Russian River Valley proved an exceptional wine, while, as with others, the 2011 Pinot Noir Tina Marie Vineyard and the 2011 Pinot Noir Block 15 seemed a slight notch below, although both were excellent bottlings. In his stead, VML Winery has taken over the Healdsburg facility (where , in its Belvedere incarnation, I had contracted my first bottling in 1990) and here showcased winemaker Virginia Lambrix’ deft approach, first with her superb 2011 Earth Pinot Noir, a blend of assorted vineyards and clones from the Russian River Valley, followed by one of the afternoon’s standout, the 2011 Floodgate Vineyard Pinot Noir. Also not to be missed: the 2012 Rosé of Pinot.
Pence Ranch
lists it address as Pacific Palisades, which would be one of the most
ætherial places to own a winery, but, alas, its grapes and production
all come from Santa Barbara. No disappointment whatsoever, however, in
the quality of their wines, with a trio of superlative offerings:
the 2010 Estate Pinot Noir, the 2010 Uplands Pinot Noir, and most significantly, the utterly delectable 2010 Westslope Pinot Noir. Such wines can only make one interpolate how their sold out 2010 Swan Pinot Noir might have tasted.
In other years, I have chided Tondrē for failing to show at their designated table at a number of events. And with wines like their 2010 Pinot Noir Santa Lucia Highlands,
I will excoriate them if they ever fail to show again! I’ve also had a
number of occasions to savor Hall Wines, but previously not had the
opportunity to taste through their adjunct WALT Wines. In keeping with her Cabernet forte, the Pinots here proved just as first-rate: the 2011 Blue Jay Pinot Noir from Anderson Valley and the exceptional 2011 Rita’s Crown Pinot Noir from the Sta. Rita Hills.
A new and interesting participant this year was Healdsburg’s Ousterhout,
a Zinfandel-focused winery that sounds like Pinotage producer, but only
vints rosés from its Pinot Noir grapes. Here their two offerings stood
in marked contrast to most producers, with the 2012 Dellinger Vineyard Pinot Noir Rosé decidedly preferable to the 2012 Wood’s Vineyard Pinot Noir Rosé. Also pouring a rosé, fellow newcomer Reuling Vineyard juxtaposed their 2012 Rosé of Pinot Noir Sonoma Coast with an equally-appealing 2011 Pinot Noir Sonoma Coast.
The last word at this tasting came from Oregon’s Z’IVO Wines, showcasing a retrospective of their 2007 Estate Pinot Noir Eola-Amity Hills and their current 2009 Eola-Amity Hills Willamette Valley Pinot Noir. Judging by the previews of the 2012 vintage I sampled here or elsewhere, Pinot Days 2014
portends to be a revelatory, if not highly enjoyable tasting, wherever
it is eventually held. As long as the promoters don’t further scrimp on
the sustenance.


The day prior to the Pinot tasting proved to be a
whirlwind, starting with this century’s equivalent of feeling naked in
public, namely arriving at an event, only to realize I’d left my iPhone
at home, and ending amid the
row of tasting rooms in Saratoga’s quaint downtown.
The calamity of the forgotten phone meant I could only shoehorn in a
15-minute survey through the vastly pared-down Golden Glass tasting at
the revived Metreon Center, yet even this brief interlude revealed that
this once-monumental event had dwindled to a mere vestige of its
previous glory.

Collecting myself and my cell phone, I quickly headed down the Peninsula for the Farm to Grill celebration Ridge
extends to its members. But before embarking on the long trek up Monte
Bello Road, I detoured to the Campbell Community Center for the
inaugural Silicon Valley’s Wine Escape, sponsored by the nascent Wineries of the Santa Clara Valley
trade alliance. Despite its long viticultural significance—at the time
of statehood, Santa Clara counted more vineyard acreage than any other
county in California—the Santa Clara Valley AVA has long been
underrepresented among the prime viticultural settings in the Bay Area.
On this afternoon, there was an obvious overlap with the nearby Santa Cruz Mountains Winegrower Association, with several attendees also frequent pourers at these older trade events.
These wineries also tended to be more seasoned than their less familiar colleagues, yet there were plenty of intriguing discoveries. From Gilroy, Fortino featured a rather impressive 2010 Cabernet Sauvignon alongside their equally-appealing 2008 Charbono from their San Martin plantings. And demonstrating their command of œnological sciences (as opposed to Scientology), Thomas Kruse Winery showcased their 2011 Chardonnay and 2010 Merlot.
Two
other Gilroy wineries further highlighted the versatility of the AVA,
with the multichrome Satori Cellars ably marrying 49% Cabernet
Sauvignon, 36% Syrah and 15% Merlot to produce their 2010 JoyoUS Estate Reserve. Tucked into Hecker Pass, Solis Winery flourished here with a diverse trio of wines: a highly competent 2008 Estate Syrah, a wondrous 2012 Reserve Fiano, and an unspecfied Bordeaux blend, the 2009 Cara Mia.
Two
other Gilroy wineries further highlighted the versatility of the AVA,
with the multichrome Satori Cellars ably marrying 49% Cabernet
Sauvignon, 36% Syrah and 15% Merlot to produce their 2010 JoyoUS Estate Reserve. Tucked into Hecker Pass, Solis Winery flourished here with a diverse trio of wines: a highly competent 2008 Estate Syrah, a wondrous 2012 Reserve Fiano, and an unspecified Bordeaux blend, the 2009 Cara Mia.
Most of the wineries here heralded from the garlic capital of the world, Gilroy. Kirigin Cellars has the added distinction of being the only winery in North America that also sports a regulation cricket pitch and field. Neither batsmen nor Commonwealth loyalists were on hand here, as the winery featured a decidedly Italian 2012 Malvasia Bianca, alongside their 2010 Cabernet Sauvignon and a passable 2011 Petite Sirah (I will refrain from commenting on their saccharine, signature Vino de Moca). Another of Gilroy’s Hecker Pass denizens, Sarah’s Vineyard, excelled with their Rhône focused 2010 Côte de Madone Blanc, a Roussanne-focused vintage rounded out with 25% Marsanne, 15% Viognier, and 10% Grenache Blanc and their 2009 Côte de Madone, a GMS blend with Carignane and Counoise, as well.
Just after Christmas, in 1988, I was actually snowed out of a meeting in San Martin as I sought a custom facility to bottle my George Herbert Walker Blush—A Kinder, Gentler Wine; no worries about precipitation on this scorching afternoon as I sampled the 2008 Estate Melody, a Meritage of 36% Cabernet Sauvignon, 29% Cabernet Franc, 17% Petit Verdot, 14% Malbec, and 4% Merlot from San Martin’s Creekview. Morgan Hill’s Sycamore Creek also specialized in Bordeaux varietals, with an appealing 2010 Malbec and a well-rounded 2009 Merlot
As I had sampled a number of Jason-Stephens wines only a few days before, I elected here only to try their superb 2010 Estate Cabernet Sauvignon. Likewise, the constraints of a breakneck schedule meant bypassing such familiars as Aver Family, Clos LaChance, Cooper-Garrod, and the ubiquitous J. Lohr. I could not, however, fail to taste the exquisite Martin Ranch’s 2009 Thérèse Vineyards 2009 Sangiovese nor Guglielmo’s utterly compelling 2009 Private Reserve Barbera, despite my usual trepidation after being informed it had won Best in Region at the 2013 California State Fair Wine Competition.
I did like the 2011 Colombard from Lightheart Cellars but was a bit less sanguine about their 2012 Let There Be White, a wine described only as “a fun white blend.” The other wineries on hand—Casa De Fruta, Ross Vineyards, Rapazzini, Morgan Hill Cellars, and Sunlit Oaks—fared
even more poorly, I fear, including a pair of Moscato bottlings I found
utterly clawing. Perhaps, however, these wines were the inspiration for
the box of Fruit Loop-encrusted doughnuts (!) decorating the food table in the center of the Community Center!
With
150 years of viticultural history, the Santa Clara Valley may not
qualify as an emerging wine region, but as a trade associate, it is
still quite inchoate. As such, their events will combine a mixture of
veteran savvy and naïve charm, as the Silicon Valley Wine Escape
showed. The setting felt more like a church bake sale than a slick wine
tasting, with a genial crowd and some of Silicon Valley’s better
gastronomic ventures interspersed throughout this meeting hall. Some
wineries were quite established, others still jejune, but that is to be
expected at this stage, and all held promise for the future. And with a
center bar of tables featuring a surfeit of homemade entrées and
desserts (including the aforementioned doughnuts), they certainly upped the ante for outright hospitality to which some long-established tastings might want to pay heed!

Ch-ch-ch-changes

It’s time I renew my commitment to keeping this blog fresh (and current). And so, now that I’ve put that most execrable year—2011—to bed, proverbially, let me plunge into the exciting slew of tastings and other wine events I have covered since the dawn of the New Year.
I realize I need to reinvigorate the content here. The arduous protraction in developing the sustainable wine bar/retail shop to which I have been slavishly (albeit happily) devoted for the past three years has created more than a bit of redundancy in the events I am covering, but recently renewed promise of catalytic investment means that a physical launch for Sostevinobile appears well within sight. And with that portent comes reinvigoration for Your West Coast Oenophile.
My first wine foray for 2012 came, as always, with ZAP, the Grand Tasting that introduced me to the pleasures of grand tasting some two decades ago. As I’ve documented many times, the nascent festival took place in the narrow confines of Fort Mason Mason’s Golden Gate Room before it mushroomed into a mammoth extravaganza, with nearly 400 wineries filling two exhibition halls. To be honest, the enormity proved intimidating even to those of us who had attended (nearly) every one of its twenty previous sessions, but for reasons that have yet to be made clear, this year’s session relocated to the Concourse Exhibition Center in San Francisco’s SoMa district.
I had expected the space to be overbearing, if not oppressive. The numerous times I have attended West Coast Green, trying to navigate the Concourse has felt like wading through a crowded subway station; this day, with lines wrapping nearly around all four sides of the building before I arrived, I braced myself for even worse congestion. Surprisingly, the scene inside was anything but daunting. With its wooden floors and mezzanines, multiple partitions, raised roof and carpeting, the block-long facility insulated and dampened the cacophony that Fort Mason’s concrete warehouse amplifies. Moreover, the Concourse’s 125,000 ft.² easily dwarfed the combined 80,000 ft.² of the Herbst Pavilion and Festival Pavilion that ZAP has occupied for the past dozen or so Januaries, making this marathon feel more like a casual stroll.
Because of my long-standing history with this event, only a handful of presenters had not been covered on these pages; only fitting, therefore, that I started off this iteration with Beekeeper Cellars, a single-wine project focused on one of Zinfandel’s most storied appellations, Rockpile. Fittingly, Ian Blackburn’s first vintage, the 2009 Zinfandel Madrone Spring Vineyard, proved absolutely stunning, a liquid paean to Clay Mauritson’s viticultural prowess. Over in Glen Ellen, Bucklin Vineyards represents a throwback to the heyday of California field blends, with Grenache, Alicante Bouchet, Petite Sirah, Mourvèdre, Syrah, Carignane, and Tempranillo interspersed among its Zinfandel vines. This random mélange was best expressed in Will Bucklin’s extraordinary and aptly-named 2009 Mixed, a wine that fell beneath the required Zinfandel threshold for ZAP but drew no complaints. His compliant entries, the 2008 Old Hill Ranch Zinfandel VOVZ (Very Old Vine Zinfandel) and its younger brethren, the 2009 Bambino Old Hill Ranch, proved exceptional wines in their own right.

To the uninitiated, Cycles Gladiator may sound more like a counterpart to Segway Polo than a wine label, and while this Lodi branch of Santa Lucia Highland’s Hahn Estates derives its name from one of the classic Velocipede models from the late 19th century, its evocative label gives the wine a perceived style all its own. Unfortunately, though, $12 wine all too often constitutes a rather mundane effort, and both the 2009 Zinfandel Lodi and the far-too-early 2010 Zinfandel Lodi made for rather tepid offerings; an earlier vintage, the 2007 Cycles Clement Zinfandel proved only marginally better. Not that a wine need be inordinately expensive to wow me, as both the 2006 Alexander Valley Zinfandel and its successor, the 2007 Alexander Valley Zinfandel from Healdsburg’s Gann Family Cellars readily demonstrated.

The Velocipede, as designed by brothers Pierre and Ernest Michaux

Of course, I am usually blind to bottle prices as I evaluate wines at the various events and tastings I attend. Poignantly, not ironically, David Hunt of Paso Robles’ Hunt Cellars displa
yed a unique deftness with œnological skills unimpeded by his retinitis pigmentosa. Little doubt to his claim that his lack of vision accentuates his other senses, as evidenced by his array of Zins and Zin-based wines, starting with his delightful trademark, 2007 Zinovation Destiny Vineyards. From there, his vinification continued on an upward trajectory to include the 2007 Zinfandel Reserve Outlaw Ridge Vineyard and the superb 2007 Rocket Man Zinfandel. This trio was accompanied by hunt’s 2006 Thriller, a blend of Zinfandel, Merlot and Syrah, and the splendid 2003 Zinful Delight, a Tawny Port-style dessert wine.

Many of the wines from Hunt take on a musical theme, no surprise given David’s successful career as a recording artist. Continuing this motif, Paul Hoffman’s Headbanger demonstrated that even at deafening decibel levels, Zins can not only rock but satisfy—to wit, the 2009 Sonoma County Zinfandel. I bypassed the usual culprits like R&B Cellars, Deep Purple and Sledgehammer, though I usually have an affinity for rock-oriented labels; canine labels, however, tend to nauseate me with their overt sentimentality. And I suppose I should hold cat labels with equal contempt, but Les Deux Chats, a whimsical, boutique producer out of Valencia deeply impressed me with their très bon 2010 Zinfandel Benito Dusi Vineyard.
From an even more improbable locale, Jerome, Arizona’s eponymous Jerome Winery gave me yet another reason to question whether Sostevinobile should augment its roster with the Grand Canyon State, notably impressing with both their 2009 Colored Soldier Zinfandel and their library selection, the 2005 Cochise Willcox Zinfandel. Of course, there is little question Napa falls well within our purview; nonetheless, stellar efforts as those displayed by Mike and Molly Hendry, with both their 2009 R. W. Moore Zinfandel and the successive 2010 R. W. Moore Zinfandel, make this even more a moot point. Similarly, following in the heels of its highly acclaimed Zinfandel blend, The Prisoner, Rutherford’s Orin Swift affirmed its standing at ZAP with the 2009 Saldo, a whimsical mix of 80% Zinfandel with 9% Petite Sirah, 8% Syrah, and 3% Grenache.
Old Moon was a curious participant at ZAP. Its 2010 California Zinfandel proved marginally drinkable, though incrementally better than its fellow Trader Joe’s exclusive offering, the famed Charles Shaw. Likewise, Unruly is one of the house labels contracted to BevMo, and while I personally respect wine buyer Wilfred Wong, I question the objectivity of his scoring their mediocre-at-best 2010 California Zinfandel at 90 points.
Sostevinobile also scores the wines I sample, but on a much different scale that is not intended for publication; still, the 2008 California Zinfandel Soulmates’ Aggie Bonpua crafted in tribute to her late brother would easily cross this mystical threshold. Meanwhile, Victor Hugo Winery from Paso Robles nominally has no connection to the great French author (although proprietor Victor Hugo Roberts does bottle wines he calls Les Mis Rosé, and Hunchback); here, he excelled with his 2009 Estate Zinfandel and a late harvest Zin, the 2009 Quasi.
Up north, the Terlato conglomerate attempted to stir up patriotic feelings with their The Federalist (a somewhat ironic designation, given their international billing). Nonetheless, their 2008 Zinfandel Dry Creek Valley proved both fiscally and viticulturally quite sound, while their 2009 Dueling Pistols, a further homage to Alexander Hamilton, constituted a deft blend of Zinfandel and Syrah (of course, were they to price this wine at an even sawbuck, that would only complete the allusion). Also vinting a superb Zin blend, Trattore’s 2009 Tractor Red combined 38% Petite Sirah with Dry Creek Zinfandel, while their 2009 Zinfandel Dry Creek Valley proved redolent of the famed AVA.
Speaking of Petite Sirah, perhaps the most compelling wine of the afternoon was the 2009 Estate Petite Sirah Vince Tofanelli wasn’t supposed to be pouring; mellowed with 2% Grenache, this ink-dark wine showed sumptuously now and portend seven greater grandeur with aging. These same grapes also lent balance to his 2008 Estate Zinfandel, which more than complied with ZAP’s specifications.
As much as I enjoyed the atmosphere and pace of this year’s event, I still could only wind my way to a mere fraction of the tables spread throughout this spacious complex. Among those that I did mange to sample, many truly excellent bottlings stood out, starting with the aforementioned Mauritson, which affirmed its status as the premier producers of Rockpile Zinfandel, starting with their 2010 Rockpile Ridge Vineyard Zinfandel. From another of their Rockpile plantings, the 2010 Westphall Ridge Zinfandel nearly matched this spectacular quality, while the nonetheless excellent 2010 Dry Creek Valley Zinfandel seemed a slight notch below.
Validating the reputation of another premier AVA for Zinfandel, Lodi’s McCay Cellars simply wowed with their 2010 Contention Zinfandel, a wine with a Turley price point and equal to the task.Also quite compelling—the 2009 Jupiter Zinfandel, also from Lodi. Napa Zins tend to lag behind their Bordelaise counterparts, in terms of public perception; along with Turley, St. Helena’s Brown Family Estate has staked its claim not with Cabernet but with astounding wines like their 2010 Rosemary’s Block Zinfandel. Nearly as luscious was their 2010 Napa Valley Zinfandel and the always popular 2010 Chaos Theory, where 35% Cabernet Sauvignon underlies 60% Zinfandel (along with 5% Petite Sirah).
Several other wineries displayed superlative renditions of the grape, including such Sonoma stalwarts as Bella Vineyards, with their 2009 Maple Vineyard Zinfandel and Bonneau, with a near-foolproof 2009 Rockpile Zinfandel. Other killer B’s included Glen Ellen’s Baldwin Wines, pouring an enticing 2009 Slater Zinfandel and their 2007 Dawn Hill Ranch Zinfandel; Hopland’s venerable Brutocao Cellars, showcasing the 2007 Reserve Zinfandel Mendocino; and, from Ravenswood’s scion Morgan Peterson’s Bedrock Wine, the 2009 Dolinsek Ranch Heirloom Wine (60% Zinfandel, with Charbono, Petite Sirah, Alicante Bouschet and “a few other varietals”).
My friend Ray Teldeschi’s Del Carlo once again showed their redoubtable command of this varietal with their 2008 Old Vine Zinfandel, while Hartford Family Wines once again proved their mettle with both the 2010 Highwire Zinfandel and, from their library, the 2005 Hartford Vineyard Zinfandel. Another Lodi standout, Harney Lane, showcased a jammy 2009 Zinfandel Lizzy James Vineyard, while Placerville’s Lava Cap, an inveterate Rhône specialist, excelled here with their 2008 Zinfandel Reserve, alongside an impressive bottling of the 2009 Zinfandel Spring House.
Miro Cellars in Cloverdale usually stakes its claim with their catalog of Petite Sirahs, but here manifested equal versatility with their 2010 Grist Vineyard Zinfandel. Rock Wall, the successor to Zinfandel legend Rosenblum Cellars, extended their prodigious reputation with a striking 2010 Obsidian, an equal blend of Zinfandel and Petite Sirah. Keeping pace, Healdsburg’s understated Simoncini dazzled with their 2009 Estate Zinfandel. Another understated endeavor, Lodi’s Van Ruiten also impressed with their 2009 Old Vine Zinfandel.
I finished up my rounds with a couple of long-standing familiars. Julie Johnson’s Tres Sabores flourished with their usual aplomb, matching the quality of their 2009 Estate Zinfandel with their proprietary 2009 ¿Porqué No?, a Zinfandel rounded out with Petite Sirah, Cabernet Sauvignon, and Petit Verdot. And the peripatetic Starry Night poured their extensive lineup of Zins, headlined by the 2009 Old Vine Zinfandel Nervo Station, a superb selection.
I did manage to sample from another dozen or so wineries I have reviewed extensively here and could not fit in the other 150 or so spread out among this complex. No matter—their fare has been extensively covered in previous Sostevinobile entries and all will be given equally opportunity to present their wines to our tasting panel, once we begin acquiring inventory.

