Category Archives: Albariño

A tale of two cities

It has been over 500 days since I last donned a necktie. Or cravat. Or noose, if you will. It has also been more than 500 days since I last set foot in San Jose. Anyone who knows Your West Coast Oenophile is well aware of my aversion towards Silicon Valley. Or 408-ville. Or Legoland, if you will. Which makes the following admission all the more remarkable:

Ten days ago, I attended two wine tastings on behalf of Sostevinobile, one in Menlo Park, the other in San Francisco; the former event was unquestionably superior.

The Quadrus Conference Center at 2400 Sand Hill Road is pretty much ground zero for the VC community, and as I remain heavily into fundraising mode for our wine bars, I had almost hoped more to bump into a venture capitalist or two (after all, this is where “spare change” is a 7-digit figure) than to discover an astounding Roussanne or Syrah/Zinfandel/Cabernet Sauvignon blend. But the portable PDF of our Keynote presentation, which I had logged into my iPhone in case I needed to make an on-the-spot pitch, received as much use as the list of wineries I had culled from the Paso Robles Wine Country Alliance’s pre-published roster for its Grand Tasting Tour: Mid-Peninsula.

N’importe! This still turned out to be a representative sampling of what is arguably the most interesting AVA in California, comprising well over 240 wineries and more acreage than any other appellation. The afternoon began with a seminar from three of the more prominent wineries in the region: Clayhouse, J. Lohr, and Ancient Peaks. Each of the three wineries brought a representative selection of wines in the $16 range, as well as one of their higher-end offerings.

Though the allure of Paso Robles is that allows itself to be unfettered by orthodox varietal categorizations (i.e., Burgundian, Bordelaise, Rhône), each of the three winemakers presented selections that were consistent within their own strictures. Steve Lohr poured two blends in the Bordeaux tradition, the first in the style of Pomerol, the more luxuriant based on Médoc, though each contained a sufficient amount of its primary varietal to be labeled 2007 J. Lohr Los Osos Merlot and 2006 J. Lohr Hilltop Cabernet Sauvignon. David Frick first poured his 2008 Clayhouse Malbec, ever-so-subtly softened with 2% Merlot, then switched to a Rhône blend, the 2007 Clayhouse Estate Petite Sirah, this time tempered with 1.5% Syrah. Meanwhile, Mike Sinoir showed true Paso Robles temperament by first blending his 2007 Ancient Peaks Cabernet Sauvignon Margarita Vineyard with Malbec, Petit Verdot and Zinfandel, then showcased his 2007 Ancient Peaks Oyster Ridge Margarita Vineyard, a totally unconventional blend of 46% Cabernet Sauvignon and 24% Petite Sirah, rounded out equally with Merlot and Petit Verdot.

Following what turned out to be a lively exchange, I joined up with the main tasting, armed with a plan of attack that bore little correlation to what I found awaiting us. Because I had failed to try Anglim at each of the previous two Rhône Rangers, I first gravitated toward their table to sample their mix. while I found their 2006 Cameo (Marsanne/Roussanne/Viognier) and the 2006 Cerise (Grenache/Mourvèdre/Syrah/Viognier) blends quite approachable, I favored their single varietal 2007 Roussanne, the 2006 Grenache and the 2007 Mourvèdre Hastings Ranch Vineyard far more to my liking. In such company, their 2007 St. Peter of Alcantara, a Zinfandel, seemed a bit anomalous but quaintly nostalgic, the name being the same as the Catholic parish I attended, unmolested, in my youth. Nearby, Alta Colina’s 2008 Claudia Cuvée blended Grenache Blanc with Roussanne and Marsanne, while their 2007 GSM clearly excelled.

To my mind, nothing typifies Paso Robles more than its unusual blends—after all, such experimentation put Piero Antinori on the viticultural map. The 2006 Companion from Caliza, a blend of Cabernet Sauvignon, Mourvèdre, Syrah and Tannat, could not exemplify this willingness to experiment better, but, again, I most cottoned to their 2007 Syrah. Paso’s true pioneer in this array, though, has to be L’Aventure, a winery that needs no introduction here. Even though I had liberally sampled their wines at Rhône Rangers but a few weeks before, my friend Jennifer Hong, who distributes their wine in the Bay Area, insisted that today’s tasting would be featuring some newly released vintages. Here the superb 2007 Cabernet Sauvignon was complemented by the even more imposing 2007 Estate Cuvée, a blend of Cabernet Sauvignon, Syrah and Petit Verdot.

Kenneth Volk had introduced me to Negrétte last year, but was pouring samples only of their Paso Robles wines this afternoon. Still, I delighted in the 2008 Viognier Live Oak Vineyard, the 2005 Cabernet Franc, and especially the 2005 Tempranillo. And though I had sampled their wines at Rhône tasting, the sardonic wit of their emissary, Katie Kanphantha, drew me back to Derby Wine Estates’ table where I retried their delightful though inexplicable 2006 Fifteen10 Red and regaled in their 2006 Implico, a Bordeaux Meritage.

At this point, the tasting took a turn for the definite better, as the ever-alluring BeiBei Song joined me for a guided introduction. We scurried out onto the deck to join Tommy Oldré, bedecked in a loud, fuchsia necktie (or cravat) (or noose), at his Tablas Creek table. As always, the 2008 Esprit de Beaucastel Blanc, their famed blend of Roussanne, Grenache Blanc, and Picpoul Blanc, proved an immediate favorite, while both the 2007 Grenache and the 2007 Mourvèdre charmed BeiBei in a way I thought only I could! We proceeded to Mike Giubbini’s Rotta Winery, a somewhat understated venture mostly producing traditional varietals like Merlot, Cabernet Sauvignon, and Zinfandel (I found the 2005 Rotta Giubbini Estate Zinfandel quite compelling). And while the 2005 Trinity, a blend of Cabernet Sauvignon, Cabernet Franc and Merlot made for a more than competent Meritage, the real discovery here was the non-vintage Black Manukka, an oak-aged, rare dessert wine that begs comparison with a fine cream sherry. Dessert wine also stole the show at Robert Hall Winery. I found their 2007 Cabernet Sauvignon quite appealing, but their 2009 Orange Muscat tasted like a liquid Grand Slam.

