Category Archives: Sangiovese

What has Your West Coast Oenophile done for you lately?

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I shouldn’t feel derelict. I have striven to record each event he has attended on behalf of Sostevinobile with utmost fidelity. But I have a backlog of thirteen different wine forays to record since my last entry here, not to mention my participation in orchestrating three significant wine tastings, a handful of sustainable workshops and forums, and the arduous grind of assembling the financial backing for this venture. With Rhône Rangers Grand Tasting rapidly approaching, I must reluctantly admit I cannot give all these past gathering the thorough review readers know I strive to record in each blog entry. Rest assured, however, that each of the more than 100 wineries I have visited with during this period will be faithfully entered into Sostevinobile’s ever-expanding database and accorded full consideration when we launch our wine program. So, for now, let me give you a succinct overview of what Your West Coast Oenophile has done for you lately:

 

Just before Valentine’s Day, the up & coming rockstars at Rock Wall in Alameda put on a decadent pairing of wine and confections aptly billed as Chocolate Kisses & Bubble Dreams. The first wine event to be held in their brand-new Bubble Dome, a airy, geodesic edifice adjacent to the winery’s converted airplane hangar at the decommissioned Naval Air Base, the afternoon gathering appropriately debuted Rock Wall’s two new sparkling wines, the 2009 Sparkling Grenache and the Grenache-blended 2009 Mixto. After the party, several of the wineries that contract Rock Wall’s facilities, including Carica, with its delectable 2006 Kick Ranch Syrah, and Ehrenberg Cellars, which featured its 2008 Petite Sirah alongside its just-release Zinfandel futures.


Valentine’s Day 2010 proved a decidedly muted affair, as I still grapple with the vacuity of home life post-Ginkgo Girl. As such, a trip to the wine country during the middle of the week proved a much-needed tonic. This sojourn included a visit to Silenus Vintners, a collective of Napa artisan winemakers not unlike Rock Wall that includes B Cellars, Due Vigne di Famiglia, Gridley, Ideology, Ilsley, Matthiasson, Poem Cellars, Ramian, and Venge. Tasting Room Manager Scott Turnnidge guided me through their rotating selection of wines from their nine producers, some familiar, others revelatory. Naturally, I couldn’t resist trying the 2006 Due Vigne Dolcetto after first sampling the 2008 Due Vigne Viognier, but found myself most allured by the 2006 Ramian Estate Debauchery.

From Napa, I head north and across Silverado Trail to Hall Wines’ Rutherford estate, one of the more picturesque hilltop wineries in the Valley. Again, ably guided by Laura Aguilar, the special Artisan Tour took our small group through the organic estate vineyards, the vast holdings and the custom-designed wine caves before treating us to a select tasting of Hall’s choicest crimson-labeled Cabernets, including the 2006 Exzellenz Sacrashe Vineyard and the eponymous 2006 Kathryn Hall Cabernet Sauvignon. Next up, I scurried to Benessere for a belated sampling of their 2006 Sorridente, a blend of Cabernet Sauvignon, Merlot and Aglianico, and their 2006 Sangiovese (it would have been a violation, of course, to sample their Grappa of Trebbiano on site, so I took a bottle home for later evaluation).
Ostensibly, my trip this afternoon was for the invite to Orin Swift’s release party, somewhat ironic in that their recent sale of the Prisoner and Saldo to Huneeus meant the swan song for these labels. But the curious confines of St. Helena’s Odd Fellows Hall could not deter my fondness for David Phinney’s Burgundian Meritage, the 2006 Papillon or his phenomenal 2007 Mercury Head Cabernet Sauvignon.
Having recently left Benessere for his own ventures, winemaker Chris Dearden had invited me to meet him at Yountville’s V Marketplace 1870 but neglected to inform me that he was pouring his Cha
nticleer as part of First Taste Yountville. Arriving with barely 15 minutes left to the event, rather than simply enjoy a leisurely his 2007 Cabernet Sauvignon and the 2008 Chanticleer Sangiovese, I raced to acquaint myself with those participants still lingering as wineries like Casa Piena and Dominus folded their tables. I did manage to squeeze in some quick samples from Bell Wine Cellars, Corley Family, Gamble, Gemstone, Grgich Hills, Ghost Block, and Piña before we were shooed from the exhibit hall and wove my way back to downtown Napa for a final invite to BarBersQ’s showcasing of new wines from Mia Klein’s Serene and Elizabeth Spencer.
My own debut in organizing a formal wine tasting took place the following Saturday at the New Year’s Gala for the National Association of Asian American Professionals, San Francisco chapter (NAAAP-SF), a modest debut featuring wines from McNab Ridge and Wild Hog—a modest effort, to be sure, but certainly a cut (or six) above Crane Lake. The next day, Carica’s Dick Keenan kindly supplied me with passes to WORDUP, the benefit tasting featuring the Winemakers of the Outer Richmond, Upper Panhandle, and the Presidio.This eclectic assembly included three of Ed Sandler’s ventures: The Industrial, Sandler Wine, and, as always, August West; the dual personæ of Qupé (Rhône varietals) and Verdad (Spanish varietals) from Bob Lindquist; fellow wine bar entrepreneur Bryan Kane’s VIE and Sol Rouge; CADE and PlumpJack from Gavin Newsom’s hospitality empire; the rather peripatetic Foggy Bridge; local stalwart AP Vin; are chance to visit with Carica and sample their just-released GMS blend, the 2007 Temptation; Harrington, who had generously contributed a couple of cases of their Pinot Noir to my Play Café’s fundraiser four years ago; familiar winery veterans Freeman, Calera and Pelligrini; quasi-familiar ventures Ici/La-Bas and Skylark; hitherto unfamiliar nomenclature Mojon’s Bench and Captûre; Italian varietal specialist Uvaggio, with its newly-truncated nomenclature; Syrah specialists Renard, with their superb Viognier farmed at Dick Keenan’s Kick Ranch vineyard; and lastly, the highly-prized handmade Brown Label Vermouth of the semi-cryptic Sutton Cellars.

Definitive proof that wine can cure common cold!

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I haven’t been remiss in attending to this blog. It’s just that Your West Coast Oenophile has been pulled in many directions as of late, principally in my efforts to secure the funding Sostevinobile needs in order to be open by September. Then add to the mix that I had to purchase a new computer and port over all my applications and files from the old workhorse that could no longer keep up with the software I require.
Much to its credit, Apple makes migration from one Macintosh to another almost seamless. My first efforts over my home-based WiFi network did freeze up a couple of times before completion, so switch to a direct transfer via Ethernet and within less than two hours had my new Mac a perfect mirror of its predecessor, only running blazingly fast with Snow Leopard, 4GB of RAM and a dual processor somewhere in the range of 10x’s the speed with which I had been contending. Inevitably, I encountered a small glitch or two that required assistance from Apple’s highly commendable tech support, a service that most gratefully is not outsourced to an overseas locale, with specialists whose efforts at approximating colloquial English parallel my utterly futile attempts to dunk on a 10′ rim.
If only the same could be said for Adobe Systems. With my new system, I was finally able to handle the latest issue of Adobe’s Creative Suite, a leap of several versions. Rather than allot a couple of weeks to diligently learning the nuances of these upgrades, I thought by availing myself of their phone-in assistance, it would expedite my learning curve.
Wrong! The only thing worse than the average 65 minute hold time before someone would field my call was the dreaded sound of “Good afternoon, Mr. Marc. How might I facilitate a diligent response to the urgency of your dilemma?” And even that would not have been so bad, but this mangled attempt to offer assistance belied the assumption that the speaker on the other end of the phone had even the remotest connection to technical competence.
Over the course of a four-day period, I endured some twenty hours of complete ineptitude in my efforts to unravel the basic functionality of core features highlighted in the What’s New window of InDesign CS4. With frontline tech support failing to find a solution to my query, my issue was escalated to senior level staff and assigned a case number for further reference. These diplomates of the highly prestigious India Institute of Science only managed to exacerbate my problem, insisting after many hours of research that only a third-party PlugIn could allow me to create a new document and type without the constraints of page limits, a necessary requirement in my 20 year practice of eschewing all Microsoft products for the superior software of its competitors.
Given that this functionality was a major highlight of InDesign’s new capabilities, I objected vociferously and set off to find an answer on my own. Finally, despite twelve phone calls to Adobe and my nearly non-stop torrent of invectives, I managed to uncover the solution up front and center from the Helpful Tips on Adobe’s help site, the same basic manual from which these contractors were supposedly referring for the past 14 months. Forget raising money for Haiti—I am contemplating starting a Facebook site that will solicit the funds I need to acquire an atomic weapon to eradicate Bangalore from the face of the planet!
Meanwhile, in addition to the several days I lost mired in this inexorable abyss, I also contracted my annual winter cold shortly after filing my last blog entry. Nothing too serious—certainly not H1N1—but tiring and annoying nonetheless. Sudafed and Ricola during the day, steam bath after my workout, overly generous glass of hot brandy with honey before bedtime, and within 7-10 days, I’m back with a vengeance (if my usual pattern holds true). So, feeling only slightly debilitated, I pedaled across San Francisco to attend the Santa Cruz Mountains Winegrowers Association trade tasting at Farallon, a venue for wine tasting that I have repeatedly lauded in this blog.
Coming but a few days prior to the ever-overwhelming ZAP festival, this event compelled me to include an additional criterion to my usual tasting protocol: no Zinfandel! However, I seemed to have been less judicious in limiting my actual intake (vs. the professional swill & spit technique). Or perhaps it was an interaction with the over-the-counter remedies I was taking. Whatever the case, I stopped for a short respite and a chance to stretch out my legs in the lobby of the Kensington Park Hotel once the tasting had ended. Inadvertently, two minutes lapsed into two hours, and I awoke to find myself comfortably draped in a plush, Louis XIV armchair, unaware I had dozed off almost instantaneously. A bit embarrassing, perhaps, but, amazingly, my congestion was completely gone!
So maybe the New England Journal of Medicine will not accept my claim that wine can cure the common cold. This is a battle I will take up in a different forum. My readership here will choose to believe me or not; in any case, I am sure all will prefer to hear about my discoveries at the aforementioned tasting.
And, indeed, discoveries were made. Those who follow this blog should not be surprised I took an immediate shine to Watsonville’s River Run, a winery making its inaugural appearance with the SCMWA. I only wish owner J. P. Pawlowski had brought his entire inventory with him! River Run’s 2008 Chardonnay Moutanos Vineyard was a superb organic expression from Mendocino, as was the 2006 Cabernet Sauvignon Moutanos Vineyard. I found much to like in their 2006 Merlot San Benito County and cottoned to both the 2006 Carignane Wirz Vineyard and their Rhône homage, the 2008 Côte d’Aromas, a blend of Syrah, Mourvèdre, Carignane, Viognier, and Grenache. I yearned, however, to sample the 2007 Négrette San Benito County, only the second time I’ve encountered this varietal from California, and I would have veered from my self-imposed prohibition for a small swill of the 2004 Zinfandel Port.
I probably should have asked Dan Martin of Martin Ranch Winery who J.D. Hurley was. The lower end label for this Gilroy winery seemed to be eclipsed by their more distinctive Thérèse Vineyards (eponymous for Dan’s wife) line, which impressively debuted their 2006 Thérèse Vineyards Syrah Santa Clara Valley and an affable 2006 Thérèse Vineyards Sangiovese.
Another new acquaintance, Hillcrest Terrace Winery, prefers a more orthodox Burgundian catalog, but excels in both Chardonnay and Pinot Noir. Standouts were the 2008 Chardonnay Santa Cruz Mountains Regan Vineyard, the always dependable 2007 Pinot Noir Santa Lucia Highlands, and a profound 2008 Pinot Noir Santa Cruz Mountains Fambrini Vineyard. Closer to San Francisco, the La Honda Winery shares a zip code both with rock & roll legend Neil Young and the experimental cyberwine forays of Clos de la Tech. Not to be eclipsed by T. J. Rodgers, they offered an impressive Cabernet Sauvignon/Sangiovese blend, the 2006 Super Tuscan La Honda Ranch Experimental Vineyard. Actually, La Honda farms 30 vineyards throughout the Santa Cruz Mountains appellation, including parcels in Woodside, Portola Valley, Atherton, Los Altos Hills, and Saratoga, while making its wine in Redwood City. Of their many selections, I particularly liked the 2006 Cabernet Sauvignon Santa Cruz Mountains Lonehawk Vineyard and their 2007 Pinot Noir Santa Cruz Mountains Sequence. Also impressive was the 2006 Meritage, with Cabernet Franc and Malbec in addition to its backbone of 76% Cabernet Sauvignon.
Odonata is the taxonomical term for the order of aquatic palæopterous insects that includes damselflies and dragonflies, a species whose agility at inflight copulation puts the Mile High Club to shame; Odonata is also a family-run winery in Santa Cruz focused on organic grapes and sustainable wines, agile themselves at making a splendid 2007 Malbec St. Olof Vineyard, the very straightforward 2008 Chardonnay Peter Martin Ray Vineyard, and their 2007 Durif from Mendocino.
Having visited with the other participating wineries at a number of Santa Cruz tastings last year allowed me to take a more casual or social approach to sampling the afternoon’s offerings. Methodically, I wound my way down the list in alphabetical order, starting with Bargetto, a winery which intermittently shows flairs of brilliance with its Dolcetto. Though a straightforward expression of this varietal was not part of Bargetto’s current inventory, its proprietary 2004 La Vita, a deft blend of Dolcetto, Nebbiolo and Refosco from its Santa Cruz vineyards easily contented me. And my earlier partiality towards Black Ridge Vineyards remained intact as I tasted their current release, the 2007 Estate Pinot Noir Santa Cruz Mountains.
Clos Títa handcrafts small lots of artisanal wines emphasizing Pinot Noir and Bordelaise varietals. This event afforded my first tasting of their 2005 Gironde, an elegant mélange of Cabernet Sauvignon and Merlot from their Chain D’Or vineyards in Santa Cruz. Similarly, I had tasted the Pinots from Clos LaChance on a number of occasions, so I focused instead on their 2006 Cabernet Sauvignon Central Coast from their Hummingbird Series and a striking proprietary Bordeaux blend, the 2006 Lila’s Cuvée.
The late Kathryn Kennedy was noted as one of the first women to start her own winery, as well as for her exclusive focus on estate bottled 100% Cabernet Sauvignon in Saratoga. It seemed only proper to visit her table after her recent passing for a tasting of three of her vintages. Indeed, the 2006 Kathryn Kennedy Small Lot Cabernet S
anta Cruz Mountains stands as a fitting tribute to this viticultural pioneer.
Medical pioneer Thomas Fogarty has long followed his success with angioplasty in crafting wines that have proved enormously beneficial not only for the heart but to the palate. Again, having recently tasted several of his Pinots, I focused on his 2005 Cabernet Sauvignon Santa Cruz Mountains and the 2005 Lexington Meritage, a blend of Cabernet Sauvignon, Merlot, and Cabernet Franc from the Santa Cruz Mountains. Fogarty’s winemaker, Michael Martella, shared an impressive array of wines from his eponymous label, starting with the 2008 Sauvignon Blanc Monterey County. But, not unexpectedly, he excelled with his assorted red wines, a quartet that included the 2006 Grenache Fiddletown, the 2005 Petite Sirah Mendocino, a wondrous 2006 Syrah Hammer and the 2006 Zinfandel Fiddletown (OK, I succumbed)!
I don’t know if it’s possible to have every Ridge Zinfandel, but I’d wager my home stockpile comes pretty close. Now, had they been pouring their 2003 Monte Bello, which was depicted in the tasting program, I might have lingered at their table for a while, but I did manage to pay a visit with their mountaintop neighbor, Don Naumann and revisit with his always approachable wines, the 2006 Chardonnay and his 2005 Merlot Estate Grown.
Another prominent Santa Cruz vintner, Sarah’s Vineyard has long stood out for its Pinot Noir and, like Ridge, featured a label of the same on their page. Nonetheless, I veered away from the tried and true and opted for the 2005 Syrah Besson Vineyard and the 2007 Grenache Santa Clara Valley. I also revisited with Saratoga’s Cinnabar, cherry-picking their 2007 Chardonnay Santa Cruz Mountains, the 2005 Cabernet Sauvignon Santa Cruz Mountains, the 2005 Cabernet Franc Lodi and their proprietary blend of Cabernet Sauvignon and Merlot, the 2007 Mercury Rising. But, alas, it seemed that the 2004 Teroldego Central Coast, a wine I had so thoroughly enjoyed last year, failed to make the journey to San Francisco.
I’d been impressed by the Gatos Locos wines I had sampled at Clements Ridge when I visited Lodi in the fall, so it behooved me to stop by the table of their producer, Vine Hill, and to retry their 2007 Gatos Locos Chardonnay Mokelumne River and the 2006 Gatos Locos Pinot Noir Santa Cruz Mountains. I found their 2006 Vine Hill Pinot Noir Santa Cruz Mountains compared quite favorably. But by then, the armchair in the lobby was beckoning, and my medical breakthrough was not to be denied.