Spectacular wines aside, the true star of this tasting had to have been its new locale at the Concourse
. Spacious, airy, well-partitioned, with abundant light, and, most significantly, dampened acoustics, this SOMA destination turned what had grown, frankly, into an overwhelming tasting into an event that approached manageability, albeit a few glitches that I am sure will be worked out when ZAP 2013 returns next year.


I had been lead to believe ZAP had switched settings this year to accommodate the long-awaited renovations to the piers at Fort Mason, but apparently other matters were at play. The next weekend, The Golden Glass returned to Herbst Pavilion after its 18 month absence, having taken a hiatus in 2011. Besides shifting to a winter time slot, this showcase for Slow Food had was compelled to alter its local wine focus, now that Taste of Mendocino has spun off into its own full-fledged event.
Golden Glass was once again dominated by Italian wines, not surprising given that my good friend and Slow Food San Francisco’s founder Lorenzo Scarpone imports wine through his principal business, Villa Italia. The California selection were but a smattering, with 10 wineries on hand, along with a small selection from the Central Coast’s Sustainability in Practice (SIP) certification ranks and several Golden Glass honorees, which were poured in absentia.
One of the winners, VML, represented the latest incarnation of the former Belvedere Winery, coincidentally the facility where I bottled my first custom label some 22 years ago. Now part of H.D.D. Wines (the initials for Hurst Dolan Dolan), VML (the initials of winemaker Virgina Marie Lambrix) showcased an exceptional, biodynamically-grown 2010 Boudreaux Vineyard Pinot Noir. Also heralding from the Russian River Valley, La Follette medaled for both its 2009 Pinot Noir Van Der Kamp Vineyard and the 2010 Pinot Meunier Van Der Kamp Vineyard.
I confess to having, on occasion, less than objective attitudes on certain matters. Most large-scale winery operations do not readily come to mind when I think of Slow Food and sustainability, and, as such, it was a tad surprising to find Wente and J. Lohr among the lauded labels here. Still, such preconceptions proved erroneous (Lohr’s operating slogan is “Respecting Nature, Nurturing Balance”) and in no way reflected on my appreciation for the quality of the wines they poured. I was particularly taken with Wente’s 2010 Riva Ranch Chardonnay, as well as J. Lohr’s 2010 October Night Chardonnay. I also cottoned to the latter’s 2010 Tower Road Petite Sirah and Wente’s 2009 Southern Hills Cabernet Sauvignon.
An early proponent of biodynamic farming, Grgich Hills is no stranger to acclaim for its Chardonnay, as exemplified by the 2009 Chardonnay Napa Valley they poured here. Equally appealing: the 2008 Cabernet Sauvignon Napa Valley and their 2008 Zinfandel Napa Valley. Another early biodynamic proponent, Robert Sinskey Vineyards, offered an impressive trio from their inventory starting with their signature 2008 Pinot Noir Three Amigos Vineyard from the Napa side of the Carneros AVA. Sinskey’s hallmark is to craft their wines in Burgundian fashion, no matter what its origins; this restrained approach readily presented itself in their 2006 Marcien, a Right Bank-focused Bordelaise blend of Cabernet Sauvignon, Merlot, and Cabernet Franc.

While I generally appreciate the overall validity of certain applied agricultural practices that constitute the core organic elements of Rudolf Steiner’s proscriptions for biodynamic farming, I am far less sanguine about embracing its numerous cosmological incantations, finding them far closer to the mystic theology and precepts of Gnosticism, or the transcendental enlightenment espoused by such noted Sri Chinmoy devotees as Mahavishnu John McLaughlin and Devadip Carlos Santana, than to precisions of quantifiable science. From this ætherial connection comes Sinskey’s 2010 Abraxas (Αβραξας), a striking vin de terroir from the Scintilla Sonoma Vineyard, blended from the four classic Alsatian white varietals: Pinot Gris, Riesling, Gewürztraminer, and Pinot Blanc.

Down from Folio Fine Wines, Michael Mondavi’s new Oberon Wines made its Golden Glass debut with a mix of wines that ranged from a passable 2010 Sauvignon Blanc to a fairly impressive 2009 Cabernet Sauvignon. In between, the 2007 Hillside Reserve Cabernet Sauvignon proved enjoyable but less than spectacular for such a universally consistent Napa vintage.

I felt similarly tepid about several of the other entrants here, including Think Tank Wines, which appeared here with a disparate selection of wines from random AVAs throughout California. Still, their effort was commendable for their 2008 La Encantada Vineyard Pinot Noir from the Sta. Rita Hills, the 2008 White Hawk Vineyard Syrah from Santa Barbara, and the 2008 Cabernet Sauvignon out of Napa Valley. Similarly, sister operations Loredona Vineyards, with their 2010 Viognier, and Noble Wines, with their 2010 446 Chardonnay, may well represent the evolution of Central Valley powerhouse Delicato Family Wines, but here made only slight impression.
The representative wines SIP poured varied widely, as well. Always impressive—the 2008 Monterey Pinot Noir from Carmel Road. Less so—Tangent’s 2010 Albariño Edna Valley. In between—the 2009 Syrah Paso Robles from Templeton’s Pomar Junction. Another winery, pouring for itself, that has always impressed me is Santa Cruz’ Clos LaChance. Here their 2010 Estate Viognier served as a most worthy complement to the exceptional 2008 Santa Cruz Mountains Pinot Noir.
As readers here know, my friends from Clos Saron can vary incredibly with the outcome of their natural winemaking, a risk they proudly undertake. This afternoon, the selected wines were spot-on, in particular the 2006 Heart of Stone Syrah. Equally appealing were the 2009 Pinot Noir Home Vineyard and appropriately-labeled 2011 Carte Blanche, a stunning blend of Albariño, Verdelho, Chardonnay, and Petit Manseng, a varietal rarely found in California.
The final California representatives pouring at Golden Glass, Ca’ Momi, offered a likable array of Napa vintages,ranging from the 2010 Napa Valley Chardonnay to a most striking 2010 Napa Valley Zinfandel. Both their 2009 Napa Valley Cabernet Sauvignon and the 2009 Napa Valley Pinot Noir seemed a slightly less developed, but the NV Ca’ Secco, a sparkling wine derived from Chardonnay, Sauvignon Blanc, Riesling, Gewürztraminer and Muscat, proved quite intriguing.
Ca’ Momi posed a bit on an anomaly at this event, albeit a pleasant one at that. As an offshoot of the Ca’ Momi Enoteca in downtown Napa, it enjoyed the enviable distinction of being both wine and food purveyor at this event. And to be honest, Golden Glass is not so much a wine expo as a guilty pleasure in indulging in some of San Francisco’s finest Italian restaurants: the authentically Neapolitan A16, Acquerello, Delfina, È Tutto Qua, Farina, Ristobar/Emporio Rulli, and Alameda’s C’era Una Volta. Once upon a time, this event was solely the purview of Italian cuisine, but its resurrection included other such Slow Food purveyors as Bi-Rite Creamery, perennial favorite Gott’s Roadside, Serpentine/Slow Club, Izakaya Yuzuki, Thirsty Bear, and Charles Phan’s new Wo Hing General Store.
Clearly Golden Glass is a celebration of sustainable wine and extraordinary cuisine that serves as an homage not just to how food ought to be enjoyed but to the indelible fabric of human society, whose foundation arguably stems from communal eating. Sostevinobile’s participation here isn’t merely an investigation into wine but a solidarity in the wish that the æsthetics embodied here extend far beyond a single day’s extravaganza and become incorporated into every day livi
ng.


Lest it seem that I glossed over the abundance of Italian wines poured at Golden Glass, I do hope my readers understand that I did sample many, even if I do not intend to include them in this blog’s roster of wines from California, Washington, and Oregon. My purpose, as always, is first to gain a broader understanding of the wealth of varietals being vinified and to develop an appreciation for the contrast one finds in the interpretations of the same grapes and blends made here with their counterparts in the Old World and other wine-producing regions.
I managed to attend two other Italian wine tastings after Golden Glass, Italian Wine Masters at Terra Gallery on Rincon Hill and Tre Bicchieri at Fort Mason. For the uninitiated (including myself), Tre Bicchieri is the highest classification awarded a wine by the prestigious Italian food and wine publication Gambero Rosso—somewhat analogous to earning a coveted three star Michelin rating. Oddly, though, I found the wines poured at Italian Wine Masters, a due bicchieri event, far more approachable, a phenomenon I attribute in part to having a California palate. And while many of the Chianti, Barolo, and Nobile di Montepulciano wines proved quite delectable, even with my pronounced predilection for Sangiovese, I could not say that I found any that would make me rue Sostevinobile’s restriction to wines grown within the 750 mile radius of our home base.
It could be argued that many of the wines at Tre Bicchieri, as well as Golden Glass and even Italian Wine Masters demanded food pairing in order to be fully appreciated. I have no problem conceding this point. Nonetheless, at the risk of alienating many of San Francisco’s notable sommeliers, wines served at a wine bar need first and foremost to be quaffable in their own right, with food friendliness, alas, being a subordinate quality. Not that a great wine can’t fulfill both criteria.


A couple of perennial tastings punctuated the mid-winter doldrums with their usual array of impressive wine. The always delightful In Vino Unitas took place at the revived Press Club, with 19 small, handcrafted wineries on hand to pour their directly distributed wines. This far-flung coalition includes winemakers from Napa, Sonoma, Mendocino, Amador, the Santa Lucia Highlands, and Santa Cruz Mountains and ranges from venerable producers, like Heitz and Grgich Hills, to new ventures, like Kenzo.
This latter endeavor comprises a brand new, $100,000,000 Napa estate developed by Kenzo Tsujimoto, CEO of video game giant Capcom; Tsujimoto has enlisted the zenith of Napa luminaries from Hedi Barrett to craft his wines and David Abreu to manage his vineyards to having French Laundry’s Thomas Keller create his tasting room menu. Still, this lavish expenditure has yet to pay off in the quality of his wines, the 2010 Asatsuyu, a Sauvignon Blanc, and his Bordeaux blend, the 2008 Rindo; while both wines were indeed quite enjoyable, they did not rise to the level one might expect from such a prodigious undertaking.
As the remaining participants have all poured for Sostevinobile on one or more occasions, I of course had reasonable expectations for each, and failed to be disappointed by any, beginning with Buoncristiani, whose flagship 2007 OPC, a proprietary blend of 40% Cabernet Sauvignon, 33% Syrah, 17% Merlot and 10% Malbec, easily exceeded the several past vintages I have sampled. Also portending greatness: their 2008 Cabernet Sauvignon.
St Helena’s Ehlers Estate scored as favorably with their 2008 Cabernet Sauvignon 1886, as did Far Niente, with their exceptional 2008 Cabernet Sauvignon Oakville Estate. Sister label Nickel & Nickel also shone with a glorious rendition of their 2010 Chardonnay Truchard Vineyard. Easily matching with their own Napa duet, the 2010 Unity Chardonnay and their trademark 2007 Coach Insignia Cabernet Sauvignon, Fisher Vineyards outpaced even themselves with a pair of remarkable Sonoma vintages, the 2008 Mountain Estate Chardonnay and the 2007 Wedding Vineyard Cabernet Sauvignon.
Just when I thought I might have hit the apex for the afternoon, Heitz dazzled with it widely acclaimed 2006 Martha’s Vineyard Cabernet Sauvignon. And their non-vintage Ink Grade Port, a deft blend of Touriga Nacional, Tinta Roriz, Sauzão, Tinta Cão, Tinta Bairrada, Tinta Madeira, Tinta Amarela and Bastardo, might well have met the criterion for perfection had they not poured the flawless 2001 Martha’s Vineyard Cabernet Sauvignon, a library reserve.
Meyer Family crafts their California Port purely from Old Vine Zinfandel, employing the Solera proces
s, which consists of annually topping each barrel with subsequent vintages to create a continually-evolving non-vintage blend. Other artisans showcasing distinctive blends included Krupp Brothers, whose 2007 Syncrony Stagecoach Vineyard combined 45% Cabernet Sauvignon, and 43% Cabernet Franc, with 5% Petit Verdot, 4% Malbec and 3% Merlot, and Gemstone, which contrasted their Cab-focused 2009 Estate Red (71% Cabernet Sauvignon, 21% Merlot, 4% Petit Verdot, 4% Cabernet Franc) alongside their 2008 Estate Cabernet Sauvignon Yountville.
Napa Cabs did not necessarily dominate this tasting, but there was certainly a preponderance on hand, including both the 2005 Cabernet Sauvignon Rutherford Dust Vineyard and the 2005 Cabernet Sauvignon Howell Mountain Estate from Neal Family Vineyards and a more than amiable 2007 Cabernet Sauvignon Napa Valley from Jericho Canyon. The aforementioned Heidi Barrett’s own label, La Sirena made their presence known with her 2008 Cabernet Sauvignon Napa Valley, as well as with the 2006 Syrah Napa Valley.
With his family’s label now in Gallo’s capable hands, Steve Mirassou has vaulted to the forefront of Livermore winemakers with his eponymous Steven Kent label; here, the 2008 Petit Verdot Ghielmetti Vineyard dramatically displayed redolence of the varietal’s intense character. Amador’s Yorba, a winery that blurs the lines between Italian, Spanish, Rhône, and homegrown varietals, flourished with their 2007 Zinfandel Shake Ridge Vineyards, as well as the 2007 Shake Ridge Red, an esoteric blend of Syrah, Primitivo, Petite Sirah, Mourvèdre, Malbec, and Merlot (of course, I’d be remiss in not citing their 2008 Barbera Shake Ridge Vineyard or noting that they have just planted my people’s Greco di Tufo, which will be ready for bottling in 20??) .
Little surprise that their 2008 Chardonnay Napa Valley represented Grgich Hills strongest effort, though this vintage did not quite rise to the levels I have come to expect. More to my taste—the 2009 Chardonnay Premier Reserve Anderson Valley’s Navarro poured, alongside the striking 2010 Pinot Gris and their 2006 Late Harvest Cluster Select Gewürztraminer. Likewise, Los Gatos’ Testarossa shone most brightly with their 2009 Chardonnay Rosella’s Vineyard among the three Chardonnays they had on hand.
The Central Coast was well represented by La Rochelle, a Pinot-focused effort also from Steven Kent Mirassou, highly impressing with their 2008 Pinot Noir Santa Lucia Highlands and an extraordinary 2007 Pinot Noir Santa Cruz Mountains. On par with these vintages: the 2008 Pinot Noir Santa Lucia Highlands that Caraccioli Cellars poured.
Caraccioli did not participate in the San Francisco debut of the Santa Lucia Highlands Wine Artisans tasting in the Golden Gate Room at Fort Mason. Although this event mirrored much of September’s tasting in Walnut Creek, many discoveries could be made. I relished the 2009 Estate Chardonnay from Boekenoogen, as well as the 2010 Chardonnay Sierra Mar Vineyard that distinguished Roar. As per usual, Talbott excelled with their 2010 Chardonnay Sleepy Hollow Vineyard, while Pisoni’s Lucia label showcased both an impressive 2010 Chardonnay Soberanes Vineyard and the 2010 Syrah Garys’ Vineyard.
A reassuringly reliable presence at tastings for this appellation, Manzoni poured a delightful 2008 Chardonnay Lucia Highland Vineyard and their 2010 Pinot Gris North Highlands’ Cuvée. Ray Franscioni’s Santa Lucia Highlands label, Puma Road, favorably contrasted his 2010 Unoaked Chardonnay Black Mountain Vineyard to its oaked counterpart while delighting with the 2009 Pinot Gris Black Mountain Vineyard (oak complexity not specified). Tondrē made a rare appearance, touting both their 2010 Chardonnay Tondrē Grapefield and a spectacular 2009 Pinot Noir Tondrē Grapefield. Testarossa returned here and added both the 2009 Pinot Noir Garys’ Vineyard and a superb 2010 Pinot Noir Santa Lucia Highlands to their repertoire from In Vino Unitas.
Another repeat attendee, La Rochelle augmented their earlier showing with their 2008 Pinot Noir Sleepy Hollow Block A. A previously unfamiliar winery, Mansfield-Dunne, debuted here with their 2010 Pinot Noir Peterson Vineyard; also new to Sostevinobile, Mooney featured a pair of Pinots, the 2010 Pinot Noir Boekenoogen and the 2010 Pinot Noir Vigna Monte Nero.
Mooney also (clandestinely) featured a distinctive 2008 Mourvèdre Paso Robles, from where they also derive their Grenache and Grenache Blanc. I found it somewhat odd that more Rhône varietals were not grown in the Santa Lucia Highlands, given the prevalence of Syrah at this tasting. Emmanuel Kemiji’s Miura complemented their superb 2009 Pinot Noir Garys’ Vineyard with the 2007 Antiqv2s Syrah Pisoni Vineyard. Both the 2009 Syrah Doctor’s Vineyard and the 2009 Pinot Noir McIntyre Vineyard from Wrath proved extraordinary. Siduri held court with its usual aplomb, impressing not only with their interpretation of a 2009 Pinot Noir Garys’ Vineyard and a 2009 Pinot Noir Rosella’s Vineyard, but even more strikingly with their 2009 Syrah Rosella’s Vineyard under their Novy label.
A perennial favorite, the 2008 Les Violettes Paraiso Vineyard from Pelerin proved once again a most delectable Syrah. Even more delightful: their 2010 Chardonnay Sierra Mar Vineyard and the 2008 Pinot Noir Rosella’s Vineyard. Other impressive Pinots came from Tudor, whose 2006 Pinot Noir SLH stood up to the far more recent vintages others poured here; Pessagno, with a double offering of their 2009 Pinot Noir Lucia Highland Vineyard and their estate-grown 2009 Pinot Noir Four Boys Vineyard; Sequana, whose sole representation consisted of their 2009 Pinot Noir SLH; and KORi, with their only bottling, the 2010 Pinot Noir KW Ranch.
I would be utterly remiss in not in not giving special appreciation for the superb 2008 Pinot Noir Fâite that Paraiso pured alongside their estate Pinot Noir and Chardonnay. The SLH appelation’s leading advocate, Morgan, impressed with a 2010 Pinot Noir Twelve Clones, while McIntyre made their strongest statement with both the 2009 Pinot Noir Estate and their crown jewel, the 2009 Pinot Noir Block 3.
Finally, Belle Glos rounded out the afternoon with the 2010 Pinot Noir Las Alturas Vineyard, while the ever-luxuriant Bernardus delivered a plush version of their 2009 Pinot Noir Rosella’s Vineyard.
Regretfully, Hahn/Lucienne and August West had depleted their inventory before I could reach their tables, but I have had and will continue to have multiple opportunities to taste through their offerings. Kosta Browne had poured the last of their 2009 Pinot Noir Rosella’s Vineyard and 2009 Pinot Noir Garys’ Vineyard even before I arrived, but such will be my lot on occasion. All-in-all, I had probably sampled enough wines to get anyone through their winter doldrums. Or maybe not.


