What has Your West Coast Oenophile done for you lately? (part III)

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So much has been happening since my last installment of this blog. Try as I might to catch up with the myriad tastings of this past winter, just as soon as I sit down before my monitor, it seems a new obstacle is thrown my way. But the dreary annual ritual of preparing my taxes has been postpones, and I am truly hoping to wrap up my explorations and finally bring my readership up to date with all of Sostevinobile’s doings.

Following the debacle of my truncated appearance at the Swirl tasting, I was determined to make sure I calendared the San Francisco installment of In Vino Unitas correctly and arrived with sufficient time to cover the entire tasting at One Market. Actually, the Dungeness crab tacos I had sampled at One Market a few nights before were so delectable delectable, I probably would have attended this event even if they were pouring Crane Lake and Corbett Canyon. But this cooperative marketing arm represents nearly two dozen highly prestigious wineries that distribute directly to retail and ventures like Sostevinobile, something that will prove clearly advantageous to our wine program (not that we will not also work with distributors like Swirl). Now, apparently Your West Coast Oenophile has become a bit of a known quantity at the various San Francisco trade tasting for his penchant for appearing in shorts and a polo shirt. Note, however, that this isn’t so much a fashion statement as it is a practicality; my dedication to sustainability (and admitted parsimony when it comes to parking fees) dictates that I arrive at these events, whenever possible, on my faithful Trek 14-speed. Shorts permit me both to pedal far faster and to avoid staining my Levis with chain grease. Flash your detached bemusement if you must—cutting a *bella figura* will always take a back seat to philosophical adherence!	Does this really make for an enticing wine bar?

Following the debacle of my truncated appearance at the Swirl tasting, I was determined to make sure I calendared the San Francisco installment of In Vino Unitas correctly and arrived with sufficient time to cover the entire tasting at One Market.

Actually, the Dungeness crab tacos I had sampled at One Market a few nights before were so delectable delectable, I probably would have attended this event even if they were pouring Crane Lake and Corbett Canyon. But this cooperative marketing arm represents nearly two dozen highly prestigious wineries that distribute directly to retail and ventures like Sostevinobile, something that will prove clearly advantageous to our wine program (not that we will not also work with distributors like Swirl).

Now, apparently Your West Coast Oenophile has become a bit of a known quantity at the various San Francisco trade tasting for his penchant for appearing in shorts and a polo shirt. Note, however, that this isn’t so much a fashion statement as it is a practicality; my dedication to sustainability (and admitted parsimony when it comes to parking fees) dictates that I arrive at these events, whenever possible, on my faithful Trek 14-speed. Shorts permit me both to pedal far faster and to avoid staining my Levis with chain grease. Flash your detached bemusement if you must—cutting a bella figura will always take a back seat to philosophical adherence!

Does this really make for an enticing wine bar?

Alpha Omega might very well be the first or last word in winemaking, depending on one’s perspective. On the epic bike journey through Napa Valley that I led the Ginkgo Girl in the early part of our relationship, we made our final stop at their just-opened facility. Today it would commence my explorations, as I had not had the opportunity to revisit with them since. I found myself re-impressed by a number of their offerings, including the 2007 Chardonnay Napa Valley, their newly-released 2007 Cabernet Sauvignon that presaged the excellence of this much-anticipated vintage, and the 2006 Alpha Omega Proprietary Red, a Meritage of Cabernet Sauvignon, Cabernet Franc, Merlot and Petite Verdot.

Over the past 18 months, I have had the pleasure of acquainting myself with many of the
wineries at In Vino Unitas; as such, this event more enabled me to solidify the relationship between Sostevinobile and these producers than to familiarize myself with their wines (although I did sample liberally and without disappointment). Naturally, it was a pleasure to see Phil Schlein of Diamond Creek and to navigate through the trio of his designate Cabernet Sauvignons: the 2006 Red Rock Vineyard, the 2006 Gravelly Meadow Vineyard, and the 2006 Volcanic Hill Vineyard without having to man the steering wheel of their gas-powered golf cart.

Similarly, Merry Edwards held forth with considerable aplomb, underscored by a triple play of her acclaimed Pinots: the 2007 Pinot Noir Sonoma Coast as well as the 2007 Pinot Noir Klopp Ranch and the 2007 Pinot Noir Meredith Estate, both from the Russian River Valley. The Nickel & Nickel/Far Niente dichotomy presented a representative array of their wines, notably Nickel & Nickel’s 2007 Zinfandel Bonfire Vineyard and the ever-popular 2007 Estate Bottled Chardonnay from Far Niente, while sweetening the proposition with their exquisite Sémillon/Sauvignon Blanc Late Harvest selection the 2005 Dolce.

Astrale e Terra poured at a number of tastings I’ve attended in 2009, so my sampling of the 2004 Arcturus served to underscore my fondness for their Scott Harvey-crafted wines. I’d also recently had opportunities to visit both Napa facilities of sister operations Twomey Cellars and Silver Oak, with personal previews of their respective 2005 Napa Valley Merlot and the 2005 Alexander Valley Cabernet Sauvignon.

I could have bypassed their tables and still have known I relished Heitz Wine Cellars’ signature 2005 Cabernet Sauvignon Martha’s Vineyard or the 2006 Chardonnay Carneros Selection from Grgich Hills. Thankfully, my stop at their tables also introduced me to Grgich’s 2006 Miljenko’s Old Vine Zinfandel and the fruit of Heitz’ progressive conversion to organic farming, the 2004 Cabernet Sauvignon Trailside Vineyard.

Likewise, my familiarity with their offerings did not prevent my visiting Duckhorn (along with its Goldeneye and Paraduxx labels) for a tasting of their 2008 Decoy Merlot, La Sirena yet again for the 2008 Moscato Azul and the 2007 Pirate Treasured, Testarossa for its array of Pinots—especially the 2008 Pinot Noir Gary’s Vineyard, and Mayacamas for its 2001 Merlot.

My biggest mistake of the afternoon would have been skipping over Gargiulo Vineyards simply because I had been invited for a private visit a few years back. Though my primary purpose in stopping by was to rib Jeff Gargiulo over having “deported” his daughter April to Hotchkiss during her formative years—much as my father had sent me when it was still an all-male boarding school, I serendipitously discovered how complex these wines had become over the past four years! The 2009 Rosato di Sangiovese was exquisite; the 2006 Aprile, a Napa Sangiovese, an absolute standout. Other Italian varietals that highlighted the afternoon were the 2007 Dolcetto di Nonno from Buoncristiani and the 2005 Charbono from Étude.

My rush through First Taste Yountville had not allowed me to linger appreciably over Gemstone’s lineup of intriguing wines, so today I partook amply of both the 2007 Facets Estate Chardonnay and the Cabernet-predominant 2006 Gemstone Proprietary Red. This afternoon also introduced me to Ehlers Estate, Ehlers Estate, a unique non-profit winery, with their 2006 Estate Merlot and the 2005 Estate Cabernet Sauvignon 1886 and the leonine Meyer Family Cellars, pouring its&nbs
p;2005 Mendocino County Syrah and the 2004 Bonny’s Cabernet Sauvignon.

Two other additions to the Sostevinobile roster came from Larkmead Vineyard, impressing with both the 2007 Cabernet Sauvignon and the 2007 Firebelle, a Merlot-based blend, and the multi-label venture from Krupp Brothers, featuring their 2007 Black Bart Syrah Stagecoach Vineyard and the 2006 Krupp Brothers The Doctor, an intriguing blend of Tempranillo, and Merlot, with smaller portions of Malbec and Cabernet Sauvignon tossed in for good measure.

The most intriguing discovery of the afternoon, however, was the little-heralded Vellum Wine Project, a joint project of Karl Lehmann and Jeffrey Mathy, with their first release, the 2007 Vellum Cabernet Sauvignon. Blended with 10% Merlot and 6% Petit Verdot, this extraordinary debut seemed a consensus favorite among attendees.

Nearly two weeks would pass before I took in a new wine discovery, the launch of Michael Benziger’ and Ben Flajnik’s Evolve Wines at The Winery Collective. Right after sampling their 2009 Sauvignon Blanc, deftly rounded out with Muscat Canelli, I packed up my problem-free 2002 Corolla S for a much-delayed ski trip to Lake Tahoe. On my way up, I detoured for a truncated visit to the Shenandoah Valley Wineries, exploring many of the local Italian varietal specialists like Villa Toscano, Wilderotter, Bella Piazza, Terra d’Oro, Vino Noceto, and Bray. I had hoped to finish up here and swing through Placerville for a quick tour of Lava Cap, Boeger and Madroña, but, alas, I had to have picked the first day of Daylight Savings Time for my sojourn and the consequent loss of an hour meant I did not cross El Dorado-Amador county line until after all had closed for the evening.

	Of course, I knew I would be visiting with these producers and several of their other colleagues at the first El Dorado Winery Association tasting in San Francisco that coming Saturday, so I happy proceeded to King’s Beach and the slopes of Alpine Meadows for the next three days. On my return, I surveyed the new Ritz Carlton Lake Tahoe, a resort where a former potential investor had tried to cajole me into launching Sostevinobile as an Audubon-themed wine bar! (see above) before leaving the snow country and winding my way to the Bay Area.

Of course, I knew I would be visiting with these producers and several of their other colleagues at the first El Dorado Winery Association tasting in San Francisco that coming Saturday, so I happy proceeded to King’s Beach and the slopes of Alpine Meadows for the next three days. On my return, I surveyed the new Ritz Carlton Lake Tahoe, a resort where a former potential investor had tried to cajole me into launching Sostevinobile as an Audubon-themed wine bar! (see above) before leaving the snow country and winding my way to the Bay Area.

I had wanted to visit with Roger Boulton and tour the state-of-the-art sustainable winery at UC Davis is currently developing, but arrangements could not be made in time and I had to settle for a quick drive-by. Then things got interesting.

I had never made the trek from Davis to St. Helena before, but, given the deep connection, I assumed it would be a straight-forward drive. And,
besides, I always had the GPS on my iPhone to navigate me. But once I passed through Willits on Rte. 128, both data and phone service became non-existent. For the next 45 minutes, I wound my way through interminable hairpin turns, relying on faith that the exacting precision of the route signs would guide me past Lake Berryessa with more than sufficient time to make my 2:30 meeting.

If only! By the time I reach the juncture of Hwy. 128 and Hwy. 121, I was hopelessly late, unable to phone for directions, and quite unsure whether I should veer towards Napa or toward Rutherford, as the signposts indicated. Sticking my head inside the forlorn little bait shop & convenience market that occupied this juncture, I naïvely sought to ask the T-shirted, crewcut store clerk for directions. “Which is the fastest way to St. Helena?”

Without looking up, he replied. “Never heard of it!”

Incredulous, I pressed my point. “Do I follow the road to the left or to the right?”

“I have no idea,” he responded with unbridled surliness.“Wanna buy a bottle of water?”

“No,” I insisted. “I’m just asking a simple question!”

“Sorry. I don’t serve liberal freeloaders!”