Wanna come up and see my composting?

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Call me prescient. Right after I graduated from college, I dreamt that Burger King had opened up a bar, and I was its first bartender. There I was, clad in one of their vapid uniforms, complete with yellow & red beanie, drawing Michelobs and chatting up patrons with the usual “How about them Mets?” and what have you. In a word, not the best use of my Dartmouth education. Lo and behold, the nightmare becomes reality! The first Burger King bar is set to open in Miami next month!
Your West Coast Oenophile won’t reveal how many years have past since that sweat-soaked nightmare, but let’s just say we’re past any statute of limitations for me to allege copyright infringement or make any form of claim to theft of intellectual property. Besides, profiteering from a Burger King enterprise might well nullify my credentials with Slow Food or any other segment of the sustainability movement. Still, even I can appreciate the irony that I am once again dreaming of opening a very different kind of bar, albeit this time with a far more holistic approach.
Irony seems to abound these days. I attended the Post-Holiday Party in Oakland this past Wednesday, a cocktail & networking event hosted by the Green Chamber of Commerce, Green Drinks East Bay and the Sustainable Business Alliance. The event’s sponsor, Alameda County’s chapter of StopWaste.org, came armed with a plethora of printed handouts, most strikingly a 32-page, 8½” x 11″ pamphlet entitled Paperless Express: A Paper Use Reduction Guide for Your Business. At least it was printed on 100% recycled paper (50% post-consumer waste)!
Of course, we all have moments of sustainable apostasy, including yours truly, who drove from San Francisco to attend this gathering—a mere two blocks from the 19th Street BART station. My excuse was I need to get back to San Francisco in time to catch the première of Phèdre at ACT, a feat I managed, despite the rain, in a mere 19 minutes from the time I left Oakland to parking one block from the theater, picking up my ticket from Will-Call, and securing my seat in the loge! Just try doing that on a regular basis!
So far, such milestones haven’t just been personal. 2010 portends to be a watershed year for Sostevinobile and, more broadly, the entire sustainable wine community in California and on the West Coast. At long last, the California Sustainable Winegrowing Alliance has launched its official certification program. It will still be a while before wines that have earned official certification as sustainable are commercially available, and even longer still before this standard garners sufficient market penetration to become the basis for Sostevinobile to qualify the wines we select for our program, but it does offer a model on which we can base our criteria for gauging the sustainable practices of the wineries and wine labels we consider, particularly with it model of progressive achievement (as opposed to creating a rigid, quantifiable benchmark) for assessing a winery’s implementation of sustainable practices. Still, with all the fealty Sostevinobile has paid to local, sustainable vineyards and wineries, it seemed bewildering that the Wine Institute and the California Wine Growers Association to fail to include this blog at the press conference announcing the debut of this program. But rather than belabor the point, I have sought to ensure that future developments will not reiterate this oversight.
At least the California College of the Arts remembered to invite me, not just to one recept
ion but a pair of openings held on the very same night in different galleries on their San Francisco campus. The first, The Magnificent Seven: Selections from the Life and Work of Michael Bravo, seemed to be an exhibit only someone truly immersed in this métier could fully appreciate. The upstairs exhibit, Route 1: R for Replicant offered a far more accessible, multi-disciplinary display, including some of the most engrossing 3-D photography I have ever experienced.
The truly amazing part of this reception, however, was the complimentary. I have become inured to the frugality of wine selections at art openings, and , historically CCA has offered no exception to the ever-so-predictable Two Buck Chuck, the “official” wine of art openings (or some relatively similar swill). Instead, this evening featured a case of the 2008 Sangiovese Monte Rosso Vineyard from Kenwood’s Muscardini Cellars, which an e-mail I had received only a few days before listed as being pre-release. Ceres, CA and its Central Valley satellites be damned! This handcrafted Italian varietal expressed itself superbly, well worth the $38 one must pay retail for one of these bottles. Donated or purchased—I have no idea, but certainly a standard to which other galleries and multi-billion dollar endowed universities ought to aspire for their programs.
Nonetheless, the true high point since I last posted here was a news report on the latest wave in marital discord—couples whose relationship founders because they have differing adherence to sustainability or in their commitment to containing the sources of global warming and other ecological perils! Imagine actually petitioning the court for divorce on the grounds of environmental incompatibility! Thermal negligence! Carbon cruelty!!
The offer I make now is sincere and has nothing to do with my trying to fill the void in my life after my irreconcilable split with the Ginkgo Girl: come to Sostevinobile with proof that you have been divorced because of your spouse’s lack of adherence to your sustainable beliefs, and your wine will be on the house all evening! Afterwards, if you want to check out my water flow reduction system…

Marc’s flat-out mean & lean post-Thanksgiving slimdown: the sequel

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I didn’t do so well last week. 1,788 words when I was aiming to come in under 1,000. And that was meant to include this entry, as well! I just hope all will be forgiven by the time I reach the end of the electronic page this time!
I wanted to get my review of Holiday in Carneros out before December, but the demands of raising funds for Sostevinobile occupy front and center for Your West Coast Oenophile. I am determined to generate a financial tsunami this month!
It was another kind of tempestuous storm that afflicted my very temperamental digestive system on the morning before I set out for Carneros. If only Jacuzzi had a Jacuzzi at their winery! Or, failing that, a stiff shot of grappa to quell my agita. Instead, I settled for a few gulps of olive oil, great hospitality, and some splendid wines.
The formal event paired an assortment of Italian appetizers with their 2008 Gilia’s Vernaccia, an appealing 2006 Cabernet Sauvignon, and the 2006 Rosso di Sette Fratelli, a Merlot named for the brothers who founded the various Jacuzzi enterprises. But, as Tasting Room Manager Teresa Hernando quickly showed me, the winery’s true forte is in its wide range of Italian varietals and blends. Given my self-imposed limitations for the afternoon, I skipped the 2007 Pinot Grigio and opted for the 2008 Arneis before moving onto a selection of reds. Here I bypassed the 2006 Primitivo and, surprisingly, the 2006 Sangiovese for a sample of the 2006 Aleatico, their Mendocino 2007 Barbera, and the incredible 2007 Nebbiolo from Carneros. As often happens, my retasting of the 2006 Lagrein seemed less sweet than it had at the Napa Valley Wine & Grape Expo, thereby mitigating my disappointment in Whitcraft’s discontinuation of this varietal. With time pressing, I thanked Teresa and promised to return for a more comprehensive tasting in the near future, making mental notes of their family commemoratives, the 2006 Giuseppina, the 2005 Valeriano, as well as their Chardonnay, the 2006 Bianco di Sei Sorelle (Six Sister’s White). Seven brothers + six sisters = 13 siblings! Is it any wonder we associate hot tubs with…?
My friend Sasha Verhage from Eno had told me a while back about his satellite tasting room in the Cornerstone Place complex just down the road from Jacuzzi, and while the tasting collective Grange Sonoma was not pouring his wines, they did feature a number of their other members, which gave me the opportunity to try the 2005 Cabernet Sauvignon Alexander Valley from Mantra. Around the corner, the wafts of wood-fired pizza lured me to Roshambo’s new base of operations since Turley acquired their Dry Creek winery. Sales manager Steve Morvai offered generous pours of the 2006 Justice Syrah and the 2006 Rock, an equal blend of Zinfandel, Syrah and Petite Syrah, while enticing me with descriptions of his own Syrah project, Les Caves Roties de Pente, a Bonny Doon-like tweak of a renowned Rhône producer. Another Cornerstone tenant, Larson Family Winery, poured a selection of both their own label, and Sadler-Wells, a joint venture between proprietress Becky Larson and Jean Spear, a veteran wine marketer. While I found both the 2005 Sadler-Wells Chardonnay Carneros and the 2005 Sadler-Wells Pinot Noir Sonoma Coast perfectly amiable wines, the 2006 Larson Family Winery Cabernet Sauvignon Sonoma Valley proved the true standout.
I think I failed to locate Bonneau’s tasting room on Bonneau Road because it was housed inside the Carneros Deli. My loss, I am sure, but the reception I received at Schug amply mitigated for my miscalculation. Despite their legendary prowess, I initially tried to beg off from sampling their selection of Pinot Noir (too much sensory overload from the previous day’s PinotFest) and pared their much-welcomed bowl of Creamy Wild Mushroom Soup with both the 2006 Merlot Sonoma Valley and the 2006 Cabernet Sauvignon Sonoma Valley. However, an introduction to scion Axel Schug convinced me to indulge in their truly wonderful 2007 Pinot Noir Carneros, along with the equally appealing 2004 Cabernet Reserve. Only the many stops still on my itinerary kept m
e from sampling the rest of their library wines being poured.
If you produce both wines, why would you call one Pinot Grigio and the other Pinot Blanc (or, for that matter, Pinot Gris and Pinot Bianco)? Granted, I understand the marketing concept, but the linguist in me argues for consistency. Allora, my query seemed to generate a bit of bewilderment at Robledo Family Winery, which perhaps should call the pair Pinot Gris and Pinot Blanco (or so my Easy Translator widget indicates). Rhetorical conundrums notwithstanding, I was immensely please finally to meet this pioneering family and experience their hospitality. Patriarch Reynaldo Robledo’s storied ascendancy from farmhand to winery owner has been well documented on their Website and in other media, but their wines demonstrate that this evolution is far more than a Horatio Alger tale. I did appreciate both the above-mentioned 2006 Pinot Grigio and the 2006 Pinot Blanc, but the eye-opener was their 2005 El Rey Cabernet Sauvignon, an exceptional Lake County varietal. Even more striking, the 2005 Los Braceros, a blend of Merlot, Cabernet Sauvignon, and Syrah, pays homage both to the Robledo’s roots as well as their winemaking virtuosity. 
For some reason, I’d always thought Adastra was a Paso Robles winery. The name sounds like a Paso Robles name. As I crossed over to the Napa portion of Carneros to visit their ramshackle barn, it even felt like Paso Robles. But Dr. Chris Thorpe’s certified organic winery is authentically Carneros, and it only takes a sip of winemaker Pam Starr’s opulent Pinot Noir, the 2006 Adastra Proximus to recognize the winery’s sense of place. No Miles Raymond dilemma here—I found the 2006 Adastra Merlot as enticing as the Pinot, while the 2007 Ed’s Red, Adastra’s second label, proved an intriguing blend of 43% Syrah, 39% Zinfandel, 13% Petite Sirah, 4% Cabernet Franc, 1% Petit Verdot. 
Burgundy and Bordeaux took center stage at nearby McKenzie-Mueller, a boutique winery just across the street. The 2006 Pinot Noir and 2006 Chardonnay made a nice introduction to this previously unfamiliar label, but winemaker Bob Mueller’s forte lay in the components of a Meritage, in particular the 2005 Merlot, the 2004 Cabernet Franc, and the truly outstanding 2006 Malbec. Even the curious strains of a male folk duo singing Eartha Kitt’s Santa Baby could not detract from this delightfully unpretentious destination.
As laidback as Adasta and McKenzie-Mueller may have been, Ceja proved just as ebullient. Pint-sized owner Amelia Morán Ceja made a most irrepressible hostess as she escorted me back to the bocce courts for a taste of tri-tip that I washed down with a generous pour of its perfect complement, the 2005 Syrah Sonoma Coast. The 2006 Pinot Noir Sonoma Coast certainly held its own, but their trademark Pinot Noir/Syrah/ Cabernet Sauvignon 2007 Vino de Casa Red Blend seemed positively redolent. I managed to taste their 2005 Napa Valley Cabernet Sauvignon while listening to Amelia expound her recipe for the risotto she was readying to prepare for 37 or so family and friends, then headed out to complete my loop for the afternoon.
Alas, the hour I spent at Ceja meant I missed the last moments at Étude, who was just closing down as I entered the new tasting room. Michael Mondavi’s Folio, with its seemingly incongruous Irish flag out front, also was unattainable, so I headed over, as promised, to the Carneros Inn and FARM, their onsite restaurant from the Plump Jack Hospitality Group. The setting was warm; the pulchritudinous Ms. Cheung’s effusive greeting even warmer. As if I hadn’t sampled enough wines this afternoon, she poured me a complimentary selection from her wine list and sent over a much-appreciated bowl of Truffle Fries. Just the reinvigoration I needed before heading back to San Francisco.
Was my entire excursion to Carneros merely a pretext to visit Yvonne? A chance to see her hard at work in her role as manager/sommelier? Or maybe a promising portent for Sostevinobile? We may well have to wait to 2010 to find out…