Nearly every trade tasting has a familiar corps of attendees, with an unspoken camaraderie that parallels the cooperative spirit that permeates the wine industry. Some are hardcore bloggers from whose meticulous notes I sometimes borrow when my own degenerated penmanship fails me. Some are wine buyers or sommeliers. Others may be entrepreneurs, like Sostevinobile, striving to put together the next Big Thing in wine, while others still are obviously poseurs simply out for a good time. 
My point is not to delineate the legitimacy of my fellow œnophiles as it is to highlight that we all approach these gatherings with different agenda. For myself, it is as much a survey of attendee demographics, particularly during events’ public hours, as it is in making the acquaintance of as many wineries as I am able. As such, it was an exercise in crowd study that led me, at long last, to attend the gargantuan of public tastings, the San Francisco Chronicle Wine Competition.
Thousands of people attend this annual event. Thousands of wines are entered into the competition, and nearly as many thousand win some sort of medal. What does it mean to wine a Silver Medal for Riesling with under 1.49% Residual Sugar, a slam-dunk for Long Island’s Castello di Borghese, or the highly-coveted Double Gold for Merlot under $9.99, a coup for Hacienda Cellars, a rising star in Bronco Wine’s firmament, alongside its premium Charles Shaw and Salmon Creek labels. Gallo’s bulk superstar, Barefoot Cellars, formerly a fairly-respected label known as Barefoot Bynum, managed to garner an impressive 11 medals in various sub-$10 categories alone. But for every White Blush winner like the 2010 Austin St. Comanche Rose from Texas’ Brennan Vineyards, one could find a genuine gem like the 2009 Pinot Noir Willamette Valley from Oregon’s Brooks Wine or the 2010 Chardonnay from Dolin Malibu Estate.
My appreciation for what is billed as “the world’s largest competition of American wines” is largely tempered by the realization that this isn’t an industry tasting nor an objective judging by a panel of professional wine writers, but a raw, commercial venture that seems geared toward preserving the phenomenon, with little regard for the finer details that demarcate the more respected events I have chronicled with regularity. The organizers neglected to provide a tasting program or table guide that might have enabled attendees to navigate the expansive exhibit hall, and far be it that any accommodations be made for trade and media.
Rather than shell out the $80 admission fee, I volunteered to man the other side of the table for my friends from Pomo Nation Wine, California’s first Native American-owned Winery. This Healdsburg endeavor boasts a lineup that includes a 2007 Alexander Valley Cabernet Sauvignon, a 2006 Mendocino County Merlot, and a 2007 Dry Creek Valley Zinfandel, but most distinguishes itself with their proprietary blends, the 2009 Bi Si (Sauvignon Blanc, Riesling, Viognier) and the 2007 Bi Du (Cabernet Sauvignon, Syrah, Merlot, Petite Sirah), an assessment with which The Chronicle Tasting judges apparently concurred, awarding both wines a Silver Medal.
Certainly there were new discoveries interspersed throughout the Festival Pavilion, had I the time and patience to locate them, but I nonetheless found great value in serving the throng, instead of navigating it. For while The Chronicle Tasting may have been more of a paean to dipsomania than to Dionysian precepts, the more salient observation was the pervasive appeal of wine across myriad and diverse cultural segments across the Bay Area. And if such revelries become the catalyst for a lifelong love and respect for, who can complain? After all, I started mine, way back when, washing down dips of fondu with 3-liter jugs of Almaden…

Discoveries 2011½

If Ernest Hemingway hadn’t existed, some high school English teacher would have had to invent him. And maybe one did. Think about it for a moment: imagine having to read and critique 40 or so 10th grade essays every week. Ponder what that might be like if students were exhorted to write like Pynchon. Or Laurence Sterne. Or—shudder—James Joyce.

At the quaint New England institute where Your West Coast Oenophile was incarcerated during his formative years, the author I most idolized was Thomas Love Peacock, whose parlor novels satirized the Romantic poets and other luminaries of 19th century Great Britain. Granted, those among my schoolmates who were fifth- or sixth-generation Hotchkiss legacies showed a pronounced predilection for F. Scott Fitzgerald, but the virtues of such works as A Farewell to Arms and The Old Man and the Sea were rarely extolled as paragons of emulative composition.

Perhaps if they had been, I might now be able to contain my entries for Sostevinobile to a concise 750 words, instead of the opus interminatum each one of these postings turns out to be. Allora! After three years grinding my fingertips on a Mac keyboard, I am still trying.

My overdue reports on these rounds of tastings started with a long overdue event, a Paso Robles trade tasting in San Francisco. The Paso Robles Wine Country Alliance had previously sponsored an intimate though curiously situated tasting amid the leading venture capital firms on Sand Hill Road in Menlo Park, an enclave where substance tends to be measured more in bytes than in brix. Here, amid the more familiar environs of the Presidio, the Golden Gate Club offered Trade and Media an intimate tasting before holding its oversold public event, the 2nd Annual Lamb Jam, a pairing of lamb with an array of wines from this Central Coast stronghold.

Yet there was nothing sheepish about the wines themselves, as my introduction to Bianchi, the masculine plural of the attributive terminus of my surname (but no familial relation) quickly showed. Tanto peggio per me, it would have been nice to qualify for the Friends & Family discount on their 2008 Moscato, a delightfully sweet wine with kumquat overtures, and their 2008 Cabernet Sauvignon Paso Robles, a varietal rounded with 2.3% Syrah (a blend quite prevalent in Paso). Their most intriguing wine, the 2008 Zinfandel, consisted not only of 3% Syrah, but a 2% touch of Royalty, a varietal I not encountered before.

Another revelation, Riverstar, offered a diverse range of wines that also reflected the staunchly independent spirit of the AVA. Wines like the 2010 Sauvignon Blanc, the 2007 Syrah, and even the 2009 Vintner’s Reserve Cabernet Sauvignon presented straightforward expressions of their single varietals, but the winery’s truest creative expression manifest itself in the NV Sunset Red, an uncommon blend of equal proportions of Merlot and Syrah. And while I also greatly enjoyed the Twilight Vintners Reserve, a non-vintage Port-style wine, my true affinity, coincidentally, was for the 2007 Affinity, an artful blend of Cabernet Sauvignon and Merlot with 20% Zinfandel.

After twilight, of course, comes Midnight Cellars, an astrological endeavor from Rich Hartenberger that. somewhat ironically, leaves nothing about their wines in the dark. I know of no other winery, including the ultraspecific wine labels from Ridge, that lists not only the volume of alcohol and the percentage of residual sugar, but also the pH and “titratable acidity” for each of their wines (even with a strong background in chemistry, I have no idea what the distinction between these latter two measurements means). Certainly this winery’s expression of straight varietals, like their 2010 Estate Chardonnay and the 2007 Estate Zinfandel, proved more than admirable, but it would not be overstatement to say they reached for the stars (and came rather proximate) with both the 2007 Nebula, a Cabernet Sauvignon rounded with Malbec and Merlot and their standout, the 2007 Mare Nectaris, a Merlot-dominant Bordeaux blend balancing 25% Cabernet Sauvignon, 13% Malbec, and 12% each of Petit Verdot and Cabernet Franc. Ironically, with all the precision of their labels, the 2008 Full Moon lists itself merely as a red blend (with pH: 3.67 and titratable acidity: 0.625); nonetheless, an eminently approachable wine!

I didn’t think to ask whether Kim & Jeff Steele of Roxo Port Cellars were related to Shoo
ting Star
’s Jed Steele, but their meticulous approach to producing authentic Metodo Portugues fortified wine certainly belies a strong kindred spirit. Their 2007 Magia Preta proved a more than interesting variant on the 50/50 blend of Cabernet Sauvignon and Syrah so prevalent in Paso, while even more delightful was the 2007 Paso Mélange, a Port-style blend of 71% Cabernet Franc with 22% Cabernet Sauvignon and 7% Petit Verdot. Best, though, inarguably had to have been the 2007 Ruby Tradicional, a traditional blend of 34% Souzão, 25% Tinta Roriz (Tempranillo), 18% Touriga Nacional, 15% Tinta Cão, and 8% Bastardo.

Having begun this post with a literary riff, I can be forgiven for presupposing Steinbeck Vineyards had ties to the famed Central Coast chronicler and author of Grapes of Wrath. Despite my erroneous assumption, the wines proved as rich and complex as any of John Steinbeck’s literary opera. The superb 2008 Viognier set the tone for this lineup. Other equally compelling single varietal bottlings included the 2007 Cabernet Sauvignon, the 2007 Petite Sirah, and a wondrous 2007 Zinfandel. Even more compelling, however, was Steinbeck’s 2006 The Crash, an atypical blend of these four grapes, along with the 2007 Voice, a 2:1 mix of Cabernet Sauvignon and Petite Sirah.

Twenty-nine other wineries featured their diverse vintages this particular afternoon, and it is by no means a disparagement not to detail each here, along with the panoply of wines they offered. Certainly, I have covered each of these ventures numerous times in this blog, but, in the interest of (relative for me) brevity, I am electing now only to highlight the premium echelon of these selections, starting with the 2008 Version from Adelaida, a Mourvèdre-focused GMS blend balanced with 9% Counoise.

No overlap in the blended varietals could be found in Ancient Peaks2008 Oyster Ridge, a Meritage composed of Cabernet Sauvignon, Petit Verdot, Merlot and Petite Sirah. Cypher Winery pulled no punches in labeling its Zinfandel/Mourvèdre/Syrah blend the 2008 Anarchy, but I can only defer to their own description of the dodecahedron known as the 2008 Louis Cypher: 15% Teroldego, 14% Petit Verdot, 13% Souzão, 13% Petite Sirah, 9% Carignane, 9% Alicante Bouschet, 6% Syrah, 5% Tinta Cão, 5% Tinta Roriz, 5% Tannat, 4% Touriga Nacional, 2% Zinfandel = 100% Seduction! Even if they did forget the Touriga Francesa…

I’d be dishonest if I didn’t concede that the true pleasure of Derby Wine is the chance to revisit with Katie Kanpantha, but their standout vintage had to have been the 2007 Reserve Pinot Noir Derbyshire Vineyard from San Simeon, the home of Hearst Castle. And it seemed only fitting that San Simeon would also feature the Hearst Ranch Winery, whose Rhône selections stood out among its eclectic choice of varietals. In particular, the 2008 Three Sisters Cuvée, a straightforward Syrah/Grenache/Mourvèdre blend outshone such curious nomenclature as Chileano, Babicora, and Bunkhouse—all of which beg the question: why not Rosebud?

Always a prominent presence at events where they pour, Paso’s Halter Ranch truly excelled with a pair of their wines, the 2008 Syrah, rounded with Mourvèdre, Viognier, and, uncharacteristically (for a Rhône blend), Malbec. Esoteric, but in proper keeping with the genre, their stellar 2008 Côtes de Paso added both Cinsault and Counoise to the standard GSM composition. Another of Paso’s revered wineries, Justin, must be finding itself in quite the conundrum, its overt commitment to sustainability in stark contrast with new owner Stewart Resnick’s other signature venture, Fiji Water. Nevertheless, Justin’s iconic Meritage, the 2008 Isosceles, proved itself worthy of the myriad accolades it has received.

My friends at L’Aventure managed to garner a Sostevinobile trifecta here, impressing across the board with their 2008 Cabernet Sauvignon, the 2008 Côte à Côte (their GMS blend), and the crossbreed, the 2008 Estate Cuvée, a mélange of 50% Syrah, 36% Cabernet Sauvignon, and 14% Petit Verdot. Despite its insistence on lower -case lettering, kukkula once again proved there is nothing diminutive about its œnology, excelling with its own Syrah-dominant GMS, the 2009 sisu, and the Mourvèdre-less 2009 pas de deux.

One of the afternoon’s most striking wines came from Ortman Family Vineyards: the utterly delectable 2007 Petite Sirah Wittstrom Vineyard. Meanwhile, the Rhône virtuosos at Tablas Creek veered beyond their forte and produced a stunning 2010 Vermentino.

But Paso will always remain the realm of Syrah and Roussanne, Tannat and Viognier, Grenache and Picpoul Blanc, Picpoul and Grenache Blanc, with a wide smattering of Bordeaux, Spanish, Italian and local varietals thrown into the mix. Whether its the joyous blend of Syrah, Grenache, Mourvèdre, and Cinsault Terry Hoage bottles as their 2008 5 Blocks Cuvée or the Shel Silverstein-ish GMZ blend, Thacher’s 2008 Controlled Chaos (42% Mourvèdre, 35% Zinfandel, 23% Grenache), California’s largest and most diversified AVA continues to delight with its unfettered approach to winemaking.


Ah, if only my own writing could possibly be fettered! I keep trying to keep things here succinct, and yet…

I seem to be going backwards, not forward. I should have completed my June notes æons ago, but somehow I let the reformulated Pinot Days slip through the cracks. Nonetheless, I need only remind my readers (as well as myself) that the primary purpose of this blog is to share all the wondrous wines that I sample—at least until I am able to have them actually poured for my readers’ delectation!

After such strong showings across California and Oregon for both the 2007 and 2008 Pinot vintages, the tendency might have been to expect a letdown in 2009. Among those who would prove to the contrary was Ed Kurtzman’s August West, dazzling with its 2009 Rosella’s Vineyard Pinot Noir. And if my trepidation needed further debunking, Wes Hagen generously featured a five-year vertical of his Clos Pepe Pinot Noir. My preference ran to the unheralded 2005 Estate Pinot Noir, a wine that completely withstood the test of time, as well as the benchmark 2007 vintage. But the much younger 2009 bottling held its own against these, portending, with further aging, to equal or excel its predecessors. And though I was less sanguine about both the 2009 Estate Pinot Noir Rosé and the 2007 Estate Pinot Noir Brut Rosé, the contrast came as extremely welcome.



Not to be confused with Justin Harmon—Justin Herman Plaza

Command of a sesquipedalian vocabulary is usually my forte, but sometimes I confuse simpler terminologies, like ingot with argot. Ingot, of course,refers to the rounded, rectangular die cut of gold that, had more investors acquired a few years back, would have eased my struggles to finance Sostevinobile. Argot, on the other hand, is Justin Harmon’s Sonoma wine venture, with a penchant for whimsical labels and even sounder œnology. His 2009 Over the Moon displayed touches of elegance, while the 2009 The Fence proved a far more structured Pinot Noir. Most alluring, however, was his clandestine pour of his 2009 Happenstance, an uncommon blend of Roussanne and Chardonnay.

In the same orbit, Lompoc’s Hilliard Bruce contrasted their estate bottlings, the 2009 Pinot Noir Moon with the slightly preferable 2009 Pinot Noir Sun, while adding a 2009 Chardonnay for good measure. ADS Wines, which seems to change its corporate identity every time I encounter one of their ventures, added to this lunacy with their 2007 Howling Moon Pinot Noir, along with their similarly lackluster 2007 Silver Peak and 2009 Odd Lot bottlings.
Basically, I had a dual agenda this afternoon—first, as always, to connect with the wineries that were either new to Sostevinobile, like Aeshna, or that I had previously bypassed at other events because of time constraints (or inadvertently), like Arcadian. To the best of my knowledge, the former has never participated in the numerous Santa Cruz Mountain Winegrowers Association events, nor in the sundry Pinot-focused tastings held each year; named for the dragonfly genus that is part of the Odonata order (coincidentally, the name for another notable Santa Cruz Mountain winery that produces Chardonnay, Malbec, Durif, Syrah, and Grenache), this single-vineyard-focused venture debuted here with six distinctive bottlings, headlined by an exceptional 2008 Pinot Noir Two Pisces and the 2007 Pinot Noir Split Rock,
both grown on the Sonoma Coast. Meanwhile, Solvang’s Arcadian
contrasted two 2007 bottlings with a pair from 2005, the most
distinctive being its 2007 Pisoni Pinot Noir.
 

Among other previously overlooked labels, Napa’s Elkhorn Peak Cellars comported itself admirably with their 2008 Pinot Noir Rosé, as well an acceptable 2007 Estate Napa Valley Pinot Noir. Sebastopol’s Fog Crest Vineyard shone through the mist with both their 2009 Estate Bottled Pinot Noir and the splendid 2009 Laguna West Pinot Noir.

Newcomers this afternoon included Los Angeles-based Inception Wines, with a splendid 2008 Pinot Noir Santa Barbara County they surreptitiously counterbalanced with an even-keeled 2009 Chardonnay Santa Barbara County. Miracle One may be better known for its Bluebird Wine-in-a-Pouch; nonetheless, their 2008 Carneros Pinot Noir Truchard Vineyard offered a well-structured bottled varietal. Sebastopol’s Sandole Wines debuted here with a most impressive 2009 Oehlman Ranch Pinot Noir, while Windsor’s Joseph Jewell, a familiar pourer at other affairs, showcased a trio of Pinots: the 2008 Pinot Noir Russian River Valley, the 2009 Pinot Noir Floodgate Vineyard, and the utterly superb 2008 Pinot Noir Elk Prairie Vineyard from the verdant confines of Humboldt County.
While certain reactionary elements will claim that partaking in Humboldt’s most popular “substance” leads to hardered addictions, it is only coincidence that I transitioned next to Poppy, not the opiate-bearing bud but the King City viticultural venture out of Monterey Wine Country’s custom crush operations, here featuring a surprisingly good 2009 Pinot Noir Santa Lucia Highlands and an even better 2009 Pinot Noir Monterey County. At its neighboring table, Santa Maria’s Presqu’ile shared an equally striking 2009 Pinot Noir Santa Maria Valley and their estate grown 2009 Pinot Noir Presqu’ile Vineyard, along with one of the afternoon’s most appealing pink efforts, the 2010 Rosé of Pinot Noir Santa Maria Valley.

My other principal target here was to connect with the broad representation of Oregon wineries, both new to Pinot Days and old hands, as exploration of this enormous swath of AVAs does not present itself as readily as my frequent jaunts to the wineries in a 100-mile radius of San Francisco. First up was the deceptively simple-sounding Big Table Farm out of Gaston; their 2009 Pinot Noir Resonance Vineyard (Yamhill-Carlton AVA) proved an elegant entrée to this segment of my tasting. Another epiphany here came from the more mellifluously named Carabella Vineyard from the Chehalem Mountains AVA, dazzling with their 2008 Inchinnan Pinot Noir and proving more than correct with their 2008 Pinot Noir Mistake Block.

Ironic labeling seems to abound north of the state line, as witnessed by the wholly appealing 2009 Provocateur, a J. K. Carriere-crafted wine that overshadowed its more generically named 2008 Willamette Valley Pinot Noir. Nor I could detect any ambiguity in the wines from Monks Gate Vineyard in the Yamhill-Carlton AVA, a single varietal endeavor that contrasted its 2007 Pinot Noir with a more robust 2008 Pinot Noir.

Part of my impetus in selecting the architects who will render the design for Sostevinobile was their work on Sokol Blosser, the first winery to receive LEED certification, but until this Pinot Days, I had not had the opportunity to sample their Dundee Hills wines. My consensus: I could easily sustain myself with both the 2008 Dundee Hills Pinot Noir and the special bottling of the 2008 Cuvée Pinot Noir. Another Dundee Hills winery that has achieved Gold LEED Certification, Dayton’s Stoller Vineyards focuses exclusively on the Burgundian varietals (Pinot Noir, Chardonnay), represented here by a disparate contrast between the 2008 Estate Pinot Noir and their superb 2007 Estate Pinot Noir.
Dundee’s twinless Lange Estate Winery produced a triplet from their inventory of seven distinct Pinots, beginning with their generic 2009 Pinot Noir Willamette Valley. The 2009 Pinot Noir Reserve proved incrementally better, but principal kudos belonged to their standout, the 2008 Pinot Noir Three Hills Cuvée. Similarly, White Rose showcased their 2009 Willamette Valley Pinot Noir alongside their 2008 Dundee Hills AVA Pinot Noir and a somewhat lackluster 2008 Estate Pinot Noir.
It would have been most interesting to try the Hand Picked Pinot Noir, as well as the Whole Cluster Pinot Noir White Rose produces, but these wines were not made available here. On the other hand, I was underwhelmed by the 2010 Whole Clust
er Pinot Noir
Willamette Valley Vineyards presented (perhaps, in time, this jejune wine will finds its expression); their 2008 Pinot Noir Willamette Valley and the 2008 Pinot Noir Estate Willamette Valley mitigated tremendously, while the 2009 Pinot Gris proved a welcome contrast to the red orthodoxy of the afternoon. So, too, did Dundee’s Winderlea, with its crisp 2008 Chardonnay, blended from 50% Carabella Vineyard (Chehalem Mountain AVA) and 50% Hyland Vineyard (McMinnville AVA) fruit. Equally impressive—their 2007 Estate Pinot Noir, while their eponymous 2008 Pinot Noir offered much to admire.
My friend Craig Camp seems ubiquitous these days, but I was pleased to sample the 2009 Willamette Valley Pinot Noir from his Cornerstone Cellars Oregon. Other familiar Oregonians here included Domaine Serene, splendiferous as ever with their 2008 Jerusalem Hill Vineyard Pinot Noir and the exquisite 2007 Evenstad Reserve Pinot Noir. Dusky Goose, a name I’ve never quite fathomed but still enjoy, featured a three year vertical, starting with their 2006 Dundee Hills Pinot Noir, a somewhat tepid bottling compared to the exceptional 2007 and 2008 vintages.