In the past, I may have been critical in this forum of wines from Niner’s Bootjack Ranch. I now realize that the particular vintages I have been served as a certain wine establishment may well have been past their prime, for the current releases I sampled here more than favorably impressed me. I found much merit in the 2006 Sangiovese but truly relished the 2005 Fogcatcher, a skillful mélange of 65% Cabernet Sauvignon, along with Cabernet Franc and Merlot. I hadn’t had previous experience with Silver Horse Winery, but found their Bordeaux bled, the Cabernet Sauvignon/Malbec/Petit Verdot combo of the 2007 SAGE enticing. More compelling, however, was their 2007 TOMORI, marrying Cabernet Sauvignon and Merlot with Syrah, while their straightforward 2009 Albariño offered a nice contrast to most of the afternoon’s offerings.

A wide range of Spanish varietals have taken root at numerous Paso Robles wineries, like Stanger, vinifying a more than competent rendition with their 2006 Tempranillo Stanger Vineyards; their forte, however, might have been the 2007 Viognier Paso Robles, a clean expression of this finicky varietal. Meanwhile, restricting themselves to what they do best, Terry Hoage presented three takes on Grenache: the 2007 The Pick, a Grenache-dominant GMS blend, the 2007 The 46, a Grenache/Syrah combo, and the 100% 2007 Skins Grenache.

               Kukla, Fran & Ollie

When I toured Paso Robles last year, I found myself rather intrigued by a gated Westside estate that was under development. Was this oddly-named winery a latent tribute to a Black & White puppet show that lurked deep in the recesses of my memory? kukkula, it turns out, is the Finnish word for “high place” (kukla is the transliteration of κούκλα or кукла, the respective terms in Greek and in Russian for doll), a most apt description of Kevin Jussila’s aerie. Finnish varietals are an unknown species to me, but Kevin compensates by giving his intriguing wines names like the 2008 vaalea, meaning “fair” or “white” to his Viognier/Roussanne blend or 2006 sisu, the term for “patience” or “perseverance”to his GMS blend. His superb mélange of Grenache, Mourvèdre and Zinfandel bears the label of 2006 Lothario, a moniker I often fancy for myself, while his Cabernet Sauvignon/Syrah goes by the inornate 2006 in the red.

During the height of the dot.com explosion, a popular Italian restaurant in Mill Valley decided to open a branch in Palo Alto; rather than clone the name, they decided to hold a contest to see who could come up with the most clever appellation (the prize being a free meal every week for life, if I recall correctly). I submitted Il Pastaio Ottimo, meaning “the best pasta maker” but also deftly abbreviated as I.P.O. kukkula also produces a wine with the same acronym, a mostly Cabernet Sauvignon blend paying tribute to Kevin’s real job as a financial advisor. I tried to persuade him to drop off a bottle of his 2005 i.p.o., along with his business card, on the doorstep of every VC firm in the complex, but he demurred. Maybe I should have purchased a couple cases and left a bottle with Sostevinobile’s card instead!

As much as I enjoyed kukkula’s wines, my great discovery of the afternoon had to have been Roger Nicolas’ RN Estate. I could lavish superlatives on these wines all day (in between repeated sips, of course)! Two of these wines, the 2007 Young Vine Zinfandel and the 2006 Enfant Prodigué, a Mourvèdre/Syrah/Zinfandel blend, I conservatively scored as excellent. The other two Roger poured, the 2007 Cuvée des Artistes (Cabernet Sauvignon, Syrah, Zinfandel) and the 2007 Cuvée des Trois Cépages (a more traditional Cabernet Franc, Cabernet Sauvignon and Merlot) well warrant the resurrection of my highly-coveted.   

I did skip a handful of attending wineries to which I have given extensive coverage in previous entries here, but concluded this tasting with Maloy O’Neill, another winery that had escaped previous notice. Quite the versatile viticultural venture, they impressed me with their 2005 Zinfandel, the 2005 Private Reserve Syrah, the 2005 Cabernet Sauvignon Windy Hill, and the 2005 Malbec. However, I was most struck by their 2005 Lagrein, a wine that contrasted strikingly with the Lagrein from Sonoma’s Jacuzzi that I have previously assayed here.

As the trade portion of this tasting drew to a close, I sadly could not convince BeiBei to accompany me to the evening’s tasting in San Francisco. In retrospect, I probably ought to have fortified myself with a little sisu (the concept, not the wine) and loitered with the winery crews until the public arrived; instead, I basked in a few minutes of rare sunshine, then headed up Interstate 280 for Wine Enthusiast’s Toast of the Town 2010.

On surface impression, the wine tasting in San Francisco should have had everything going for it: a splendiferous setting inside the War Memorial Opera House, access to innumerable top-flight restaurants and caterers, a well-heeled crowd easily able to swing the $89 ticket price (if not the $169 tab for the VIP tasting), plus a prestigious wine publication as sponsor for the event.

And therein lies the rub. With this kind of clout behind the event, attendees had every right to expect a roster of wines of which only the true cognoscenti might be aware. Instead, table upon table proved to be subsidiaries of the leviathan wine corporations of this world: Gallo, Constellation, Château Ste. Michelle, Jackson Family Wines, Folio, Hess Collection, Trinchero, Coppola, Kobrand, Diageo, Banfi, Moët Hennessey, Delicato, Artesa, Crimson Wine Group, Foley Family Wines, Don & Sons (aka Sebastiani). To put things more succinctly, the greatest hits of Safeway’s wine aisle—minus Brown-Forman.

This isn’t to say that, even within these conglomerates, there aren’t quite a number of excellent labels and individual wines. I even sampled from BV, Cardinale, Archery Summit, and Robert Mondavi, to name but a few. But a neophyte could have put together this list as easily as Wine Enthusiast did—just without their imprimatur. And that hardly warrants an $89 premium.

On the plus side, Farallon generously shelled out tray upon tray of Champagne Poached Oysters, Cindy Pawlcyn’s Go Fish Restaurant whipped up a superb Shrimp & Lobster Salad, an Oakland establishment called Home of Chicken and Waffles covered everyone’s comfort food needs with Fried Chicken and Macaroni & Cheese, while Bistro Boudin from Fisherman’s Wharf incongruously assembled superb medallions of Alder Smoked Duck atop shot glasses filled what they described as Beet Gazpacho. Other food purveyors had offerings just as delectable, I am sure, but were already depleted by the time I arrived.