Later on, I figured I made every correct turn until I reached Lake Hennessy and missed the sign for Silverado Trail. Thirty minutes later, my cell phone came back into range as I descended upon the town of Angwin, on the backside of Howell Mountain, twenty-five miles off course. Suffice it to say my familiarity with several the lesser-known enclaves of Napa County has increased substantially from the detour.

Finding my way to Postrio the next Saturday seemed tantamount a linear excursion from my front door to theirs. Though no longer operating as an everyday restaurant, the lower levels of the Prescott Hotel catered the El Dorado Winery Association’s tasting with hors d’œuvres still on par with Wolfgang Puck’s cuisine. Twenty-four wineries made the 2½ drive from the Sierra Foothills to San Francisco to pour a wide range of wines, in terms both of varietal selections and in consistency. Old friends in the crowd included Lava Cap, who has migrated over the past few years away from its Rhône focus to more standard varietals like Cabernet Sauvignon and Chardonnay. Still, I find their strength outside of the mainstream, as their 2007 Reserve Barbera attests.

Also flourishing with Barbera was Latcham Vineyards, with a 2007 Special Reserve Barbera that approached levels of the extraordinary. I also took a shining to their 2007 Special Reserve Zinfandel, while sister winery Granite Springs, long admired for their Black Muscat, made their statement with the 2006 Petite Sirah. One of El Dorado’s better-known wineries, Boeger, also impressed with their 2008 Barbera and a truly balanced 2006 Meritage Reserve, blending 38% Cabernet Sauvignon, 25% Cabernet Franc, 25% Petite Verdot and 12% Merlot.

I took immense delight in the 2006 Barbera from Gold Hill Vineyards, but reveled in the delicious pun of its proprietary Meritage, the 2006 Meriticious. David Girard, also a familiar presence, displayed his virtuosity with a number of Rhône-style wines, including the 2007 Grenache, the 2006 Syrah and the 2005 Coeur Rouge, a GMS blend with a touch of Counoise. An even more exotic blend came from Colibri Ridge, whose 2006 El Dorado Rufous Red melded a traditional Bordeaux Meritage with Tinta Cão, Tinta Roriz, Souzão, and Tinta Amarela
(I was also rather fond of their 2007 El Dorado Viognier).

As I had observed on my trip to the Sierra Foothills, Italian varietals constitute a significant focus in this region. Along with its amiable 2005 Syrah, Fenton Herriott poured a noteworthy 2007 Barbera. Similarly, Single Leaf Vineyards coupled its 2004 Reserve Zinfandel with its 2006 Barbera. And, at the risk of sounding redundant, Miraflores also staked its claim with a 2007 Zinfandel and, again, a 2007 Barbera. And to show I am not entirely monolithic, I also noted that Narrow Gate brought a 2008 Chardonnay El Dorado and a 2007 Primitivo.

Besides, readers know I am just as fond of numerous other varietals, like the 2007 Mourvèdre Reserve El Dorado Crystal Basin Cellars poured besides its very palatable 2007 Cabernet Sauvignon Reserve El Dorado. And my appreciation ran deep for the 2008 Cabernet Franc that stood out among the wines Auriga Cellars poured. Both Sierra Oaks Estates and Sierra Vista Vineyards brought a 2005 Syrah to which I cottoned, while Holly’s Hill Vineyards’ 2008 Grenache Noir also provided the backbone of its 2007 Patriarche, a GMS + Counoise blend like the Coeur Rouge.

Zinfandel, of course, is a predominant player in this region. Wineries that did feature this varietal included Cedarville, with its 2007 Zinfandel and Fitzpatrick Winery, which produced its 2006 Zinfandel at its CCOF-certified in Fair Play. Madroña Vineyards poured its 2007 Estate Zinfandel and accompanied it with its 2006 Reserve Malbec.

Perry Creek designated its basic Zinfandel the 2006 Zinman. Its reserve releases bore the whimsical label 2007 Altitude:2401 Dark Forest Syrah and 2006 Altitude:2401 Petite Sirah. Not to be eclipsed, Mount Aukum ensconced its SuperTuscan blend as the 2006 Vertigo but its 2007 Petite Sirah Fair Play was left unadorned. Its coup de grâce for the afternoon was the delightful Port-style 2007 Ace of Hearts, blended from Tempranillo, Tinta Cão, Souzão, and Touriga.

After this event, I took off the weekend to brace myself for a pair of tastings on Monday. The latter, a select pouring of Dutton-Goldfield wines, was basically a pretext to spend a delightful evening with BeiBei Song, who had charmed me when her Essinova crew had filmed the 2010 Cleantech Open Launch. The wines, as anticipated, were uniformly wonderful, particularly the 2008 Thomas Road Pinot Noir, 2007 Kyndall’s Reserve Chardonnay, and the 2008 Kylie’s Reserve Sauvignon Blanc; my companion proved every bit as charming as she is beautiful.

Knowing I had to precede our date with Henry Wine Group ’s 2010 Taste the World, I allocated what I thought was enough time to cover this event, then return home to shower and change. But my local trade rep had misinformed me about the times for the event (not to mention failing to clue me in on its vast scope), so once again I found myself in a slight frenzy trying to cover as much as I could in the truncated space of time I had left. Bypassing the numerous tables of imports, I stated out with Paso Robles’ Ancient Peaks and their array of Estate bottlings from their Margarita Vineyard. Both the 2007 Cabernet Sauvignon and the 2007 Syrah were quite delectable; both these grapes are blended with Petite Sirah and Zinfandel in the proprietary 2006 Oyster Ridge, a true showcase for the winery.

Many Oregon wineries excel at any varietal in the Pinot “clan” (i.e., Pinot Chardonnay), and Anne Amie roved no exception with its 2008 Pinot Gris and 2006 Winemaker’s Select Pinot Noir, but it was the 2008 Cuvée A Müller-Thurgau that really won me over. I suppose it’s surprising that more wineries haven’t designed a pentangular wine label for their Meritage, so the geometry of Cain Vineyards label for its 2005 Cain Five s
tands out as much as the wine it adorns. Its four-varietal (sans Malbec) NV6 Cain Cuvée showed true dexterity with blending, while the 2005 The Benchland held its own as a straightforward Cabernet.

It was hard, of course, to bypass wineries like Calera, Benton Lane, and Adelsheim, but I moved onto Ceàgo, an organic/biodynamic spinoff from the Fetzer family. I found their 2006 Syrah and especially their 2008 Muscat Canelli quite enticing. Too enticing, of course, was the next table, Clear Creek Distillery, Oregon’s premier grappaioli. Licensing restrictions will not allow me to serve any of these exceptional distillates at Sostevinobile, but I had to have at least one taste of the Clear Creek Grappa Pinot Noir.

Leaning over, I consoled myself with the white wine virtuosity of Claiborne & Churchill, exemplified by their 2007 Dry Riesling and the 2007 Dry Gewürztraminer. Steven MacRostie headlined at the table his marketing agency Crawford Malone had set up and, as one might expect, showcased his 2007 Chardonnay Carneros. Crawford Malone also introduced me to Eden Stuart’s 2005 Zinfandel Korte Ranch and their organically-grown 2006 SO Zin.Their newest client, Round Pond, is a winery I have long sought to try; the 2006 Estate Cabernet Sauvignon most certainly did not disappoint.

I managed to scarf a final sip of Demetria Estates’ biodynamic 2007 Pinot Noir Sta. Rita Hills (the similarity of their name to the Demeter certification standard is no coincidence). Likewise, I rushed through the last samples from Long Shadows, another wine marketer from Seattle, with Columbia Valley offerings from former Penfolds winemaker John Duval: the 2006 Sequel Syrah and a Agustin Huneeus/Philippe Melka joint venture: a Bordeaux + Syrah blend called 2006 Pirouette.

And on that note, I complete my thirteen or so explorations that led up to Rhône Rangers, a review I will undertake once I have a glass of single malt scotch. Neat.

What has Your West Coast Oenophile done for you lately? (part II)

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Sometime after this year’s Super Bowl, someone named Danica Patrick “the World’s Worst Celebrity Endorser.” Given that she rather ubiquitously promotes Go Daddy.com, I presume much of this attribution stems from her product. I had meant to post one lengthy entry entitled What has Your West Coast Oenophile done for you lately?, but in “improving” its blogging application, which I use to post this blog and Sostevinobile’s other Web presences, the programming geniuses at Go Daddy’s Scottsdale headquarters reduced the capacity of the Tags field from unlimited to 500 characters, forcing me to truncate my entries. I’m starting to regard Arizona as the Bangalore of the Southwest.

I could extend the simile by comparing the burgeoning wine industries in both Arizona and India, but, fortunately, neither will find into the select program of sustainably grown West Coast vintages at Sostevinobile. And, in my perpetual quest to make this program incomparable, my next foray following WORDUP was an intimate gathering of Ivy Plus wine aficionados under the auspices of the Stanford Wine Club. These bi-monthly klatches have begun to take on an almost familial flavor, with many of the attendees regular participants. On this particular evening, a trio of Stanford-affiliated winemakers—Mats Hagstrom of Travieso, Chris Loxton of Glen Ellen’s Loxton Cellars, and Michael Muscardini of Sonoma’s Muscardini Cellars—all showcased their array of Syrahs from Sonoma and from the Central Coast. As per usual, these vintages were juxtaposed against a pair of representative imports—here a pair of Châteauneuf-du-Pape, and, as is frequently the case, clearly outshone their European counterparts, according to my palate.

The international contrast was even more pronounced later in the week, as I attended Crushpad’s farewell outside event in San Francisco, Bottlenote’s Around the World in 80 Sips. Despite its billing, however, this event seemed predominantly focused on wines from California, with distributors for imported wines manning tables that featured a potpourri of their selections. Not that I’m complaining—the more wineries I can discover that fit Sostevinobile’s criteria makes it a win-win proposition all around.

My friend Alyssa Rapp assembled a wide span of participants for this event, ranging from large-production labels controlled by the large conglomerates to little-known high-end wines that I had yet to encounter. Wineries like Cellar No. 8, Clos du Bois, Francis Ford Coppola, Frei Brothers, Rodney Strong and William Hill were probably familiar to most attendees. Others like Cannonball and Foggy Bridge seem almost ubiquitous presences at San Francisco wine tastings. From my previous incarnation in the wine business, Spring Mountain and Trione (which had spun off from its Geyser Peak holdings over a decade ago) were comforting presences to revisit. Likewise, Ackerman Family, Château Montelena, Fisher, Corison, and Skipstone have all graced this blog with their intricate wines on one or more occasions.

I am surprised whenever Bottlenotes’ The Daily Sip newsletter uncovers a California winery I have yet to discover, and so it was a pleasant revelation to be introduced to a number of wineries at this event. Chamisal Vineyards from Edna Valley featured a delectable 2007 Pinot Noir. As Jimmy Durante so often said, “Everybody wants to get into the act,” and so, too, Bottlenotes itself debuted their own vintage, the 2008 Notoriety Pinot Noir Doctors Vineyard. Vineyard 29, which customized the bottling for Bottlenotes and shares a winemaker (Philippe Melka) with Skipstone, scored with their 2007 Cabernet Sauvignon St. Helena. I liked the 2008 PAX Roussanne/Viognier from Donelan Family, while the organic vineyard of Garden Creek, with its quaint “One Red. One White. One Family. One Vineyard” motto impressed with its five-varietal 2004 Bordeaux Blend. Hawkes Wine, which fortunately has no affiliation with my major nemesis from graduate school, offered an amiable pair of 2007 Chardonnay and their 2005 Cabernet Sauvignon, while both Healdsburg’s Stonestreet and Geyserville’s Munselle Vineyards matched a 2006 Cabernet Sauvignon with a 2007 Chardonnay.