Shticks of One and Half a Dozen of the Other

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The late, great Abbie Hoffman used to cite Mad Magazine as one of the most profound influences on his political philosophy. I would add that anyone whose formative years fell with the span of the 1950s or 1960s would attribute their anarchist or outré tendencies not just to Mad but to the musical parodies of Allan Sherman. No one else could concoct such inspired lyrics this excerpt from the purloined title to this installment illustrates:

Do not make a stingy sandwich
Pile the cold cuts high
Customers should see salami
Coming through the rye

Had he lived, Allan would have turned 85 next week. Your West Coast Oenophile attended a dizzying whirlwind of wine tastings, business meetings and sustainable summits, all in the pursuit of making Sostevinobile a viable enterprise. My half dozen or so undertakings included:
The San Francisco Green Festival
I hereby promise I will never again complain about the enormity of ZAP! This comprehensive three-day expo at the San Francisco Concourse, with 1062 trade booths, along with numerous stages, food and drink stations, and a full slate of lectures and forums overwhelmed even the most fervent attendee.

Granted, many of the exhibitions I eschewed may have held a significant personal interest; the sheer enormity of the event dictated that I restrict my time to those presentations that would likely offer a direct applicability to the sustainable designs Sostevinobile intends to implement in order to obtain LEED certification. Within the limited block of time I could allot on Sunday, I first paid my obligatory calls on acquaintances that have lent their support to my efforts, like Dharma Marketing Services, Green Key Real Estate, and Inka Biosphere. I missed the entire slate of lectures, including the Punahou Kid’s putative pal, Bill Ayers, and his wife, Bernadine Dohrn, but did manage to visit with a number of solar technologies, the Green Restaurant Association, and a green billfold manufacturer, a concept which, sadly, is designed to make your wallet qualitatively thinner, not, as I would have hoped, quantitatively fatter.

 

Hello Muddah, Hello Fadduh!

To no one’s surprise, I eventually found my way to the sustainable wine section, where a handful of organic vintners displayed their wares. I wish that Coturri had not run out of wine so early, but I anticipate seeing them next week at the Green Wine Summit in Santa Rosa. On the other hand, La Rocca Vineyards came amply supplied, affording me opportunity to sample several of the wines I’d missed at the CCOF Organic Beer, Wine and Spirits Tasting. I found much to admire in their 2006 Cabernet Sauvignon and their 2006 Chardonnay, as well as their lower-end 2006 Zinfandel; still, rumors of a $50 Barbera and a reserve 2002 Lush Zinfandel left me with a sense of askance. Once again, Frey Vineyards held a strong presence, even without the soon-to-be wed Eliza. I do wish I could be more sanguine about their 2005 Biodynamic Syrah, a wine that cried for better vinification, but I was quite pleased by my first taste of their 2007 Organic Sangiovese.
Being a wine importer, Organic Vintners would normally fly beneath Sostevinobile’s radar; however, they do contract out a line of vegan wines from Mendocino that they bottle under their own label. I found their samples of the 2008 Organic Vintners Vegan Chardonnay and the 2007 Organic Vintners Vegan Pinot Noir accessible and refreshing. The surprise of the afternoon came from Beaver Creek, a biodynamic winery from Middletown (Mendocino County) showcasing their first release. The four wines owner Radan Bruno Kolias poured all made enormously favorable impressions, notably his 2007 Merlot Rutherford, the 2007 Cabernet Sauvignon Lake County, and the 2007 Zinfandel Lake County. Nonetheless, in this age of austerity, his one wine priced below $60, the 2007 Red Wine Napa Valley, proved the standout of the afternoon, a traditional Meritage that highlighted how skilled biodynamic farming can educe the intensity and incredible flavors inherent in each component.
On my way out, I passed by a table for Rudolph Steiner College, an institution in the Sacramento town of Fair Oaks, billed as a “center for anthroposophical studies and transformative adult education,” as well as a college for preparing teachers for the Waldorf system. Steiner may have concocted the elaborate rituals and practices of biodynamic farming, but I still managed to bypass their application forms.

The biggest door in all of San Francisco
Duty called unexpectedly the next night. I had hoped to spend a quiet evening at home, but around 7 PM I espied an Internet posting for a wine tasting at Local Kitchen & Wine Merchant, one of the more successful wine-focused operations in San Francisco. I say wine-focused because local manages to be a restaurant, enoteca, wine shop, tasting room, and corner convenience store, all in one setting. It also boasts a massive, 25′ high front door designed to ward off all but the most intrepid. Or perhaps it was inspired by another Allan Sherman parody:

Last night I met a man from Mars, and he was very sad
He said, “Won’t you help me find my girl friend, please?”
So I asked him, “What does she look like?”
And the man from Mars said, “She’s…
Eight foot two, solid blue,
Five transistors in each shoe,
Has anybody seen my gal?

I feel I can make small jest because Sostevinobile and Local, though widely disparate, are kindred operations with much to offer each other on a coöperative basis. The complimentary admission provided me and other members of the wine and restaurant trade speaks to this notion of camaraderie or alliance. 
The tasting lacked any air of pretentiousness, so it seemed only fit to start off easily with San Francisco-based Heron Wines, an interesting collection of low-priced wines Laely Heron makes from vineyards she contracts locally and abroad. Her California wines approachable and eminently fair, for their price point; though Merlot is apparently her forte, I found the 2007 Heron Chardonnay the most compelling of the four wines being poured. At the other end of this evening’s spectrum, Trefethen showed its considerable chops, as it were. Its 2005 Reserve Cabernet Sauvignon Oak Knoll District, a wine rounded out with 4% Malbec and 2% Petit Verdot, certainly can hold its own against any Napa Cabs from this esteemed vintage, but their standout on this particular evening was certainly the 2008 Dry Riesling, a subdued wine would pair marvelously with a wide array of entrées or, as an apéritif, would be sure to “Loosen” up any affair.
It was good to “Bump” into Sandra Rex (iPhone aficionados know what I mean) from Deerfield Ranch Winery at this tasting and sample her 2005 Red Rex, a Cabernet Sauvignon-Merlot blend nuanced with Sangiovese, Petit Verdot, Syrah, Cabernet Franc and Zinfandel. Less complicated but as appealing were the 2004 Shiraz Cuvée and the 2004 Merlot Cuvée. Though restricted to the traditional Bordeaux varietals, the 2006 Meritage from Dry Creek Vineyard offered a nonetheless distinctive balance of 36% Merlot, 25% Cabernet Franc and 23% Cabernet Sauvignon, with 8% each of Petit Verdot and Malbec.
Raymond is a winery that can trace its roots back to the founding of Beringer in 1876. Their five-generation Napa heritage seemed abundantly evident in their 2005 Reserve Merlot and the 2006 Cabernet Sauvignon being poured at Local. Another long-standing wine operation, Gallo, showcased a pair of its North Coast acquisitions, the 2007 MacMurray Ranch Pinot Noir and the 2006 Napa Cabernet Sauvignon from Louis M. Martini.
Landmark Vineyards is a Kenwood winery known for its lush Chardonnays and colorful appellations. I enjoyed both the 2007 Overlook Chardonnay and the 2007 Steel Plow Syrah, but found the 2007 Grand Tour Pinot Noir easily the most memorable. On the other hand, I will always remember Alexander Valley’s Trentadue Winery because I belatedly discovered their sparkling wine two weeks after my 32nd birthday; this evening, their 2005 La Storia Zinfandel left a much happier recollection.
Two titans of California sparkling wine share a distributor, Maison Marques & Domaines, as well as a table at the event. Both the NV Roederer Estate Brut and the NV Scharffenberger Brut were exceedingly delightful. Their sister operation, Carpe Diem, is a California-based project from Christian Moieux of Château Pétrus and Dominus fame, with his Yountville site releasing its new 2006 Carpe Diem Cabernet Sauvignon and his Firepeak Vineyards in Edna Valley crafting the elegant 2006 Carpe Diem Pinot Noir.
The final station of the evening also featured a selection of different labels from Niven Family Wine Estates. Under its Baileyana label, I found both the 2006 GFC Chardonnay and the 2007 GFC Pinot Noir exceedingly delightful. The more moderately price Tangent line offered an impressive 2008 Riesling and the 2007 Ecclestone, an eclectic blend of Pinot Gris, Pinot Blanc, Albariño, Viognier, and Riesling.
I lingered well after the tasting had finished, comparing notes with Local’s Carl Grubbs and helping to polish off much of the wine that had been left behind. How I managed to pull open the 25′ front door afterwards, I’ll never know.

Euthanamerica
The generational divide is hardly something new. Even things that now have become inextricable totems of our culture often met considerable resistance at their inception. Note Allan Sherman’s timeless paean to parental disaffectation, Pop Hates the Beatles:

My daughter needs a new phonograph
She wore out all the needles
Besides, I broke the old one in half
I hate the Beatles!