Out of Newberg, Raptor Ridge sounds more like a vineyard that might have flourished on Isla Nublar (Jurassic Park), but, like Dusky Goose, its name is ornithological, its flavors, unmistakably Oregonian. Both the four vineyard blend that comprised its 2009 Pinot Noir Willamette Valley and its 2008 Reserve Pinot Noir, a six vineyard mix, flourished at this stage. And Le Cadeau, though not blending such a diverse range of fruit, still gifted attendees with six distinct bottlings: two from 2008 and four from the ensuing vintage. Of the former, both the 2009 Côte Est Pinot Noir proved a formidable entry-level selection, while the 2008 Aubichon Pinot Noir Reserve, Le Cadeau’s second label. showed every bit its equal. The 2009 vintage excelled across the board, with the 2009 Aubichon Pinot Noir Reserve, the 2009 Diversité Pinot Noir, and the 2009 Équinoxe Pinot Noir all enormously impressive; the “champion,” however, had to have been the 2009 Rocheux Pinot Noir, crafted by winemaker Jim Sanders, Le Cadeau partner in Aubichon.
With that, I had one more Oregon house to sample before completing my predetermined agenda. A couple of years ago, I did report on the delightful 2007 Pinot Gris Dundee Hills’ Torii Mor had produced, so was happy to revisit with them and sample both the 2007 Olson Estate Vineyard Pinot Noir and the 2008 Chehalem Mountain Select Pinot Noir (maybe I’ll get to try their Pinot Blanc at our next encounter).
Technically, I suppose all varietals prefaced as Pinot ought to be fair fare for Pinot Days, including the semi-archaic “Pinot Chardonnay” (genealogists at UC Davis have determined that Chardonnay resulted from a cross between the proximate plantings of Pinot Noir and Gouais Blanc in Burgundy). Though an essential component in Champagne, Pinot Meunier rarely finds expression as a distinct varietal, a notable exception being La Follette’s striking 2009 Van der Kamp Pinot Meunier. While I found the 2008 Van der Kamp Pinot Noir a notch below its cousin, both the 2009 Sangiacomo Pinot Noir and the 2009 Sonoma Coast Pinot Noir equaled its prowess.
Its remote perch in Oregon House has neither proximity nor correlation to California’s northerly neighbor; still, natural wine proponent Gideon Beinstock’s Clos Saron brought out a decidedly mixed collection of his Pinots, with the perfunctory 2009 Pinot Noir Home Vineyard contrasting dramatically with its predecessor, the more elegant 2000 Pinot Noir Home Vineyard, while the 2005 Pinot Noir Texas Hill demonstrated how truly superb a natural wine can be when it hits its mark. Another vintner with deep French roots, De Novo Wines’ Hervé Bruckert showed greater consistency and an incremental increase in quality from his 2007 Pinot Noir Mendocino County to the 2008 Pinot Noir Bennett Valley to his delightful non-Pinot, the 2009 Bastille, a Right Bank-style Bordeaux blend of Merlot, Cabernet Sauvignon, and Cabernet Franc.
CRŪ is not Vineyard 29’s Cru in St. Helena, but nonetheless this Madera vintner produced an impressive lineup with its 2009 Appellation Series Santa Lucia Highlands Pinot Noir, the 2008 Appellation Series Santa Mara Valley Pinot Noir, and an exceptional 2008 Vineyard Montage Central Coast Pinot Noir. St. Helena’s own Couloir introduced its own triple play, excelling with both the 2009 Pinot Noir Chileno Valley (Marin) and the 2009 Pinot Noir Monument Tree (Mendocino), followed closely by their second label, the 2009 Straight Line Pinot Noir.
One of Mendocino’s most revered ventures, Londer Vineyards, held true to its reputation with a stellar array of wines from their 2007 vintage, starting with more generic 2009 Anderson Valley Pinot Noir. As always, both the 2007 Estate Valley Pinot Noir and the 2007 Ferrington Pinot Noir soared with intense flavor, but perhaps the best wine of the afternoon had to have been the 2007 Paraboll Pinot Noir, an effusion of delights. Slightly below Philo, Santa Rosa’s Lattanzio Wines, an understated yet accomplished winery cum custom crush facility in Santa Rosa, hit a zenith with the 2008 Pinot Noir W. E. Bottoms Vineyard and its 2009 successor; even more compelling was their 2009 Pinot Noir Manchester Ridge Vineyard, a name that begs no punning.
My other nomination for this tasting’s Palme d’Or most assuredly belonged to my friend Hank Skewis, whose 2008 Peters Vineyard Sonoma Coast drank like a wine thrice its price. Slightly overshadowed by this monumental bottling, yet every bit as prodigious, were his 2008 Pinot Noir, Montgomery Vineyard Russian River Valley, 2008 Pinot Noir North Coast Cuvée, and the 2008 Pinot Noir Peters Vineyard Sonoma Coast. Nearby in Sebastopol, Small Vines impressed me once again with their Pinot trio: the 2009 Russian River Valley Pinot Noir, the 2009 Baranoff Vineyard Russian River Valley Pinot Noir, and, most notably, the 2009 MK Vineyard Sonoma Coast Pinot Noir. Meanwhile, heir neighbors at Suacci Carciere snuck in another “illicit” diversion for the afternoon, their 2008 Chardonnay Heintz Vineyard (somehow I managed to miss their always appreciated Pinot selections).
Nearly every AVA provides a distinct pocket for Pinot, as exhibited by Belle Glos’ Meiomi, with its authoritative 2009 Meiomi Pinot Noir, a blend of fruit from Sonoma, Monterey and Santa Barbara. Heron Lake’s Olivia Brion is nestled in Wild Horse Valley, a semi-obscure AVA that straddles Napa and Sonoma; here their 2008 Pinot Noir Heron Lake Vineyard made its presence known with quiet aplomb. And San Rafael’s Peter Paul Winery offered its excellent 2009 Pinot Noir Russian River Valley Mill Station Road.
Winding down for the afternoon, I resampled Ray Franscioni’s 2007 Puma Road Pinot Noir Black Mountain Vineyard before cooling down with his delightful 2009 Puma Road Pinot Gris Black Mountain Vineyard. My final stop turned out to be the East Bay’s highly vaunted Stomping Girl, which rounded out the afternoon with two superb vintages: the 2009 Pinot Noir Lauterbach Hill from Sonoma (Russian River Valley) and their equally wondrous 2009 Pinot Noir Beresini Vineyard from Napa Valley (Carneros).

No slight intended to the many, many other wineries I failed to include here—with 179 labels on hand for this event, I couldn’t possibly sample and cover all. Add to that the fact that I am behind close to 179 wine tastings I’ve attended on behalf of this blog, and can there be little wonder that I have the stamina to make it through any of what Sostevinobile has promised to cover? But soldier on I do, and perhaps I will even record all of 2011 events in 2011 (of course, restricting my entries to under 4,000 words would expedite matters tremendously).
In closing, I would b
e remiss in not thanking Steve and Lisa Rigisch for revamping their Pinot Days format after the debacle of 2010’s non-contiguous affair. The reversion to a single day’s Grand Tasting with overlapping trade and public sessions made accessing so many of the wineries vastly easier, and I am honestly looking forward to 2012’s celebration.

11 bottles of wine on the wall, 11 bottles of wine…

Your West Coast Oenophile is normally not one to laud his own accomplishments, but my ongoing efforts to launch Sostevinobile, along with the creation of Smartphone app ResCue™ and the design of Comunale, have led to my selection as Featured Entrepreneur by EFactor, the self-billed World’s Largest Entrepreneurial Community.

The downside to this accolade has been responding to the flood of e-mails I’ve received from well-wishers and the like, yet another task impeding my progress in completing entries for this blog. Still, I am drawing to a close with this (admittedly) gimmicky approach to short-format posts focused on the vast array of wines I have had the privilege of sampling this past summer, and so, without further ado:

11) The name Murphys has always struck me as somewhat incongruous, but this quaint, self-billed “Queen of the Sierra” has evolved into the seat of Calaveras County viticulture. Keeping stride with this recently garnered reputation, Hovey Wine showcased their delightful 2009 Tempranillo Rolleri Cuvee, an exemplary take on this varietal.

10) The last time I wrote about T.A.P.A.S., I exhausted every pun I could make about Longoria, so today I will only sing praises of their 2010 Albariño Clover Creek Vineyard. Here truly is a vintage that could convert even the most diehard white wine skeptic.

9) Pierce Ranch is both one of the mainstays of the San Antonio Valley AVA and a principal grower of Iberian varietals in Monterey County. It’s always a pleasure to see Josh Pierce at numerous tastings throughout the season and sample through his wines. This afternoon’s nod went to his 2008 Cosecheiro, a deft proprietary blend of Tempranillo, Touriga, Graciano and Petit Sirah

8) For me, trying to pronounce Cosecheiro probably poses the same difficulties others encounter in my pentasyllabic surname, a euphonic conjugation I had mastered by age 2½. It took a bit of Internet sleuthing to discover it’s a variation on cosechero, or harvester, a tribute to the field workers who make winemaking possible. No such challenge for this former Vergilian scholar to grasp the nuances of the exceptional 2009 Idilico Garnacha from Pomum Cellars, the lone visitor here from the Puget Sound AVA in Washington.

7) Continuing in this vein, San Francisco’s own Urbanite Cellars coined its own proprietary portmanteau for the pair of Lodi blends it produces; of the two, I gave slight nod to the 2010 Caliberico White, a mezcla of Albariño, Verdelho, and Torrontés.

And yet, I didn’t realize the connection between Urbanite and Vinos Unico until I found two listings for mutual owner Luis Moya in my iPhone Address Book. The latter lists itself as “Wine Importers and Wholesalers,” with a portfolio from Spain and Portugal, as well as Iberian wine producers in Argentina, Arizona, and California. With that, the derivation of Cal-Iberico finally dawned upon me. Allora! I wish him greater success than the ill-fated Consorzio Cal-Italia ever enjoyed!

6) Should my cohorts and I manage successfully to launch Risorgimento as a preferable successor to Consorzio Cal-Italia, I suppose the inevitable question people will ask is whether D. Marc Capobianco can be the next Bob Cappuccino? Which is not unlike asking whether Jeff Tsai will be the next Randall Grahm. Not this is meant to contrast their winemaking styles or philosophy—the 2010 Verdelho Calaveras County from Jeff’s Twisted Oak proved a true highlight of this tasting—nor foster a debate on their mutually over-the-top showmanship. Indeed, the only relevant question any of us should be pondering at this time is “who can become the next Steve Jobs?”


Would you buy a used Cabernet from this man?

5Quinta Cruz, the Iberian varietal arm of Santa Cruz Mountain Vineyard, has long been a reliable presence at a number of events, including T.A.P.A.S., and certainly one of the most heavily Portuguese-focused wineries in California. One of the peeves I have with some Iberian producers here is their rather lax approach to labeling their varietals, in particular, the generic use of “Touriga.” This practice is akin to calling a varietal “Cabernet,” when distinction between Cabernet Sauvignon and Cabernet Franc is obligatory. But Quinta Cruz’ superb 2009 Touriga San Antonio Valley commits no such transgression—components are properly listed as Touriga Franca and Touriga Naçional.

4) Not to be confused with Yorba Linda, the birthplace of Richard Milhaus Nixon, Yorba Wines from Sutter Creek (self-billed as “the Jewel of Amador County”) offered a rare vertical tasting of their lone Spanish wine, with the oldest vintage, the 2005 Tempranillo, clearly manifesting the beauty and complexity of aging this noble varietal.

3) Odisea, or, more Hellenically, Ὀδύσσεια, doesn’t merely constitute the 24 book tome I labored to translate under the questionable tutelage of William C. Scott, but a rather cerebral winery operating out of Danville (the Jewel of Contra Costa County?). Though each of their featured wines had much to admire, I found myself quite partial this time to the 2009 Unusual Suspects, an atypical blend of Tempranillo, Cariñena (Carignane), and Garnacha. (This same wine venture also produces the Circean-inspired Cochon Wines).

2) From Suspects to Oregon’s Rogue Valley—RoxyAnn typically makes French varietals but managed to comport themselves quite admirably with their 2007 Tempranillo. I will be more than interested to taste through the rest of their library, which includes a non-vintage Pear Wine from their Hillcrest Orchard.
1) Of course, what would an Iberian varietal tasting be without Port, even if it no longer can use this nomenclature? St. Helena’s Tesouro Port Cellars returned with a superb vintage of their 2005 California Dessert Wine, deftly marrying lots of Touriga, Tinta Cão, Tempranillo, Alvarelhão, and Souzão.

0) OK, I admit I’ve exceeded my self-imposed limits for the scope of this seemingly interminable exercise, yet despite its conceits, I am no closer to catching up with my backlog than when I began, 99 bottles of wine ago. But it’s my blog and if I can make the rules, I can just as well violate them! And so I elect to bring this exercise to a murmuring close with Wine #100, the phenomenal NV Tawny Port Amador that Lodi’s St. Amant Winery crafted. The perfect coda to a labor of love (Sostevinobile) that (hopefully) never ends…

22 bottles of wine on the wall, 22 bottles of wine…

Seven down, two to go. And even with this pithy approach to succinct (for me) postings, Your West Coast Oenophile has barely made a dent in the backlog of chronicles to which Sostevinobile has committed. “It’s all about the wine,” I keep telling myself. “The wine has no time frame…”

22) Earlier in this series, I offered a few observations about the diminishing attendance at industry tastings in San Francisco, including Rosé Avengers & Producers’ annual PINK OUT SF!. Though I am finding the continued attrition of both attendees and participating wineries at these industry tastings increasingly disconcerting, I would be remiss in not acknowledging my discovery here of Paradise View, a Sonoma Coast winery producing an international potpourri varietals, including Arneis, Albariño, Malbec, Roussanne, and Lemberger (or Blaüfrankish, if you prefer). Despite its unspecified varietal identity, the 2008 Rosé poured here furnished an impressive introduction to this skilled, eclectic venture.

21) This is the age at which I arrived in California, with a freshly-minted Dartmouth diploma stashed somewhere amid my worldly possessions, which fit snugly in the rear of a 1978 Dodge Omni. At the time, the only California wineries I could name were Gallo, Sebastiani, Paul Masson, Almaden, and Inglenook. Today, my Rolodex is approaching 2,500 distinct labels, with new discoveries almost daily—even in pockets where I thought my knowledge was comprehensive. Case in point—although I have covered individual wineries and at least a dozen tastings for the Santa Cruz Mountains Winery Association, I had not encountered Villa del Monte until the most recent South Bay Trade tasting at The International Culinary Center in Campbell. My reaction to their focused 2009 Reserve Pinot Noir Regan Vineyard? Where have you guys been hiding?

Speaking of hiding, I must commend the Culinary Center for coming out this year from behind their glass-enclosed culinary lab and catering the tasting this year. Recalling how excruciating it had been last year, when we had to shuttle between two tasting rooms and content ourselves to stare longingly at their amazing feats of gastronomy through impermeable glass displays, I had scheduled a luncheon meeting beforehand with Lathrop Engineering to architect my design for a low-cost nitrogen preservation system for Sostevinobile’s wines. Oh well! I never claimed foresight to be my forte!

20) I’ve registered www.sostevinobile.net to be deployed as an extranet, once we are ready to start taking orders. The goal is to allow every winery and producing label in California, Washington, and Oregon who can meet Sostevinobile’s criteria for sustainability to access and manage their own information in our database. When that day does come, my first order of business will be to hire a Filemaker programmer to build this platform for us. In the meantime, I am compelled to enter each winery I encounter into a very rudimentary data file, and, like everything else, I frequently fall way behind in this responsibility with all I compelled to handle.

As such, I failed to realize that I had already visited with Paradise View when I retasted them at T.A.P.A.S. a few weeks later. No similar confusion, however, with Acampo’s Riaza Wines, an indisputably new discovery that came close to flooring me with their knockout 2008 Tempranillo Amador County.

19) It was extremely hard for me to assess the success of the T.A.P.A.S. Grand Wine Tasting. Last year, the somewhat thin crowd coul
d be attributed to the unforeseen change of venue when Crushpad, which had committed to host the event, suddenly pulled up stakes and relocated to Napa; that same day, SF Vintners Market held its event in Fort Mason, as well, while the nearby Union Street Festival commandeered nearly every available parking slots in the Marina. This year again, the street fair wreaked havoc with the local traffic, while the crowd inside Herbst Pavilion seemed just as sparse.

T.A.P.A.S., of course, is still very much a nascent undertaking, and, to be honest, 44 participating wineries does not warrant so cavernous a space. Nonetheless, I can’t gauge whether this event is gaining traction, declining, or simply maintaining its status quo. Over the past couple of years, I have become increasingly concerned over the attrition of attendance at nearly all the major tastings, hoping it is not a harbinger for the state of the wine industry itself nor, circumspectly, for Sostevinobile. Now I have even greater reasons for wanting to see groups like T.A.P.A.S. and Rhône Rangers thrive, as I am heading an effort to resurrect a similar organization for West Coast producers of Italian varietals. Look for an announcement about Risorgimento in an upcoming entry.

Of course, part of the pleasure of T.A.P.A.S. is simply the effort I must put in to make sure I have the correct orthography for the sundry Spanish and Portuguese varietals I taste my way through. And just when I think I’ve got a handle on every Tinta and Touriga out there, along comes Ron Silva, adding yet another indecipherable grape to the list! Still, the barrel sample of the 2010 Trincadeira his Alta Mesa Cellars provided proved a most delectable discovery.

18) Marie Antoinette Nichelini-Irwin had introduced me to Sauvignon Vert, a varietal I thought I had never tried until I learned it was the same grape as Tocai Friulano (as I am all too fond of saying, sempre i francese imitano gl’italiani). After Toni died last year, I thought that Irwin Family Vineyards might have been her legacy, but there is no correlation. This first generation endeavor made an impressive introduction with their 2008 Tempranillo Piedra Rioja Block 22, their sole production.
17A first-time entry from Lodi was Jeremy Wine Company, a relatively new hand-selected boutique venture from industry veteran Jeremy Trettevik, focused on both Italian and Iberian varietals. Here, the 2010 Albariño Lodi proved an exceptional introduction to this notable endeavor.
16) My friend John Monnich of Silkwood Wines would take affront, but I am all-too-fond of denigrating wines from Modesto as being a front for Ernest & Julio. Another exception to this blanket generalization is Duarte Georgetown, whose exceptional 2008 Divide Tempranillo El Dorado proved every bit as alluring as its highly commendable 2007 vintage.
15) The next time I decide to get lost in Winters, the Yolo County hamlet juxtaposed between the Napa Valley and UC-Davis, I will make every effort to track down Turkovich Family Wines (provided I can finally get GPS service or AT&T cellular reception anywhere in these environs). Meanwhile, I can only content myself with their stellar array of wines, led by the exceptional 2009 Tempranillo Yolo County.

14) Readers here know how much I gushed over the Reserve Chardonnay from Jarvis this past spring. Here, their virtuoso winemaking continued, the results very nearly as impressive with their exceptional 2009 Tempranillo Napa Valley.

13) No surprise that I would offer glowing reviews for the wines Markus Bokisch produces. This time round, their game never been as on as with their 2008 Graciano Mokelumne River, easily the best vintage produced of their signature red varietal.
12) Introducing Markus and his wife Liz to Matthew Rorick felt like an inkling of what the late Tom Dowd must have felt pairing Eric Clapton and Duane Allman. Hyperbolic praise? Not if you had sampled Forlorn Hope’s 2006 Mil Amores, yet another truly astounding blend of Touriga Nacional, Tinta Cão, Tinta Amarella, and Tinta Roriz (aka Tempranillo).

Más a venir, even with less than a dozen bottles left…

All wine trails lead to San Francisco

Your West Coast Oenophile is back in full swing on the wine circuit. This has nothing to do with my internist giving me the all clear on my liver tests (an annual ritual mandated by my need for daily statins); building the wine program for Sostevinobile remains an inexorable labor of love.

I’ll review ZAP’s 20th Annual Grand Zinfandel Tasting in my subsequent column. Sandwiched between this behemoth were two intimate, trade-only events in San Francisco, on winter days that strove to compensate the local populace for our Summer of 2010 that never happened. Fittingly, the first of these tastings transplanted itself from the undemarcated reception area adjoining One Market (San Francisco’s only top-tier restaurant that eschews imports among the 400+ selections on their awarded-winning wine list) to one of summertime’s more dazzling settings on the Bay, the St. Francis Yacht Club.

In Vino Unitas creates an alliance of prominent wineries, predominantly from Napa, that sell their wares directly to purchasers in California. I’ve had the pleasure of visiting with nearly all of these winemakers on numerous occasions, and so beelined directly to the table for Quill, a newcomer both to Sostevinobile and to this event. I wish owner Shana Graham had brought her 2007 Viognier Stagecoach Vineyard (Ridge has got me on a serious Viognier quest these days), but I was quite content to taste my way through her Syrah and array of Cabernets. Her exquisite 2007 Bismarck Ranch Syrah from Sonoma Valley could hardly have been said to have left me with a sinking feeling while two separate vintages each highlighted the distinct differences in Napa’s sub-AVAs. I could not pick a favorite between the 2006 Howell Mountain Cabernet Sauvignon and the 2007 Howell Mountain Cabernet Sauvignon, but think the 2007 Diamond Mountain Cabernet Sauvignon edged out its predecessor (though the 2006 did portend to open up more in a few years).