And in all fairness, there were more than a handful of independent wineries scattered throughout the four floors of this event. Jordan showed its usual flair with both its 2008 Chardonnay Russian River Valley and 2006 Cabernet Sauvignon Alexander Valley. One of Crushpad’s last, lingering autonomous labels, PerryMoore, impressed with their 2006 Cabernet Sauvignon To Kalon Vineyard and their 2007 Cabernet Sauvignon Stagecoach Vineyard. From Monterey, Josh Pierce of Pierce Ranch impressed me with his 2008 Albariño San Antonio Valley, while international wine mini-mogul Jean-Charles Boisset poured a selection of his family’s California and French labels, including DeLoach’s 2007 O.F.C. Reserve Pinot Noir, Lyeth’s wondrous 2006 Meritage, and newly-acquired Raymond’s 2007 Reserve Chardonnay.

Before I bring this review to a close, I wanted also to mention the presence of three promotional associations of independent wineries who poured a representation of their members’ wines. Unfortunately, each had far too many offerings for me to serve them justice during the limited time span of this event, and I can only urge them to hold a collective tasting like the Paso Robles Wine Country Alliance sometime in the near future. Of course, I fully expect once again to attend the Grand Tasting for PS I Love You at Concannon, America’s birthplace of Petite Sirah, in the summer. And I hope Jim Ryan will use this event as a model for the members of his Livermore Valley Wine Country to establish a tasting of their own. Lastly, being sandwiched in-between Santa Cruz, Santa Lucia Highlands, and Paso Robles, Monterey Wine Country has plenty of examples to follow if it decides to a trade tasting of the diverse wines within their AVA.

Two tastings in one day—a lot to absorb, a lot to record, and (perhaps) too much to imbibe. My trek from San Francisco to Menlo Park and back covered nearly eighty miles and a wealth of contrast between the two cities and the events they had hosted. Perhaps Charles Dickens said it best: “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to heaven, we were all going direct the other way…”

Nyah! That’s way too much to swallow!

 

Shticks of One and Half a Dozen of the Other

The late, great Abbie Hoffman used to cite Mad Magazine as one of the most profound influences on his political philosophy. I would add that anyone whose formative years fell with the span of the 1950s or 1960s would attribute their anarchist or outré tendencies not just to Mad but to the musical parodies of Allan Sherman. No one else could concoct such inspired lyrics this excerpt from the purloined title to this installment illustrates:

Do not make a stingy sandwich
Pile the cold cuts high
Customers should see salami
Coming through the rye

Had he lived, Allan would have turned 85 next week. Your West Coast Oenophile attended a dizzying whirlwind of wine tastings, business meetings and sustainable summits, all in the pursuit of making Sostevinobile a viable enterprise. My half dozen or so undertakings included:
The San Francisco Green Festival
hereby promise I will never again complain about the enormity of ZAP! This comprehensive three-day expo at the San Francisco Concourse, with 1062 trade booths, along with numerous stages, food and drink stations, and a full slate of lectures and forums overwhelmed even the most fervent attendee.

Granted, many of the exhibitions I eschewed may have held a significant personal interest; the sheer enormity of the event dictated that I restrict my time to those presentations that would likely offer a direct applicability to the sustainable designs Sostevinobile intends to implement in order to obtain LEED certification. Within the limited block of time I could allot on Sunday, I first paid my obligatory calls on acquaintances that have lent their support to my efforts, like Dharma Marketing ServicesGreen Key Real Estate, and Inka Biosphere. I missed the entire slate of lectures, including the Punahou Kid’s putative pal, Bill Ayers, and his wife, Bernadine Dohrn, but did manage to visit with a number of solar technologies, the Green Restaurant Association, and a green billfold manufacturer, a concept which, sadly, is designed to make your wallet qualitatively thinner, not, as I would have hoped, quantitatively fatter.

 

Hello Muddah, Hello Fadduh!

To no one’s surprise, I eventually found my way to the sustainable wine section, where a handful of organic vintners displayed their wares. I wish that Coturri had not run out of wine so early, but I anticipate seeing them next week at the Green Wine Summit in Santa Rosa. On the other hand, La Rocca Vineyards came amply supplied, affording me opportunity to sample several of the wines I’d missed at the CCOF Organic Beer, Wine and Spirits Tasting. I found much to admire in their 2006 Cabernet Sauvignon and their 2006 Chardonnay, as well as their lower-end 2006 Zinfandel; still, rumors of a $50 Barbera and a reserve 2002 Lush Zinfandel left me with a sense of askance. Once again, Frey Vineyards held a strong presence, even without the soon-to-be wed Eliza. I do wish I could be more sanguine about their 2005 Biodynamic Syrah, a wine that cried for better vinification, but I was quite pleased by my first taste of their 2007 Organic Sangiovese.
Being a wine importer, Organic Vintners would normally fly beneath Sostevinobile’s radar; however, they do contract out a line of vegan wines from Mendocino that they bottle under their own label. I found their samples of the 2008 Organic Vintners Vegan Chardonnay and the 2007 Organic Vintners Vegan Pinot Noir accessible and refreshing. The surprise of the afternoon came from Beaver Creek, a biodynamic winery from Middletown (Mendocino County) showcasing their first release. The four wines owner Radan Bruno Kolias poured all made enormously favorable impressions, notably his 2007 Merlot Rutherford, the 2007 Cabernet Sauvignon Lake County, and the 2007 Zinfandel Lake County. Nonetheless, in this age of austerity, his one wine priced below $60, the 2007 Red Wine Napa Valley, proved the standout of the afternoon, a traditional Meritage that highlighted how skilled biodynamic farming can educe the intensity and incredible flavors inherent in each component.
On my way out, I passed by a table for Rudolph Steiner College, an institution in the Sacramento town of Fair Oaks, billed as a “center for anthroposophical studies and transformative adult education,” as well as a college for preparing teachers for the Waldorf system. Steiner may have concocted the elaborate rituals and practices of biodynamic farming, but I still managed to bypass their application forms.