Needless to say, there are stark contrasts between the up & coming generation of winemakers and the generation that preceded them. Today’s new winemakers are folks for whom recollection of the Vietnam War holds no immediacy and who have known Michael Jackson only as being white. They bear no connection to that era when bigger meant better, more meant more, and the goal for most vineyardists was to force as many tons of grapes per acre that the land, along with chemical intervention, could sustain. Throughout California and the rest of the West Coast, this generation pays fealty to the notion that sustainable stewardship of the soil stands imperative not just for preservation of the environment and insulation against climate change but for the production of the highest quality of wine, as well.
Twenty of this generation’s most prominent practitioners of the viticultural arts took part in last week’s California’s New Generation Vintners and Growers, a joint presentation of The Wine Institute and the California Association of Wine Growers at Sausalito’s glistening eco-resort, Cavallo Point. Part demo, part workshop, this event bracketed a series of informative colloquia with a delectable tasting of numerous wines these 30-somethings are producing.
Not surprisingly, most of these representatives have enthusiastically embraced new media and social networking. The panel on Hip & Trendy Marketing highlighted a wide array of tools and techniques they have embraced for promoting their wines and keeping wine enthusiasts engaged in an active community. Everything from blogs and content-rich Internet sites (vs. strictly e-commerce or a static informational web presence) to audio and video podcasts to active Web 2.0 presence on Facebook, Twitter and the like, as well as targeted live events and promotions, all form essential components to this new mix. To put it another way (in references that may fly by this group), Orson Welles and Bartles & Jaymes have most definitely become passé!
Also passé is the kind of homogeneous winemaking style that prevailed in the period when jug-style blends dominated the viticultural landscape. As elucidated in Evolving California Wine Styles, today’s terroiristes focus on a winemaking style that reflects both the characteristics of the viticultural appellation from where the wine is grown as well as the individualized stamp of the winemaker. No longer can myopic attempts to be universally dismissive of the wines originating from here hold any weight, as sweeping generalizations like “California’s high alcohol content” of “fruit-forward focus” loom as relics of a by-gone era.
Much to Sostevinobile’s pleasure, green guidelines are not a matter of conversion to these new vineyardists and winemakers, rather principles by which they have always functioned. Though the terms “organic” and “sustainable” can sometimes be mutually exclusive, this generation is overseeing a convergence of both into a unified standard for upholding the ecological integrity of their vineyards and operations. Equally, these practices highlighted in Eco-Friendly Growing and Winemaking are deemed vital to the environment at large, elemental to the production of superior wine, and essential to the preservation of lands that often have been held by multiple generations of each family.
The notion of heritage holds strong for many of these panelists. In their opening session, Next Generation: Passing the Torch, ties to the wine industry and to family-held wineries ranged from 2nd generation legacies to 5th and 6th generational operation of holdings founded in the 19th Century. And, if not unabashedly heterosexual, this current wave of winemakers is certainly intent on passing on their legacy to yet another generation. Of the 20 young winemakers we met, at least eight were either pregnant or had a spouse imminently expecting!
My companion for this afternoon, San Francisco wine broker Karen Mancuso, and I both readily enjoyed the face-to-face contact with these rising stars of the wine world, and, of course, the opportunity to sample their wines. As we were scheduled to attend a reception for the Auction Napa Valley that overlapped this event, I may have bypassed a few stations, but found much here to merit my encomium.
Although Mike Heringer’s family dates back six generations in Clarksburg, his Heringer Estates winery is a label I had not previously encountered. I found his 2008 Viognier was the perfect complement to the extraordinary crab cakes from Murray Circle that circulated throughout the tasting room, while discovering his 2005 Petite Sirah proved truly serendipitous. I failed to convince one of the servers that the trays of crab cakes were intended exclusively for me; nonetheless, I did receive an overly generous second portion that balanced equally as well with the compellingly dry 2007 Riesling from Jason Smith’s Paraiso Vineyards.
Edna Valley Vineyard is a Diageo holding that produces a number of wines, particularly Chardonnay and Pinot Noir, in high volumes that stores like Safeway and BevMo readily scoop up; these vineyard-designated bottlings are well-priced and easily stand a cut or two above the various “Coastal” labels that occupy the same shelves. Less familiar is its moderate production of underrepresented varietals like Grenache, Mourvèdre, Pinot Gris, and Viognier, as well as a number of small bottlings sold only through their tasting room in San Luis Obispo. From this latter category winemaker Josh Baker brought the 2007 Estate Chardonnay and the 2006 Estate Syrah, a pair of wines that resonated with the same craftsmanship that distinguished this winery when it was still part of the Chalone portfolio. Still independent following six generations of family farming, Bogle produces a well-recognized budget brand that exceeds expectations for its price range. This Clarksburg winery’s vineyard manager, Warren Bogle, showcased his 2006 Petite Sirah, the varietal for which Bogle is primarily known.
Having a name like Cane Vanderhoof almost predestines one to achieving something distinctive in life, and the 2005 Sangiovese Temecula Valley and the 2005 Three Block Syrah he brought from his Miramonte Winery in Riverside County indeed validates my presumption. Andrew Murray may not have as distinctive a moniker as Cane’s, but his devotion to Rhône varietals helps create wines that are as intense. I greatly enjoyed his just-released 2007 Grenache, as well as a 2006 Syrah whose single vineyard I failed to note. Of course, there was no ambiguity in identifying the 2007 Rockpile Ridge Zinfandel from Mauritson Estate, along with winemaker Clay Mauritson’s subtle 2008 Sauvignon Blanc Dry Creek Valley. 
As Karen’s wine brokerage connects her more directly with strictly growers who do not produce their own label, she was happy to introduce me to Nicholas Miller, whose family farms Bien Nacido, Solomon Hills, and French Camp Vineyards. From their grapes, we sampled the 2007 Chardonnay Clos Pepe from The Ojai Vineyard and a most compelling 2005 Syrah from Kynsi Winery. I needed no introduction to Alan Viader, as his sister Janet is always kind enough to invite me to innumerable wine tastings. And I needed no incentive to taste Viader’s 2006 DARE Cabernet Franc, after I had so delighted in the 2005 vintage earlier this year.
Another old familiar I whose current vintage I was happy to sample was the 2008 Gewürztraminer from Navarro, whose winemaker Sarah Cahn-Bennett had managed to avoid the pregnancy pandemic cited above. I can’t recall whether Cheryl Murphy Durzy from Morgan Hill’s Clos LaChance was enceinte, but she did manage to coax me into trying her 2006 Lila’s Cuvée, a superb GMS blend rounded out with Carignane. Rounding out (no pun intended) the tasting were the twin labels from Nick de Luca: Dierberg Estate and Star Lane Vineyard, ably represented by the 2006 Dierberg Vineyard Chardonnay Santa Maria Valley and the 2006 Star Lane Merlot Santa Ynez Valley.
I managed to squeeze in a few quick pleasantries with Judd Finkelstein, Kathy Benziger, and Aaron Lange, all of whose families I’ve met on several previous occasions before we were compelled to make our abrupt exit. About a mile before reaching Oxbow Public Market in downtown Napa, Karen looked at her iPhone calendar and exclaimed, “Oh no! The party isn’t until Thursday!” It was too ludicrous a scenario not to laugh. We decided instead to drop by the Bounty Hunter, where proprietor Mark Steven Pope, self-billed as “MERCHANT♠NÉGOTIANT♠VINTER” treated us to some of his own bottlings of Cabernet Sauvignon from Beckstoffer Vineyards. À propos of our misadventure, we dined on Bounty Hunter’s fabled Beer Can Chicken, the one that’s roasted with a full can of Tecate plugged up its…cavity.

Devi essere ancor più bella nel buio…
As Karen and I combed downtown Napa Tuesday evening, my iPhone rang with a call from the young Siciliana I was scheduled to meet after work on Wednesday. Why wasn’t I at our destination?
Again, my bemusement got the better of me. The next night, she reprised our meeting at Paréa, a quaint cafe in the Mission focused on Greek wine and cuisine. Despite this billing, I found the 2005 Pinot Noir Willamette Valley from Benton Lane a more apt compliment to the cold dishes we ordered. I think she ordered something Greek. I think she told me about a breakthrough sustainable UV technology her company was promoting. I kept thinking “if only she spoke Italian…”

$10,000,000,000,000 and counting
Thursday was my turn. I actually rose before 8 AM and pedaled across the City to the William J. Rutter Center at UCSF’s new South Beach campus in order to attend the Teaming USA Bay Area Workshop. I registered in the cavernous, ground floor lobby (everything at the William J. Rutter Center is cavernous), collected my three pounds of handouts, loaded up on some much needed coffee plus an Apple Crumb muffin, then scoured the Robertson Auditorium for an available seat.

 

 I had thought this full-day workshop was intended to help emerging business like Sostevinobile navigatethe sea of opportunities available to start-ups and small businesses inthe wake of the Federal Stimulus Program. After all, the invite hadread: “Teaming USA will focus on preparing a business to be ‘contractready…’ Attendees will learn how to secure proper certifications,clearances, and registrations and identify new selling areas throughthe 85 billion dollar federal stimulus funding for California.”

Turns out I was way off the mark. This program was actually designed to enable small businesses to partner with large enterprises and help secure their government contracts. As such, the auditorium was overflowing, if then some, all looking to help enlarge the Federal deficit. As I slinked out the side entrance, I couldn’t help but contemplate that I could get everyone there to enjoy just one glass of wine at Sostevinobile, we’d be profitable within the first week!

An act of Providence
Despite how it may sound, Brown Entrepreneurs is not a Dick Cheney-sponsored, knee-jerk reaction to Green Technology. The local chapter of the Brown University Alumni Association has been holding these informal klatchs for the past several months in the hope of spurring the development of new enterprises spearheaded by its San Francisco graduates. Twenty-four hours before Thursday’s gathering, I unexpectedly discovered I had been selected to pitch my development plans for Sostevinobile. A golden opportunity, or so I thought, to meet with a number of potential investors and solicit the start-up funding we are currently seeking.
Despite having cracked the bifocal contact lens on which I have become so dependent of late, I was determined to make a stellar impression. I printed up several handouts of Sostevinobile’s Keynote presentation and summary, polished my Luccheses, and rehearsed my elevator pitch about a dozen or so times. Luck even seemed on my side, as I managed to coax the bartender at the University Club to serve me a relatively decent Pinot Noir (instead of the utterly dreary Salmon Creek that has become their standard pour) before joining the group in the private room that had been reserved for this event.
Much to my disappointment, the Entrepreneurs was more of a support and discussion group among a handful of people either contemplating new ventures or simply interested in the field. Not a VC or angel investor in sight. Despite my misconception, I resolved to deliver my spiel with comportment and enthusiasm.
Or so I intended. To put it gallantly (if not Gallicly), when it comes to public speaking, ceci n’est pas mon forte. Then again, I had attended Brown for its Graduate Program in Playwriting, a genre that enables me to compose words and have others speak them for me. matter. Still, the realization of Sostevinobile rests, at least for now, entirely upon me, and it was a valuable lesson to flub my delivery in front of an audience of this nature, rather than one that might have offered me funding.
Back when I moved to Providence, the Brown campus radio station, used to delight in taunting celebrity freshman JFK Jr. with Allan Sherman’s outré novelty hit, I Think I Slept with Jackie Kennedy Last Night:

Met this girl and she was real nifty
Even though she was pushing 50…

Oh wait, that was David Roter’s song…

How Green Was My Thursday

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A most interesting piece in the Santa Rosa Press Democrat on Sunday highlighted how consumers may one day see wine bottles making carbon claims to show consumers these products aren’t contributing to the destruction of the planet. The article quoted Robert Nicholson from Healdsburg wine consulting firm International Wine Associates as predicting that “It’s going to be increasingly important for consumers to know that the wines they choose are participating in the green revolution that our planet is going to have to go through to survive.” 
Your West Coast Oenophile could not agree more. I’d like to believe that Sostevinobile has been quite prescient in insisting that we implement the highest degree of sustainable guidelines from the outset of our development, in the expectation that most, if not all of these practices will soon become mandatory. And it is gratifying to see this article cite that the California wine industry (as well as its counterparts in Washington and Oregon) has been “long at the forefront of the sustainable agriculture movement.”
Throughout much of the West Coast wine region, there is no formal standard for defining “sustainably-grown wine;” it will, of course, be incumbent upon Sostevinobile to establish a set of criteria for what we will ascertain as sustainable in the wines that we select for our wine bar operations. On the other hand, it is just as much our responsibility to encourage all vineyards and wineries within our designate locale to adopt sustainable practices throughout their farming and production. As I grind out this latest blog entry, I am of a mind to focus not solely on those operations that have already adopted strictly defined parameters for sustainability but also to embrace those labels that show a true impetus towards incorporating an identifiable and well-reasoned environmental stewardship into their winemaking and distribution.
Last Thursday, Napa Valley Grapegrowers stage their bi-annual Wine & Grape Expo. It wasn’t merely the lure of a free lunch and superb wine tasting—not to mention a much-needed break from midweek urban realities—that drew me up to Yountville. The day was packed with seminars, trade booths, and some lively demonstrations of cooperage and barrel blasting, nearly all of which focused on advancing sustainable practices throughout the entire wine production cycle.
With my linguistic abilities limited to English, Italian, Russian and French (along with my facility in ancient Greek or Latin, if ever summoned to the Vatican), I spared myself the arduousness of attempting to arrive at 8 AM for the early morning seminars in Spanish, even though topics like Importancia del Cambio Climático Sobre la Fenelogía de la Vid and Introduccíon a la Agricultura Biodinámica have obvious implications for sustainability. I did manage to attend the later morning sessions on developing water wells and the integration of vineyard architecture and soil reservoir as determinants for winegrowing strategy, subjects that play a significant role in the sustainable management of a vineyard.