Kelley & Young is an offshoot of the acclaimed Robert Young Estate Winery—a case of Father Knows Best totally unrelated to the TV series; nonetheless, this startup production showed glimpses of its pedigree with their 2008 Sauvignon Blanc and 2008 Merlot. Stryker Sonoma is an equally lean organization that balanced its offerings with a 2005 Cabernet Sauvignon and a more modest 2006 Zinfandel.

Our two northern neighbors each made a token appearance at this tasting. Washington’s DiStefano Winery held its own with a 2004 Cabernet Franc, while Archery Summit, the Oregon sister to Napa’s Pine Ridge, clearly lived up to its billing with their 2007 Pinot Noir. A label that enjoys incredible fanfare and a cult-like following, Scholium Project, fired on all cylinders with three of its renowned bottlings, the 2008 Naucratis Lost Slough (Verdelho), the 2007 Choêphoroi Los Olivos (Chardonnay), and the 2006 Tenbrink Babylon (Petite Sirah). In addition to the opportunity of finally meeting Scholium’s guru, Abe Schoener, this tasting afforded me the chance to sample the 2007 Chardonnay he made for Tenbrink Family Vineyards’ own label.

I did taste a number of the other wines, partly in deference to Lisa Perkins of New World Wine Imports, Inc., who, besides supplying the Northwest wines, had furnished me with a ticket to the event. OK, but I’m not about to revamp Sostevinobile’s focus.

The following Monday, I paid one of my occasional visits to California Wine Merchant, where Robert Pepi showcased his Eponymous label’s 2005 Cabernet Sauvignon Napa Valley and its Bordeaux-style kin, the 2005 Red Wine MacAllister Vineyard, alongside his wizardry for Soñador, an Argentine label producing Malbec and Torrontés.

On very rare occasions, I actually get it wrong. I had originally intended to attend In Vino Unitas in Carneros the following day, but received an invite to the Swirl tasting at Jardinière for the same afternoon. I then changed my RSVP to attend In Vino Unitas on Wednesday at One Market in San Francisco and overwrote my calendar entry for Tuesday. Unfortunately, I neglected to switch the times as well, and so had slated the Swirl tasting for 1-4pm, the hours for In Vino Unitas, instead of the correct times of 11-3. My fashionably late arrival left me with less than half an hour to race through the tables, instead of the nearly two hours I had anticipated!

The good news, however, is that Sostevinobile had previously connected with many, if not most, of the wineries present; I was able to make the acquaintance of all the others I had not met previously, except for Maldonado (an omission I will surely rectify on my next swing through St. Helena). Certainly, I would hope Crocker & Starr, Elizabeth Spencer, Hollywood & Vine, Kapcsándy, Kobalt, LaTour, Favia, Lindstrom,and Revana feel no slight in my having bypassed their tables on this visit—my appreciation of their wines has been cited in this column on numerous occasions. Meanwhile, I did manage to taste an impressive 2006 Cabernet Sauvignon Napa Valley from Alondra, the sister label of Skylark. Somewhat of a misnomer, Anomaly also impressed with its 2006 Estate Cabernet Sauvignon, along with a 2003 vintage of the same from it library.

Admittedly, if I had known my time was so constrained, I might not have lingered quite so long sampling the various vintages from Fritz Hatton’s Arietta Wines. Still, this music-themed label offered a number of mellifluous Bordelaise blends, including the 2008 On the White Keys, a combination of Sémillon and Sauvignon Blanc, the Merlot-dominant 2007 Quartet, a more traditional 2007 Cabernet Sauvignon, a less orthodox Merlot/Syrah blend entitled 2007 Variation One, and his premium 2007 H Block Hudson Vineyard, a cross between Cabernet Franc and Merlot. At the next stop, Gary Brookman and Jack Edwards delineated their Rhône and Bordeaux varietals, pouring their 2006 Brookman Cabernet Sauvignon, as well as the 2008 La Diligence Marsanne Stagecoach Vineyard and the 2007 La Diligence Syrah Stagecoach Vineyard.

Regrettably, she may no longer be Celia Welch Masyczek (fellow members of La Società delle Cognome Italiane Pentasillabe and certain other readers know how much I revere intricate surnames), but her superb 2007 Cabernet Sauvignon for Corra Wines was no maiden effort! Another inveterate Napa winemaker, Karen Culler, offered equally tantalizing 2006 La Palette Cabernet Sauvignon and the 23% Syrah-infused 2007 Casaeda Cabernet Sauvignon from her eponymous label. I had sampled several of Rob Lawson’s sundry permutations at Wine Entre Femme back in February, but not his 2007 Blueline Vineyard Merlot from Hourglass. And though I had sampled numerous wines from Vineyard 29 only a few days before, their 2007 Cru Cabernet Sauvignon was a new discovery.

Another revelation during my truncated visit was Julianna Corley’s ever-so-aptly named Jules Mélange; her eclectic blends included the 2008 Vin Blanc, a combo of Sauvignon Blanc, Chardonnay and Muscat, and the 2007 Vin Rouge, another Cabernet Franc-Merlot marriage, rounded out with 19% Syrah. By now, the event had ended, but fortunately some vendors do manage to be a bit remiss in clearly their table. Tricycle Wine Company, which bottles under the Molnar, Kazmer & Blaise, and Obsidian Ridge labels, dawdled long enough for me to taste their 2007 Obsidian Ridge Cabernet Red Hills, to contrast 2007 Molnar Chardonnay Poseidon’s Vineyard with the 2007 Kazmer & Blaise Chardonnay Boonfly Hill, and to luxuriate equally in the 2007 Molnar Pinot Noir Poseidon’s Vineyard and the 2007 Kazmer & Blaise Pinot Noir Primo’s Hill.

I suppose I, too, could linger here and jam this entry with my next investigative foray, but the new constraints of Go Daddy’s ineptitude and a redesigned interface to which I am just now adapting dictate that I draw this chapter to an abrupt close and resume momentarily…

What has Your West Coast Oenophile done for you lately?

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I shouldn’t feel derelict. I have striven to record each event he has attended on behalf of Sostevinobile with utmost fidelity. But I have a backlog of thirteen different wine forays to record since my last entry here, not to mention my participation in orchestrating three significant wine tastings, a handful of sustainable workshops and forums, and the arduous grind of assembling the financial backing for this venture. With Rhône Rangers Grand Tasting rapidly approaching, I must reluctantly admit I cannot give all these past gathering the thorough review readers know I strive to record in each blog entry. Rest assured, however, that each of the more than 100 wineries I have visited with during this period will be faithfully entered into Sostevinobile’s ever-expanding database and accorded full consideration when we launch our wine program. So, for now, let me give you a succinct overview of what Your West Coast Oenophile has done for you lately:

Just before Valentine’s Day, the up & coming rockstars at Rock Wall in Alameda put on a decadent pairing of wine and confections aptly billed as Chocolate Kisses & Bubble Dreams. The first wine event to be held in their brand-new Bubble Dome, a airy, geodesic edifice adjacent to the winery’s converted airplane hangar at the decommissioned Naval Air Base, the afternoon gathering appropriately debuted Rock Wall’s two new sparkling wines, the 2009 Sparkling Grenache and the Grenache-blended 2009 Mixto. After the party, several of the wineries that contract Rock Wall’s facilities, including Carica, with its delectable 2006 Kick Ranch Syrah, and Ehrenberg Cellars, which featured its 2008 Petite Sirah alongside its just-release Zinfandel futures.

Valentine’s Day 2010 proved a decidedly muted affair, as I still grapple with the vacuity of home life post-Ginkgo Girl. As such, a trip to the wine country during the middle of the week proved a much-needed tonic. This sojourn included a visit to Silenus Vintners, a collective of Napa artisan winemakers not unlike Rock Wall that includes B Cellars, Due Vigne di Famiglia, Gridley, Ideology, Ilsley, Matthiasson, Poem Cellars, Ramian, and Venge. Tasting Room Manager Scott Turnnidge guided me through their rotating selection of wines from their nine producers, some familiar, others revelatory. Naturally, I couldn’t resist trying the 2006 Due Vigne Dolcetto after first sampling the 2008 Due Vigne Viognier, but found myself most allured by the 2006 Ramian Estate Debauchery.

From Napa, I head north and across Silverado Trail to Hall Wines’ Rutherford estate, one of the more picturesque hilltop wineries in the Valley. Again, ably guided by Laura Aguilar, the special Artisan Tour took our small group through the organic estate vineyards, the vast holdings and the custom-designed wine caves before treating us to a select tasting of Hall’s choicest crimson-labeled Cabernets, including the 2006 Exzellenz Sacrashe Vineyard and the eponymous 2006 Kathryn Hall Cabernet Sauvignon. Next up, I scurried to Benessere for a belated sampling of their 2006 Sorridente, a blend of Cabernet Sauvignon, Merlot and Aglianico, and their 2006 Sangiovese (it would have been a violation, of course, to sample their Grappa of Trebbiano on site, so I took a bottle home for later evaluation).

Ostensibly, my trip this afternoon was for the invite to Orin Swift’s release party, somewhat ironic in that their recent sale of the Prisoner and Saldo to Huneeus meant the swan song for these labels. But the curious confines of St. Helena’s Odd Fellows Hall could not deter my fondness for David Phinney’s Burgundian Meritage, the 2006 Papillon or his phenomenal 2007 Mercury Head Cabernet Sauvignon.

Having recently left Benessere for his own ventures, winemaker Chris Dearden had invited me to meet him at Yountville’s V Marketplace 1870 but neglected to inform me that he was pouring his Cha
nticleer as part of First Taste Yountville. Arriving with barely 15 minutes left to the event, rather than simply enjoy a leisurely his 2007 Cabernet Sauvignon and the 2008 Chanticleer Sangiovese, I raced to acquaint myself with those participants still lingering as wineries like Casa Piena and Dominus folded their tables. I did manage to squeeze in some quick samples from Bell Wine Cellars, Corley Family, Gamble, Gemstone, Grgich Hills, Ghost Block, and Piña before we were shooed from the exhibit hall and wove my way back to downtown Napa for a final invite to BarBersQ’s showcasing of new wines from Mia Klein’s Serene and Elizabeth Spencer.