I suppose the obsolescence of the quill as a writing instrument makes it a quaint name for a label. By extension, one wonders whether the rise of the iPad will spur labels like Ballpoint or Biro once penmanship has totally been obviated! No matter, this virtuoso winery made for a great discovery on a sun-drenched afternoon.

Other wineries new to In Vino Unitas included Jericho Canyon, which comported themselves admirably with three selections: an appealing 2009 Sauvignon Blanc, the 2006 Creek Block Cabernet Sauvignon, and their standout 2006 Estate Cabernet Sauvignon. Chase Cellars also made their first appearance here with a Zin-focused lineup. I enjoyed both the 2006 Hayne Valley Zinfandel and, in particular, the jamminess of the 2007 Hayne Valley Zinfandel, but the fruity 2009 Rosé of Zinfandel left me rather indifferent.

The third newcomer this afternoon was a longtime familiar label, Mendocino’s Navarro, though I had not previously met owner Deborah Cahn. With nine wines to work through, we easily made up for this oversight and had become old acquaintances by the time I had finished! Her first pour, the 2008 Estate Gewürztraminer, defied usual expectations, revealing an dry, clean interpretation of the varietal, devoid of sweetness and demanding a food complement. The 2008 Première Reserve Chardonnay proved an amiable wine, while the 2009 Estate Muscat Blanc professed a dryness not unlike the Gewürz.

We moved onto Deborah’s reds, starting with the 2007 Pinot Noir Méthode à l’Ancienne, a wine that reflected the across-the-board excellence of this vintage in Anderson Valley. The 2008 Navarrouge, a wine salvaged from the smoke infusion that stymied the Pinot crop in Anderson Valley and nearby parts of Sonoma following the summer’s wildfires, made for an oddly appropriate wine to pair with lox. Navarro rebounded, however, with a superb 2007 Zinfandel Mendocino, a highlight of the afternoon.

Atypically, we swung back to white for a side-by-side comparison of Deborah’s two Rieslings. Again, the 2009 Dry Riesling Anderson Valley held its own with her other dry vintages, while the 2007 Cluster Select Late Harvest Riesling seemed almost ætherial. From there, I moved onto the more succinct display from my old friends at Gargiulo Vineyards. Neither Jeff nor April were on hand this time round, but I nonetheless enjoyed their ever-evolving expression of their signature Sangiovese, the 2007 Aprile. I don’t recall having previously sampled their Cabernets, but the OVX G Major 7 Cabernet Sauvignon was quite delectable while the 2007 Money Road Ranch Cabernet Sauvignon tasted as expensive as it sounds.

Now if only Gemstone had nine wines to pour! Alas, I had to content myself with the wonderful 2006 Estate Cabernet Sauvignon and 2007 Facets of Gemstone, then finalize this brief interlude with the utterly superb 2007 Estate Cabernet Sauvignon. No paucity of selections, however, could be found at the Far Niente table, with its twin sister Nickel & Nickel, along with single-release satellites Dolce and EnRoute. I discovered an equal fondness for Nickel & Nickel’s 2009 Chardonnay Searby Vineyard and Far Niente’s 2009 Estate Bottle Chardonnay.

There was much to admire in the 2007 Harris Vineyard Merlot (Nickel & Nickel), but not surprisingly, their selection of Cabernets dominated. Nickel & Nickel’s 2007 John C. Sullenger Vineyard Cabernet Sauvignon leaped exuberantly out the bottle, while the more subdued 2007 Vogt Vineyard Cabernet Sauvignon displayed the reticence of a wine that will not fully express itself until 2015. The development of the 2008 Far Niente Cabernet Sauvignon Estate Bottled was presaged by the ripe maturity of the 2004 vintage, drinking now at its peak.

As I have in years past, I immensely enjoyed the 2006 Dolce, a Sauternes-style wine Far Niente bottles exclusively under this separate label. EnRoute, their new entry in the mix, debuted with a likable if young 2009 Les Pommiers, a blend of organically farmed Pinot Noir grapes from their vineyards in Green Valley and the Russian River AVA.

Moving forward, it is always a pleasure to visit with Matt Buoncristiani and sample portfolio of his wines. Here I was impressed with another Rhône expression, the 2008 Gemello Viognier. In the same vein, the 2007 Artistico was a splendid expression of Napa Valley Syrah. This venture from four brothers excelled, however, with both their 2007 Cabernet Sauvignon and the premium 2007 The Core Cabernet Sauvignon, despite these wines tasting at least seven years away attaining from peak maturity.

Similarly, Ehlers Estate offered a small selection of their Napa Valley wines, starting with the somewhat clawing 2009 Estate Sauvignon Blanc. Far more appealing were their red bottlings: the 2007 Estate Merlot, the 2007 Ehlers Estate One Twenty Over Eighty and, in particular, the 2007 Estate Cabernet Sauvignon 1886. Their exclusive focus of Larkmead lent itself to a four-year vertical tasting of the Cabernet Sauvignon Larkmead Vineyard. The 2008 vintage inevitably tasted a bit too young, while the 2005 clearly soared. Both the 2006 and 2007 fell squarely in between the two.

Just next to them, Krupp Brothers made an impressive statement with their array of Wild West-themed wines, starting with the 2007 Black Bart’s Bride, a mélange of Marsanne, Viognier, and Chardonnay. More compelling, however, was their Black Bart Syrah, and the 2007 Synchrony Stagecoach Vineya
rd
, a Bordeaux blend focused on Cabernet Sauvignon and Cabernet Franc. The 2006 Veraison Cabernet Sauvignon represented a more traditional Left Bank-style Cab while the proprietary 2007 The Doctor offered a proprietary blend of 33% Merlot, 31% Tempranillo, 23% Malbec, 13% Cabernet Sauvignon.

Both Heitz Cellar and Grgich Hills have historical ties to the 1976 Judgment of Paris tasting that put California on the world wine map, so it was little trouble to wade my way through the extensive inventory they had on hand. Grgich offered eight different wines, starting with the 2008 Estate Fumé Blanc and 2008 Estate Chardonnay, a wine I would have anticipated to be more compelling, given Miljenko Grgich’s pivotal role as winemaker for Château Montelena, which garnered first in the white wine competition. More impressive were his 2007 Estate Zinfandel and 2006 Estate Merlot.

Much closer to my expectation was the 2006 Estate Chardonnay Carneros Selection, a wine on par with Grgich’s 2006 Estate Cabernet Sauvignon and the 2005 Estate Cabernet Sauvignon Yountville Selection. The standout this afternoon, however, proved to be the uxorial 2008 Violetta, a late harvest blend of Sauvignon Blanc, Riesling, and Gewürztraminer.

Heitz Cellar stands as a singular winery, famed for its Cabernet Sauvignon and as one of the very few producers of Grignolino on the West Coast. Admittedly, I was somewhat tepid about the 2009 Sauvignon Blanc and the 2008 Chardonnay they poured at In Vino Unitas, but quickly warmed to their 2007 Zinfandel. Their quartet of Cabernets, all from 2005, impressed me incrementally with each bottling I sampled, starting with the generic 2005 Cabernet Sauvignon. The 2005 Cabernet Sauvignon Bella Oaks Vineyard seemed even better, while the 2005 Cabernet Sauvignon Trailside Vineyard completely allured me. At last, the famed 2005 Cabernet Sauvignon Martha’s Vineyard simply overwhelmed and garnered the rare Sostevinobile accolade: .

Heitz concluded its presentation with a non-vintage dessert wine called Ink Grade Port, made from Touriga Nacional, Tinta Roriz, Souzão, Tinta Cão, Tinta Bairrada, Tinta Madeira, Tinta Amarela, and Bastardo (all I can say is, “loved the wine but thank heavens for Cut & Paste”)! A more modestly structured but equally enjoyable Port-style wine came from the Löwenbräu of wineries, Meyer Family Cellars, with their superb Old-Vine Zinfandel Port, also non-vintage. Similarly, I very much liked their 2005 Cabernet Sauvignon Bonnie’s Vineyard from Oakville, but wish I had passed on their inaugural 2006 Yorkville Highlands Syrah.

Like Meyer, Yorba heralds from outside of Napa. Here the varietals typified the diversity of Amador County, starting with their 2006 Zinfandel and a delightful 2006 Syrah.Their 2007 Tempranillo represented a straightforward expression of the grape, while their eclectic 2007 Shake Ridge Red combined Syrah, Petite Sirah, Malbec, Merlot, Mourvèdre, and Primitivo.

Apart from Gargiulo, Yorba featured the only other Italian varietal of the afternoon, their tangy 2007 Barbera. As I often them, Testarossa ought to try their hand at CalItalia bottlings, but nonetheless seem content to focus on Burgundian-style wines. Of their three Chardonnays, I distinctly preferred the 2009 Chardonnay Sierra Madre Vineyard to the quite competent 2009 Chardonnay Santa Barbara County and the 2009 Chardonnay Santa Lucia Highlands. Given their youth, I found both the 2009 Pinot Noir Santa Barbara County and the 2009 Pinot Noir Santa Lucia Highlands too premature to assess.

When all was said and done, this year’s In Vino U
nitas
proved a most delightful event, one I hope will continue to be held at the St. Francis Yacht Club. After all, their co-occupants on the breakwater, Larry Ellison’s Golden Gate Yacht Club, will be sponsoring quite the yachting spectacle some 24 months from now. Imagine that as a backdrop to a wine tasting!


Several days after ZAP, the Santa Cruz Mountains Winegrowers Association held their first trade tasting of the season at the always well-appointed Farallon. I like to think this sumptuously catered affair was meant to atone for last year’s gathering at the Professional Culinary Institute in Campbell. Not that it had been a bad event or venue, but still, compelling attendees to stroll alongside the picture windows overlooking the school’s culinary lab and gaze upon their gastronomic marvels while we had to content ourselves with Monterey Jack and slices of celery constituted pure torture. 

This afternoon, the Farallon staff generously circulated wedges of fried wonton topped with slabs of sushi-grade Ahi as professionals and poseurs alike sipped through an array of newly-released wines. Feeling quite sated, I commenced my wine explorations by regaling in the gustatory delights of Regale, a new participant in this group. Befittingly, they pulled out all the stops, serving up nine of their wines, starting strongly with their 2007 Barbera El Dorado County. I cottoned as readily to their 2007 Sangiovese Napa Valley before sampling their notably restrained 2006 Zinfandel Dry Creek Valley. As has often been the case, I enjoyed their 2007 Pinot Noir O’Neel Vineyards, then found myself as enthused by the 2008 vintage. The more broadly focused 2008 Pinot Noir Sonoma Coast seemed less developed than these other two, and it certainly would have been more telling if they had poured their 2007 Estate Pinot Noir (actually, it seemed odd that none of the wines they showcased were Santa Cruz-grown).

Regale finished with their Bordelaise selections, a nice but undramatic 2006 Cabernet Sauvignon, with a similar results for its subsequent vintage, while the 2006 Cabernet Franc portended to brandish its true potential 2- 3 years from now. In the same fashion, Santa Cruz-based MJA Vineyards chose to pour only its Napa-grown wines, bottled under two separate labels. I preferred the 2007 Serene Cellars Carneros to the 2008 Sauvignon Blanc Napa Valley, while the 2006 DaVine Cellars Cabernet Sauvignon outpointed the 2006 Serene Cellars Cabernet Sauvignon. While apparently sourced from different vineyards than before, the 2005 Serene Cellars Cabernet Sauvignon tasted roughly equivalent to its successor.

Lest one begin to think the fruit of the Santa Cruz Mountains AVA not compare with the Napa crops, the estate grown wines from Beauregard proved to be more than well-regarded. Its two vineyards in the Ben Lomond Mountain sub-AVA offered four contrasting yet equally wondrous Burgundian wines: the 2007 Estate Chardonnay Santa Cruz Mountains and its apposite, the 2007 Estate Chardonnay Bald Mountain Vineyard, along with their red counterparts, the 2007 Estate Pinot Noir Santa Cruz Mountains and the 2007 Estate Pinot Noir Bald Mountain Vineyard.

I have never seen Picchetti at a trade tasting, but Cupertino’s other Monte Bello Road wineries showed up in full regalia. First up, my friend Don Naumann showed off his customary wines, with a delicious 2008 Chardonnay and a truly delightful 2006 Estate Merlot. Though quite good, his 2007 Estate Merlot still struck me as young, but his superb 2007 Late Harvest Semi-Sweet Merlot proved a wondrous addition to his lineup. From across the street, the good folks at Ridge made quite an impressive appearance, pouring their sturdy 2008 Ridge Lytton Springs, a strik
ing yet hitherto unfamiliar 2008 Estate Cabernet Sauvignon and the absolutely riveting 2007 Monte Bello, unquestionably worthy of a .

My friend Michael Martella pulled double-duty this afternoon, fronting both his eponymous label and Thomas Fogarty, where he serves as winemaker. His own 2009 Monterey Sauvignon Blanc showed quite likably, while he excelled with his red selections: the 2007 Fiddletown Grenache, his 2007 Hammer Syrah, and the exceptional 2007 Heart Arrow Petite Sirah. From the Fogarty label, he poured a forward 2007 Santa Cruz Mountains Chardonnay and the 2008 Monterey Gewürztraminer, alongside a somewhat fruity 2008 Santa Cruz Mountains Pinot Noir. I quite enjoyed the 2005 Lexington, a mélange of 49% Cab. Sauvignon, 30% Merlot, and 21% Cabernet Franc, while totally relishing the 2006 Santa Cruz Mountains Cabernet Franc.

Another exceptional take on this varietal came from Cinnabar, whose 2007 Cabernet Franc rivaled the appeal of their 2006 Cabernet Sauvignon in complexity. Similarly, their 2007 Merlot proved quite strong while their 2008 Mercury Rising was particularly affordable for a Bordeaux blend of similar quality. La Honda Winery’s Ken Wornick chaired this year’s tasting, but still managed to serve up his wines this afternoon, starting with the 2009 Exponent, a deft blend of Cabernet Sauvignon, Grenache and Sangiovese. On the more traditional front, I immensely enjoyed his 2008 Salinian Block Cabernet Sauvignon and the exceptional 2007 Naylor’s Dry Hole Cabernet Sauvignon.

Two Clos for comfort—if not wondrous wines! The ever-unassuming Clos Títa managed once again to impress me with their beautiful Bordeaux blend, the 2006 Gironde, as well as their proprietary of Syrah, Merlot and Viognier, the 2007 La Sierra Azul. Meanwhile, Clos La Chance made an impressive showing with their 2007 Santa Cruz Mountains Chardonnay, the 2007 Estate Cabernet Sauvignon, and an exceptional 2007 Santa Cruz Mountains Pinot Noir.

The Santa Cruz Mountains AVA is, of course, acclaimed for its Pinot Noir, so the Pinot-only focus of Heart o’ the Mountain comes as now surprise. Certainly their 2007 Estate Pinot Noir put them on par with Clos LaChance’s efforts, while their 2008 vintage fell a notch below. And although they also bottle Pinot, Big Basin elected to represent themselves with four different Syrahs, the 2006 Rattlesnake Rock Syrah, the 2007 Fairview Road Ranch Syrah, a sand-free 2007 Mandala Syrah, and their standout, the 2007 Homestead Syrah. Sonnet Wine Cellars also focuses on this varietal only, with a quartet distinct vineyards in different AVAs. Of the four, I particularly liked their 2008 Pinot Noir Tondrē’s Grapefield (Santa Lucia Highlands) and the 2007 Pinot Noir Mums Vineyard (Santa Cruz Mountains).

While they also bottle Pinot, Big Basin elected to represent themselves with four different Syrahs, the 2006 Rattlesnake Rock Syrah, the 2007 Fairview Road Ranch Syrah, a sand-free 2007 Mandala Syrah, and their standout, the 2007 Homestead Syrah. And though Kathryn Kennedy Winery originally staked its claim as a Cabernet-only endeavor, her heirs now release an organically-grown 2009 Sauvignon Blanc. While the 2000 Estate Cabernet Sauvignon served this afternoon seemed focused more on nostalgia, the 2006 Estate Cabernet Estate Cabernet certainly paid tribute to her legacy. 

No Santa Cruz tasting would be complete without Bonny Doon, a winery known for never sitting on its laurels. I bypassed both Le Cigares and settled for the 2009 Ca’ del Solo Albariño and their new 2009 Contra, a Carignane rounded with Grenache, Mourvèdre, Syrah, Petite Sirah, and Zinfandel. No need to winnow my sele
ctions with Martin Ranch Winery, who quietly presented their 2006 J. D. Hurley Merlot and 2006 Dos Rios Cabernet Sauvignon.

Saratoga got to call itself Saratoga, after the famed hot springs in upstate New York, only because the speaker at Calistoga’s christening screwed up and pronounced this to be “the Calistoga of Sarafornia!” Nonetheless, two of Saratoga’s more prominent wineries, along with Kathryn Kennedy, were on hand for this tasting. Chavannah-Sanelle—I mean, Savannah-Chanelle, poured an array of their wines, including their 2007 Estate Zinfandel and noteworthy 2007 Estate Cabernet Franc. I liked the 2007 Coastview Vineyards Syrah, though found it a bit floral, while the 2007 Monmatre, a Zinfandel/Carignane/Cabernet Franc blend, tasted too acidic for my liking. Cooper-Garrod (not Gooper-Carrod or some other syncretic twist) offered a range of wines, which I commenced sampling with the 2009 Estate Viognier. I was copacetic with the 2006 Estate Syrah, as well, but relished to the 2005 Test Pilot F-16, a blend of Cabernet Sauvignon, Merlot, and Cabernet Franc. Their varietal 2006 Estate Cabernet Franc, however, proved simply outstanding.

Every county in California apparently contains a municipality with its same nomenclature. Similarly, each AVA contains a winery named the wine region that encompasses it. Santa Cruz Mountain Vineyard grows a number of well-structured, if not familiar varietals, but I opted to focus on the Iberian-style wines it produces under its Quinta Cruz label. Their 2008 Tempranillo was certainly a pleasant enough wine, while the 2008 Graciano proved truly outstanding. So, too, was the 2007 Touriga, a blend of both Touriga Nacional and Touriga Francesa. Even more diverse were the wines from River Run, a Watsonville winery. I did appreciate their organic 2008 Chardonnay Mountanos Vineyard and the atypical 2009 Rosé of Carignane, as well as their 2008 Côte d’Aromas that blended of Syrah, Mourvèdre, Carignane, Viognier, and Grenache. More telling was the 2007 Carignane Wirz Vineyards and the wondrous 2008 Négrette San Benito County.

His organically-grown grapes mean that I frequently encounter Jerold O’Brien’s Silver Mountain Vineyards at CCOF and other interrelated tastings. With time pressing, I limited myself to his superb 2006 Syrah and a retasting of the 2004 Alloy, his signature Bordeaux blend. Despite the waning minutes, I should have tried all four wines Storrs Winery poured, but leapfrogged over to their 2008 Central Coast Grenache. Thankfully, I did not miss out on the new release of their phenomenal 2007 Pinot Noir Christie Vineyard.

I keep waiting to hear that Press Club has closed its cooperative satellite tasting room near Yerba Buena Gardens, so it seemed fitting that I close out the tasting with Mount Eden, one of the six stations still pouring in their subterranean cavern. As with Silver Mountain, the frequency with which I have sampled their wines at other events led me to limit myself to their 2009 Wolff Vineyard Chardonnay and the equally impressive 2007 Saratoga Cuvée Chardonnay. And with that, I rested, knowing I had to brace myself for a squash match in just a few hours.


I had hoped to file my 2011 entries here in a more timely fashion, but the demands of sewing up the financing for Sostevinobile have taken center stage as of late. Admit it, though—wouldn’t you rather be tasting all these marvelous wines at our bar, rather than just reading about them? E-mail me a buona fortuna, and I’ll put you on the guest list for our Grand Opening!

KA-BOOM!!

It gets harder and harder these days to recall how Healdsburg looked in the early 1980s. None of the sleek, modernistic structures nor the trappings of luxury had taken root back when Your West Coast Oenophile first started out in the wine industry, and the town felt more like a rustic outpost than an upscale destination.

Indeed, all the sleepy little wine villages in northern Sonoma felt utterly remote from the urbanization that had taken hold in Santa Rosa and was slowly transforming this one-time agricultural capital into a mini-metropolis in its own right, led, by among other factors, an Italian emigration from San Francisco’s Marina district. Flash-forward to this most curious decade to find Healdsburg completely unrecognizable from its former self merely a quarter-century ago. But, as I discovered this past Columbus Day weekend, a venture just a few miles north finds Geyserville relatively unchanged amid its bucolic trappings, its quaint downtown a timeless preserve that could easily serve as scenic backdrop for a 19th century Western or Gold Rush epic.