The biggest door in all of San Francisco
Duty called unexpectedly the next night. I had hoped to spend a quiet evening at home, but around 7 PM I espied an Internet posting for a wine tasting at Local Kitchen & Wine Merchant, one of the more successful wine-focused operations in San Francisco. I say wine-focused because local manages to be a restaurant, enoteca, wine shop, tasting room, and corner convenience store, all in one setting. It also boasts a massive, 25′ high front door designed to ward off all but the most intrepid. Or perhaps it was inspired by another Allan Sherman parody:

Last night I met a man from Mars, and he was very sad
He said, “Won’t you help me find my girl friend, please?”
So I asked him, “What does she look like?”
And the man from Mars said, “She’s…
Eight foot two, solid blue,
Five transistors in each shoe,
Has anybody seen my gal?

I feel I can make small jest because Sostevinobile and Local, though widely disparate, are kindred operations with much to offer each other on a coöperative basis. The complimentary admission provided me and other members of the wine and restaurant trade speaks to this notion of camaraderie or alliance. 
The tasting lacked any air of pretentiousness, so it seemed only fit to start off easily with San Francisco-based Heron Wines, an interesting collection of low-priced wines Laely Heron makes from vineyards she contracts locally and abroad. Her California wines approachable and eminently fair, for their price point; though Merlot is apparently her forte, I found the 2007 Heron Chardonnay the most compelling of the four wines being poured. At the other end of this evening’s spectrum, Trefethen showed its considerable chops, as it were. Its 2005 Reserve Cabernet Sauvignon Oak Knoll District, a wine rounded out with 4% Malbec and 2% Petit Verdot, certainly can hold its own against any Napa Cabs from this esteemed vintage, but their standout on this particular evening was certainly the 2008 Dry Riesling, a subdued wine would pair marvelously with a wide array of entrées or, as an apéritif, would be sure to “Loosen” up any affair.
It was good to “Bump” into Sandra Rex (iPhone aficionados know what I mean) from Deerfield Ranch Winery at this tasting and sample her 2005 Red Rex, a Cabernet Sauvignon-Merlot blend nuanced with Sangiovese, Petit Verdot, Syrah, Cabernet Franc and Zinfandel. Less complicated but as appealing were the 2004 Shiraz Cuvée and the 2004 Merlot Cuvée. Though restricted to the traditional Bordeaux varietals, the 2006 Meritage from Dry Creek Vineyard offered a nonetheless distinctive balance of 36% Merlot, 25% Cabernet Franc and 23% Cabernet Sauvignon, with 8% each of Petit Verdot and Malbec.
Raymond is a winery that can trace its roots back to the founding of Beringer in 1876. Their five-generation Napa heritage seemed abundantly evident in their 2005 Reserve Merlot and the 2006 Cabernet Sauvignon being poured at Local. Another long-standing wine operation, Gallo, showcased a pair of its North Coast acquisitions, the 2007 MacMurray Ranch Pinot Noir and the 2006 Napa Cabernet Sauvignon from Louis M. Martini.
Landmark Vineyards is a Kenwood winery known for its lush Chardonnays and colorful appellations. I enjoyed both the 2007 Overlook Chardonnay and the 2007 Steel Plow Syrah, but found the 2007 Grand Tour Pinot Noir easily the most memorable. On the other hand, I will always remember Alexander Valley’s Trentadue Winery because I belatedly discovered their sparkling wine two weeks after my 32nd birthday; this evening, their 2005 La Storia Zinfandel left a much happier recollection.
Two titans of California sparkling wine share a distributor, Maison Marques & Domaines, as well as a table at the event. Both the NV Roederer Estate Brut and the NV Scharffenberger Brut were exceedingly delightful. Their sister operation, Carpe Diem, is a California-based project from Christian Moieux of Château Pétrus and Dominus fame, with his Yountville site releasing its new 2006 Carpe Diem Cabernet Sauvignon and his Firepeak Vineyards in Edna Valley crafting the elegant 2006 Carpe Diem Pinot Noir.
The final station of the evening also featured a selection of different labels from Niven Family Wine Estates. Under its Baileyana label, I found both the 2006 GFC Chardonnay and the 2007 GFC Pinot Noir exceedingly delightful. The more moderately price Tangent line offered an impressive 2008 Riesling and the 2007 Ecclestone, an eclectic blend of Pinot Gris, Pinot Blanc, Albariño, Viognier, and Riesling.
I lingered well after the tasting had finished, comparing notes with Local’s Carl Grubbs and helping to polish off much of the wine that had been left behind. How I managed to pull open the 25′ front door afterwards, I’ll never know.


Euthanamerica
The generational divide is hardly something new. Even things that now have become inextricable totems of our culture often met considerable resistance at their inception. Note Allan Sherman’s timeless paean to parental disaffectation, Pop Hates the Beatles:

My daughter needs a new phonograph
She wore out all the needles
Besides, I broke the old one in half
I hate the Beatles!