My own debut in organizing a formal wine tasting took place the following Saturday at the New Year’s Gala for the National Association of Asian American Professionals, San Francisco chapter (NAAAP-SF), a modest debut featuring wines from McNab Ridge and Wild Hog—a modest effort, to be sure, but certainly a cut (or six) above Crane Lake. The next day, Carica’s Dick Keenan kindly supplied me with passes to WORDUP, the benefit tasting featuring the Winemakers of the Outer Richmond, Upper Panhandle, and the Presidio.This eclectic assembly included three of Ed Sandler’s ventures: The Industrial, Sandler Wine, and, as always, August West; the dual personæ of Qupé (Rhône varietals) and Verdad (Spanish varietals) from Bob Lindquist; fellow wine bar entrepreneur Bryan Kane’s VIE and Sol Rouge; CADE and PlumpJack from Gavin Newsom’s hospitality empire; the rather peripatetic Foggy Bridge; local stalwart AP Vin; are chance to visit with Carica and sample their just-released GMS blend, the 2007 Temptation; Harrington, who had generously contributed a couple of cases of their Pinot Noir to my Play Café’s fundraiser four years ago; familiar winery veterans Freeman, Calera and Pelligrini; quasi-familiar ventures Ici/La-Bas and Skylark; hitherto unfamiliar nomenclature Mojon’s Bench and Captûre; Italian varietal specialist Uvaggio, with its newly-truncated nomenclature; Syrah specialists Renard, with their superb Viognier farmed at Dick Keenan’s Kick Ranch vineyard; and lastly, the highly-prized handmade Brown Label Vermouth of the semi-cryptic Sutton Cellars.

Mine’s bigger

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I’m not quite sure what compelled me to attend the Unified Wine & Grape Symposium in Sacramento last month. Perhaps Your West Coast Oenophile was feeling a bit cooped up in San Francisco. Maybe I felt a leisurely drive past miles of rolling hills might feel therapeutic (few sights can rival the verdant Northern California countryside following a spate of winter rains). Part of me thought I might find fresh sources of funds for Sostevinobile, but, in truth, my primary incentive was a free exhibits pass I received from Kantharos, the Process Water Systems recently installed at Kendal Jackson’s Cardinale winery designed to reduce, if not eliminate, the need for wastewater ponds by filtrating and recycling water runoff.

My route to the Sacramento Convention center took me past the State Capitol but, alas, Arnold was nowhere to be seen (I half-hoped I might espy him taking a break in his cigar tent). I thought that Arnold’s famed Hummer might be the biggest vehicle in this town, but it turned out to be downright puny compared to some of the behemoths I encountered inside the Exhibition Hall. This array of backhoes, tillers and harvesters could make mincemeat out of the Guvernator’s ride, and given the way he has handled California’s economy over the past two years, as well as oversight of the whole state, I’m pretty sure there were more than a few attendees at the Symposium who would have volunteered for the task—provided Schwarzenegger were guaranteed to be inside!

It turns out the Symposium had little to do with showcasing wine, although a few of the exhibitors did offer tastings (Tablas Creek!)—not quite Plato meant by Συμπόσιον. True, there had been a wine reception following the informational forums on the previous day, but my excursion to Sacramento proved little more than a respite from desk duties. Besides, I had won a free ticket to the Good Eats & Zinfandel Pairing that evening and would have plenty to imbibe when I arrived back in San Francisco.

This soirée offered a (somewhat) less harried preview to Saturday’s Grand Zinfandel Tasting at ZAP. The most ginormous of all of San Francisco’s Grand Tastings every year, ZAP #19 was much like ZAP #18 was much like ZAP #17 etc., ever since they reached the point of filling two entire exhibit halls at Fort Mason. Although this year’s event may have been a tad less crowded and with slightly fewer participating wineries. And, like Family Winemakers this previous summer, the absence of an Aidells Sausage table was acutely felt (6+ hours of wine tasting demands protein)!

Having covered last year’s event in this blog, a flowery description of the setting seems superfluous. This year, I devised a two-pronged attack to make my way through the event—sample all the new members, then try to reach every table I had missed in 2009. An ambitious approach, to be sure, but one at which I succeeded quite admirably. As such, let me now enumerate my discoveries:

I began the afternoon in the Festival Pavilion—wineries H-Z, which brought me first to Paso Robles’ HammerSky. Both their offerings impressed me, but I strongly favored the 2007 Open Invitation Zin Blend, Paso Robles, an estate wine rounded out with 10% Merlot. Of course, I could not resist visiting with their tablemates, the incredible Harney Lane, a winery that never fails to impress me. As I expected, I immensely enjoyed both their mainstream 2007 Zinfandel Lodi and the designate2007 Old Vine Zinfandel Lizzy James Vineyard.

Somehow, I had missed J. Rickards Winery at last year’s tasting, so I was glad I could atone and savor their 2006 Zinfandel Ancestors Selection Block, a wine they describe as grown “from our block of vines replicating the century-old zin-yards of Alexander Valley” (given the plethora of “Old Vine” Zins I would encounter throughout the day, I welcomed the implied contrast of this designation). Next table over, J. Keverson Winery stood totally new to ZAP and to me but impressed in their debut with 2006 Zinfandel Hales from Dry Creek Valley and the 2007 Zinfandel Buck Hill, a Sonoma appellation.

Apart from being the first Vice-President to accede to the Presidency upon the death of his predecessor, John Tyler also holds the record for most (15!) children by a White House occupant. Sonoma’s Bacigalupi family, owners of John Tyler Wines, may not be quite so prodigious, but I still found myself enjoying a three year vertical of their wine, the 2003 Zinfandel Bacigalupi Vineyards standing out among its successive vintages. Next up, Napa’s JR Winery showcased a trio of Zins, of which I found the 2006 Zinfandel Los Chamizal and the 2007 Zinfandel Rocky Terrace the most compelling.

In Miwok mythology, the animal-spirit of the Hummingbird that predated human culture was known as Koo Loo Loo. Yountville’s Koo Loo Loo Vineyards may not be supernatural, but their organic vineyards yield a compelling wine, as evidenced by both their 2007 Organic Old Vine Zinfandel and its successor, the 2008 Organic Old Vine Zinfandel. Northwest of this winery, Mariah Vineyards of Point Arena marked its first ZAP with their 2006 Estate Zinfandel Mendocino while Ukiah’s McNab Ridge offered a 2007 Zinfandel Mendocino and a fortified vintage, the 2005 Puerto Zinfandel Port Mendocino.

Mendocino is also home to Neese Vineyards and their Giùseppe Wines, paying homage to their grandfather with the 2002 Nonno Giùseppe and the 2003 vintage of this Redwood Valley Zinfandel. Back in St. Helena, Nichelini, the winery that had introduced me to Sauvignon Vert last year, made quite the bold statement with their 2007 Zinfandel Chiles Valley. Ottimino, a quaint diminutive loosely translated as “Little 8,” is a Zinfandel-only winery in Occidental, Sonoma’s rustic Italian enclave. This exclusivity serves them well, as evidenced by their 2006 Estate Zinfandel, Russian River Valley, the 2006 Zinfandel Von Weidlich Vineyard and the 2007 Zinfinity (aka Little ∞).

Before they started selling off some brands last year, ∞ might also have stood for Constellation’s targeted wine output; they have since slipped back into a comfortable 3rd place among the largest wine producers. A brand they did keep, Paso Creek, is based in St. Helena but produced a 2007 Zinfandel Paso Robles. On the other hand, Proulx, the premium label from Blackburn Wine Company, is a small lot operations based in Paso Robles and offered two vineyard-designate wines from this AVA, the 2007 Zinfandel Reserve Paso Robles and the 2007 Zinfandel Jack Barrett.

The three R’s of Zinfandel have long been considered to be Ridge, Ravenswood, and Rosenblum, which has been subsumed by Diageo. Its worthy successor, Rock Wall, brought along a trio of Kent Rosenblum-inspired Zins: the 2007 Reserve Zinfandel Monte Rosso Vineyard, the 2007 Zinfandel Sonoma County, and the 2008 Zinfandel Jesse’s Vineyard. Other prominent R’s include Rafanelli, Robert Rue, Rombauer and, of course, the Sierra Foothills’ Renwood Winery, with their patriarchal tribute, the 2007 Grandpère and its companion 2006 Grandmère and 2006 Old Vine Zinfandel. Renwood, however, should not be confused with another veteran winery, Haywood Estates of Sonoma Valley, whose versatility shone brightest in its 2006 Zinfandel Los Chamizal Vineyards and its 2007 Zinfandel Rocky Terrace.

Sextant Wines showcased a trio of their Paso Robles Zins, but their real standout was the unlisted 2007 Night Watch, a blend of Petite Sirah, Grenache, Syrah and Zinfandel. Another unusual twist came from Starlite Winery, founded by former Stars maître d’ Arman Pahlavan and directed by Merry Edwards, a winemaker widely acclaimed for her Pinot Noir. Her versatility with this varietal was readily apparent, nonetheless, with the 2006 Zinfandel Alexander Valley and its worthy successor, the 2007 Zinfandel Alexander Valley. And yet another surprise came from ZAP newcomer Sierra Starr Vineyards, which countered its three Zins with a rather novel wine, the 2009 Zinjolais, a young, fruit-forward expression crafted like a Beaujolais Noveau!

I have to admit, there’s something instantly likable about a winery that calls its port-style bottling Portentous, and the Stephen & Walker Winery lived up to my preconceptions with a vertical of their Sonoma Zins, the 2005 Zinfandel Dry Creek garnering the most favor. I should also have cottoned to the 2007 Controlled Chaos from Thacher Winery, but my preference was for their 2006 Je T’Aime from Paso Robles. Meanwhile, the Valdez Family Winery in Geyserville topped all punsters with their 2007 Bottlicelli, a Rock Pile Zinfandel.

I was a bit surprised that I hadn’t previously partaken of Tofanelli’s wines, so I indulged in both their fine pourings, slightly favoring the 2007 Estate Zinfandel Napa Valley over its predecessor. As Virgil’s Vineyard was a newcomer to the tasting, I had no similar regrets in not having tasted his wines before but regaled in the mischievous delights of his 2008 Smuggler’s Son, a liquid paean to his grandfather’s Prohibition activities.

Some feel that the term
“Old Vine Zinfandel” is somewhat cliché, a marketing ploy at best. XYZin gives this moniker clarity with the precision of their Vine Age Series, offering a 2007 Vine Age Series, 100 Year Old Vines, Dry Creek Valley, the 2007 Vine Age Series, 50 Year Old Vines, Russian River Valley, and a fin de siècle 2007 Vine Age Series, 10 Year Old Vines. Winemaker also likes to bill XYZin as the last word in Zinfandel, but she is wrong! Napa’s Z-52 is a Zinfandel-only project from Philip Zorn and Brent Shortridge, with three vineyards in the Shenandoah Valley, another in Lodi, and my favorite of their single vineyard offerings, the 2007 Zinfandel Brsada Vineyard from Sonoma Valley. And holding up the end of the list, Templeton’s ZinAlley poured both an admirable 2007 Zinfandel Paso Robles and an alluring 2007 Zinfandel Port.