The Sonoma County chapter of Slow Food invited Sostevinobile to cover their Artisano Festival at the Geyserville Inn, a decidedly unpretentious (souvenir pen upon checkout!) motor lodge just north of the village square. Not trusting the accuracy of my GPS, which had mapped out a route that took me past my destination, then backtracked for two miles, I exited Highway 101 at the first Geyserville offramp and wound my way up Geyserville Avenue through the downtown area. Certainly, several of the names had changed, and there was arguably more neon than I had recalled, but essentially the quaint little hitching post stop seemed exactly how I had recalled, a memento not only of its own past but of the kind of town Healdsburg once had been, too.

As I type this installment, the Board of Supervisors in San Francisco is deliberating a ban on Happy Meals, those coercive gimmicks that include the latest must-have toys that virtually compel parents to bring their youngsters to McDonald’s. While I support this measure wholeheartedly, I feel the supervisors are missing the essential point here. The insidious aspect of Happy Meals isn’t so much that they ply kids with fat-laden, 1,500-calorie engorgements, along with their cute action figures; worse is that they instill in these highly impressionable minds the notion that McDonald’s is an inextricable part of American culture, an icon on par with the Statue of Liberty or an institution like baseball, rather than a self-aggrandizing, crass, commercial enterprise. Just as with nicotine in cigarettes, it’s deliberately design to hook kids early and hook them for life.

Of course, if it weren’t for McDonald’s delusion of global hegemony, there probably would never have been a Slow Food Society and the impetus for splendid events like Artisano. A celebration of both local wine and culinary fare, it would be hard to imagine a better way to spend a warm Saturday afternoon. As I drove down Geyserville Avenue, I passed by a tasting room featuring the unassumingly nomenclature of Route 128, the highway that crisscrosses Solano, Napa, Sonoma, and Mendocino counties; finding their table at the entrance to the festival, it seemed only fitting to start out sampling their wines. Despite their lack of pretentiousness, this highly-skilled venture produced an enviable 2008 Viognier Opatz Family Vineyard, along with a superb Rhône red, the 2007 Syrah. In turn, these wines were paired to a Crispy Butternut Squash Ravioli topped with Pulled Pork that had been prepared by Hoffman House, Geyserville Inn’s on-premise restaurant. 

Route 128’s showcase wine, however, was their 2007 Hi-Five, an unspecified blend of the five principal Bordeaux varietals; though I have scant background information on this particular wine, it was nonetheless a superb bottling. I moved next to visit Saini, a winery I had inadvertently overlooked at Grape to Glass. With only 180 cases of Sauvignon Blanc and 98 cases of Zinfandel produced, this boutique operation nonetheless showed itself to be a formidable presence, with a sharp 2008 Zinfandel Olive Block and an even more promising 2009 vintage soon to be bottled. I followed this sampling with some housemade salumi and a succulent medallion of Roasted Porchetta from Diavola, a downtown Geyserville restaurant I had passed on my way to the event.

The tasting filled two separate lawns at the Inn, so I meandered over to the other section and visited once again with Betsy Nachbaur of Acorn, in the futile hope she might have finally brought a sample of her Dolcetto to a tasting. Despite my palpable dismay, I did mange to enjoy her 2009 Rosato once again (see my entry on Taste of Sonoma for a breakdown on its eight varietals), as well as the 2007 Zinfandel Alegría Vineyard. Just to her right, Mendocino’s Chiarito poured their wondrous 2007 Nero d’Avola, a rare and extraordinary expression of this varietal in California. I hadn’t previous sampled their 2007 Petite Sirah, which proved every bit the Nero’s equal; this same Petite Sirah constituted 18% of Chiarito’s 2005 Estate Zinfandel and only 8% of the 2006 Estate Zinfandel. The 2007 Estate Zinfandel, a pure varietal, proved itself my favorite from this vertical.

I had to try a second pour of the Petite Sirah to complement the Wild Game Chili Bear Republic served at the next table over. Ironically, there was nothing ursine to this recipe; this popular Healdsburg brewpub blended in venison, antelope, and wild boar to create a savory contrast to the spicy wine. Inches away and 180° apart, Kim Fanucchi, the cheese stylists at Oz Family Farms, juxtaposed her Rose Petal Terrine with the 2009 Late Harvest Durif from Pendleton Wines, an Alexander Valley boutique. Though this dessert wine struck me as Pendleton’s best effort, I was favorably impressed by their 2007 Zinfandel Ponzo’s Vineyard as well. On the other hand, the 2006 Reserve Zinfandel, along with the 2007 Petite Sirah and the 2009 Petite Rosé, seemed rather commonplace, while the 2008 Celebration managed to blend Sonoma Cabernet Sauvignon, Sangiovese, Zinfandel, Petite Sirah, and Carignane with 43% Alvarelhão and Touriga from Lodi, a veritable California medley.

I hadn’t seen Arnot-Roberts since sampling their Ribolla Galla during Natural Wine Week in August. This day, they simply poured the 2009 Chardonnay Green Island Vineyard and their 2007 Cabernet Sauvignon Bugay Vineyard. And I might have bypassed his table if Hank Skewis hadn’t told me they were bypassing this year’s Pinot on the River (a prescient decision, as I will attest in my subsequent entry). This Pinot-only virtuoso featured a quartet from his 2007 vintage, first the 2007 Pinot Noir Montgomery Vineyard and the 2007 Pinot Noir Salzberger-Chan Vineyard, followed by the 2007 Pinot Noir Anderson Valley Reserve and the 2007 Pinot Noir Peters Vineyard; while all four were excellent wines, the latter two proved truly astounding.
The sun may have been hot enough to melt wax this afternoon, but that did not daunt me from sampling a flight of Icaria’s wines. The lofty 2006 Cabernet Sauvignon Alexander Valley fused the varietal with 15% Merlot, 2% Petite Sirah, 2% Petit Verdot, and 3% Malbec, while the 2005 Reserve Cabernet Sauvignon (20% Merlot) utterly soared.
And I found their unfettered 2006 Petite Sirah a heightened expression of the varietal.

From her family’s eponymous, Domenica Catelli served up an Oz Family Farm Rabbit Crostini with Polenta, the perfect complement to the 2009 Pinot Noir Miroslav Tcholakov poured. Before this afternoon, I had only tried the Petite Sirahs his Miro Cellars produces, so it was an unexpected pleasure to sample both this varietal and his superb 2008 Zinfandel. Not that the 2008 Petite Sirah nor the 2008 Petite Sirah Rockpile were by any means laggards!

I’m always thrilled to discover little-known producers with limited distribution at events like this, such as Musetta, a winery specializing in Sauvignon Blanc, like the 2009 Sauvignon Blanc from Mt. Konocti they poured here, and a Zinfandel I will have to try at another time. Similarly, Verge focuses their efforts almost exclusively on their 2007 Syrah Dry Creek Valley, with an ancillary production of their Viognier. At the other end of the spectrum, Reynoso featured six wine selections this afternoon, a repertoire that included both their 2008 Sauvignon Blanc and equally appealing 2009 Sauvignon Blanc, strong showing for the 2005 Cabernet Sauvignon and 2004 Syrah, plus a first appreciation of both their 2009 Long Gamma (60% Sauvignon Blanc, 25% Viognier, 15% Gewürztraminer) and the 2007 Long Gamma Red (75% Zinfandel, 20% Syrah, and 5% Petite Sirah), both from Alexander Valley.

Garden Creek may not be the most evocative name for a winery, but I very much liked the name for (and the wine that constituted their red blend), the 2004 Tesserae, meaning the tiles that form a mosaic, in this case, figuratively, Cabernet Sauvignon, Merlot, and Cabernet Franc. On the other hand, Foursight is quite the clever pun, given the quartet of partners who produced their 2007 Pinot Noir Charles Vineyard and the appealing, semi-dry 2009 Gewürztraminer. And given my penchant for pentasyllabic Italian surnames, it was a given I would cotton to Domenichelli, who poured two excellent wines, their 2007 Petite Sirah and the 2007 Zinfandel, which combined for a 150-case production.

Montemaggiore also falls into this exclusive category, but their early departure this afternoon meant I missed the opportunity to resample their wines. Wineries I did not miss included Munselle—no relation to the colatura soprano Patrice Munsel—which still hit all their high notes with the 2007 Shadrach Chardonnay and the 2006 Coyote Crest Cabernet Sauvignon, a most operatic endeavor. Kelley & Young is related to the late Robert Young—the renowned vineyardist, not Marcus Welby—and carries on the family legacy quite fittingly with a respectable 2008 Sauvignon Blanc and two truly impressive bottlings, the blush-style Bordelaise blend 2009 Kathleen Rosé and the 2008 Zinfandel. And despite boastinging Denis and May-Britt Malbec as its winemakers, the superb 2007 Cabernet Sauvignon from Respite is an undiluted expression of this single varietal.

Terroirs Artisan Wines serves as an umbrella for a number of wine labels produced in and about the Geyserville area; it seemed only fitting that they pour a number of their collective’s fare at the Artisano Festival. Godwin produced an excellent 2007 Floral Clone Chardonnay, while Peña Ridge held forth with their 2008 Sauvignon Blanc Dry Creek Valley. Terroirs Director Kerry Damskey also poured the 2004 Stagecoach Cabernet/Syrah, a handcrafted blend from his own Palmeri label.

Many publications, including Sostevinobile, have chronicled the story of the Valdez Family Winery, so I need only let the wines speak for themselves here. All five of the vintages they poured this afternoon proved stunning, starting with the 2008 Silver Eagle Chardonnay. Equally enchanting were the 2007 Zinfandel Russian River Valley, the inky 2007 Petite Sirah, and their 2008 Pinot Noir Lancel Creek, but the standout had to have been the 2007 Zinfandel Rockpile, a wine that could have held its own with Mauritson and Carol Shelton.

Ulises Valdez also serves as Vineyard Manager for Skipstone Ranch from Alexander Valley. Here esteemed winemaker Philippe Melka crafted the outstanding 2007 Oliver’s Blend, a Cabernet Sauvignon with 4% Cabernet Franc. This synergistic, sustainable ranch also produces the 2009 Melina’s Harvest Extra Virgin Olive Oil, which, in turn, marinated the Beef Crostini that paired so precisely with the wine and constituted my last nibble of the afternoon.

In truth, neither 50,000 James Oliver Hubertys nor Slow Food will likely purge the world of McDonald’s, but at least events like the Artisano Festival do their utmost to steer their communities towards a more redeeming diet and a healthier approach to life. This event wasn’t so much a promotion as a celebration of an ethos and a lifestyle devised to benefit both individuals and the planet they inhabit. In other words, the true definition of a Happy Meal!


The following day, just as the Trade/Media tasting was drawing to a close, a thunderous BOOM! literally shook the tent on Treasure Island. The concussive force + the sheer volume of its explosion initially gave the impression that a bomb might have been detonated nearby, but, as this was the weekend for the aerial spectacles of Fleet Week, most soon surmised that one of the naval aviators had passed by precipitously low at supersonic speed. Either that, or the Treasure Island promoters were simply trying new tactics to drive people to drink.

Back when I slaved for a living as an advertising copywriter, personal credo prevented me from engaging certain types of accounts. The 4 Ms, as I referred to them, consisted of McDonald’s (no surprise here); Microsoft (again, my antipathy has been well documented); Marlboro (an alliterative symbol for all tobacco); and the Military. Pacifism aside, I contended that recruitment advertising was deceptive at best and predatory at its worst; regardless of personal politics, it still seems only valid that the Armed Forces be required to maintain the same standards for veracity and full disclosure as any other advertiser must. Without such compliance, I deemed it irresponsible to work on such accounts.

In this light, I feel tremendous ambivalence each year when the Blue Angels perform their acrobatics. Inarguably, their precision formations and death-defying maneuvers are thrilling to observe, and yet these stunts serve as recruitment for an occupation and lifestyle accorded only to extremely few prospects, the odds for attainment as daunting as any lottery. Yet, in a convoluted way, this incongruity symbolized the 2nd Annual Lodi on the Water Tasting, with some wineries deftly soaring to astounding heights, while others remained mired in mundanity.

Compared to last year’s event, there was little variance in the wineries which chose to participate. With so few newcomers, I departed from my usual strategy and attempted to visit with each, making it to 33 out of 43 tables. Still, a microcosm for the entire event could be found in the two “rookie” attendees I did encounter.

McCay Cellars seemed a quintessential Lodi winery: small, brash without being pretentious, highly oriented toward Zinfandel and quite comfortable in its niche. Their 2007 Truluck’s Zinfandel made an indelible first impression, and while both their 2007 Jupiter Zinfandel and 2007 Paisley (a Zinfandel/Petite Sirah blend) scored just below this level, their 2007 Petite Sirah proved every bit as memorable. In contrast, Viaggio pretty much constituted the nadir of what the Lodi AVA has to offer. Situated on the bank of the Mokelumne River, this gargantuan estate has insinuated itself as Acampo’s principal landmark. Garish or opulent, depending one’s viewpoint, Viaggio offers a bit of everything: restaurant, concerts, wedding hall, private residence, except for actual winemaking, which it consigns to a nearby custom crush facility. The resulting wines bordered on the undrinkable. The 2007 Pinot Grigio tasted as pallid as any of the tenuous wines Santa Margherita ever foisted on an unsuspecting public, while neither the 2006 Petite Sirah nor the 2008 Chardonnay even approximated a well-crafted vintage. Granted, the 2007 Cabernet Sauvignon displayed a modicum of potential, but not enough to mitigate for the egregious flaws of the overall œnology here.

This paradigm continued throughout the afternoon, between contrasting wineries and, often, within individual wineries themselves. On the one hand, Grands Amis proved itself exemplary of the quality of wine Lodi can produce, starting with their excellent 2009 Pinot Grigio. Equally seductive was their 2008 Première Passion, a stellar blend of Cabernet Sauvignon, Merlot, and Petit Verdot, as well as the 2009 Chardonnay, while the 2008 Barbera maintained the same quality I had recently lauded at The Wine Institute’s Unexpected Grapes from Unexpected Places. On the other hand, Barefoot Wines poured a NV Zinfandel reminiscent of the dreary days when Lodi boasted warehouses filled with 250,000 cases of unsaleable wine (if you ever tried California Coolers or Bartles & Jaymes in the mid-1980s, you know where this wine landed up).

A number of wineries handled their reds quite well but fumbled with their whites. Nomenclature notwithstanding, Dancing Fox produced a remarkably good 2007 Rumplestilt-Zin and 2004 Rip van Cab. And while even their 2008 The Red Prince, a Cabernet Franc, made a notable impression, the 2007 Firedance, a white blend dominated by Colombard, tasted flavorless. Similarly, I found the 2007 Merlot and 2008 Zinfandel from Vicarmont enormously appealing, but completely disdained their 2008 Sauvignon Blanc and the 2009 Eclectic Pink Rosé. McConnell Estate vinted adequate wines with their 2007 6 GenZin Zinfandel, 2006 Syrah,
and 2007 Cabernet Sauvignon Wackman Ranch, yet would have done well to have left their 2009 Sauvignon Blanc behind. 

Barsetti Vineyards, with their picturesque, Van Gogh-style label, comported themselves ably with both their 2006 Zinfandel and 2008 Zinfandel but found their 2007 Chardonnay quite wanting (for that matter, their 2007 Merlot could have been a white). On the other hand, Stama Winery excelled with their 2006 Merlot but fell short with their 2007 Zany Zin; calling their 2009 Cabernet Sauvignon “premature” would be charitable. E2 Family Winery offered a decidedly mixed bag: a strikingly good 2006 Verdelho Elegante and 2008 H. Walter’s Family Zinfandel, mediocre efforts with their 2007 River Isle Merlot and 2008 Farmer’s Table Big White, and a dreary 2009 Zagan’s Fire Pinot Noir.

I admit to being surprised at my dislike for the 2007 Chardonnay from Watts Winery. Their 2005 Zinfandel and 2004 Cabernet Franc were superb wines, while the 2005 Montepulciano proved flat-out excellent. No lapse, however, with Uvaggio, which poured quite the refreshing 2009 Vermentino and a splendid 2007 Barbera; their two other nonetheless excellent wines, the 2009 Moscato-Secco and 2009 Moscato-Dolce, provided a pronounced contrast with each other, the sweet version proving truly remarkable.

As with any tasting I attend for Sostevinobile, I am bound to encounter number of familiar faces, be they friends, fellow wine trade attendees, œnophiles or interlopers, as well as the numerous winery owners and winemakers with whom I have become acquainted over the years. Lodi tastings are always cause for visit the Koth family and the portfolio of German wines they produce at Mokelumne Glen. Since last year’s event, I’ve tried a number of other California interpretations of German & Austrian varietals: Dornfelder; St. Laurent; Grüner Veltliner, but all have been singular efforts. Today, the Koths poured an excellent 2008 Gewürztraminer, their 2007 Dornfelder, and the new 2008 Zweigelt, along with their 2009 Kerner and a spectacular 2004 Late Harvest Kerner, one of the great treats this afternoon. On the Spanish side, Liz Bokisch manned the tent while Markus tended to the harvest, pouring their justly-acclaimed 2009 Albariño and 2007 Tempranillo. Their newly-released 2008 Garnacha returned to the previous heights this version of the Grenache varietal had reached when I first encountered this winery, while the 2007 Graciano once again proved itself my overall favorite of their offerings.

Lani Holdener’s Macchia, a winery I had discovered while exiled to the Central Valley, once again displayed its versatility with Italian varietals, the 2009 Amorous Sangiovese and the 2009 Delicious Barbera, while her 2009 Mischievous Old Vine Zinfandel proved her true forte. During this time, I also reencountered Joe Berghold, whom I had initially met in the early 1990s. I had hoped to see him again this afternoon, but was informed he was off on a six week trip to Europe during the peak of harvest (I egged his stand-in pourer, Leonard Cicerello, to send him an e-mail: “sold the grapes to Fred Franzia. $50/ton”). Nonetheless, I greatly enjoyed revisiting Joe’s array of wines in his stead, starting with the appealing 2008 Viognier. As always, his 2007 Footstomp Zinfandel displayed far more complexity than whimsy, while the 2006 Cabernet Sauvignon proved every bit as structured. I greatly enjoyed his 2006 Syrah, and do hope his grapes for the 2010 vintage find their way to his fermentation tanks!

Dino Mencarini is a man who demonstrably doesn’t need to travel to Europe in order to relax. After encountering him as I entered the tent, I strolled by his table for Abundance Vineyards and asked where he had gone. “Out on the lawn, watching the show,” much as he had been when I visited his winery last November. But the energy he puts into his winemaking resulted in a pair of robust wines, the 2005 Cabernet Sauvignon and the 2009 Elegante Carignane. During my Lodi trip last fall, I had intended to visit Harney Lane, as well, having been duly impressed by their wines at the inaugural Lodi on the Water. This second time around proved just as impressive, starting with their take on a 2009 Albariño. The 2008 Old Vine Zinfandel captivated; the 2007 Petite Sirah proved age-worthy; the 2008 Zinfandel—utterly seductive.

This being Lodi, Zinfandel held center stage at a number of wineries. Tiny St. Sophia poured just one wine but made the most with their 2007 Zinfandel. M2 Wines, which is not Emtu Wines, comported themselves quite admirably with the 2008 Soucie Vineyard Old Vine Zinfandel and the 2008 Artist Series Zinfandel. Benson Ferry dazzled with their 2008 Old Vine Zinfandel, which they poured alongside their Lodi-specific 2006 95240 Zinfandel and the ultra-specific 2006 Nine X Nine Zinfandel, named for “the Lodi region’s historic, head-trained Zinfandel vines, which were planted with 9′ x 9′ spacing for easy cultivation and optimal sun exposure.” Their Douro-style NV Port proved an added delight.

Featuring what may truly be the worst Web page of any winery, St. Amant nonetheless excelled with their two Zins: the 2008 Mohr Fry’s Zinfandel and the 2008 Marian’s Zinfandel. I found myself intrigued by their 2009 Barbera Rosé and transfixed by its companion 2009 Barbera. St. Jorge, meanwhile, offered a single 2008 Zinfandel, preceded by their refreshing 2009 Verdelho and followed by an excellent 2007 Tempranillo and the delights of their 2008 Alicante Bouschet. The jovial crew from Harmony Wynelands also poured a rich 2006 Alicante Bouschet, as well as their unique 2007 GMA, a blend of Grenache, Mourvèdre, and Alicante. Their NV Rosé similarly blends an atypical combination of Grenache, Mourvèdre, and Zinfandel (GMZ?), while the understated 2009 Riesling seemed almost contrarian for Lodi.