 
Lunchtime gave opportunity to visit with a number of the exhibitors, including the solar power advisers from Solarcraft and the ecologically imperative The Compost Store. I suspect (though will willingly stand to be corrected) that the offerings from Dow Agro Sciences and Chevron’s Allied Propane would not meet the litmus for sustainability, but nonetheless I was happy to partake of one of their reusable cloth shopping totes for my intended stopover at Berkeley Bowl West en route back to San Francisco. 
A number of custom crush facilities, including Judd’s Hill & Microcrush and Bin to Bottle, also operated trade booths, but the true crowd pleaser for the afternoon was the barrel-making demonstration from Seguin Moreau Napa Cooperage.Watching such time-honored precision handicraft up close was indeed a marvel to behold. Across the courtyard, the truly modern technique of CO₂ barrel cleaning and sanitization held court. The environment
al implications of Cryo Clean’s Barrel Blasting method, a patent-pending process that propels dry ice pellets at airstream velocity into the fine wood surface of the barrel’s interior include no chemical residue or runoff, dramatically reduced waste residue, no water contamination, and significant increase in a barrel’s longevity.

Still, the most salient presentation of the day came from UC-Davis Steven Sinclair Scott Professor Roger B. Boulton, a leading proponent of sustainability in the wine industry. His comprehensive presentation, entitled Self-Sustaining Vineyards and Wineries, examined the myriad aspects and challenges of developing a self-contained, truly sustainable vineyard and winery operation, not merely in terms of carbon emissions but also mitigating the emission of CH₄ (methane) and N₂O (nitrous oxide), consumption and onsite generation of energy, reclamation and reapplication of winery water, and the use of environmentally-sound cleaning and sterilization solutions—particularly in terms of potential soil contamination.
Boulton’s far-sighted proposals and solutions for future development and implementation in wine industry extended beyond the theoretical. Following his discourse, he unveiled a preview of the Research and Teaching Winery under construction at UC Davis’ Robert Mondavi Institute for Wine and Food Science. Upon its opening for the 2010 harvest, this working laboratory will constitute “the world’s most sustainable vineyard and winery,” with innovative features that include onsite photovoltaic hydrogen production, passive solar-fuel cell co-generation of hot water, reverse osmosis (RO) and nano-filtration (NF) systems for water purification, an all-electric vehicle fleet with recharging station, hydrogen fuel cell hybrid, and rainwater capture and storage systems, all to be housed in a LEED Platinum Certified facility.
Even preoccupied with all these innovations, I think one can safely assume that Davis’ Department of Enology can also make a fairly decent wine. And, of course, this jaunt up to Yountville had its own perquisite tasting of an impressive selection of local vintages (after all, a trip to Napa without tasting wine is like sunning on a nude beach wearing blindfolds). Following a final seminar on olfactory sensations in wine by one of France’s leading parfumiers, an assortment of Napa Valley wines were scattered about the various exhibition booths. This arrangement made finding particular wines or determining whether I had sampled each of the donations rather haphazard, but my notes covered as much as I could sample during the brief period before the expo concluded.
Many of these wines marked my first tastes of their 2006 vintage. I started out on a high note with the 2006 Corison Cabernet Sauvignon. My enthusiasm did not diminish with Branham Estates’ 2006 Napa Valley Cabernet Sauvignon nor were Cade Winery’s two selection, the 2006 Napa Cuvée Cabernet Sauvignon and the superb 2006 Cabernet Sauvignon Howell Mountain any bit the letdown.
Rocca Family Vineyards also featured a pair of wines, their 2006 Cabernet Sauvignon Yountville and their 2006 Merlot Yountville, proving that here the Burgundian Left Bank/Right Bank schism has little corollary. The 2006 Georges de Latour Private Reserve from Beaulieu Vineyards was its usual excellent self, and I found the 2006 Cabernet Sauvignon D’Adamo Vineyard from Piña would have made quite the indulgence—if only I weren’t compelled to swill and spit!
Benessere makes a number of Italian varietals I have yet to try, but made quite the impression with their 2006 Cabernet Sauvignon. As wondrous as this wine was, however, it still placed a distinct second to their 2005 Phenomenon, a blend of Cabernet Sauvignon, Merlot, Sangiovese and Syrah, with no need for false modesty. The 2005 vintage from Napa continues to impress me every time I enjoy it; the tastings this afternoon merely elucidated this opinion, with Trefethen’s exceptional 2005 Cabernet Sauvignon Oak Knoll, my old friend Ren Harris and his Paradigm’s 2005 Cabernet Sauvignon Oakville, and the hitherto unfamiliar Meander with their 2005 Cabernet Sauvignon.
For this day, at least, the head of the Class of ’05 had to have been the 2005 Cornerstone Cellars Cabernet Sauvignon Napa Valley, one of Celia Welch’s most noteworthy efforts. beyond that, my most joyful discovery of the afternoon was the 2006 Opus One, and not just because it was being poured so liberally. As documented in many installments of this blog, I tr
uly dread how the giant conglomerates eviscerate a respected label after they acquire it (cf: Diageo and BV Coastal Estates; Constellation and Solaire by Robert Mondavi; Gallo and Louis M. Martini’s Ghost Pines). With such a dismal history, one ought to be downright euphoric to discover that Opus One has weathered the takeover virtually unscathed, thanks, I am told, to the perseverance of Baroness Philippine de Rothschild, who insisted that this icon label not be tampered with. The result was a glorious 2006 Meritage (the first produced since the sale of Robert Mondavi) that unabashedly maintained its esteemed pedigree.
The one white wine I managed to try was the 2005 D’Argent Chardonnay from Silver Rose, which bills itself as Napa’s only resort winery. I am aware of missing a few other whites, Sauvignon Blancs from both Cakebread Cellars and from Long Meadow Ranch, but did manage to slip in a modest sip of their 2004 LMR Cabernet Sauvignon. Two other labels, Jaffe Estate and Snowden Vineyards were listed as being poured, but I have no recollection of encountering either. Another winery I did taste, but—true confession—I cannot decipher the scribble from my own hand.
The rest of the wines stood out from Cabernet’s inevitable domination. Though quite elusive (at least on the Internet), Blair Estate dazzled with their 2002 Blair Estate Meritage, an enormously pleasing wine. Tofanelli strayed even further with their amiable 2006 Zinfandel. Truly a Napa apostate, B. Kosuge managed to comport himself quite respectably with his 2007 The Shop Pinot Noir. Ever the iconoclast, my friend John Wilkinson poured his 2006 Wilkinson, his esoteric blend of Cabernet Sauvignon, Merlot and Syrah he bottles at Bin to Bottle, his custom crush facility in Napa. And just for fun, I had to try a sip of the 2006 Lagrein from Jacuzzi Vineyards, a very festive wine, to say the least.
I had hoped that this event would have provided the occasion, at long last, to meet brothers Sloane and John Upton, owners of the famed Three Palms Vineyard and fellow survivors of the arcane rectitude of the storied Hotchkiss School. If they did attend, we still managed to miss each other, and while it would have been a special treat to sample the flagship Merlot Duckhorn Vineyards produces from their grapes, the 2005 Duckhorn Vineyards Howell Mountain Napa Valley Red Wine, a blend of 57% Cabernet Sauvignon, 32% Merlot, 7% Cabernet Franc, and 4% Petit Verdot proved more than adequate compensation.
The Napa Wine & Grape Expo provided considerable fodder to help validate my espousal of sustainable practices for Sostevinobile; y seeing these tenets so universally embraced by the California wine industry greatly reassures me that our focus on serving only sustainably grown wines will embrace an incredibly wide selection from the preponderance of wineries here and throughout the West Coast. I left the Lincoln Theater amid a slight drizzle and plodded my way down the East Bay corridor to attend the last half-hour of the Green Chamber of Commerce’s 2nd Annual Celebration, entitled Building an Honest Economy. Here, overlooking the Tribune Tower in downtown Oakland, I found an assembly of like-minded ecopreneurs, passionate in their vision, but nonetheless pragmatic. Their unapologetic mantra: “people, planet, and profit.”
The Green Chamber of Commerce (GCOC) comprises a San Francisco-based business network of more than 160 Bay Area businesses from various industry sectors including architecture & design, media, finance, legal, renewable energy, and health. In light of recent developments, GCOC is aggressively seeking to present a viable alternative for major companies like Apple, Nike and PG&E, which have withdrawn from the US Chamber of Commerce in protest over its sheer inanity in refusing to endorse legislation that would counter the precipitants of climate change.
The annual celebration featured a dynamic presentation from Ahmed Rahim, co-founder of Numi Organic Tea and a preview of the Chamber’s new promotional video. Oakland’s Savoy Events highlighted the evening with a rather sumptuous spread of sustainably-farmed, healthy appetizers (although hors d’œuvres of sculpted, purple-dyed potatoes strike me as somewhat counterintuitive), complemented by the 2007 Organic Syrah and 2008 Organic Chardonnay from Mendocino’s pioneering Frey Vineyards, recognized as the first organic winery in North America.
I received a complimentary toothbrush fr
om GCOC member Dr. Nammy Patel as I left. My 23 years as a copywriter makes me question certain connotations of billing her practice as “green dentistry,” albeit her extreme awareness of the environmental impact caused by numerous aspects of basic dental practices. But even the dreadful glass of White Zinfandel I was offered at my final stop of the day, the Bravo Club party in the lobby space of San Francisco’s Automattic, could not diminish the fact that a green time was had by all.

Why, oh why, can’t organic be synonymous with dietetic?