Needless to say, there are stark contrasts between the up & coming generation of winemakers and the generation that preceded them. Today’s new winemakers are folks for whom recollection of the Vietnam War holds no immediacy and who have known Michael Jackson only as being white. They bear no connection to that era when bigger meant better, more meant more, and the goal for most vineyardists was to force as many tons of grapes per acre that the land, along with chemical intervention, could sustain. Throughout California and the rest of the West Coast, this generation pays fealty to the notion that sustainable stewardship of the soil stands imperative not just for preservation of the environment and insulation against climate change but for the production of the highest quality of wine, as well.
Twenty of this generation’s most prominent practitioners of the viticultural arts took part in last week’s California’s New Generation Vintners and Growers, a joint presentation of The Wine Institute and the California Association of Wine Growers at Sausalito’s glistening eco-resort, Cavallo Point. Part demo, part workshop, this event bracketed a series of informative colloquia with a delectable tasting of numerous wines these 30-somethings are producing.
Not surprisingly, most of these representatives have enthusiastically embraced new media and social networking. The panel on Hip & Trendy Marketing highlighted a wide array of tools and techniques they have embraced for promoting their wines and keeping wine enthusiasts engaged in an active community. Everything from blogs and content-rich Internet sites (vs. strictly e-commerce or a static informational web presence) to audio and video podcasts to active Web 2.0 presence on Facebook, Twitter and the like, as well as targeted live events and promotions, all form essential components to this new mix. To put it another way (in references that may fly by this group), Orson Welles and Bartles & Jaymes have most definitely become passé!
Also passé is the kind of homogeneous winemaking style that prevailed in the period when jug-style blends dominated the viticultural landscape. As elucidated in Evolving California Wine Styles, today’s terroiristes focus on a winemaking style that reflects both the characteristics of the viticultural appellation from where the wine is grown as well as the individualized stamp of the winemaker. No longer can myopic attempts to be universally dismissive of the wines originating from here hold any weight, as sweeping generalizations like “California’s high alcohol content” of “fruit-forward focus” loom as relics of a by-gone era.
Much to Sostevinobile’s pleasure, green guidelines are not a matter of conversion to these new vineyardists and winemakers, rather principles by which they have always functioned. Though the terms “organic” and “sustainable” can sometimes be mutually exclusive, this generation is overseeing a convergence of both into a unified standard for upholding the ecological integrity of their vineyards and operations. Equally, these practices highlighted in Eco-Friendly Growing and Winemaking are deemed vital to the environment at large, elemental to the production of superior wine, and essential to the preservation of lands that often have been held by multiple generations of each family.
The notion of heritage holds strong for many of these panelists. In their opening session, Next Generation: Passing the Torch, ties to the wine industry and to family-held wineries ranged from 2nd generation legacies to 5th and 6th generational operation of holdings founded in the 19th Century. And, if not unabashedly heterosexual, this current wave of winemakers is certainly intent on passing on their legacy to yet another generation. Of the 20 young winemakers we met, at least eight were either pregnant or had a spouse imminently expecting!
My companion for this afternoon, San Francisco wine broker Karen Mancuso, and I both readily enjoyed the face-to-face contact with these rising stars of the wine world, and, of course, the opportunity to sample their wines. As we were scheduled to attend a reception for the Auction Napa Valley that overlapped this event, I may have bypassed a few stations, but found much here to merit my encomium.
Although Mike Heringer’s family dates back six generations in Clarksburg, his Heringer Estates winery is a label I had not previously encountered. I found his 2008 Viognier was the perfect complement to the extraordinary crab cakes from Murray Circle that circulated throughout the tasting room, while discovering his 2005 Petite Sirah proved truly serendipitous. I failed to convince one of the servers that the trays of crab cakes were intended exclusively for me; nonetheless, I did receive an overly generous second portion that balanced equally as well with the compellingly dry 2007 Riesling from Jason Smith’s Paraiso Vineyards.
Edna Valley Vineyard is a Diageo holding that produces a number of wines, particularly Chardonnay and Pinot Noir, in high volumes that stores like Safeway and BevMo readily scoop up; these vineyard-designated bottlings are well-priced and easily stand a cut or two above the various “Coastal” labels that occupy the same shelves. Less familiar is its moderate production of underrepresented varietals like Grenache, Mourvèdre, Pinot Gris, and Viognier, as well as a number of small bottlings sold only through their tasting room in San Luis Obispo. From this latter category winemaker Josh Baker brought the 2007 Estate Chardonnay and the 2006 Estate Syrah, a pair of wines that resonated with the same craftsmanship that distinguished this winery when it was still part of the Chalone portfolio. Still independent following six generations of family farming, Bogle produces a well-recognized budget brand that exceeds expectations for its price range. This Clarksburg winery’s vineyard manager, Warren Bogle, showcased his 2006 Petite Sirah, the varietal for which Bogle is primarily known.
Having a name like Cane Vanderhoof almost predestines one to achieving something distinctive in life, and the 2005 Sangiovese Temecula Valley and the 2005 Three Block Syrah he brought from his Miramonte Winery in Riverside County indeed validates my presumption. Andrew Murray may not have as distinctive a moniker as Cane’s, but his devotion to Rhône varietals helps create wines that are as intense. I greatly enjoyed his just-released 2007 Grenache, as well as a 2006 Syrah whose single vineyard I failed to note. Of course, there was no ambiguity in identifying the 2007 Rockpile Ridge Zinfandel from Mauritson Estate, along with winemaker Clay Mauritson’s subtle 2008 Sauvignon Blanc Dry Creek Valley. 
As Karen’s wine brokerage connects her more directly with strictly growers who do not produce their own label, she was happy to introduce me to Nicholas Miller, whose family farms Bien Nacido, Solomon Hills, and French Camp Vineyards. From their grapes, we sampled the 2007 Chardonnay Clos Pepe from The Ojai Vineyard and a most compelling 2005 Syrah from Kynsi Winery. I needed no introduction to Alan Viader, as his sister Janet is always kind enough to invite me to innumerable wine tastings. And I needed no incentive to taste Viader’s 2006 DARE Cabernet Franc, after I had so delighted in the 2005 vintage earlier this year.
Another old familiar I whose current vintage I was happy to sample was the 2008 Gewürztraminer from Navarro, whose winemaker Sarah Cahn-Bennett had managed to avoid the pregnancy pandemic cited above. I can’t recall whether Cheryl Murphy Durzy from Morgan Hill’s Clos LaChance was enceinte, but she did manage to coax me into trying her 2006 Lila’s Cuvée, a superb GMS blend rounded out with Carignane. Rounding out (no pun intended) the tasting were the twin labels from Nick de Luca: Dierberg Estate and Star Lane Vineyard, ably represented by the 2006 Dierberg Vineyard Chardonnay Santa Maria Valley and the 2006 Star Lane Merlot Santa Ynez Valley.
I managed to squeeze in a few quick pleasantries with Judd Finkelstein, Kathy Benziger, and Aaron Lange, all of whose families I’ve met on several previous occasions before we were compelled to make our abrupt exit. About a mile before reaching Oxbow Public Market in downtown Napa, Karen looked at her iPhone calendar and exclaimed, “Oh no! The party isn’t until Thursday!” It was too ludicrous a scenario not to laugh. We decided instead to drop by the Bounty Hunter, where proprietor Mark Steven Pope, self-billed as “MERCHANT♠NÉGOTIANT♠VINTER” treated us to some of his own bottlings of Cabernet Sauvignon from Beckstoffer Vineyards. À propos of our misadventure, we dined on Bounty Hunter’s fabled Beer Can Chicken, the one that’s roasted with a full can of Tecate plugged up its…cavity.