As he had at The Ultimate Sierra Foothills Wine Tasting Experience, David Roberts bumped into me and insisted I revisit one of his discoveries, Michael~David Winery. I limited myself merely to four from their portfolio of wines on hand: the 2008 Incognito Rouge, their “tango” of Mourvèdre, Syrah, Petite Sirah, Cinsault, Carignane, Tannat, Malbec, Cabernet Franc and Grenache; the 2006 Earthquake, a Cabernet Sauvignon rounded out with Petite Sirah and Cabernet Franc; a splendid Zinfandel, the 2008 Lust; plus, the excellent and easy-to-decipher Petite Sirah/Petit Verdot blend, the 2008 Petite Petit. Not so easy to decipher was the identity of Scotto Family Cellars, aka ADS Wines, which had been Regio and last year labeled themselves as Blue Moon Wines. This year’s incarnation pour the 2008 Howling Moon Chardonnay, the 2006 Howling Moon Zinfandel, and the 2009 Howling Moon Pinot Grigio, all of which labored to distinguish themselves.

Meanwhile, the highly inventive Peltier Station (see the label for their 2004 UBS —-) introduced their new second label with a quartet of amiable wines: the 2008 hy brid Pinot Grigio, their 2008 hy brid Chardonnaythe 2008 hy brid Pinot Noir, and a superb 2008 hy brid Syrah. The many faces of DFV Wines here today included Gnarly Head and Brazin, which I failed to reach, and two numerical labels, 337 and 181, named for cultivated clones of Cabernet Sauvignon and of Merlot. By the time I reached this table, they had already poured the last drop of the 2007 337 Cabernet Sauvignon but managed to score significantly with the 2008 181 Merlot.

While the Delicato Family may have had the most labels here this day, it seems that Mettler clan is ubiquitous in Lodi. Vicarmont is a Mettler offshoot. Seemingly everyone at the Michael~David table was named Mettler. Curiously, however, no one at the table for Mettler Family Vineyards was a Mettler! Nonetheless, their 2007 Epicenter Old Vine Zinfandel, the 2005 Petite Sirah and particularly the 2007 Cabernet Sauvignon were all displayed true Lodi pedigree. Similarly, no one at the table for Cosentino Winery was named Cosentino, for, I am told, Mitch Cosentino has ceded its ownership. Financial ambiguities aside, these operations, which are split between Napa and Woodbridge, still produce routinely excellent wines, like the 2007 The Temp (Tempranillo); the 2007 The Zin (Zinfandel); and the 2007 The Med (a blend rivaling the 2008 Incognito Rouge’s “tango,” marrying Tempranillo, Dolcetto, Alicante Bouschet, Barbera, Carignane, Tannat, Valdiguié, Mourvèdre, Tinta Cão, and Souzão).

A simpler formula came from Lucas Winery, with their unadorned 2008 Chardonnay and the striking 2005 ZinStar. the 2008 Tempranillo, 2006 Cabernet Sauvignon and 2008 Petite Sirah, the varietals from D’Art Wines also comprised straightforward expressions, while their 2007 Lodi Port blended 50% Tempranillo, 35% Petite Sirah, and 15% Cabernet Sauvignon. Their most intriguing wine, the NV Dog Day, marries an unspecified number of D’Art’s wines with 25% Port.

I failed to manage my time adequately enough to reach the tables for Heritage Oak, Ironstone, Jessie’s Grove, LangeTwins, Klinker Brick, Ripken, Talus, Woodbridge, or Van Ruiten, though last year’s tasting showed these wineries to span the spectrum from compelling to marginally passable. I concluded the afternoon at the fittingly terminal Omega Cellars, with their own set of 4 Ms: the elegant 2009 Mosaic, an unoaked Chardonnay; their Bordeaux blend (Cabernet Sauvignon, Merlot, Petit Verdot), the 2007 Mystico; the superb, proprietary Rhône blend (Syrah, Mourvèdre, Petite Sirah), the 2007 Mélange; and a late Harvest Petite Verdot melodically called the 2007 Midnight Serenade

As stated in the outset of this installment, I felt tremendous ambivalence about this tasting. Despite its long history with viticulture, Lodi remains an emerging AVA, a region that as recently as 1991 could claim only eight wineries. Many of the wineries can justifiably lay claim to standing on par with some of the best California has to offer; others, however, have far to go to meet contemporary wine standards. Obviously, any business needs to market itself and sell their product; still, I wish, for the overall reputation of the region, these enterprises would restrict their participation from collective tastings like Lodi on the Water until their wines attain a sufficient quality. Certainly, Sostevinobile would be loathe to include any inferior wines on our roster; conversely, those wines upon which I have heaped accolades will be readily welcome.


Regardless of this critique, I do want to acknowledge Lodi for its commitment to the protection and stewardship of its environment and the healthy quality of their wines. Many other AVAs would do well to implement guidelines for their wineries like Lodi Rules, the certification program for sustainability devised by the Lodi Woodbridge Winegrape Commission. I would offer one caveat, though, to wineries like Berghold (Stogie Club Petite Sirah Port) and Cosentino (CigarZin)—or any winery throughout the West Coast that seeks to tie enjoyment of its wines to smoking: this tactic flies in the face of green principles and poses significant detriment to the wine industry as a whole. Legislators are all too eager to impose “sin taxes” on alcoholic beverages, rationalizing their posture by equating them to the same deleterious health impact as tobacco. Someone other than myself once noted that “while the abuse of alcohol is hazardous, it is the mere use of tobacco that is harmful.” It is a critical distinction that should always be reinforced.

Pop, Jazz, Squid—and Wine?

This entry could just have easily been titled Everything I Know About Monterey I Learned in the Fifth Grade. First and foremost, for anyone over 35, like Your West Coast Oenophile, Monterey has long meant the seminal Monterey Pop Festival of 1967, the first true rock mega-concert that propelled the careers of Jimi Hendrix, Otis Redding, Steve Miller, Janis Joplin and numerous other legendary musical acts. Music purist would probably defer to the annual Monterey Jazz Festival, now in its 53rd year—though many will cite Clint Eastwood traipsing through the woods at Big Sur with Donna Mills as their favorite scene from the 1971 film Play Misty for Me, I relish the clip of the late, great Cannonball Adderley playing at the Festival.

Growing up in a Neapolitan household, one of the more esoteric dishes I enjoyed in my youth was calamari (few people today realize that many of today’s popular menu items were long shunned as “peasant food” outside of ethnic circles). Of course, the preferred source of this delicacy was Monterey squid, even if we could only obtain it frozen on the East Coast. Wine from Monterey, however, was a far different matter.

At first, there were the big jug wines like Almaden. Other bulk producers followed, planting extensive vineyards or leasing other large tracts to furnish themselves with a substantial source of cheap varietal gapes—in one memorable incident from the early 1980s, Ernest Gallo, at his craven-hearted best, flew over the 10,000 acres he had under contract in Monterey and pronounced the grapes undesirable, leaving growers scrambling to find an alternate buyer. Then came the proliferation of “Coastal Cellars.” Several of the industry’s most revered labels, having ceded control to their new corporate conglomerate, came out with “affordable” lines of their wines, capitalizing on their long-established reputation in Napa and elsewhere, but markedly inferior to their primary bottlings—a ill-conceived effort to make wines from a prestigious label “accessible,” that only served to erode brand value and recognition.

Amid all this clutter, Monterey’s AVAs have long encompassed premium winemaking, so in quest to engage more of these wineries for Sostevinobile, I traveled south to the 18th Annual Winemakers’ Celebration in Monterey’s Custom House Plaza last weekend. Had the purpose of my two-hour drive been to escape the gloom and overcast of San Francisco for much-needed æstival warmth, this was not the trek to make. Nonetheless, a fresh setting with new people to meet and wines to sample mitigated for the lack of sunshine. Event promoters had set up ample white tents at strategic corners of this bi-level plaza to house the 40 wineries pouring a wide array of their varietals and blends. I tried to visit with each, starting, as previously document, with those labels I had not previously contacted and striving to save enough time to cover the rest

Consequently, I started out by heading to the table for Line Shack, a winery I had just recently encountered at P.S. I Love You. On hand, owner/winemaker John Baletto and his wife Daphne poured a striking array of wines grown in Monterey County, starting with a seductive 2009 Roussanne San Antonio Valley and an equally appealing 2008 Chardonnay Monterey County. I bypassed resampling their Petite Sirah in favor of the 2008 Syrah San Antonio Valley and a 2007 Cabernet Sauvignon San Antonio Valley John blended in Paso Robles style, with enough Syrah to round it out rather deftly. On the other hand, Lockwood Vineyard from Monterey was a new discovery, featuring an austere 2008 Malbec and a 2007 Cabernet Sauvignon rounded out with Malbec, Petit Verdot, and Syrah.

From Soledad, Manzoni Estate Vineyard made a strong first impression with a quartet of their wines, particularly their 2007 Pinot Noir Private Reserve. I also found the 2008 Pinot Gris and 2007 Syrah enormously appealing, along with a 2007 Chardonnay from the Santa Lucia Highlands. Contrasting Chardonnays marked Mercy Vineyards, an artisan winery from Pebble Beach. I rated the 2008 Chardonnay Zabala Vineyard a cut above the nonetheless compelling 2008 Chardonnay Arroyo Seco and equal to their 2008 Pinot Noir Arroyo Seco, while the 2008 Sauvignon Blanc Arroyo Seco did not disappoint.

I don’t recall seeing La Rochelle on my recent swing through the Livermore Valley; then again, given the well-publicized zealotry of the local highway patrol, my eyes were probably fixed on my speedometer as I drove by. Though this winery resides in a different AVA, it sources its many of its grapes from numerous appellations in Monterey to produce both the 2009 Pinot Gris Mark’s Vineyard, Arroyo Seco and the 2007 Pinot Noir Monterey. On the other hand, Marin’s Vineyard only sounds like it is situated in another locale. This nascent San Antonio Valley winery produced a splendid 2008 Viognier, as well as their signature 2007 Syrah.

Other non-local based enterprises that grow and source significant amount of grapes from Monterey included Napa’s Delicato Family Vineyards, whose Sr. Brand Manager Christine Lilienthal served up some impressive banter, along with three of their Monterey labels. Loredona boasts itself as Delicato’s Anything But Chardonnay label, amply demonstrated by their 2009 Riesling, the 2009 Pinot Grigio and a pre-release sample of their enchanting 2009 Malvasia Bianca. Although Irony is one of their Napa labels, the 2008 Monterey Pinot Noir came from their San Benabe Vineyard (reputed the world’s largest single vineyard), as did the grapes in their Fog Head 2005 Blow Sand Syrah. Meanwhile, Wente Vineyards, the Goliath of Livermore Valley, might seem an interloper here but actually maintains extensive vineyards in Arroyo Seco, exemplified by their 2007 Reliz Creek Pinot Noir and the approachable 2008 Riva Ranch Chardonnay.

Given the number of nearby retreats like Esalen, Ventana Inn, and Carmel Valley Ranch, it comes as little surprise that Bernadus is both a resort and a winery. Nearly a decade ago, I enjoyed my first comprehensive tasting from the various Monterey AVAs at their Taste of Carmel Valley, so was more than please this afternoon to revisit their 2006 Monterey County Pinot Noir and the always wonderful 2005 Estate Marinus, a traditional Bordelaise blend, on behalf of Sostevinobile. On a much more modest scale, Mesa del Sol Vineyards offers a quiet cottage amid a 14 acre estate with trout pond and a vineyard that produces their 2005 Syrah and the highly likable 2006 Sangiovese.

I suspect many of the smaller ventures on hand this afternoon do not see tremendous distribution outside the Central Coast region, so, of course, it is a particular pleasure to give them wider exposure here. Though I found Snosrap, their semordnilaps label, a bit jejune, I nonetheless reveled in the wines Parsonage Village Vineyards from Carmel Valley featured, starting with the 2008 Snosrap Cyrano Chardonnay and the 2007 Estate Syrah. The 2007 Bordelaise blended Cabernet Sauvignon, Merlot and Petit Verdot, while the quite drinkable 2007 Snosrap Merlot, blended with 25% Syrah, proved most gnillepmoc. A most aptly named Carmel winery, Mission Trail Vineyard, paid tribute to the historical planting of vineyards at California’s Franciscan missions 230 years ago with a superb 2005 Garnacha, along with a satisfactory 2006 Tempranillo. While I also found their 2007 Malbec and 2007 Syrah quite appealing, the 2007 Sauvignon Blanc left much to be desired.

I had corresponded earlier this year with Otter Cove on behalf of the wine auction for Asia Society Northern California, but had not previously sampled their wines. Like Mission Trail, I found varying degrees of quality, ranging from a superb 2006 Chardonnay to a disappointing 2008 Pinot Noir Santa Lucia Highlands. in between, I was most impressed with their 2007 Off-dry Riesling Santa Lucia Highlands while cottoning to both the 2006 Gewürztraminer and the 2007 Syrah. Acclaimed musical composer Alan Silvestri orchestrated a harmonious trio of vintages for his eponymous winery: the 2005 Syrah Carmel Valley, the 2006 Pinot Noir Carmel Valley, and the tributary 2007 Bella Sandra Chardonnay. Meanwhile, the compelling rodeo theme of Galante’s labels underscored a gritty, no-nonsense approach that characterized both their 2007 Red Rose Hill Cabernet Sauvignon and the rich 2006 Galante Vineyard Cabernet Sauvignon, both from Carmel Valley.

Galante operates a tasting room in tony Carmel-by-the-Sea, where Clint Eastwood presides, as does Cima Collina, a quaint, artisan operation. Their 2009 Tondrē Riesling favored a slightly sweet approach, while their 2007 Chula Viña Chardonnay seemed quite redolent of its unfiltered process. Most intriguing, however, was the 2005 Hilltop Red, a skilled blend of Cabernet Sauvignon, Merlot, Cabernet Franc and Petite Sirah. Another familiar name, Carmel Valley’s Château Julien, offered a decidedly mellow 2009 Barrel Selected Pinot Grigio alongside its sibling 2008 Barrel Selected Chardonnay and a superb 2006 Private Reserve Merlot.

The night before I attended the Monterey Winemakers Celebration, I stopped off for a bite at St. Helena’s Farmstead, following a grueling day on the fundraising trail for Sostevinobile. Along with my entrée, I enjoyed a chilled glass of the 2009 Sauvignon Blanc San Saba Vineyard from Soledad’s Wrath Wines. Readers here know how I raved about discovering this winery at January’s Santa Lucia Highlands tasting, so I was pleased to get a leg up on my Monterey sojourn. Faced with an array of their wines, once again, I was smitten, first with the 2009 Chardonnay Ex Anima, followed by the rosé-style 2009 Pinot Noir Saignée San Saba Vineyard and culminating with their extraordinary 2007 Pinot Noir San Saba Vineyard. Today’s serendipity, however, came from Carmel Valley’s unassuming Joyce Vineyards. Dentist-turned-winemaker Frank Joyce crafted exceptional 2008 Chardonnay Black Mountain Vineyard and 2008 Pinot Noir Black Mountain Vineyard, as well as his notable 2007 Cabernet Sauvignon Pedregal Vineyard and a spectacular 2007 Merlot. According to their Website, Joyce also produces something called Pudding Wine—I have no idea what this might be, but based on the virtuosity, I’d be willing to gamble on a bottle of the 2007 vintage.

Perhaps this Pudding Wine will prove to be akin the 2008 Ekem, a whimsical homonym for the revered Sauternes, that De Tierra produces from its Musque Clone Sauvignon Blanc. This organic endeavor produces several noteworthy reds, including the 2005 Monterey Syrah, the 2006 Silacci Pinot Noir, and their 2006 Estate Merlot, while excelling on the white front with both their 2007 Monterey Chardonnay and the exceptional 2008 Tin Man Chardonnay. In the same vein, Heller Estate Organic Vineyards impressed me with their 2008 Cuvée, a Meritage blending Cabernet Sauvignon, Malbec, Merlot, and Petit Verdot, the 2007 Chenin Blanc, and their current offering of the 2002 Merlot (Heller clearly relishes Merlot, also producing a 2007 Merlot Rosé, a 2006 Merlot Blanc (!), and even a 2005 Sparkling Merlot).

Still having a bit of a sweet bug, I indulged in a taste of the 2008 Vinho Doce, a Port-style wine blended from Touriga Nacional, Tinta Cão, and Tinto Roriz (aka Tempranillo), fortified with Tempranillo brandy, from Pierce Ranch Vineyards, a winery whose selections I have enjoyed on numerous other occasions. I’d also sampled a plethora of wine from Hahn/Lucienne over the years at various Pinot Noir events, so I opted for their other selections, like the 2009 Rosé, a compelling 2001 Blush Sparkling, the easy-to-drink 2005 Coastal Cabernet Sauvignon and 2008 Chardonnay Monterey, an extremely good 2005 Viognier, and the memorable 2007 SLH Estate Pinot Gris Santa Lucia Highlands. I followed by revising Ray Franscioni’s Puma Road, trying their amiable 2007 Pinot Gris Black Mountain Vineyard, an equally likable 2007 Pinot Noir Black Mountain Vineyard, his 2008 Chardonnay Black Mountain Vineyard, and the 2005 Cache Paicines, a blend of Cabernet Sauvignon and Merlot.

A winery I would have sworn I tried before was Scheid Vineyards from Monterey’s own Cannery Row, so tasting their wines turned out to be a nice discovery. Today’s well-balanced quartet was comprised of the 2007 Chardonnay, a 2008 Syrah Rosé, the 2007 Pinot Noir they atypically rounded out with 1% each of Syrah and Petite Sirah, and their 2007 Syrah, a 100% varietal expression (the latter two wines both won Gold Medals at the 2010 New World International Wine Competition named for my late friend, wine writer Jerry D. Mead). I was also surprised I hadn’t previously tried Graff Family Vineyards, the wine-producing extension of the Woodward-Graff Foundation. This Rhône-focused venture excelled with straight varietal expressions in their 2007 Grenache and 2007 Mourvèdre, while flourishing on the white side with a 2007 Viognier and a superb 2007 Pinot Blanc. Unifying the two halves was their proprietary 2007 Consensus, a deft blend of Mourvèdre, Viognier and Syrah.

Graff is a bit of an anomaly, in that their winemaking facilities are in Sonoma. Similarly, Carmel Road Winery grows its grapes in Monterey but trucks them to Santa Rosa for vinification. This virtual winery, created by Jackson Family Wines, nonetheless distinguished itself with their 2009 Pinot Gris, the well-balanced pair of the 2008 Monterey Chardonnay and the slightly preferable 2006 Arroyo Seco Chardonnay, and the starkly contrasting 2008 Monterey Pinot Noir and the 2006 Arroyo Seco Pinot Noir, a clearly superior wine. Chalone, on the other hand, was a pre-established operation Diageo purchased in 20o4, also seemed to maintain its quality and autonomy, though I only managed to sample the 2008 Pinot Blanc.

Perhaps if event promoters had furnished more than a meager five Porta-Potties for this large crowd (and interspersed them throughout at different points in the plaza instead of the corner furthest from the wine tables), I might have had enough time to visit with Crū, Estancia, Michaud, Morgan, Pelerin, Pessagno, and TondrēThat I missed their tables is a testament to the favorable encounters Sostevinobile has already enjoyed with their wines and their owners

All-in-all, the Monterey Winemakers Celebration wasa highly successful showcase for this distinctive wineregion. Even the conspicuously A.W.O.L. sun managed to make a late appearance for the final hour of the festivities! As I left, I felt there was but one glaring omission to an elsewise splendid event:

Where was the calamari?

P(in)otpourri!

Confession: I glossed over a few stops in my last entry. I don’t know why. It just seemed easier to wedge them into here.

I had tried to devote a full day to a swing through Sonoma, but The Fates seem to conspire against me. The ultimate goal of finishing my visit by attending the Mendocino County Grape Growers Showcase in Santa Rosa remained constant, but scheduling visits throughout Sebastopol proved rather elusive, and then the intrusion of a slew of non-wine related matters delayed my departure for nearly two hours. Nonetheless, Your West Coast Oenophile did mange to keep an appointment with tiny Sheldon Wines, a dedicated artisanal winery whose tasting room occupies a remodeled railroad car near the Sebastopol Inn.