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Unfortunately, organic isn’t even synonymous with sustainable—yet. But this prefatory section isn’t designed to extoll one over the other, merely to outline the points of contrast between what defines each litmus. Your West Coast Oenophile believes we will soon reach a point where there is a convergence between the standards for organic and sustainable certification, and as each approximates the other, so, too, will the criteria by which Sostevinobile qualifies its wines (along with its beers and menu ingredients) be attenuated.
For now, however, it does seem pertinent to delineate these two allied approaches to œnology and viticulture. Sustainable winemaking focuses on practices that least impact the environment, in terms of resource depletion, pollution of the ecosystem, and the generation of carbon by-products proven to accelerate global warming. These ecological practices do not necessarily preclude, at this time, the use of fertilizer, pesticides or certain chemical treatments to prevent spoilage or infestation, though nearly every sustainable grower strives to utilize these as minimally as possible.
On the other hand, organic farming focuses on the exclusion of chemical additives for treating infestation and spoilage or to stimulate crop growth. Primarily, the organic methodology is intended to prevent human consumption of chemical additives, as well as the seepage of these artificial compounds into the soil and water tables. Yet, in theory, one can strictly adhere to organic practices, while flouting green tenets of resource conservation, energy consumption or generation, recycling, etc.
Overwhelming, however, practitioners of organic agriculture in California have been just as diligent in their environmental stewardship as their fealty to holistic farming. Last Friday, several of the most prominent proponents of organic grape growing showcased their viticultural virtuosity, alongside an array of organic beers, produce and vodkas(!) at the 2009 CCOF Organic Beer, Wine & Spirit Tasting at San Francisco’s Ferry Building.
Though formed in 1973, California Certified Organic Farmers and their distinctive tag were a rare sight in the wine country until relatively recently. It has been even more recent that labeling a California wine as organic was not seen as camouflage for some fairly mediocre vinification. But great strides have been made of late both in improving the quality of winemaking that accompanied organic farming, as well as in attracting many notable longtime vignerons to this practice.
I’ve known Richard Arrowood since his winemaking days at Chateau St. Jean in the mid-1980s; I suspect he and I have never once voted for the same candidate or state proposition in the past 25 years. His latest venture, Amapola Creek, is an intense, highly-individual undertaking, with small lots of handcrafted wines from estate vineyards that were organically certified in 2008. This hasn’t been the result of a political epiphany, but rather his awareness as both a farmer and a chemist how the introduction of pesticides and inorganic fertilizers adversely impacts both the quality of the produce and the health of the soil. I had the privilege of barrel tasting several of his current wines back in February. Now bottled, both his 2005 Amapola Creek Cabernet Sauvignon and the 2006 Amapola Creek Syrah did nothing to disappoint.
Mendocino County bills itself as the greenest wine region in the country. One of their many standout organic wineries, Yorkville Cellars, bills itself as the only California winery producing single varietals from the eight primary Bordeaux grapes. Though we have crossed paths at several tastings this past year, I had yet to have the opportunity to try their 2006 Carmenère, a silver medalist in the International Green Wine Competition; even my tasting companion, the semi-recalcitrant David Latimer, was impressed enough to take a bottle back to Half Moon Bay. New also to me was the 2007 HiRollr Red, an intriguing blend of 51% Zinfandel with Merlot, Malbec, Cabernet Sauvignon, and Petit Verdot.
BARRA of Mendocino is the sister label of Girasole Vineyards, a frequent exhibitor at green wine events. Their South San Francisco-based distributor primarily imports sustainably-grown wines and sponsors the Golden Glass tasting for Slow Food San Francisco, which Villa Italia Wines president Lorenzo Scarpone helped spearhead. BARRA/Girasole’s adherence to strict environmental practices and their affinity for Italian varietals makes for an intuitive alliance with Villa Italia, who was on hand, alongside Martha Barra, to pour the splendid 2006 Girasole Vineyards Sangiovese. I found both the 2006 Girasole Vineyards Pinot Noir and the barrel-fermented 2007 BARRA of Mendocino Chardonnay quite drinkable, but it was the stunning 2004 BARRA of Mendocino Petite Sirah that truly opened my eyes to just how far organic wine making has come along over the past several years.
I am quite aware that my blog entries run a bit long, and I would bet, were I technically savvy enough to embed a legal copy of the MP3, this column would run the full 13:01 of Boz Scaggs’ immortal version of Loan Me a Dime. Lacking these faculties, I must resort to paying tribute to the wines of Scaggs Vineyards, a surprising discovery at this event. Though their 2007 bottling was admirable indeed, their 2008 Grenache Rosé was near stratospheric, an astoundingly wonderful wine that, like BARRA, again showed just what organic winemaking could achieve. Rounding out their pours for the evening, Dominique Scaggs also featured her 2007 Montage, an organic take on the traditional GMS blend.
Inarguably, the best way demonstrate the virtues of organic produce to the uninitiated is with tomatoes; no one I know has ever been able to deny the intensity of flavor an organic Lycopersicom esculentum imparts versus the utterly bland taste of one mass-produced in a field leeched of nutrients. The 2006 El Jabali Chardonnay from Alma Rose Winery displayed the same stark contrast with the highly manipulated Chardonnays we have all experienced, an absolute revelation. This Sideways star also upheld its claim to Merlot-free fame with its 2007 Santa Rita Pinot Noir and the 2007 La Encantada Pinot Noir.
Not that organic Merlot can’t be equally delightful. This tasting gave me a chance to revisit with Hawley Winery, which impressed me considerably with their 2003 Merlot, as well as a well-rounded 2006 Cabernet Sauvignon and the 2006 Pinot Noir Oehlman Vineyard. Emtu Wines from Forestville ought not be confused with M2 Wines in Lodi; though both share a passion for environmental preservation, their varietal focus is quite different, as witnessed by the delightful 2008 Emtu Estate Rosé (of Merlot) and the 2006 Emtu Estate Pinot Noir. 
Merlot blends also showed well at this tasting. Along with their amiable 2008 Sauvignon Blanc, Medlock Ames featured their 2006 Red, evenly split between Merlot and Cabernet Sauvignon. Trefethen’s aptly-named True Earth Wines paired their 2007 True Earth Chardonnay with their 2007 True Earth Red, a Merlot/Cabernet Sauvignon/Petite Sirah in their Three Thieves style.
With a name like Adastra and a winemaker like Pam Starr, one cannot afford not to have wines that are stellar; just to be sure, they brought a pair of Burgundian whites, the 2007 Chardonnay and the 2006 Proximus Chardonnay, along with a pair Burgundian reds, the 2006 Pinot Noir Carneros and the 2006 Proximus Pinot Noir. Making even more of a hedge, Chance Creek Vineyards brought a trio of the same varietal, their 2006 Sauvignon Blanc, the 2006 Sauvignon Blanc Reserve, and their unzipped premium , the 2006 Terroir 95470, along with a lone 2006 Sangiovese.
Magnanimus Wines handles quite a lineup of organic venture from Mendocino and featured both the biodynamic-certified Mendocino Farms and organically-farmed Old River Cellars this evening. The latter scored with a powerful Bordeaux blend, the 2005 Cabernet Sauvignon Ponderosa Vineyard, while the 2005 Mendocino Farms Syrah batted cleanup to the prodigious 2007 Mendocino Farms Grenache. I wish La Rocca Vineyards had brought a deeper bench along this evening, as I only managed to taste their 2006 Cabernet Sauvignon but would have loved to sample the array of their other wines, especially the 2006 Barbera that owner Philip La Rocca so extolled. Oh well, they’ve been certified organic for nearly 20 years—I expect they’ll be back for the Fifth Annual CCOF tasting next year.
Korbel Vineyards has been around since 1882, but has only recently offered an organically-grown sparkling wine, their NV Brut Champagne, crafted from Chardonnay, Sangiovese and Colombard grapes from the 2007 harvest. Meanwhile, across the room, Jim Milone’s Terra Sávia debuted its first sparkling wine, the 2006 Blanc de Blancs; I also had the chance to revisit their 2008 Chardonnay and the 2006 Meritage they introduced at Family Winemakers this summer.
I’d had the pleasure of tasting Tres Sabores on a number of occasions over the past year; still, why not sip again from their 2006 Estate Zinfandel, the 2007 Farina Sauvignon Blanc and their enchanting ¿Por Que No?, a blend of Cabernet Sauvignon, Zinfandel and Petite Sirah? Like Tres Sabores, Silver Mountain holds organic certification since 1991 and their long-standing facility in this classification showed admirably in the quartet of wines they poured: the 2007 Estate Chardonnay, the 2006 Miller Hill Pinot Noir, a 2008 Rosé made from Pinot Noir, and an exquisitely-aged 2002 Alloy, their Bordeaux blend.
I’ve recently contemplated abandoning Sostevinobile to develop a restaurant focused on Mineralism. Unlike other dietary precepts, Mineralist (or abiotic) cuisine eschews the consumption of all forms of life, be they animal, vegetable, fungi, or unicellular. Acceptable foods include soil, water (both fresh and saline), evaporated salts, and natural deposits of elements, minerals or other digestible compounds. I jest, of course—my commitment to this all-encompassing venture remains undiminished. I just felt compelled to tweak the concept of veganism. I mean, how can anyone subsist without honey or butter or milk? And do not even dare suggest to this Italian that you can make pizza with soy mozzarella!
That said, the folks from Hallcrest Vineyards, one of only four vegan wineries in California, produced some extraordinary wines, including an amazing 2005 Zinfandel Nova Vineyards, the 2004 Cabernet Sauvignon Brigantino Vineyards and, under their Organic Wine Works label, the 2007 À Notre Terre Red, a Rhône blend. Also in a rather esoteric niche was Napa’s Hagafen Cellars, a certified Kosher winery. Again, I personally cannot imagine life without prosciutto or Cozze in Brodo, but the 2008 White Riesling entailed was neither clawingly sweet nor restrictive to taste.
Organic entrées abounded at this event (albeit for an additional charge). I managed to sample some incredible Offal with Mango in Paper Cones from Boccalone Salumeria, fried shrimp cakes from Delica rf1, and generous dollops of caviar from Tsar Nicolai, which paired quite nicely with the organic vodkas from Shadow Spirits. I liberally consumed the free olive oil samples from McEvoy Ranch, mini-discs of Tcho Chocolate, copious amounts of Acme Bread, and a couple of servings of sausage from where I honestly can’t recall. With all that, I still managed to quaff a few of the organic beers interspersed throughout the tasting floor: a beer & tea blend from Santa Cruz Mountain Brewing and the Valencia Wheat Beer from San Francisco’s Thirsty Bear (Sostevinobile intends to feature a half-dozen sustainably-produced, local beers along with our wine selections).
By the time the 2009 CCOF Organic Beer, Wine & Spirits Tasting had concluded, I was beyond the point of satiety. And it was certainly reassuring to know that everything I had consumed over the four hour span was organically certified and wonderfully nutritious—not to mention sapid. The only problem is organic or sustainable, biodynamic or kosher, macrobiotic or vegan, why can’t any of these be non-caloric as well?

Make Wine, not War—the Sequel

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I haven’t written about the Punahou Kid since he took office. Of course, if he had actually accomplished anything beyond soaring rhetoric over the past nine months, I might have felt compelled to comment. Still, I find it alarmingly incongruent that a person perpetuating one war and escalating another can be accorded the world’s most revered award for the promulgation of pacifistic ideals. Failure to see the inherent contradiction here fundamentally correlates to an unabashed appreciation of the Blue Angels as a precision flight formation performing purely for entertainment value, while myopically ignoring the militaristic propaganda underlying such displays.

Far better to see military facilities turned to civilian use. Once again, Your West Coast Oenophile had the pleasure of visiting one such converted base, this time on the man-made Treasure Island, a four hundred acre development attached to the natural formation of Yerba Buena Island at the middle juncture of the Bay Bridge. This past Sunday, the first annual Treasure Island Wine Fest hosted Lodi on the Water, a celebration of more than 40 wineries from this surprisingly diverse AVA can no longer be considered the backwater of the California wine industry.

  

A chance to see old friends, a chance to meet new ones. Before I started developing Sostevinobile, the Ginkgo Girl and I ventured out to the delta for Lodi Zinfest on a day where the temperature rose above 100° F. Not exactly the most conducive way to pour or to taste wine. This weekend, however, a fog so heavy the Blue Angels had to cancel their Saturday performance hovered well into the afternoon before dissipating.
Not that the wines still weren’t in danger of overheating. An overwhelming crowd had already inundated the tent Treasure Island had recently erected to host large gatherings even before I arrived—and this was only the preview reception for media and trade. Dreading the arrival of the public attendees, I beelined over to the table for Mokelumne Glen, a winery I believe is the only producer in California devoted exclusively to German varietals. With such scant basis for comparison, I concede I feel somewhat hesitant to assess these wines, though the 2008 Late Harvest Kerner certainly ranked as one of the standouts; also quite pleasing, the 2008 Bacchus blended Müller-Thurgau with a Riesling/Sylvaner hybrid.

Another hybrid varietal grown with greater proliferation in Lodi is Symphony, a cross UC-Davis developed from Grenache Gris and Muscat of Alexandria. Abundance marries Symphony with Sauvignon Blanc to create their 2007 Bountiful Blanc, a most distinctive blend. I used to drink their 1999 Viognier almost religiously and had hoped to sample their current vintage, Nonetheless, their 2005 Abundantly Rich Red, a Carignane/Zinfandel mélange, provided more than satisfactory consolation. Murphys stalwart Ironstone Vineyards offered an undiluted interpretation of Symphony with their 2008 Obsession, but true kudos belonged to their 2006 Cabernet Franc.
Ironstone’s Kautz family also produces Christine Andrews as a more sophisticated line of wines. Certainly their 2007 Malbec, though still young, portended a promising evolution, but I found myself wishing they’d brought their 2005 Tempranillo as a benchmark.