Having reached the end of my list, I now needed to address the beginning and head to the Herbst Pavilion. I did, however, first stop off and visit with my former squash opponent, Jack Jelenko, whose many wine forays have now led him to Villa Toscano in the Shenandoah Valley. Though specializing in an eclectic mix of Italian-, Spanish and Rhône-style wines, this winery cum bistro nonetheless handles Zinfandel quite ably, the 2007 Fox Creek Old Vine Zinfandel narrowly eclipsing their other two tastings. Over on the A-G side, I stumbled upon another noteworthy Shenandoah selection, the 2007 Zinfandel Potter Valley from Ione’s Clos du Lac, who also impressed me with their 2007 Reserve Blend Zinfandel.

Were it not for Italy’s perennial representative at ZAP, Accademia dei Raccemi, Barnard Griffin of Richland, WA would have garnered top honors for most remote entrant. Nonetheless, its 2006 Zinfandel Columbia Gorge fit right in with its California kindred. A stellar representative of that same vintage came from newcomer Arrowhead Mountain, whose 2006 Zinfandel Sonoma Valley hailed much closer to home.

I am not one of those wine bloggers who believes he can impart to his readers the particulars of how a certain wine tastes—every person’s palate is his or her own, and, frankly, the whole idea of this journal is simply to expose my readers to an array of wines I have enjoyed and let them discover what they find in it. Among those fellow scribes who do offer their rendition of a wine’s component flavors, flint or flint-like may be a frequently-cited epithet, but I have yet to hear a wine described as Flintstone. However, I was pleased to discover Sonoma’s Bedrock Wine Company, a promising young venture with young promising wines: the 2009 Zinfandel Stellwagen Vineyard and the 2009 Zinfandel Dolinsek Ranch. Coffee is a term more frequently associated with wines like Petite Sirah or Petit Verdot, but Peet’s Coffee baron Jerry Baldwin has focused his wine aspirations on Zin, with a commendable debut of his 2008 Rattlesnake Ridge Zinfandel from his Gerald Baldwin Wines.

I won’t try to make correlations between Beaver Creek’s name and the flavors of its wines. Their organic and biodynamic wines speak for themselves, as their 2007 Zinfandel Lake County attests. Close to the Lake County border, Howell Mountain’s Bella Vetta in Angwin sources its Zinfandel from estate vineyards in Dry Creek—certainly, their 2006 Jack’s Cabin Rockpile Zinfandel stood up admirably to its pedigree. On the other hand, I wonder how Celia Dineen Brown and her family managed to stay standing with the crowds that flocked to their table! Brown Estate superseded their popularity from last year’s ZAP with a striking 2008 Zinfandel Napa Valley, their dessert-style 2006 Arrested Zinfandel and a spectacular blend of Cabernet Sauvignon and Zin
fandel, the 2007 Chaos Theory. Another winemaking family, the Hopes of Paso Robles, debuted their fourth line, Candor Wines, with a non-vintage Zinfandel Central Coast.

Usually sparkling and distilled wines come first to mind when I think of Philo, but Claudia Springs dispelled this perception with a quintet of vineyard-designate Mendocino Zins, including their 2007 John Ricetti Vineyard Zinfandel, the 2006 Valenti Ranch Zinfandel and their superb 2006 Rhodes Vineyard Zinfandel. Further south, I associate Alexander Valley more with Cabernet Sauvignon, but relished my chance to try Gia Passalacqua’s Dancing Lady and their vertical selection of Old Vine Zinfandel Della Costa Family Vineyard, with preference toward the 2007 vintage.

This year, ZAP decided to alphabetized the numerically-named wineries as if spelled, thus 585 Wine Partners and 5 Mile Bridge Wines were found among the Fs. The former, the victim of a ruthless coup d’etat the very next day, offered two organically-grown Zins, the 2007 Steelhead Zinfandel Dry Creek Valley (a joint venture with Quivira) and the 2008 Green Truck, along with their noteworthy 2008 Powder Keg Zinfandel. 5 Mile Bridge hails from Paso Robles and like 585, offers reasonably-priced wines that belie their quality, the 2006 Zinfandel Margarita Vineyard and the 2007 Stinger, a considerable bargain at $10.

I always make sure to visit with fellow Big Green wine producers, like Peay or Limerick Lane, so upon learning of Jay Fritz’ Dartmouth heritage, I circled over to the Fritz Winery table to taste their 2007 Estate Zinfandel Dr Creek Valley and a deliberately understated 2007 Late Harvest Zinfandel. I wound down ZAP with Gamba Vineyards from Fulton, a final Zin-only producer, whose 2007 Estate Old Vine Zinfandel and 2007 Zinfandel Moratto Vineyard made a superb coda to my 5 hour marathon.

Fortunately for me, no other Grand Tasting approaches the size of ZAP, so I hope to make up for lost time with more abbreviated summaries of the five or six events I attended in February. Something much bigger—the realization of Sostevinobile—demands that I do…

Definitive proof that wine can cure common cold!

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I haven’t been remiss in attending to this blog. It’s just that Your West Coast Oenophile has been pulled in many directions as of late, principally in my efforts to secure the funding Sostevinobile needs in order to be open by September. Then add to the mix that I had to purchase a new computer and port over all my applications and files from the old workhorse that could no longer keep up with the software I require.

Much to its credit, Apple makes migration from one Macintosh to another almost seamless. My first efforts over my home-based WiFi network did freeze up a couple of times before completion, so switch to a direct transfer via Ethernet and within less than two hours had my new Mac a perfect mirror of its predecessor, only running blazingly fast with Snow Leopard, 4GB of RAM and a dual processor somewhere in the range of 10x’s the speed with which I had been contending. Inevitably, I encountered a small glitch or two that required assistance from Apple’s highly commendable tech support, a service that most gratefully is not outsourced to an overseas locale, with specialists whose efforts at approximating colloquial English parallel my utterly futile attempts to dunk on a 10′ rim.

If only the same could be said for Adobe Systems. With my new system, I was finally able to handle the latest issue of Adobe’s Creative Suite, a leap of several versions. Rather than allot a couple of weeks to diligently learning the nuances of these upgrades, I thought by availing myself of their phone-in assistance, it would expedite my learning curve.

Wrong! The only thing worse than the average 65 minute hold time before someone would field my call was the dreaded sound of “Good afternoon, Mr. Marc. How might I facilitate a diligent response to the urgency of your dilemma?” And even that would not have been so bad, but this mangled attempt to offer assistance belied the assumption that the speaker on the other end of the phone had even the remotest connection to technical competence.

Over the course of a four-day period, I endured some twenty hours of complete ineptitude in my efforts to unravel the basic functionality of core features highlighted in the What’s New window of InDesign CS4. With frontline tech support failing to find a solution to my query, my issue was escalated to senior level staff and assigned a case number for further reference. These diplomates of the highly prestigious India Institute of Science only managed to exacerbate my problem, insisting after many hours of research that only a third-party PlugIn could allow me to create a new document and type without the constraints of page limits, a necessary requirement in my 20 year practice of eschewing all Microsoft products for the superior software of its competitors.

Given that this functionality was a major highlight of InDesign’s new capabilities, I objected vociferously and set off to find an answer on my own. Finally, despite twelve phone calls to Adobe and my nearly non-stop torrent of invectives, I managed to uncover the solution up front and center from the Helpful Tips on Adobe’s help site, the same basic manual from which these contractors were supposedly referring for the past 14 months. Forget raising money for Haiti—I am contemplating starting a Facebook site that will solicit the funds I need to acquire an atomic weapon to eradicate Bangalore from the face of the planet!

Meanwhile, in addition to the several days I lost mired in this inexorable abyss, I also contracted my annual winter cold shortly after filing my last blog entry. Nothing too serious—certainly not H1N1—but tiring and annoying nonetheless. Sudafed and Ricola during the day, steam bath after my workout, overly generous glass of hot brandy with honey before bedtime, and within 7-10 days, I’m back with a vengeance (if my usual pattern holds true). So, feeling only slightly debilitated, I pedaled across San Francisco to attend the Santa Cruz Mountains Winegrowers Association trade tasting at Farallon, a venue for wine tasting that I have repeatedly lauded in this blog.

Coming but a few days prior to the ever-overwhelming ZAP festival, this event compelled me to include an additional criterion to my usual tasting protocol: no Zinfandel! However, I seemed to have been less judicious in limiting my actual intake (vs. the professional swill & spit technique). Or perhaps it was an interaction with the over-the-counter remedies I was taking. Whatever the case, I stopped for a short respite and a chance to stretch out my legs in the lobby of the Kensington Park Hotel once the tasting had ended. Inadvertently, two minutes lapsed into two hours, and I awoke to find myself comfortably draped in a plush, Louis XIV armchair, unaware I had dozed off almost instantaneously. A bit embarrassing, perhaps, but, amazingly, my congestion was completely gone!

So maybe the New England Journal of Medicine will not accept my claim that wine can cure the common cold. This is a battle I will take up in a different forum. My readership here will choose to believe me or not; in any case, I am sure all will prefer to hear about my discoveries at the aforementioned tasting.

And, indeed, discoveries were made. Those who follow this blog should not be surprised I took an immediate shine to Watsonville’s River Run, a winery making its inaugural appearance with the SCMWA. I only wish owner J. P. Pawlowski had brought his entire inventory with him! River Run’s 2008 Chardonnay Moutanos Vineyard was a superb organic expression from Mendocino, as was the 2006 Cabernet Sauvignon Moutanos Vineyard. I found much to like in their 2006 Merlot San Benito County and cottoned to both the 2006 Carignane Wirz Vineyard and their Rhône homage, the 2008 Côte d’Aromas, a blend of Syrah, Mourvèdre, Carignane, Viognier, and Grenache. I yearned, however, to sample the 2007 Négrette San Benito County, only the second time I’ve encountered this varietal from California, and I would have veered from my self-imposed prohibition for a small swill of the 2004 Zinfandel Port.

I probably should have asked Dan Martin of Martin Ranch Winery who J.D. Hurley was. The lower end label for this Gilroy winery seemed to be eclipsed by their more distinctive Thérèse Vineyards (eponymous for Dan’s wife) line, which impressively debuted their 2006 Thérèse Vineyards Syrah Santa Clara Valley and an affable 2006 Thérèse Vineyards Sangiovese.

Another new acquaintance, Hillcrest Terrace Winery, prefers a more orthodox Burgundian catalog, but excels in both Chardonnay and Pinot Noir. Standouts were the 2008 Chardonnay Santa Cruz Mountains Regan Vineyard, the always dependable 2007 Pinot Noir Santa Lucia Highlands, and a profound 2008 Pinot Noir Santa Cruz Mountains Fambrini Vineyard. Closer to San Francisco, the La Honda Winery shares a zip code both with rock & roll legend Neil Young and the experimental cyberwine forays of Clos de la Tech. Not to be eclipsed by T. J. Rodgers, they offered an impressive Cabernet Sauvignon/Sangiovese blend, the 2006 Super Tuscan La Honda Ranch Experimental Vineyard. Actually, La Honda farms 30 vineyards throughout the Santa Cruz Mountains appellation, including parcels in Woodside, Portola Valley, Atherton, Los Altos Hills, and Saratoga, while making its wine in Redwood City. Of their many selections, I particularly liked the 2006 Cabernet Sauvignon Santa Cruz Mountains Lonehawk Vineyard and their 2007 Pinot Noir Santa Cruz Mountains Sequence. Also impressive was the 2006 Meritage, with Cabernet Franc and Malbec in addition to its backbone of 76% Cabernet Sauvignon.