Devi essere ancor più bella nel buio…
As Karen and I combed downtown Napa Tuesday evening, my iPhone rang with a call from the young Siciliana I was scheduled to meet after work on Wednesday. Why wasn’t I at our destination?
Again, my bemusement got the better of me. The next night, she reprised our meeting at Paréa, a quaint cafe in the Mission focused on Greek wine and cuisine. Despite this billing, I found the 2005 Pinot Noir Willamette Valley from Benton Lane a more apt compliment to the cold dishes we ordered. I think she ordered something Greek. I think she told me about a breakthrough sustainable UV technology her company was promoting. I kept thinking “if only she spoke Italian…”


$10,000,000,000,000 and counting
Thursday was my turn. I actually rose before 8 AM and pedaled across the City to the William J. Rutter Center at UCSF’s new South Beach campus in order to attend the Teaming USA Bay Area Workshop. I registered in the cavernous, ground floor lobby (everything at the William J. Rutter Center is cavernous), collected my three pounds of handouts, loaded up on some much needed coffee plus an Apple Crumb muffin, then scoured the Robertson Auditorium for an available seat.

 

I had thought this full-day workshop was intended to help emerging business like Sostevinobile navigatethe sea of opportunities available to start-ups and small businesses inthe wake of the Federal Stimulus Program. After all, the invite hadread: “Teaming USA will focus on preparing a business to be ‘contractready…’ Attendees will learn how to secure proper certifications,clearances, and registrations and identify new selling areas throughthe 85 billion dollar federal stimulus funding for California.

Turns out I was way off the mark. This program was actually designed to enable small businesses to partner with large enterprises and help secure their government contracts. As such, the auditorium was overflowing, if then some, all looking to help enlarge the Federal deficit. As I slinked out the side entrance, I couldn’t help but contemplate that I could get everyone there to enjoy just one glass of wine at Sostevinobile, we’d be profitable within the first week!


An act of Providence
Despite how it may sound, Brown Entrepreneurs is not a Dick Cheney-sponsored, knee-jerk reaction to Green Technology. The local chapter of the Brown University Alumni Association has been holding these informal klatchs for the past several months in the hope of spurring the development of new enterprises spearheaded by its San Francisco graduates. Twenty-four hours before Thursday’s gathering, I unexpectedly discovered I had been selected to pitch my development plans for Sostevinobile. A golden opportunity, or so I thought, to meet with a number of potential investors and solicit the start-up funding we are currently seeking.
Despite having cracked the bifocal contact lens on which I have become so dependent of late, I was determined to make a stellar impression. I printed up several handouts of Sostevinobile’s Keynote presentation and summary, polished my Luccheses, and rehearsed my elevator pitch about a dozen or so times. Luck even seemed on my side, as I managed to coax the bartender at the University Club to serve me a relatively decent Pinot Noir (instead of the utterly dreary Salmon Creek that has become their standard pour) before joining the group in the private room that had been reserved for this event.
Much to my disappointment, the Entrepreneurs was more of a support and discussion group among a handful of people either contemplating new ventures or simply interested in the field. Not a VC or angel investor in sight. Despite my misconception, I resolved to deliver my spiel with comportment and enthusiasm.
Or so I intended. To put it gallantly (if not Gallicly), when it comes to public speaking, ceci n’est pas mon forte. Then again, I had attended Brown for its Graduate Program in Playwriting, a genre that enables me to compose words and have others speak them for me. matter. Still, the realization of Sostevinobile rests, at least for now, entirely upon me, and it was a valuable lesson to flub my delivery in front of an audience of this nature, rather than one that might have offered me funding.
Back when I moved to Providence, the Brown campus radio station, used to delight in taunting celebrity freshman JFK Jr. with Allan Sherman’s outré novelty hit, I Think I Slept with Jackie Kennedy Last Night:

Met this girl and she was real nifty
Even though she was pushing 50…

Oh wait, that was David Roter’s song…

Make Wine, not War—the Sequel

I haven’t written about the Punahou Kid since he took office. Of course, if he had actually accomplished anything beyond soaring rhetoric over the past nine months, I might have felt compelled to comment. Still, I find it alarmingly incongruent that a person perpetuating one war and escalating another can be accorded the world’s most revered award for the promulgation of pacifistic ideals. Failure to see the inherent contradiction here fundamentally correlates to an unabashed appreciation of the Blue Angels as a precision flight formation performing purely for entertainment value, while myopically ignoring the militaristic propaganda underlying such displays.

Far better to see military facilities turned to civilian use. Once again, Your West Coast Oenophile had the pleasure of visiting one such converted base, this time on the man-made Treasure Island, a four hundred acre development attached to the natural formation of Yerba Buena Island at the middle juncture of the Bay Bridge. This past Sunday, the first annual Treasure Island Wine Fest hosted Lodi on the Water, a celebration of more than 40 wineries from this surprisingly diverse AVA can no longer be considered the backwater of the California wine industry.

 

A chance to see old friends, a chance to meet new ones. Before I started developing Sostevinobile, the Ginkgo Girl and I ventured out to the delta for Lodi Zinfest on a day where the temperature rose above 100° F. Not exactly the most conducive way to pour or to taste wine. This weekend, however, a fog so heavy the Blue Angels had to cancel their Saturday performance hovered well into the afternoon before dissipating.
Not that the wines still weren’t in danger of overheating. An overwhelming crowd had already inundated the tent Treasure Island had recently erected to host large gatherings even before I arrived—and this was only the preview reception for media and trade. Dreading the arrival of the public attendees, I beelined over to the table for Mokelumne Glen, a winery I believe is the only producer in California devoted exclusively to German varietals. With such scant basis for comparison, I concede I feel somewhat hesitant to assess these wines, though the 2008 Late Harvest Kerner certainly ranked as one of the standouts; also quite pleasing, the 2008 Bacchus blended Müller-Thurgau with a Riesling/Sylvaner hybrid.

Another hybrid varietal grown with greater proliferation in Lodi is Symphony, a cross UC-Davis developed from Grenache Gris and Muscat of Alexandria. Abundance marries Symphony with Sauvignon Blanc to create their 2007 Bountiful Blanc, a most distinctive blend. I used to drink their 1999 Viognier almost religiously and had hoped to sample their current vintage, Nonetheless, their 2005 Abundantly Rich Red, a Carignane/Zinfandel mélange, provided more than satisfactory consolation. Murphys stalwart Ironstone Vineyards offered an undiluted interpretation of Symphony with their 2008 Obsession, but true kudos belonged to their 2006 Cabernet Franc.
Ironstone’s Kautz family also produces Christine Andrews as a more sophisticated line of wines. Certainly their 2007 Malbec, though still young, portended a promising evolution, but I found myself wishing they’d brought their 2005 Tempranillo as a benchmark.