Not that the afternoon was lacking for Spanish varietals. Assuredly, Lodi’s leader in this category has long been Bokisch Vineyards, which also spearheads Lodi Rules, the rigorous standard for sustainability throughout this AVA. Markus could not attend this event, owing to harvest duties, but, much to everyone’s delight, this wife was on hand to promote the winery. Liz is the kind of girl who could pour Two Buck Chuck and make it taste good, but her own wines required no embellishment. I found myself liking the 2008 Albariño better than its previous vintage, while the 2007 Garnacha outpaced the other reds she offered.
Standing just behind her, Harney Lane’s interpretation of Albariño seemed somewhat fruitier, but both their 2007 Zinfandel and their 2006 Petite Sirah were monumental expressions of their particular varietal. Housed in Elk Grove, McConnell Estates also produced a noteworthy 2006 Tempranillo, as well as a forthright 2006 Petite Sirah, while Acampo’s St. Jorge Winery accompanied its stellar 2007 Tempranillo with a refreshing take on the standard Portuguese white varietal with their 2008 Verdelho. With a motto of “No Boring Wines,” Ripken Vineyards certainly produces strikingly colorful labels, but I felt neither the 2005 Vintage Port nor the 2006 El Matador Tempranillo had quite the same con gusto zest that their packaging conveyed. Still, I was quite enamored of their immensely flavorful 2006 Late Harvest Viognier.
What? No Pinot? In addition to German and Iberian grapes, Lodi offers a wide range of Italian, Bordeaux and Rhône varietals, not to mention a ubiquitous supply of Zinfandel (interestingly, no one with whom I spoke ventured to mention Tokay or the other filler grapes that made up the bulk of Lodi’s growing 25 years ago). I typically think of Peltier Station for their Petite Sirah, and was pleased to discover their new Hybrid label, a line of sustainable wines that included a new 2007 Hybrid Petite Sirah, as well as a nicely drinkable 2008 Hydrid Pinot Grigio. Watts Winery is a small operation with a big heart—they produce a special On Wings of Hope line to benefit Burkitt’s lymphoma research. I wish they would have taken their 2005 Montepulciano to the tasting, but their 2005 Dolcetto Los Robles Vineyard Clements Hills was more than delightful in its own right. Time constrains caused me to overlook the 2007 Pinot Grigio from Van Ruiten Family Winery, though I did manage a taster’s sip of their splendid 2006 Cab-Shiraz.
Several years ago, I introduce Macchia to Consorzio Cal-Italia; this tasting offered a chance to reconnect and sample their 2007 Amorous Sangiovese and their 2007 Delicious Barbera (one of several versions of this varietal that they produce). Still, it was their library offering of the debut 2001 Barbera that really sent me back. St. Amant Winery also brought a pair of strong Barbera vintages, contrasting their 2007 Barbera with a just-released 2008 Barbera, Another old acquaintance, l’Uvaggio di Giacomo has simplified its name for non-Italian speakers (something Sostevinobile will never do!), but the new Uvaggio label is undiminished with an outstanding 2005 Barbera and a 2008 Vermentino that makes for an easy apéritif.
The Woodbridge Winery not only compelled the gargantuan industrial wineries in California to start making wines with an eye toward quality, it also catalyzed recognition for the potential of Lodi as a varietal-driven AVA. Although this facility’s repute has dwindled since Robert Mondavi stepped back from personal control, and portends to devolve into an indistinguishable jug factory under the current regime, they still managed to produce a respectable 2008 Vermentino for this event. I can’t say that Constellation’s other holding, Talus Winery, struck much of a positive chord with any of their offerings, while Gallo’s Barefoot Cellars seemed outright pedestrian compared to their heyday as part of Davis Bynum. Once again, I could not bring myself to warm up to any of the lackluster Campus Oaks wines that Gnekow Family mass-produces. Central Valley conglomerate Delicato Vineyards ponied up to the table with four disparate labels, and managed to make a slightly positive impression with their 2007 181 Merlot.

 

 Back to accentuating the positive. One thing for certain, Lodi has know lack of inventiveness in coming up with offbeat names for their wines.Witness Michael~David Winery,which seemingly tries to squeeze more life out of a pun than juice can be extracted from a ton of grapes. From their collection of collection of 7 Deadly Zins, I immensely enjoyed the 2006 Gluttony Zinfandel and luxuriated in the 2005 Rapture Cabernet Sauvignon; also noteworthy but obvious, their 2007 Petite Petit, a Petit Verdot/Petite Sirah blend. Grands Amis also offered a young but promising 2007 Petit Verdot and a similarly evolving 2007 Première Passion, a Bordeaux-style blend of Cabernet Sauvignon, Merlot and Petit Verdot. Along with their noteworthy, 2007 Estate Petite Sirah, Vino Con Brio! shared their 2008 Estate Brillante, a deft mix of Viognier, Roussanne, Pinot Grigio and Sauvignon Blanc and the 2008 Passione Rosé, a blushing Sangiovese. Stama Winery made their pitch with the 2005 Curvaceous Cabernet and 2007 Zany Zin, but I cottoned more to their 2005 Late Harvest Sauvignon Blanc.In and of itself, Klinker Brick is a great name, so they can be excused if their 2007 Farrah Syrah is a tribute to owner Farrah Felten and not the late Charlie’s Angel. Besides, their 2007 Old Ghost Zin was enough to make one downright jiggly!

A pun on the name of owner Dave Dart led to the development of d’Art Wines, a highly stylized line of wines that feature the artwork of spouse Helen Rommel Dart on the labels. With lush red coloring on the inside of the bottles, as well, they painted a bold swath with both their 2007 Tempranillo and the 2007 Zinfandel. m2 Wines featured their 2007 Artist Series’ Zinfandel, a perennial commissioned showcase, along with their appealing Syrah/Petite Sirah mix, the 2006 Duality and the 2007 Trio, which blends the same varietal with a predominant Cabernet Sauvignon. The artwork of painter Chris Spencer adorns the very Van Gogh-like label for Barsetti Vineyards. Though it may seem heretical these days, their oaky 2006 Chardonnay outshone their steel-barreled version from the following vintage.; their 2006 Zinfandel showed quite nicely, too.
Several Lodi wineries stay close to the basics and produce quite admirable wines. The Lucas Winery offered a 2006 Chardonnay, as well as a panoply of different Zinfandel bottlings, featuring their 2005 Zinstar. I remain surprised that Maley Brothers still lacks a website, but their trio of 2004 Merlot, 2006 Petite Sirah and 2005 Zinfandel remained as true as when I’d previously sampled them. Lodi mainstay Berghold Vineyards, a long-standing acquaintance, brought out a truly elegant 2005 Cabernet Sauvignon, along with the debut of their 2006 Footstomp Zinfandel, both estate bottlings. And it was no onus to sample the 2007 Chardonnay and 2005 Cabernet Sauvignon from Onus Vineyards.
Readers know I am never hesitant to tweak the wineries, whenever I see an opening. I told Trinitas Cellars their 2006 Ratzinger Zinfandel tasted rather “papal;” I was also quite fond of their 2005 Old Vine Petite Sirah. I also thought Oak Ridge Winery needed a wine called Elvira, but they handled themselves quite ably with their 2007 3 Girls Cabernet Sauvignon and the 2005 Moss Roxx Zinfandel.
Call it an Italian thing—I’ll refrain from the obvious puns on Borra Winery, tempting though they may be. Their designated 45.7° series may seem eclectic to some, but their Fusion wines, particularly the 2008 Fusion–Red, a blend with 60% Syrah and 30% Petite Sirah (with other varietals comprising the remaining 10%) set the standard for this winery. I hold a similar respect for LangeTwins, a winery that has been cited for its implementation of sustainable technology and long-standing dedication to environmental preservation. Their 2007 Petit Verdot shows that their fidelity to the Lodi Rules only enhances the flavor of the wine; the 2005 Midnight Reserve is a finely-tuned Bordeaux blend, with Cabernet Sauvignon predominant.
Zinfandel being a hallmark of Lodi, it was not surprising to find some wineries exclusively featuring this varietal, like the Paul Simeon Collection, whose only pour was their 2007 St. Sophia Zinfandel. Benson Ferry staged a Zinfandel trifecta, with their 2006 95240 Zinfandel zipping by and winning by a nose. Jessie’s Grove Winery also featured a number of their Zinfandels, including the cleverly-named 2006 Earth, Zin & Fire and a deep 2006 Westwind Zinfandel; My true fondness, however, was reserved for their 2008 Chardonnay and the 2008 Jessence Blanc, a Roussanne/Viognier blend.
I concede that my fondness for Harmony Wynelands may have precipitated from the charms of event coordinator Kitty Wong, who was on hand to pour their esoteric 2006 GMA, a marriage of Mourvèdre, Grenache and Alicante Bouschet. This latter varietal, a cross between Grenache and Petit Bouschet, a hybrid vitis vinifera created from Aramon and Teinturier du Cher, which gives Alicante Bouschet the rarity of having red flesh; such a complex pedigree is cause for Harmony Wynelands to give its bottling the lofty appellation of 2005 Alicante Bouschet Premier Crush. On the less exotic side, I also found their 2006 Riesling quite approachable, as well. 
In contrast, Heritage Oak Winery may have seemed to venture into the slightly exotic with their quite satisfying 2007 Vino Tinto, but its Spanish appellation belied a distinctly California combination of Zinfandel, Syrah and Petite Sirah. Their 2007 Block 14 Zinfandel was equally appealing. Namesake Carl Mettler of Mettler Family Wines provided a well-received 2007 Epicenter Old Vine Zinfandel, along with the 2005 Petite Sirah and a somewhat early 2007 Cabernet Sauvignon that offered indications of future promise. Further down the row of tables, Vicarmont Vineyards’ Vic Mettler chose to stake his claim in the Right Bank’s dominating varietal, with a 2007 Vicarmont Merlot and the palindromic 2006 vMv Merlot.

My general sense is that the Lodi AVA, which had but eight working wineries in 1991, has made sizable strides in its viticultural evolution, especially since my last visit in 2007. Even though I would rate the inaugural Treasure Island Wine Fest as one of my more manageable tastings this year, with 43 wineries attending, there clearly was a enormous amount of information (and wine) to absorb. Certainly, a more capacious guide than a two-sided 8.5″ x 11″ print would have helped make the event more manageable, but I managed, most ironically, to visit with each of the presenters, thanks to the Blue Angels! Had they not put on their display somewhere near the midpoint of this marathon, the bulk of the crowd would have remained inside the tent, and my mounting sense of claustrophobia would have never permitted me to finish. Go figure!
I managed to attend a number of other tastings this past week, including Napa Valley Vintners’ Battle of the Palates that kicked off Harvest Week in San Francisco on Monday and Wednesday’s sumptuous Wine & Spirits Magazine Top 100 Tasting at The Galleria. The Punahou Kid came to town Thursday, yet inexplicably neglected to invite me to either of his soirées. I could have stood outside the St. Francis and joined the protests over the predictably lackluster results of his stewardship or the feckless selection of the Nobel Prize committee; instead, I opted to spend the evening uncharacteristically uncorking unimaginative imported wines at the Officer’s Club at Fort Mason. The first military base ever converted to civilian usage!

A Columbus Day tribute: Welcome Back, Sangiovese!