Odonata is the taxonomical term for the order of aquatic palæopterous insects that includes damselflies and dragonflies, a species whose agility at inflight copulation puts the Mile High Club to shame; Odonata is also a family-run winery in Santa Cruz focused on organic grapes and sustainable wines, agile themselves at making a splendid 2007 Malbec St. Olof Vineyard, the very straightforward 2008 Chardonnay Peter Martin Ray Vineyard, and their 2007 Durif from Mendocino.

Having visited with the other participating wineries at a number of Santa Cruz tastings last year allowed me to take a more casual or social approach to sampling the afternoon’s offerings. Methodically, I wound my way down the list in alphabetical order, starting with Bargetto, a winery which intermittently shows flairs of brilliance with its Dolcetto. Though a straightforward expression of this varietal was not part of Bargetto’s current inventory, its proprietary 2004 La Vita, a deft blend of Dolcetto, Nebbiolo and Refosco from its Santa Cruz vineyards easily contented me. And my earlier partiality towards Black Ridge Vineyards remained intact as I tasted their current release, the 2007 Estate Pinot Noir Santa Cruz Mountains.

Clos Títa handcrafts small lots of artisanal wines emphasizing Pinot Noir and Bordelaise varietals. This event afforded my first tasting of their 2005 Gironde, an elegant mélange of Cabernet Sauvignon and Merlot from their Chain D’Or vineyards in Santa Cruz. Similarly, I had tasted the Pinots from Clos LaChance on a number of occasions, so I focused instead on their 2006 Cabernet Sauvignon Central Coast from their Hummingbird Series and a striking proprietary Bordeaux blend, the 2006 Lila’s Cuvée.

The late Kathryn Kennedy was noted as one of the first women to start her own winery, as well as for her exclusive focus on estate bottled 100% Cabernet Sauvignon in Saratoga. It seemed only proper to visit her table after her recent passing for a tasting of three of her vintages. Indeed, the 2006 Kathryn Kennedy Small Lot Cabernet S
anta Cruz Mountains stands as a fitting tribute to this viticultural pioneer.

Medical pioneer Thomas Fogarty has long followed his success with angioplasty in crafting wines that have proved enormously beneficial not only for the heart but to the palate. Again, having recently tasted several of his Pinots, I focused on his 2005 Cabernet Sauvignon Santa Cruz Mountains and the 2005 Lexington Meritage, a blend of Cabernet Sauvignon, Merlot, and Cabernet Franc from the Santa Cruz Mountains. Fogarty’s winemaker, Michael Martella, shared an impressive array of wines from his eponymous label, starting with the 2008 Sauvignon Blanc Monterey County. But, not unexpectedly, he excelled with his assorted red wines, a quartet that included the 2006 Grenache Fiddletown, the 2005 Petite Sirah Mendocino, a wondrous 2006 Syrah Hammer and the 2006 Zinfandel Fiddletown (OK, I succumbed)!

I don’t know if it’s possible to have every Ridge Zinfandel, but I’d wager my home stockpile comes pretty close. Now, had they been pouring their 2003 Monte Bello, which was depicted in the tasting program, I might have lingered at their table for a while, but I did manage to pay a visit with their mountaintop neighbor, Don Naumann and revisit with his always approachable wines, the 2006 Chardonnay and his 2005 Merlot Estate Grown.

Another prominent Santa Cruz vintner, Sarah’s Vineyard has long stood out for its Pinot Noir and, like Ridge, featured a label of the same on their page. Nonetheless, I veered away from the tried and true and opted for the 2005 Syrah Besson Vineyard and the 2007 Grenache Santa Clara Valley. I also revisited with Saratoga’s Cinnabar, cherry-picking their 2007 Chardonnay Santa Cruz Mountains, the 2005 Cabernet Sauvignon Santa Cruz Mountains, the 2005 Cabernet Franc Lodi and their proprietary blend of Cabernet Sauvignon and Merlot, the 2007 Mercury Rising. But, alas, it seemed that the 2004 Teroldego Central Coast, a wine I had so thoroughly enjoyed last year, failed to make the journey to San Francisco.

I’d been impressed by the Gatos Locos wines I had sampled at Clements Ridge when I visited Lodi in the fall, so it behooved me to stop by the table of their producer, Vine Hill, and to retry their 2007 Gatos Locos Chardonnay Mokelumne River and the 2006 Gatos Locos Pinot Noir Santa Cruz Mountains. I found their 2006 Vine Hill Pinot Noir Santa Cruz Mountains compared quite favorably. But by then, the armchair in the lobby was beckoning, and my medical breakthrough was not to be denied.

Wanna come up and see my composting?

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Call me prescient. Right after I graduated from college, I dreamt that Burger King had opened up a bar, and I was its first bartender. There I was, clad in one of their vapid uniforms, complete with yellow & red beanie, drawing Michelobs and chatting up patrons with the usual “How about them Mets?” and what have you. In a word, not the best use of my Dartmouth education. Lo and behold, the nightmare becomes reality! The first Burger King bar is set to open in Miami next month!

Your West Coast Oenophile won’t reveal how many years have past since that sweat-soaked nightmare, but let’s just say we’re past any statute of limitations for me to allege copyright infringement or make any form of claim to theft of intellectual property. Besides, profiteering from a Burger King enterprise might well nullify my credentials with Slow Food or any other segment of the sustainability movement. Still, even I can appreciate the irony that I am once again dreaming of opening a very different kind of bar, albeit this time with a far more holistic approach.

Irony seems to abound these days. I attended the Post-Holiday Party in Oakland this past Wednesday, a cocktail & networking event hosted by the Green Chamber of Commerce, Green Drinks East Bay and the Sustainable Business Alliance. The event’s sponsor, Alameda County’s chapter of StopWaste.org, came armed with a plethora of printed handouts, most strikingly a 32-page, 8½” x 11″ pamphlet entitled Paperless Express: A Paper Use Reduction Guide for Your Business. At least it was printed on 100% recycled paper (50% post-consumer waste)!

Of course, we all have moments of sustainable apostasy, including yours truly, who drove from San Francisco to attend this gathering—a mere two blocks from the 19th Street BART station. My excuse was I need to get back to San Francisco in time to catch the première of Phèdre at ACT, a feat I managed, despite the rain, in a mere 19 minutes from the time I left Oakland to parking one block from the theater, picking up my ticket from Will-Call, and securing my seat in the loge! Just try doing that on a regular basis!

So far, such milestones haven’t just been personal. 2010 portends to be a watershed year for Sostevinobile and, more broadly, the entire sustainable wine community in California and on the West Coast. At long last, the California Sustainable Winegrowing Alliance has launched its official certification program. It will still be a while before wines that have earned official certification as sustainable are commercially available, and even longer still before this standard garners sufficient market penetration to become the basis for Sostevinobile to qualify the wines we select for our program, but it does offer a model on which we can base our criteria for gauging the sustainable practices of the wineries and wine labels we consider, particularly with it model of progressive achievement (as opposed to creating a rigid, quantifiable benchmark) for assessing a winery’s implementation of sustainable practices. Still, with all the fealty Sostevinobile has paid to local, sustainable vineyards and wineries, it seemed bewildering that the Wine Institute and the California Wine Growers Association to fail to include this blog at the press conference announcing the debut of this program. But rather than belabor the point, I have sought to ensure that future developments will not reiterate this oversight.

At least the California College of the Arts remembered to invite me, not just to one recept
ion but a pair of openings held on the very same night in different galleries on their San Francisco campus. The first, The Magnificent Seven: Selections from the Life and Work of Michael Bravo, seemed to be an exhibit only someone truly immersed in this métier could fully appreciate. The upstairs exhibit, Route 1: R for Replicant offered a far more accessible, multi-disciplinary display, including some of the most engrossing 3-D photography I have ever experienced.

The truly amazing part of this reception, however, was the complimentary. I have become inured to the frugality of wine selections at art openings, and , historically CCA has offered no exception to the ever-so-predictable Two Buck Chuck, the “official” wine of art openings (or some relatively similar swill). Instead, this evening featured a case of the 2008 Sangiovese Monte Rosso Vineyard from Kenwood’s Muscardini Cellars, which an e-mail I had received only a few days before listed as being pre-release. Ceres, CA and its Central Valley satellites be damned! This handcrafted Italian varietal expressed itself superbly, well worth the $38 one must pay retail for one of these bottles. Donated or purchased—I have no idea, but certainly a standard to which other galleries and multi-billion dollar endowed universities ought to aspire for their programs.

Nonetheless, the true high point since I last posted here was a news report on the latest wave in marital discord—couples whose relationship founders because they have differing adherence to sustainability or in their commitment to containing the sources of global warming and other ecological perils! Imagine actually petitioning the court for divorce on the grounds of environmental incompatibility! Thermal negligence! Carbon cruelty!!

The offer I make now is sincere and has nothing to do with my trying to fill the void in my life after my irreconcilable split with the Ginkgo Girl: come to Sostevinobile with proof that you have been divorced because of your spouse’s lack of adherence to your sustainable beliefs, and your wine will be on the house all evening! Afterwards, if you want to check out my water flow reduction system…

Getting Lei’d in the 2010s

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Welcome to 2010! Call it hubris (ὕβρις), if you will, but I like to think this will be Sostevinobile’s era. Time, of course, will tell.

2010 marks a number of personal milestones. It now has been 20 years since I’ve touched a Microsoft program, other than to reaffirm what an execrable excuse for software the megalomaniacs in Redmond, WA produce. It also marks 35 years since “food” from McDonald’s (or whatever substitute they serve) has tainted my palate. And it’s now been 10 years since I’ve succumbed exclusively to my well-documented febrile predilection.

Nonetheless, things in 2010 have started out quite well for Your West Coast Oenophile (like most folks, I’d have to say that, after 2009’s debacles, where else could they go but up?). Typically, I gauge my prospects for each new year by how I fare in my inaugural squash match, a particularly telling sign this year since I had been plagued with assorted leg injuries over the past 12-15 months. This diminution of my agility, along with a concomitant rustiness to my game, had allowed numerous opponents whom I could previously dispatch with remarkable ease, to prevail effortlessly against my dizzying array of lobs, boasts, and rails.

And it seemed this streak of unmitigated losses might continue, as my opponent, John H., manhandled me throughout the first two games of our match and mounted a formidable 4-point lead midway through the third. But, as the saying goes, squash is to racquetball what chess is to checkers, and I knew I could muster the psychological fortitude that would prove the ungluing of adversary. I steeled my determination and held on to even the score at 10-10, then won 13-11 in the tiebreaker. The spell now broken, I coated through the fourth game and held ground in the fifth before breaking out with an 11-7 victory and, with it, the match. Decidedly, a true portent for the ensuing twelve months, both on and off the court.

An enlightened detail from Custom

The next day, I managed to prevail against the misdirected zealotry of the San Francisco constabulary and have my most recent traffic offense, a baseless charge of crossing through an intersection without stopping at the blacked-out signal light, dismissed as a gross miscarriage of justice. Actually, the officer on duty merely failed to file his report and appear at the hearing, but I do like to inflate my victories whenever possible.