Not that the afternoon was lacking for Spanish varietals. Assuredly, Lodi’s leader in this category has long been Bokisch Vineyards, which also spearheads Lodi Rules, the rigorous standard for sustainability throughout this AVA. Markus could not attend this event, owing to harvest duties, but, much to everyone’s delight, this wife was on hand to promote the winery. Liz is the kind of girl who could pour Two Buck Chuck and make it taste good, but her own wines required no embellishment. I found myself liking the 2008 Albariño better than its previous vintage, while the 2007 Garnacha outpaced the other reds she offered.
Standing just behind her, Harney Lane’s interpretation of Albariño seemed somewhat fruitier, but both their 2007 Zinfandel and their 2006 Petite Sirah were monumental expressions of their particular varietal. Housed in Elk Grove, McConnell Estates also produced a noteworthy 2006 Tempranillo, as well as a forthright 2006 Petite Sirah, while Acampo’s St. Jorge Winery accompanied its stellar 2007 Tempranillo with a refreshing take on the standard Portuguese white varietal with their 2008 Verdelho. With a motto of “No Boring Wines,” Ripken Vineyards certainly produces strikingly colorful labels, but I felt neither the 2005 Vintage Port nor the 2006 El Matador Tempranillo had quite the same con gusto zest that their packaging conveyed. Still, I was quite enamored of their immensely flavorful 2006 Late Harvest Viognier.
What? No Pinot? In addition to German and Iberian grapes, Lodi offers a wide range of Italian, Bordeaux and Rhône varietals, not to mention a ubiquitous supply of Zinfandel (interestingly, no one with whom I spoke ventured to mention Tokay or the other filler grapes that made up the bulk of Lodi’s growing 25 years ago). I typically think of Peltier Station for their Petite Sirah, and was pleased to discover their new Hybrid label, a line of sustainable wines that included a new 2007 Hybrid Petite Sirah, as well as a nicely drinkable 2008 Hydrid Pinot Grigio. Watts Winery is a small operation with a big heart—they produce a special On Wings of Hope line to benefit Burkitt’s lymphoma research. I wish they would have taken their 2005 Montepulciano to the tasting, but their 2005 Dolcetto Los Robles Vineyard Clements Hills was more than delightful in its own right. Time constrains caused me to overlook the 2007 Pinot Grigio from Van Ruiten Family Winery, though I did manage a taster’s sip of their splendid 2006 Cab-Shiraz.
Several years ago, I introduce Macchia to Consorzio Cal-Italia; this tasting offered a chance to reconnect and sample their 2007 Amorous Sangiovese and their 2007 Delicious Barbera (one of several versions of this varietal that they produce). Still, it was their library offering of the debut 2001 Barbera that really sent me back. St. Amant Winery also brought a pair of strong Barbera vintages, contrasting their 2007 Barbera with a just-released 2008 Barbera, Another old acquaintance, l’Uvaggio di Giacomo has simplified its name for non-Italian speakers (something Sostevinobile will never do!), but the new Uvaggio label is undiminished with an outstanding 2005 Barbera and a 2008 Vermentino that makes for an easy apéritif.
The Woodbridge Winery not only compelled the gargantuan industrial wineries in California to start making wines with an eye toward quality, it also catalyzed recognition for the potential of Lodi as a varietal-driven AVA. Although this facility’s repute has dwindled since Robert Mondavi stepped back from personal control, and portends to devolve into an indistinguishable jug factory under the current regime, they still managed to produce a respectable 2008 Vermentino for this event. I can’t say that Constellation’s other holding, Talus Winery, struck much of a positive chord with any of their offerings, while Gallo’s Barefoot Cellars seemed outright pedestrian compared to their heyday as part of Davis Bynum. Once again, I could not bring myself to warm up to any of the lackluster Campus Oaks wines that Gnekow Family mass-produces. Central Valley conglomerate Delicato Vineyards ponied up to the table with four disparate labels, and managed to make a slightly positive impression with their 2007 181 Merlot.

 

Back to accentuating the positive. One thing for certain, Lodi has know lack of inventiveness in coming up with offbeat names for their wines.Witness Michael~David Winery,which seemingly tries to squeeze more life out of a pun than juice can be extracted from a ton of grapes. From their collection of collection of 7 Deadly Zins, I immensely enjoyed the 2006 Gluttony Zinfandel and luxuriated in the 2005 Rapture Cabernet Sauvignon; also noteworthy but obvious, their 2007 Petite Petit, a Petit Verdot/Petite Sirah blend. Grands Amis also offered a young but promising 2007 Petit Verdot and a similarly evolving 2007 Première Passion, a Bordeaux-style blend of Cabernet Sauvignon, Merlot and Petit Verdot. Along with their noteworthy, 2007 Estate Petite Sirah, Vino Con Brio! shared their 2008 Estate Brillante, a deft mix of Viognier, Roussanne, Pinot Grigio and Sauvignon Blanc and the 2008 Passione Rosé, a blushing Sangiovese. Stama Winery made their pitch with the 2005 Curvaceous Cabernet and 2007 Zany Zin, but I cottoned more to their 2005 Late Harvest Sauvignon Blanc.In and of itself, Klinker Brick is a great name, so they can be excused if their 2007 Farrah Syrah is a tribute to owner Farrah Felten and not the late Charlie’s Angel. Besides, their 2007 Old Ghost Zin was enough to make one downright jiggly!