Winemaker Dylan Sheldon is a purist, who crafts his small lot wines with extreme fidelity to the origins of the varietal and its historical vinification. Witness (or, in my case, sample) his 2008 Viognier Sonoma Coast, Single Barrel Production. Unfiltered and unrefined, this flavor of the grape shines with little adornment or manipulation, a genuine expression of Viognier. Similar veracity can be found in his 2006 Chardonnay Santa Lucia Vineyard, the 2007 Graciano Super Freak and his 2006 Grenache, Santa Ynez Valley. Sheldon’s most “manipulated” wine was his 2005 Vinolocity, a blend of Grenache and Syrah, while the 2006 Petite Sirah Ripken Vineyard was an intensified, 100% expression of this varietal. All in all, a highly personal tasting I was glad to discover.

I had hoped to make short shrift of the drive to Santa Rosa; allora, it was anything but. My iPhone’s GPS mapped out a direct route from Sebastopol but pinpointed the Fountaingrove Golf Club nearly ½ mile from its actual location, along a rolling parkway that wound through the city without any conspicuous number signs to demarcate the unfamiliar terrain. Finally espying a motorcyclist who knew the precise location of this secluded complex, I encountered a veritable maze trying to decipher the layout of the grounds, which seemed intentionally designed to perplex any first-time visitor. Naturally, by the time located the correct building and parked, the 1½ hours I had allotted for the event had dwindled to a scant 25 minutes.

I might have had a full half-hour to network, but finding the reception room in the club’s main building proved one more challenge. After all that, you would think I’d at least have won the raffle for 5 tons of grapes, though, admittedly, I am far from ready to bottle my first vintage under the Sostevinobile label! Still, there was quite a bit of wine left to sample and several growers to meet among those who had not packed up early and headed back to Ukiah. Lisa Sutton of Bells Echo Vineyards could have easily beguiled me without pouring her wine, but I was nonetheless impressed with both the 2006 Syrah and the 2006 Interlude, their premium Syrah—both inaugural releases.

Nearby, the next wave of biodynamic farming was ably represented by fourth-generation vineyardist Heath Dolan of Dark Horse Ranch. Showcasing wineries that source his meticulously-tended grapes, Heath poured the complex 2007 Truett•Hurst|Dark Horse GPS, a GMS blend with Petite Sirah added to the mix, and the 2007 Mendocino Farms Grenache Dark Horse Ranch, one of Magnanimus Wine Group’s bottlings.

I’ve known members of Heath‘s family for decades (one of his father Paul Dolan’s cousins was slated as Sostevinobile’s original investor), but that connection has no bearing on my appreciation for his viticulture or his wines. Similarly, I’ve enjoyed a lively correspondence with Jim Kimmel over the last several weeks, but approached his brother Gary’s Kimmel Vineyards with the same lack of bias. Their boutique winemaking operations in Potter Valley embarked with 285 cases of the 2007 Chardonnay Mendocino County and a mere 271 cases of their equally fine 2007 Merlot Mendocino County.

Maybe because it was late in the day, maybe because, well, I could, I opted to try only the sweeter selections from Nelson Family Vineyards, a winery that grows just about everything. I was richly rewarded with their 2008 Estate Riesling, an intense 2008 Estate Viognier and their delightful dessert wine, the 2009 Estate Orange Muscat. Meanwhile, another grower whose plantings include a veritable potpourri of varietals, Rossetti Brothers, poured finished wines that included the 2008 Petite Sirah and both their 2005 Cabernet Sauvignon and the 2007 Cabernet Sauvignon, along with bulk samples of their Merlot, Sauvignon Blanc, and Carignane.

As the event came to a close, the sponsors of this event from True Mendocino promised that next year’s showcase would be held at a far more accessible site, and while I did treat myself to a leftover bottle of the tour of the 2006 Weibel Family Chardonnay Mendocino County for later delectation and self-guided tour of the Fountaingrove swimming complex, I opted to drive back and take a dip in Corte Madera natatorium where I frequent, before heading across the Golden Gate Bridge.

The next day promised to be quite the challenge, not for the intensity of my schedule but because I had finally decided to risk subjecting the cluttered environs of the home office I maintain for Sostevinobile to an onsite tasting by a local distributor. Housekeeping, as my familiars and family will attest—ce n’est-pas mon forte. Nonetheless, I managed to clear the living room, wash half a dozen goblets Cascade-spotless, and improvise a water pitcher and spill bucket in time to host Kip Martinez. Kip is a longtime San Franciscan who, with his wife, operates a rather quaintly-named wine distribution company called Kip and Nancy; we had met at the recent T.A.P.A.S. tasting, where he had filled in for client winery Bodega Paso Robles and piqued my curiosity with intimations of their Bastardo, which he had opted not to bring with him.

First up, however, was the eponymous label of winemaker Michel Berthoud and his homage to Helvetian winemaking, the 2008 Chasselas Doré Pagani Vineyard. I confess that I had not previous tried this varietal, grown in Switzerland to produce their signature Fendant du Valais; I would not venture to describe its taste, though, on a spectrum, I would be tempted to place it closer to a Chenin Blanc or slightly grassy Sauvignon Blanc than to a Chardonnay.

Michel is well-known as the winemaker for Mayo Family Winery, where he puts on a clinic,œnologically speaking, with his Alicante Bouschet (which sounds like it ought to be a Swiss wine), Italian varietals, and many of the other grapes predominant in Sonoma. Kip treated me to a small selection that included the 2006 Petite Sirah Sodini Ranch Vineyard, the 2006 Cabernet Sauvignon Delaney Vineyard, and the 2006 Libertine, described as “a dollop of Merlot, a splash of Cabernet Sauvignon, a smidgen of Syrah and a dash of Zinfandel, with Petite Sirah and Petite Verdot thrown in for good measure.”

It seems a bit odd that Switzerland’s northern neighbor, Germany, has only one winery in California devoted to its varietals. Numerous wineries here are focusing on Riesling, and in Washington, wines like Lemberger and Riesling have begun to proliferate, but only Lodi’s Mokelumne Glen devotes itself exclusively to this category. Winemaker/owner Bob Koth had apprised me of another winery producing Dornfelder, so I was especially eager to try the Huber Estate wines when I found. As I had hoped, the 2006 Estate Dornfelder was a most compelling wine, and I only wish Kip had carried the 2006 Estate Dornfelder Charlotte’s Reserve for comparison. And until I next make a swing for Sostevinobile through the Santa Rita Hills AVA, the 2008 Hafen, a dessert-style Dornfelder, must remain a creature of my imagination!

One wine, however, no longer remaining within the realm of my imagination is Bastardo, or, as the wonderful censors at ATF would have us call it, Trousseau. Given the Bureau’s prohibition of the use of such provocative nomenclature, Bodega Paso Robles elected to label their offering the 2007 Pimenteiro. It did not bastardize this rustic wine, by any means. Kip also revisited their 2005 Solea (90% Tempranillo, 10% Graciano) and the 2003 Iberia (Tempranillo, Graciano, Tinta Cão, Touriga Nacional), two blends I had highly enjoyed in early June.

We moved onto the remaining wines I had selected from his catalog. Marco di Giulio Wines may have coöpted the URL I would have chosen for my first personal label, but I am perfectly able to let bygones be bygones and laud both their 2004 Cabernet Sauvignon Diamond Mountain District and its coeval, the 2004 Cabernet Sauvignon Progeny Vineyard. Similarly, CalStar might have been a desirable alternative to Sostevinobile, but that matters little now. I applaud their 2008 Pinot Noir Sangiacomo Vineyard and would be eager to sample the rest of their inventory. Meanwhile, Starr Ranch bears no relation to the aforementioned winery nor to any of Pam Starr’s various viticultural forays; nonetheless, I found this Paso Robles producer quite adept with its 2007 Estate Grenache and its astral 2007 Orion, a Tempranillo-based wine.

Kip’s last offerings came from organically-farmed Lavender Ridge in Murphys. We started white, with their 2009 Côtes du Calaveras Blanc, Sierra Foothills, a blend of Viognier, Roussanne, Marsanne, and Grenache Blanc, then proceeded through their sundry single-varietal Rhône reds: the 2006 Grenache Sierra Foothills, the 2007 Mourvèdre Sierra Foothills, the 2005 Syrah Sierra Foothills, and the 2005 Petite Sirah Sierra Foothills before finishing up with the utterly complex 2006 Côtes du Calaveras that blended Syrah, Mourvèdre, Grenache, Alicante Bouschet, Petite Sirah, and Counoise. A perfect note on which to end the day and ready myself for the major trade event on Friday.


The 6th Annual Pinot Days San Francisco Grand Tasting was slated for Sunday, June 27th in the Festival Pavilion at Fort Mason. Unlike at other major tastings, however, the powers that be decided this year to sever the trade portion of the festival from the main event and hold it two days earlier in the Fleet Room, a far less capacious reception area in Building D, two floors below the famed Magic Theatre. In over thirty years of attending events, I had no awareness that this facility even existed and was quite surprised the promoters had selected it.

Of course, I understand that these Grand Tastings constitute a business for the people who organize them, particularly for the Pinot Days folks who do not represent a not-for-profit trade organization like Family Winemakers or ZAP. As well, to a large extent, trade and media tickets are provided as a courtesy, and I am indeed grateful each time I have been provided such. However, the greatest allure of these events for participating wineries are the opportunities they provided both for publicity and for significant sales of their wines. Speaking as Sostevinobile’s trade representative, let me say that I found the new configuration counterproductive in this regard and express my hope that next year’s Pinot Days returns to its previous formula. I know many of Friday’s other attendees feel similarly.

The schedule split and smaller space allowed less than half of Sunday’s wineries to participate. Still, the room was packed and without a printed tasting program, quite difficult to navigate. I managed to scribble my notes onto the back of several product flyers I appropriated from Chamisal Vineyards’ table as I quaffed their eminently drinkable 2007 Estate Pinot Noir. Shifting to my right, I next sampled from a pair of wineries I have known long before I create Sostevinobile but had not visited with in this capacity. Founded in 1857, Buena Vista bills itself as California’s oldest premium winery, though its wines are decidedly far more contemporary than I recall from the 1980s. The 2007 Pinot Noir Ramal Vineyard Estate Vineyard Series Dijon Clones proved an elegant wine, while their 2006 Pinot Noir Ramal Vineyard Estate Vineyard Series Swan Selection drank like a glissade across the tongue. At a nearby table, August Briggs opted to pour a single wine, their 2008 Pinot Noir Russian River Valley, more than a fine choice to represent their efforts.

Somewhere around the middle between these two tables, Mendocino’s Baxter Winery, with which I had become acquainted at Golden Glass, poured their jammy albeit curiously titled 2008 Pinot Noir Run Dog Vineyard. From Santa Rita Hills, Carr Vineyards introduced themselves and not only poured a striking 2008 Pinot Noir Turner Vineyard but slipped in a taste of their 2009 Pinot Gris, the first such “extra” of the afternoon. Fort Ross fell within house rules for pouring their always-special 2006 Pinotage, but Johanna Bernstein still managed to slip me a welcome sip of her 2007 Chardonnay Fort Ross Vineyard (or should I call it Pinot Chardonnay, to keep it within bounds?).

There may not be any correlation between these two Russian River Valley vintners, apart from their consecutive appearance in my note, but I was impressed with both the 2007 Pinot Noir Russian River Selection from esteemed winemaker Gary Farrell and the 2008 Russian River Valley Pinot Noir from the newly established Thomas George Estates. And from the same notepad, Gundlach Bundschu, another continuum from the mid-19th century, maintained their pedigree with their 2007 Pinot Noir, while Gloria Ferrer, the Sonoma arm of the historic Spanish sparkling wine house Freixenet, impressed with both their 2006 Carneros Pinot Noir and a sparkling 2006 Brut Rosé.

Cima Collina and I have had a long e-mail correspondence for the past several months, so it surprised me that I had not previously sampled their products. Their representatives easily remedied this oversight with a quartet of their vintages: their more generic 2006 Pinot Noir Monterey County and the 2006 Chula Viña Vineyard Pinot Noir, top by their Santa Lucia Highlands vineyard-designate 2007 Tondrē Grapefield Pinot Noir and the superb 2006 Hilltop Ranch Pinot Noir. Another winery making quite the first impression with four distinct interpretation of the grape was Pinot-only Fulcrum Wines, a Napa-produced boutique venture. Their latest vintage comprised an almost dizzying array of choice AVAs: the 2008 Anderson Valley Pinot Noir, the 2008 Tina Marie Russian River Pinot Noir, the 2008 ON Point Santa Lucia Highlands Pinot Noir, and my personal (as well as Wine Spectator’s) favorite, the lush 2008 Gap’s Crown Sonoma Coast Pinot Noir.

That I had not previously visited with Crū, one of Mariposa Wine Company’s trio of labels. Fortunately, their 2007 Montage Central Coast Pinot Noir and the 2008 Pinot Noir Santa Lucia Highlands Sarmento Vineyards cemented this connection. And how I could have overlooked Sebastopol’s DuNah until now astounds me almost as much as did their 2006 Pinot Noir DuNah Estate and their 2006 Pinot Noir Sangiacomo Vineyard.

I was a tad surprised there were not more wineries from Oregon on hand this afternoon, given their pivotal role in establishing Pinot Noir on the West Coast (as well as Pinot Noir establishing Oregon as a major viticultural region). One such presence, Le Cadeau, happily displayed four of their most recent bottlings: the 2008 Pinot Noir Équinoxe, the amiable 2008 Pinot Noir Rocheux, the oddly named but excellent 2008 Pinot Noir Côte Est, and their crown jewel, the 2008 Pinot Diversité (shades of liberté, égalité, fraternité, to be sure)! Owner Tom Mortimer partners in another venture, Aubichon Cellars and generously included their inaugural release, the 2007 Pinot Noir Willamette Valley. French nomenclature also claimed the Central Coast’s La Fenêtre, whose Pinot offering ranged from the 2008 Pinot Noir Los Alamos Vineyard and the 2008 Pinot Noir Sierra Madre Vineyard to the more treasured 2008 Pinot Noir Central Coast and their acme, the 2008 Pinot Noir Le Bon Climat. While I greatly enjoyed La Fenêtre’s 2008 Bien Nacido Chardonnay, the winery seems hellbent on compelling me to struggle with composite characters, debuting their second label with the 2008 À Côté Chardonnay. Sans accents, Roots shared their whimsically-titled 2009 Melon de Bourgogne (a Chardonnay, naturally) and their 2008 Riesling before pouring a trio of delightful Pinots, the 2007 Crosshairs Pinot Noir, the 2008 Estate Pinot Noir, and the 2008 Leroy Pinot Noir.

Back in the Anglophile realm, M. Autumn bifurcates their winemaking between California and Oregon to offer their own Pinot trio: the 2006 Sonoma Coast Pinot Noir, the 2007 Sonoma Coast Pinot Noir, and newcomer 2008 Johnson Vineyard Pinot Noir from Chehalem. Keeping things somewhat thematic, from Chehalem. Keeping things kinda thematic, R. Merlo’s aspirations for an AVA in Hyampom Valley manifested itself in his 2005 Pinot Noir Trinity County.

Joseph Swan, the last winery I tried that poured four different Pinots, is a place I typically associate with Zinfandel. N’importe! I found myself uniformly enthralled with both the 2006 Pinot Noir Saralee’s Vineyard and the 2008 Pinot Noir Cuvee du Trois, as well as the 2007 Pinot Noir Trenton Estate Vineyard 2006 Pinot Noir Trenton View Vineyard, despite the New Jersey allusion! Pinot-centric Sequana chimed in with three different takes on the varietal, the superb 2008 Sundawg Ridge Pinot Noir from Green Valley, its proximate neighbor, the 2008 Dutton Ranch Pinot Noir, and the distant 2008 Sarmento Vineyard Pinot Noir from the Santa Lucia Highlands. Also posting a trifecta was my old friend Gideon Beinstock, with the terroir-driven wines from his Clos Saron in Oregon House. People who follow natural winemaking know this methodology can often be a crap shoot, but I was immensely pleased with his rosé, the 2009 Tickled Pink. Admittedly, I found myself ambivalent about the 2008 Pinot Noir Home Vineyard, but the 2006 Pinot Noir Texas Hill was one of the more outstanding efforts of the afternoon.

Another longtime acquaintance that my Sostevinobile blog readers should readily recognize was Dr. Chris Thorpe and his 100% organically-grown wines from Adastra. Once again, I fell sway to his 2006 Proximus Pinot Noir, a wine that reveals new complexities each time I encounter it. I never did get to meet Fred MacMurray while he was alive, though many hours of my childhood were dissipated watching his 1960s series after the departure of William Frawley. Many readers know of my disparagement of the Gallo wine empire, but, candidly, both the 2008 Willamette Valley Pinot Noir and the 2008 Pinot Noir Russian River Valley from MacMurray Ranch were noteworthy expressions of the grape. 

Coming on the heels of the extraordinary 2007 vintage, one which Wine Spectator lauded as Pinot Noir’s “best ever” in California, 2008’s wines faced the kind of daunting challenge Michael Jordan’s kids felt when trying out for the basketball team. A couple of wineries that only pour 2008 left no basis for comparison, but impressed on their own merits. The very fine 2008 Pinot Noir Sonoma Coast from Pfendler Vineyards nonetheless risked being overshadowed by the presence of the pulchritudinous Kimberly Pfendler, while Richard Sanford’s 2008 Pinot Noir La Encantada Vineyard Santa Rita Hills (I failed to note whether it was the Clone 666 or the Clone 115 bottling) from his Alma Rosa Winery was flat-out superb. However, among where I could sample the two vintages side-by-side, I found a definite predilection for the 2007 Pinot Noir from Keefer Ranch over its successor. And among the three bottlings spanning 2006-08, Rusack Vineyards2007 Pinot Noir Santa Maria Valley clearly stood out.

Once again, Weibel had a presence with their 2006 Weibel Family Pinot Noir Mendocino County. Derby Wine Estates demonstrated the exceptional moments this earlier vintage enjoyed with their 2006 Pinot Noir Derbyshire Vineyard. And while the 2006 Pinot Noir from Hanzell, proud stewards of the oldest Pinot vineyard on the West Coast, proved to be a marvelous wine, I fear the 2000 Pinot Noir they poured did not quite withstand the test of time.

The last two wineries I had never before encountered helped wind down the day with some side tastings. Mark Cargasacchi’s Jalama Wines matched their superb 2007 Pinot Noir Cargasacchi-Jalama Vineyard with a refreshing splash of their whimsically-named 2007 Gialla, a Pinot Gris from their Santa Barbara estate. And the veritable last word in Pinot, Zotovich, augmented the excellence of their 2007 Pinot Noir Santa Rita Hills with the clean flavor of its 2008 Chardonnay and an astoundingly good 2007 Syrah, all vinted by Palmina’s Steve Clifton.

Capping the afternoon, I very much enjoyed the Pinots Hahn Estate Wines bottles as part of their winery-within-a-winery label, Lucienne. Sipping the admirable 2007 Lucienne Pinot Noir Santa Lucia Highlands Lone Oak Vineyard segued into tasting the even more flavorful 2007 Lucienne Pinot Noir Santa Lucia Highlands Doctor’s Vineyard before I completed my rounds with Riverbench Estate. Here, both the 2007 Estate Pinot Noir and the 2007 Pinot Noir Santa Maria Valley warranted tremendous accolades, while I was ready to rest on my laurels until my next tasting venture.

Every year, the month leading to Pinot Days has grown incrementally with seminars, winemaker dinners, preview tastings at numerous wine shops in San Francisco, and a dizzying array of other events throughout the Bay Area. Promoters Steve and Lisa Rigisich, partners in Pinot Noir specialist Ketcham Estate, are to be commended for their fanatical devotion to this grape. With this inundation of activities, I just hope they don’t lose sight of the important connection that Grand Tastings afford wineries and the people who promote them, the trade and the press, establish at such gatherings.

I understand the desire to weed out the numerous poseurs who like to attend trade & press events without ever contributing to the industry (apart from conspicuous consumption).Unfortunately, the segregation of this trade tasting meant only 96 wineries, out of 212 subscribed to the Grand Tasting the following Sunday, participated. By the time I realized the professional segment would truncate not just the time I had to spend with the wineries on my “To Meet” list but the roster of participants as well—only 29 of the 84 wineries I had earmarked exhibited on Friday—I had committed to the Mill Valley Wine & Gourmet Food Tasting, where yet another potpourri of wines and wineries would be featured. Allora, I merely hope we will all have a chance to meet at Pinot Days VII.