Later that evening, I had the pleasure of attending the unveiling of Roman Padilla’s new art show entitled We are All Commis, a visual paean to sustainability. Commissioned by Hotel Biron, a quaint confrère near San Francisco’s Hayes Valley. This series of directed pastiches includes several fragments from my more whimsical writings—the first time Sostevinobile has been enshrined in art! Needless to say, copious amounts of 2006 Talmage Barbera and 2006 Siani Farms Carignane from Cazadero’s organically-farmed Wild Hog Vineyard were consumed over the course of the evening’s festivities, though not enough to test whether my earlier triumph over the SFPD might be replicated.

A clarion call?

A most heartening development for Sostevinobile in 2010 has been the sudden rash of blogs and discussions challenging the consistency of restaurants and other locavores establishments serving imported wines. The first has been a rather provocative LinkedIn discussion, started by Jon Wollenhaupt of Excel Meetings & Events in San Francisco and chronicled by SFGate bloggers Michael Bauer and Zennie Abraham, posed the question: “Should the ‘Eat Local’ ethic apply to wine as well? Should San Francisco restaurants only serve Napa/Sonoma wines?”

This thread has already reached 162 entries, including my own, and while it has veered off on numerous tangents that hardly seem germane to the origin query (particularly among restaurateurs in states that have limited production of local wines), it has shown that people here and throughout the West Coast do question the rationale behind serving imports when an abundance of excellent wine is available here.

Another wine blogger, Amy Atwood, posed a similar question on her mydailywine column: “Drink Local Wine Debate: A Harbinger of Change?” Much to my surprise, the most aggressive response came from local Australian wine evangelist Chuck Hayward, formerly of San Francisco’s Jug Shop:

“Do you mean to tell me that amongst the almost 3000 wineries spanning over 100 AVAs in California that they all make wines that are “too much?” They found those five wines, I am sure there are plenty of wines out there that meet the stringent criteria that somms want today. Just get to work and find them!!

“The real issue here, however, is hypocrisy. Preaching local and then saying that the wine portion of the dining experience is exempt is just plain elitist and hypocritical.”

I can only wish I had the temerity to make such an indictment, though outside of this forum, Sostevinobile has iterated much of the same. With so many others now echoing our central tenet, I suspect a successful launch and enduring run for our venture lays just beyond.

Still, the most auspicious omen for the upcoming decade assuredly has to have been losing, then amazingly recovering my iPhone Bluetooth earpiece. Seen to the right at nearly 150% its actual size, this teeny device fell, imperceptibly, from my pocket Wednesday evening sometime after I had shopped at San Francisco’s Rainbow Grocery. Several hours and stops later, I discovered that the Bluetooth signal on my phone had disconnected, but it wasn’t until I returned to my flat that I realized the earpiece was no longer on my person. A frantic search throughout my blue Corolla confirmed my worst suspicions—my headset had been lost, and hopes its retrieval, quite slim.

No, this is not a hash pipe!

I placed late night calls to Nihon Lounge and to Heaven’s Dog,the two establishments where I had stopped for cocktails and where I had reached into my front pocket for a pen to sign my receipts. Their searches in the vicinity where I had sat turned up empty, but I was reassured they would call me after the morning cleaning crew had swept through the bar. On the other hand, Rainbow did not reopen until the morning, so I had to wait until then before speaking with their Customer Service team.

The morning calls proved just as futile. Resigned to having to purchase a new device, I headed off to Traffic Court, determined to plead my case as vociferously as needed for my exoneration. I entered the court room at 1:36 PM and by 1:40, I had my dismissal in hand. Having allocated the whole afternoon for this appearance, I decided to take the time I’d been spared and make one final, implausible search to find my lost Bluetooth. After a futile return visit to Heaven’s Dog, I made a meticulous search of the area nearby where my friend and I had parked the night before, hoping that I might find the earpiece squashed on the pavement (whereby I could still claim it under Apple’s warranty). No such luck. I then pedaled over to Rainbow, in search of the same remnant, then figured I might make one last futile attempt to investigate the space where we had parked by Flour + Water.

From fortitude comes fortuity

As I had before, I crouched down and looked beneath the automobile that was now parked in the same space alongside 13th Street. As I ought to have expected, nothing. But just as I prepared to remount my 14-speed Trek, there on the sidewalk, out in plain sight, completely intact, lay my 1½” long Bluetooth earpiece, as if no one had even touched it over the past 18 hours!

I pressed the activation button and it connected to my iPhone with nary a glitch. Phoning my drinking companion from the night before, I queried through the remote microphone, “How do I sound?” “Fortuitous,” he replied. Here was the first crest of a wave of luck I whole-heartedly intend to ride throughout 2010.

And so far, I seem to be (at least until I show up at the 2010 Olympic Club Singles Squash Invitational this coming weekend). I discovered a pair of wines, grape varietals which have enjoyed cursory mention in this blog as components of blends, but not as distinct wines. The 2008 Sylvaner Flood Family Vineyards from Rancho Sisquoc showed faint reminiscences of a Riesling or a Gewürztraminer and married nicely to a Cajun-spiced catfish I prepared. On the other hand, I found the 2007 Chasselas Doré Pagani Ranch that Berthoud Vineyards produced a wine with no easy comparisons and a somewhat incongruous match for the Dungeness crab I steamed over the weekend. It did, however, pose a fairly decent complement to the store-prepared Italian Wedding Soup I consumed the next evening as the start of my avowed weight loss program for 2010.

The next evening, I attended my first party for 2010 at the Tonga Room, a San Francisco landmark purportedly destined for demise later this year. Guests at this kickoff event were asked to create name tags with their New Year’s resolution or other goals for 2010. Never one to turn down the opportunity for a pun, I scribbled in “Here to Get Lei’d,” a line that my friends and Facebook fans know belies my true avowal:

***2010 New Year’s Eve, I* will be pouring the West Coast’s finest bubbly at *Sostevinobile!***

Buon natale da Sostevinobile!

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(perché no l?)

What’s in it for me?

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There’s an off-color joke I enjoy telling about Donald Trump (or Willie Brown, if the audience is local). A woman approaches The Donald (or Da Mayor) at a cocktail party and gushes effusively, to the point of finally declaring that all she wants to do is drop to her knees and (insert whatever euphemism you prefer for performing an act of unilateral gratification). Trump (or Brown) steps back, glares at the woman, and, with arms akimbo, inquires “yeah, well what’s in it for me?”

Your West Coast Oenophile recently attend the 2nd Annual Green Wine Summit in Santa Rosa, the same event at which last year I first publicly unveiled my concept for Sostevinobile. This time round, I came with media credentials, intent on reporting my observations of the various seminars and attendees, as well as any discoveries among the donated sustainable, organic and biodynamic wines poured at the numerous tastings and receptions accompanying this event. But, over the course of the two-day workshop, it gradually dawned on me that the standards I had set for Sostevinobile’s sustainable wine program could create some ambiguity without more attenuated definition, if not possibly raise question, in the consumer’s mind, about the validity of our allegiance to sustainable practices.

As I endeavor to complete my installment on the Green Wine Summit, I recognize that other essayists have amply, if not more precisely (and more promptly), chronicled the particulars of this event in articles and in other blogs. As such, I would like to present my readership with an overview of how this second Green Wine Summit has refined my criteria for the sustainable guidelines for the wines we will be pouring at Sostevinobile.

The central tenet on which I founded Sostevinobile, that an eating and drinking facility’s stated adherence to locavore principles must include the wines it serves, remains immutable. There can be no wavering from our fundamental premise of serving sustainably-farmed and produced wines only from the West Coast. The viticultural industries in California, Oregon, and Washington have matured and expanded to the point that we have become a single wine region, with inextricable links that transcend state borders or other boundaries. Granted, this reality may extend our radius beyond the 500-mile perimeter that is generally considered the litmus for sustainable practices, but Sostevinobile will be taking sufficient steps to ensure that our wider tolerance for transportation and shipping distances does not increase our carbon footprint nor that of our producers.

Where our benchmarks must be honed is in what we will define as sustainable for the wines we serve and how we can credibly convey these standards to our clientele and the public at large. As the Green Wine Summit’s Master of Ceremonies Paul Dolan highlighted, transparency and authenticity in marketing stands as paramount if claims to sustainability are to carry any weight with consumers. Amid the plethora of confusing—if not conflicting—progressive epithets the food and beverage industry wishes to ascribe to its products: organic, whole, vegan, fair trade, natural, fish-friendly, salmon safe, biodynamic, equitable, etc., the label “sustainable” needs to incorporate well-defined rigors and pervasive applicability throughout an enterprise or risk indifference from consumers.

Therein lies the rub. Standards for sustainability in the wine industry can be widely disparate, and even established certifications like the Central Coast’s SIP, Lodi Rules, Napa Green, or Oregon’s OCSW must continually be updated and expanded to accommodate new understanding and changing environmental concerns. Little wonder, therefore, that it has taken over three years for the California Sustainable Winegrowing Alliance (CSWA), a cooperative project of the Wine Institute and California Association of Winegrape Growers to formalize its certification program, to be launched in January 2010.

Sustainability has long been a hallmark of the California wine industry. Since 2003, CSWA has sponsored the Sustainable Wine Program, a self-assessment inventory a winery or vineyard can conduct on itself to assess and improve its sustainable practices; to date, nearly 1,500 vintners and growers —representing approximately 60% of the state’s wine production and vineyard acreage—have assayed the sustainability their operations at 125 workshops, while more than 5,500 have attended 160 targeted education workshops.

Despite these impressive statistics, as CSWA Secretary Steve Smit noted in several panels at the Green Wine Summit, the current marketplace necessitates the need to extend these assessment into a formal certification program with third-party verification of the 58 prerequisites. Importantly, however, these criteria are processed-based, meaning that they are designed to encourage participants to improve their sustainable practices, rather than exclude organizations for failing to attain a pre-determined threshold, as performance-based certifications do.

Washington wineries conduct a similar self-assessment program, Vinewise that has been teamed up with LIVE, a non-profit that offers third-party certification through the International Organization for Biological Control program, and VINEA, a cooperative certification like SIP or Napa Green for the Walla Walla Valley. Oregon’s certification program launched in 2008 and released its first certified sustainable Chardonnays this past summer, with certified Pinot Noir due for release in the spring of 2010. With California’s program still not formally underway, it will be a number of years yet before wines certified as sustainable under a unified, statewide standard become available here.

With a genuine paucity of officially certified wines available, Sostevinobile faces a delicate balance in maintaining the diversity and quality of its wine program while upholding the fidelity of our avowed sustainable principles. While the Green Wine Summit clearly demonstrated that we must be rigorous in holding the wineries we feature to an invariable standard if we are to hold any credence with our clientele, it has also shown me that our role is to help promote greater sustainability throughout the wine industry, not to attempt to preclude West Coast wineries from participating in our programs, particularly if they are genuinely moving towards increasing the sustainability of their viticultural practices. This is a role Green Summit panelists showed corporate titans like Walmart and General Electric now are playing in steering their vendors and clients toward corporate responsibility for their environmental impact; though Sostevinobile will far smaller in our scope, we can and we must utilize any clout we wield to help enable the same critical agenda.