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I am starting to suspect there may be more polyphenols than hemoglobin in my bloodstream. Which is not necessarily a bad thing, as far as Sostevinobile is concerned. Your West Coast Oenophile began last weekend with a fall swing up to Napa, with stops at half a dozen wineries before attending the final Cheers! St. Helena of 2009.
The wineries could not have been more hospitable. I first arrived for the Estate and Wine Cave Tour at Stag’s Leap Wine Cellars, a winery I had not visited since its sale to Chateau Ste. Michelle some three years prior. Despite its parent company’s recent acquisition by Altria, there seems to be no nicotine taint on this brand, only slight wafts of tobacco aromas in their array of incredibly textured Cabernet Sauvignons and Merlot.
After a few overly generous tastes of their exceptional 2005 S.L.V. Estate Cabernet Sauvignon and the 2005 Cask 23 Estate Cabernet Sauvignon, I headed north up Silverado Trail to Quixote Winery, the current organic wine venture of former Stag’s Leap apostrophic rival Carl Doumani. Liberated from his Stags’ Leap Winery, this contrarian vintner has set out on a highly Cervantean quest to bottle the perfect California Petite Sirah. Few, if any, would claim that his luxuriant 2005 Quixote Petite Syrah is tilting at windmills; equally delightful was the 2004 Panza Cabernet Sauvignon, an organically-grown “Rhôneaux” blend inadvertently poured by Quixote’s ever-affable hostess Anne White.
Anne had formerly worked at Diamond Creek, a later stop this warm afternoon. But first, I made a long-delayed swing over to Martin Estate in Rutherford, a boutique gem with 8 acres of organically-farmed Cabernet Sauvignon. Words cannot begin to capture the opulence of this winery, a 19th century edifice that originally had been constructed as a (comparatively speaking) miniature version of Greystone in St. Helena where Georges de Latour first made his wines. The building, converted in the 1940s to a residence, has been restored by current owner Greg Martin to include the current wine operations while housing part of his vast collection of antique arms and other artworks. From the decor of the mansion to the 120′ swimming pool to the Teutonic grandeur of the wine label itself, nothing about Martin Estate could be described as minimalist; befittingly, his wines, too, evoke an unabashed opulence, notably the 2005 Martin Estate Reserve Cabernet Sauvignon and his very limited port selections, including Greg’s “answer to Château d’Yquem,” the 2002 Martin Estate Gold, a botrytis-laden Late Harvest Chardonnay.
I swung back to Silverado Trail and wound my way up to Calistoga. There, it was a quick hop over to Highway 29 and over to Diamond Mountain Road, where I returned for a followup visit to Diamond Creek. Oddly, I somehow managed not to taste their array of vineyard-designated Cabernets while chatting with winery President Phil Ross. Phil did, however, provide me with a golf cart that enabled me to take a self-guided tour along the rickety paths that comb Diamond Creek’s three distinct vineyards, each distinguished by a highly differentiated soil composition and a definable microclimate that impacts their growing season. It is a tour best appreciated with one’s faculties fully intact.
Having managed not to flip the golf cart along the steep pitch of the trails, I thanked my host for his hospitality and zipped over to Twomey’s Calistoga facility. This winery, an offshoot of Silver Oak, exclusively produces their estate-grown Merlot (with an occasional touch of Sauvignon Blanc) while its sister facility in Healdsburg, the former Roshambo winery, sources and bottles a quarter of Pinot Noir selections.Of the several wines I tasted, the 2001 Napa Valley Merlot peaked beautifully at this age while the 2005 Napa Valley Merlot longed for more time in the bottle; my choices in Pinot Noir spanned the California Coast from Mendocino on down, with the 2007 Santa Barbara County Pinot Noir most pleasing to my palate.
My ailing friend and fellow advertising refugee Ira Zuckerman could not meet with me at Emilio’s Terrace; instead, I was hosted by founder Phil Schlein, an ardent devoté of organically-farmed grapes. A walking tour of his steep hillside vineyard crowned my boots with a fine layer of dust, a veritable badge of honor for this urban dweller. Inside, I partook of Phil’s considerable insight into the financial aspects of business development while sipping his straightforward 2004 Emilio’s Terrace Cabernet Sauvignon Reserve.
Porting home a bottle of their Cabernet Franc-based 2005 Moonschlein Red Wine, I found myself with enough spare time to attend the Friday afternoon Pulse Tasting at Acme Fine Wines. Up & coming winemaker Mark Polembski was on hand to pour from three of the wineries that employ his talents: Anomaly Vineyards, Charnu Winery, and Zeitgeist, a project he co-owns with his wife, Jennifer Williams of Spottswoode. All three wineries offered a limited-production 2006 Cabernet Sauvignon, all quite good, with a slight edge going to Mark’s own label.
Cheers! St. Helena proved to be a veritable potpourri of local vintners, ranging from the large and well-known to the hard-to-find 400 cases operations that many people employed by other wineries put out under their own label. As my habitual readers know, I tend to find these large-scale events a bit of sensory overload and make best with what I can do. With barely enough time to introduce Sostevinobile to these vintners and manage a quick swill of their offerings, my observations on individual wines manage to be tenuous at best. Still, my introduction to Nichelini’s 2008 Sauvignon Vert was a pleasant introduction to a wholly unfamiliar varietal, while Soñador’s 2005 Cabernet Sauvignon was exactly what one might expect from this benchmark vintage. Roxanne Wolf’s trademark painting lend a certain concupiscence to the labels for Eagle Eye, certainly an apt trait for their trademark blend, the 2006 Voluptuous. On the other hand, the 2006 Napa Valley Cabernet Sauvignon from Lieff let its considerable pedigree stand out front. A most auspicious debut was the 2006 Wallis Family Estate Cabernet Sauvignon Diamond Mountain District, while the 2006 Napa Valley Cabernet Sauvignon Peterson Family Vineyard from SwitchBack Ridge heralds from an estate that dates back to 1914.
I wanted to find out that Kapcsándy Family Winery produced a California Tokaji, but their 2006 Estate Cuvée State Lane Vineyard instead combined Cabernet Sauvignon, Merlot, and Cabernet Franc in a true Pauillac blend that reflected the background of winemaking consultant Denis Malbec. I exchanged pleasantries and thoroughly enjoyed the wines I sampled from other Napa ventures, including Intersection, Varozza Vineyards, Calafia Cellars, Wolf Family, Front Row from Napa’s pioneering Carpy Family, Salvestrin, and Tom Scott Vineyard, while sundry other wineries offered their current Meritage or Cabernet Sauvignon, but, at the end of the day, the standout wine was the 2006 Sangiovese Eaglepoint Ranch from Abiouness, a pure expression of this varietal (as opposed to the mask of a Super Tuscan blend) that I have not experienced at this level in California for quite a number of years. I was ready to call it a day.
I was scheduled to attend the West Coast Green Expo in Fort Mason the next day but inadvertently stumbled on the debut of the Taste of Fillmore festival on my way to Walgreens. I tried to resist—surely my venal-CO₂H capacity had attained its maximum tolerance for the weekend. Alas, my ecological impulses fell by the wayside (though I did manage to attend the after-party at the Academy of Sciences later that evening), and I warily flung myself into the thick of the cordoned-off block between California and Pine. After revisiting Dick Keenan’s Carica Wines and his delightful 2007 Temptation, I sampled the nascent talent of Pacifica’s Barber Cellars, an array of interesting wines from Napa’s Farella Vineyard, and a consensus favorite, the 2005 Proprietary Blend, a mélange of Syrah and Grenache, from Singh Family Cellars.
The very French-focused Beaucanon Estate offered a septet of wines, including a Bordeaux-style 2003 Trifecta and the utterly compelling 2005 Beaucanon Estate Cabernet Franc ‘L Cuvée.’ This afternoon, however, belonged to Italian-style wines, starting with Kelseyville’s Rosa d’Oro, with a discrete selection of their varietals that included the 2007 Primitivo, 2006 Barbera and 2006 Aglianico. Ramazzotti Wines glistened with the 2007 Ramazzotti Frizzante, a Prosecco-style sparkling Chardonnay, and their compelling 2005 Ramazzotti Ricordo, a Zinfandel blended with Petite Sirah, Alicante, Syrah, Carignane and Chasselas Doré. However, as had been at Cheers! St. Helena, the 2002 Ardente Sangiovese Atlas Peak from Ramazzotti’s kindred Ardente Estate Winery defined this day’s tasting.
For Sostevinobile, it is particularly gratifying to see a winery stake their œnological claim with the resurrection of an Italian grape that has lost much of its cachet in California. While local expression of this varietal differed from its classical vinification in both Chianti and Brunello, I felt the 2000 Atlas Peak Sangiovese Reserve had solidified its inclusion among the leading wines produced on the West Coast.
Sadly, however, when Paolo Antinori reacquired the Atlas Peak winery, the Sangiovese vines were uprooted and replanted with Cabernet Sauvignon. This conversion coincided with a general downturn in production of Italian varietals on the West Coast and the collapse of Consorzio Cal-Italia, the trade organization devoted to local production of these wines. Originally, the Consorzio had paralleled Rhône Rangers and sponsored an annual Grand Tasting in Fort Mason. Industry ambivalence toward these varietals and internal financial disarray precipitated the collapse of this event after only three years. Some members tried to maintain the tasting as a larger food and wine festival in North Beach’s Washington Square to coincide with Columbus Day celebrations, but this, too, fizzled, after only one year.
Call it Columbus Day. Call it Italian Heritage Day. Either way, it is a celebration whose importance the Consorzio Cal-Italia tasting helped underscore. To the Italian people here, the incorporation of so many of our cultural institutions and artifacts by the population at large, while at the same time denigrating us in popular media and in social settings, is a source of both pain and bewilderment. The expediency of politicization aside, we take this one day each year to affirm the inextricable role Italians have played in the development of the cultures throughout the Western Hemisphere. 
Senza la cultura italiana, la civiltà occidentale non esisterebbe. A translation is not necessary, but, as a popular Italian bumper sticker boasts, immodestly but accurately, “We Found It. We Named It. We Built It.” Each year, we express our pride in what we have contributed on this day. It would truly be wonderful to have a resurgence of Consorzio Cal-Italia, a reinvigoration of Italian varietals among the local wineries, and a return of an annual festival on this holiday weekend rivaling the other Grand Tasting held in San Francisco. These renewed forays into the cultivation and local production of Sangiovese may well be harbingers of greater things to proliferate.

When nature calls

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Five cutting-edge wineries, all clustered in a single room. A mere handful of attendees compared with the throngs at Family Winemakers. An abject need to tear myself away from my keyboard and begin to confront life after the Ginkgo Girl. How could I possibly not attend?

Donning my Specialized helmet and slipping my feet into the toe clips, Your West Coast Oenophile headed out from my Pacific Heights exile last Thursday evening and leisurely wound my way down to Hayes Valley and Arlequin Wine Merchant. This recently-expanded wine shop/café is the offshoot of Absinthe, a popular restaurant with one of the most extensive premium liquor selections in California. In the year I spent as a starving artist between finishing grad school and entering the wine industry, I actually filled in as a bartender at Absinthe predecessor Ivy’s, an upscale, distinctly “festive” Civic Center institution, for a very brief period. Discretion dictates that I refrain from trenchant observations of the furtive liaisons engendered here, lest risking a boycott of Sostevinobile in this post-Prop. 8 era. Still, I did find it a more inclusive milieu to be among patrons whose principal predilection is for heterodoxical wines.
Despite the slight reservations I expressed in my previous entry, I was glad to partake in the celebration of San Francisco’s Natural Wine Week. Once I plunked down my $20 tasting fee, I beelined over to the table for Clos Saron, a winery that had been scheduled to pour at Golden Glass but failed to show. The delayed gratification was well worth the wait. Clos Saron proprietor Gideon Beinstock, who also serves as winemaker for fellow Oregon House winery Renaissance Vineyards, readily displayed his complete mastery of the viticultural practices natural winemakers espouse, artfully blending Burgundian, Bordeaux and Rhône varietals into his repertoire. Limiting himself to small lot productions of under 200 cases, his wines displayed an extraordinary restraint, evocative of terroir-driven vintages I have sampled from Paso Robles’ L’Aventure. Among the several wines Gideon generously poured, I was most impressed with his 2008 Carte Blanche, a triple-appellation mélange of Sauvignon Blanc, Chardonnay, Roussanne and Viognier. The 2004 Heart of Stone also delighted with its blend of Syrah rounded out with Viognier. And, of the two Yuba County Pinot Noirs, I thought the 2007 Pinot Noir Home Vineyard clearly stood out.
Over the past few years, I’ve attended numerous “Meet the Winemaker” Monday night tastings at California Wine Merchant; certainly, a similar program will become an important component to Sostevinobile, both as a means of outreach to our clientele and as part of our commitment to showcasing the abundance of exciting and diversified wines grown here on the West Coast. One of the more intriguing wineries I’ve encountered at these sessions has been Lioco, a Los Angeles-based partnership between Matt Licklider and Kevin O’Connor (the name being a portmanteau derived from the initial few letters of each surname). On this warm evening, the duo tempered the gathering with a pair of cool, contrasting whites, the 2008 Chardonnay Sonoma County and a distinctly oak-free 2006 Chardonnay Michaud. Their forte, however, was the 2007 Indica, a Mendocino blend of Carignane rounded out with Mourvèdre and Grenache.
Few wineries here can match the scholarly approach Tablas Creek applies to its focus on a particular category, in their case Rhône varietals. Unti Vineyards in Dry Creek, however, is gradually building a comparable portfolio with Italian varietals. This father-son team has long delighted with their proprietary Segromigno, a Sangiovese-Barbera blend I frequently enjoy as the house vino alla spina at Delfina Pizzeria just down the street from my abode. At this pouring, their varietal 2007 Sangiovese Dry Creek Valley spoke eloquently of the resurgence of Cal-Italia wines. In tandem, a separate 2007 Barbera Dry Creek Valley begged for the kind of Neapolitan pasta sauces I simmer for a week before serving. Unti’s most noteworthy offering on this evening came from their 2007 Montepulciano Dry Creek Valley, to my knowledge the only bottling of the Montepulciano d’Abruzzo grape on the West Coast. I know I can look forward to offerings of several other wine debuts as George and Mick continue their research into the untapped potential for other Italian varietals in this welcoming climate.
Jared and Tracey Brandt know that I have lon
g been a proponent of their studious winemaking methodology at A Donkey and Goat. As an unknown winery several years back, they stunned the attendees at Rhône Rangers with the debut of their unreleased 2000 Syrah, an astounding wine that, in my aversion to the overwrought vernacular of wine descriptives, was best described as “pure velvet.” It’s a benchmark that’s extraordinarily difficult to replicate; otherwise, I might have been more effusive about both the 2006 Syrah Fenaughty El Dorado and the 2006 Syrah Vielles Vignes Mendocino County Tracey poured on this occasion. Nonetheless, their current 2007 Four Thirteen El Dorado, a blend of 45% Syrah, 35% Grenache, 18% Mourvèdre and 2% Counoise, displayed enormous potential to age beautifully over the next few years.
A Donkey and Goat really led the way for several Berkeley-based wineries that incubated at San Francisco’s Crushpad. Another graduate of this custom crush facility was Broc Cellars. From its inception, owner Chris Brockway has focused on Grenache, consigning his energies in other varietals like Cabernet Sauvignon and Chardonnay to his affiliate venture, Broadside. recently, he added another Rhône varietal Mourvèdre, to his repertoire; the 2007 Mourvèdre Luna Matta Vineyard, Paso Robles was a worthy entrant, to be sure. His 2007 Grenache Cassia Monterey, however, was nothing less than (again eschewing traditional epithets) a stunning rendition of this varietal, far and away his best effort to date.
So did San Francisco Natural Wine Week make an acolyte out of me? To be sure, I have become a strong proponent for how this methodology allows a grape to express both its varietal character as well as the distinct traits of their vineyard/microclimate in which it was grown. Sostevinobile remains committed to the proliferation of the winemaking arts here on the West Coast and is more than happy to embrace this school as part of the diversity of our offerings.