Ultimately, society will reach a point where, even if sustainability is not universally adopted standard, there will be sufficient consumer backlash to render any flagrantly non-sustainable venture incapable of competing in the marketplace (I have stated many times in this blog that Sostevinobile hopes this evolution will include a convergence of the standards for organic and sustainable). Until we attain such ubiquity, both within the wine industry and within the culture at large, our most productive course will be to promote a standard to which our vendors need ascribe in order substantiate their inclusion in our wine programs.

A fellow Green Wine Summit attendee, ConsciousWine™, demonstrates a compelling framework for codifying their threshold for determining a viable level of sustainability, with their basic Four Principles:

Use no synthetic chemicals in the vineyards whatsoever,

Utilize practices supporting the vitality of the land for our kids and beyond,

Reflect the unique character and personality of the vineyard in their wines and

Rock the house (i.e.: it’s in the bottle).

ConsciousWine further delineates its criteria for endorsement with 12 specific applications (biodiversity, minimal water usage, sustainable worker policy) for which they seek to
have their Four Principles followed; Sostevinobile must, of course, conscientiously devise our own benchmarks, then oblige participating wineries to incorporate a definitive statement of their commitment to and deployment of these requisite sustainable practices on their external Website. Our purpose is to embrace the genuine efforts of wineries to establish themselves with what the CSWA deems as the Three E’s of Sustainability: Environmentally Sound, Socially Equitable, and Economically Feasible (or, as the Green Chamber of Commerce states more succinctly, People, Planet, Profits). As certification for sustainability becomes more pervasive, we will adapt our programs to this changing landscape and attenuate the standards by which Sostevinobile selects its wines accordingly.

Much of the rest of the Green Wine Summit focused on the need for effective communications and marketing of sustainable practices, both in terms of furthering the groundswell for public demand as well as for creating a consistent voice to ensure that claims to sustainability carry true meaning (as opposed to “greenwashing”) for consumers. Another prominent highlight of the workshop was the emergence of water preservation and conservation as an issue carrying increasingly important weight in the quest for a truly sustainable economy, particularly in areas like California with its limited water resources.

I attended the Summit in the hope of learning more about the state of green practices within the wine industry; I left with a greater understanding of the imperative placed on enterprises like Sostevinobile for promoting and encouraging these developments, while implementing as much of them as we ourselves can in our own arena. After all, as keynote speaker Gil Friend observed, creating a sustainable ecosystem isn’t anything new—Nature itself has “3.85 billion years of experience in creating efficient, adaptive, resilient, sustainable systems.” Knowing that “the R&D has already been done for us,” as Friend is fond of noting, the task ahead becomes relatively simple: an informed and dedicated commitment to the well-being of the living systems that ultimately sustain the human economy, and to the well-being of the human economy that sustains all living systems. That’s what’s in it for us.

Marc’s flat-out mean & lean post-Thanksgiving slimdown: the sequel

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I didn’t do so well last week. 1,788 words when I was aiming to come in under 1,000. And that was meant to include this entry, as well! I just hope all will be forgiven by the time I reach the end of the electronic page this time!

I wanted to get my review of Holiday in Carneros out before December, but the demands of raising funds for Sostevinobile occupy front and center for Your West Coast Oenophile. I am determined to generate a financial tsunami this month!

It was another kind of tempestuous storm that afflicted my very temperamental digestive system on the morning before I set out for Carneros. If only Jacuzzi had a Jacuzzi at their winery! Or, failing that, a stiff shot of grappa to quell my agita. Instead, I settled for a few gulps of olive oil, great hospitality, and some splendid wines.

The formal event paired an assortment of Italian appetizers with their 2008 Gilia’s Vernaccia, an appealing 2006 Cabernet Sauvignon, and the 2006 Rosso di Sette Fratelli, a Merlot named for the brothers who founded the various Jacuzzi enterprises. But, as Tasting Room Manager Teresa Hernando quickly showed me, the winery’s true forte is in its wide range of Italian varietals and blends. Given my self-imposed limitations for the afternoon, I skipped the 2007 Pinot Grigio and opted for the 2008 Arneis before moving onto a selection of reds. Here I bypassed the 2006 Primitivo and, surprisingly, the 2006 Sangiovese for a sample of the 2006 Aleatico, their Mendocino 2007 Barbera, and the incredible 2007 Nebbiolo from Carneros. As often happens, my retasting of the 2006 Lagrein seemed less sweet than it had at the Napa Valley Wine & Grape Expo, thereby mitigating my disappointment in Whitcraft’s discontinuation of this varietal. With time pressing, I thanked Teresa and promised to return for a more comprehensive tasting in the near future, making mental notes of their family commemoratives, the 2006 Giuseppina, the 2005 Valeriano, as well as their Chardonnay, the 2006 Bianco di Sei Sorelle (Six Sister’s White). Seven brothers + six sisters = 13 siblings! Is it any wonder we associate hot tubs with…?

My friend Sasha Verhage from Eno had told me a while back about his satellite tasting room in the Cornerstone Place complex just down the road from Jacuzzi, and while the tasting collective Grange Sonoma was not pouring his wines, they did feature a number of their other members, which gave me the opportunity to try the 2005 Cabernet Sauvignon Alexander Valley from Mantra. Around the corner, the wafts of wood-fired pizza lured me to Roshambo’s new base of operations since Turley acquired their Dry Creek winery. Sales manager Steve Morvai offered generous pours of the 2006 Justice Syrah and the 2006 Rock, an equal blend of Zinfandel, Syrah and Petite Syrah, while enticing me with descriptions of his own Syrah project, Les Caves Roties de Pente, a Bonny Doon-like tweak of a renowned Rhône producer. Another Cornerstone tenant, Larson Family Winery, poured a selection of both their own label, and Sadler-Wells, a joint venture between proprietress Becky Larson and Jean Spear, a veteran wine marketer. While I found both the 2005 Sadler-Wells Chardonnay Carneros and the 2005 Sadler-Wells Pinot Noir Sonoma Coast perfectly amiable wines, the 2006 Larson Family Winery Cabernet Sauvignon Sonoma Valley proved the true standout.

I think I failed to locate Bonneau’s tasting room on Bonneau Road because it was housed inside the Carneros Deli. My loss, I am sure, but the reception I received at Schug amply mitigated for my miscalculation. Despite their legendary prowess, I initially tried to beg off from sampling their selection of Pinot Noir (too much sensory overload from the previous day’s PinotFest) and pared their much-welcomed bowl of Creamy Wild Mushroom Soup with both the 2006 Merlot Sonoma Valley and the 2006 Cabernet Sauvignon Sonoma Valley. However, an introduction to scion Axel Schug convinced me to indulge in their truly wonderful 2007 Pinot Noir Carneros, along with the equally appealing 2004 Cabernet Reserve. Only the many stops still on my itinerary kept m
e from sampling the rest of their library wines being poured.

If you produce both wines, why would you call one Pinot Grigio and the other Pinot Blanc (or, for that matter, Pinot Gris and Pinot Bianco)? Granted, I understand the marketing concept, but the linguist in me argues for consistency. Allora, my query seemed to generate a bit of bewilderment at Robledo Family Winery, which perhaps should call the pair Pinot Gris and Pinot Blanco (or so my Easy Translator widget indicates). Rhetorical conundrums notwithstanding, I was immensely please finally to meet this pioneering family and experience their hospitality. Patriarch Reynaldo Robledo’s storied ascendancy from farmhand to winery owner has been well documented on their Website and in other media, but their wines demonstrate that this evolution is far more than a Horatio Alger tale. I did appreciate both the above-mentioned 2006 Pinot Grigio and the 2006 Pinot Blanc, but the eye-opener was their 2005 El Rey Cabernet Sauvignon, an exceptional Lake County varietal. Even more striking, the 2005 Los Braceros, a blend of Merlot, Cabernet Sauvignon, and Syrah, pays homage both to the Robledo’s roots as well as their winemaking virtuosity.

For some reason, I’d always thought Adastra was a Paso Robles winery. The name sounds like a Paso Robles name. As I crossed over to the Napa portion of Carneros to visit their ramshackle barn, it even felt like Paso Robles. But Dr. Chris Thorpe’s certified organic winery is authentically Carneros, and it only takes a sip of winemaker Pam Starr’s opulent Pinot Noir, the 2006 Adastra Proximus to recognize the winery’s sense of place. No Miles Raymond dilemma here—I found the 2006 Adastra Merlot as enticing as the Pinot, while the 2007 Ed’s Red, Adastra’s second label, proved an intriguing blend of 43% Syrah, 39% Zinfandel, 13% Petite Sirah, 4% Cabernet Franc, 1% Petit Verdot.

Burgundy and Bordeaux took center stage at nearby McKenzie-Mueller, a boutique winery just across the street. The 2006 Pinot Noir and 2006 Chardonnay made a nice introduction to this previously unfamiliar label, but winemaker Bob Mueller’s forte lay in the components of a Meritage, in particular the 2005 Merlot, the 2004 Cabernet Franc, and the truly outstanding 2006 Malbec. Even the curious strains of a male folk duo singing Eartha Kitt’s Santa Baby could not detract from this delightfully unpretentious destination.

As laidback as Adasta and McKenzie-Mueller may have been, Ceja proved just as ebullient. Pint-sized owner Amelia Morán Ceja made a most irrepressible hostess as she escorted me back to the bocce courts for a taste of tri-tip that I washed down with a generous pour of its perfect complement, the 2005 Syrah Sonoma Coast. The 2006 Pinot Noir Sonoma Coast certainly held its own, but their trademark Pinot Noir/Syrah/ Cabernet Sauvignon 2007 Vino de Casa Red Blend seemed positively redolent. I managed to taste their 2005 Napa Valley Cabernet Sauvignon while listening to Amelia expound her recipe for the risotto she was readying to prepare for 37 or so family and friends, then headed out to complete my loop for the afternoon.

Alas, the hour I spent at Ceja meant I missed the last moments at Étude, who was just closing down as I entered the new tasting room. Michael Mondavi’s Folio, with its seemingly incongruous Irish flag out front, also was unattainable, so I headed over, as promised, to the Carneros Inn and FARM, their onsite restaurant from the Plump Jack Hospitality Group. The setting was warm; the pulchritudinous Ms. Cheung’s effusive greeting even warmer. As if I hadn’t sampled enough wines this afternoon, she poured me a complimentary selection from her wine list and sent over a much-appreciated bowl of Truffle Fries. Just the reinvigoration I needed before heading back to San Francisco.

Was my entire excursion to Carneros merely a pretext to visit Yvonne? A chance to see her hard at work in her role as manager/sommelier? Or maybe a promising portent for Sostevinobile? We may well have to wait to 2010 to find out…

2010 New Year’s Eve, I will be pouring the West Coast’s finest bubbly at Sostevinobile!

***2010 New Year’s Eve, I* will be pouring the West Coast’s finest bubbly at *Sostevinobile!***