A pun on the name of owner Dave Dart led to the development of d’Art Wines, a highly stylized line of wines that feature the artwork of spouse Helen Rommel Dart on the labels. With lush red coloring on the inside of the bottles, as well, they painted a bold swath with both their 2007 Tempranillo and the 2007 Zinfandel. m2 Wines featured their 2007 Artist Series’ Zinfandel, a perennial commissioned showcase, along with their appealing Syrah/Petite Sirah mix, the 2006 Duality and the 2007 Trio, which blends the same varietal with a predominant Cabernet Sauvignon. The artwork of painter Chris Spencer adorns the very Van Gogh-like label for Barsetti Vineyards. Though it may seem heretical these days, their oaky 2006 Chardonnay outshone their steel-barreled version from the following vintage.; their 2006 Zinfandel showed quite nicely, too.
Several Lodi wineries stay close to the basics and produce quite admirable wines. The Lucas Winery offered a 2006 Chardonnay, as well as a panoply of different Zinfandel bottlings, featuring their 2005 Zinstar. I remain surprised that Maley Brothers still lacks a website, but their trio of 2004 Merlot, 2006 Petite Sirah and 2005 Zinfandel remained as true as when I’d previously sampled them. Lodi mainstay Berghold Vineyards, a long-standing acquaintance, brought out a truly elegant 2005 Cabernet Sauvignon, along with the debut of their 2006 Footstomp Zinfandel, both estate bottlings. And it was no onus to sample the 2007 Chardonnay and 2005 Cabernet Sauvignon from Onus Vineyards.
Readers know I am never hesitant to tweak the wineries, whenever I see an opening. I told Trinitas Cellars their 2006 Ratzinger Zinfandel tasted rather “papal;” I was also quite fond of their 2005 Old Vine Petite Sirah. I also thought Oak Ridge Winery needed a wine called Elvira, but they handled themselves quite ably with their 2007 3 Girls Cabernet Sauvignon and the 2005 Moss Roxx Zinfandel.
Call it an Italian thing—I’ll refrain from the obvious puns on Borra Winery, tempting though they may be. Their designated 45.7° series may seem eclectic to some, but their Fusion wines, particularly the 2008 Fusion–Red, a blend with 60% Syrah and 30% Petite Sirah (with other varietals comprising the remaining 10%) set the standard for this winery. I hold a similar respect for LangeTwins, a winery that has been cited for its implementation of sustainable technology and long-standing dedication to environmental preservation. Their 2007 Petit Verdot shows that their fidelity to the Lodi Rules only enhances the flavor of the wine; the 2005 Midnight Reserve is a finely-tuned Bordeaux blend, with Cabernet Sauvignon predominant.
Zinfandel being a hallmark of Lodi, it was not surprising to find some wineries exclusively featuring this varietal, like the Paul Simeon Collection, whose only pour was their 2007 St. Sophia Zinfandel. Benson Ferry staged a Zinfandel trifecta, with their 2006 95240 Zinfandel zipping by and winning by a nose. Jessie’s Grove Winery also featured a number of their Zinfandels, including the cleverly-named 2006 Earth, Zin & Fire and a deep 2006 Westwind Zinfandel; My true fondness, however, was reserved for their 2008 Chardonnay and the 2008 Jessence Blanc, a Roussanne/Viognier blend.
I concede that my fondness for Harmony Wynelands may have precipitated from the charms of event coordinator Kitty Wong, who was on hand to pour their esoteric 2006 GMA, a marriage of Mourvèdre, Grenache and Alicante Bouschet. This latter varietal, a cross between Grenache and Petit Bouschet, a hybrid vitis vinifera created from Aramon and Teinturier du Cher, which gives Alicante Bouschet the rarity of having red flesh; such a complex pedigree is cause for Harmony Wynelands to give its bottling the lofty appellation of 2005 Alicante Bouschet Premier Crush. On the less exotic side, I also found their 2006 Riesling quite approachable, as well. 
In contrast, Heritage Oak Winery may have seemed to venture into the slightly exotic with their quite satisfying 2007 Vino Tinto, but its Spanish appellation belied a distinctly California combination of Zinfandel, Syrah and Petite Sirah. Their 2007 Block 14 Zinfandel was equally appealing. Namesake Carl Mettler of Mettler Family Wines provided a well-received 2007 Epicenter Old Vine Zinfandel, along with the 2005 Petite Sirah and a somewhat early 2007 Cabernet Sauvignon that offered indications of future promise. Further down the row of tables, Vicarmont Vineyards’ Vic Mettler chose to stake his claim in the Right Bank’s dominating varietal, with a 2007 Vicarmont Merlot and the palindromic 2006 vMv Merlot.

My general sense is that the Lodi AVA, which had but eight working wineries in 1991, has made sizable strides in its viticultural evolution, especially since my last visit in 2007. Even though I would rate the inaugural Treasure Island Wine Fest as one of my more manageable tastings this year, with 43 wineries attending, there clearly was a enormous amount of information (and wine) to absorb. Certainly, a more capacious guide than a two-sided 8.5″ x 11″ print would have helped make the event more manageable, but I managed, most ironically, to visit with each of the presenters, thanks to the Blue Angels! Had they not put on their display somewhere near the midpoint of this marathon, the bulk of the crowd would have remained inside the tent, and my mounting sense of claustrophobia would have never permitted me to finish. Go figure!
I managed to attend a number of other tastings this past week, including Napa Valley Vintners’ Battle of the Palates that kicked off Harvest Week in San Francisco on Monday and Wednesday’s sumptuous Wine & Spirits Magazine Top 100 Tasting at The Galleria. The Punahou Kid came to town Thursday, yet inexplicably neglected to invite me to either of his soirées. I could have stood outside the St. Francis and joined the protests over the predictably lackluster results of his stewardship or the feckless selection of the Nobel Prize committee; instead, I opted to spend the evening uncharacteristically uncorking unimaginative imported wines at the Officer’s Club at Fort Mason. The first military base ever converted to civilian usage!

TAPAS: taking off where ZAP began

like to create my own anagrams. Back when Your West Coast Oenophile contemplated becoming a children’s doctor, I devised POPPA, which stood for Pediatricians Opposed to Prophylactics, the Pill, and Abortion, a self-aggrandizing scheme aimed at providing an endless stream of new patients for my future practice. Later, while working at Tetris™ distributor Spectrum HoloByte, I came up with the quintessential Pranksters Hired to Undermine (Your) Competitors’ Quality and Usurp (Their) Prominence and Profitability, otherwise know as PHUCQ UPPOf course, I am always happy to give due credit to others who can hold their own in this arena, and, as Randall Grahm aptly noted in his off-the-cuff discourse, the contrivance to come up with Tempranillo Advocates Producers and Amigos Society in order to educe TAPAS was sheer mastery.
Maybe because I decided to forgo the quintennial gathering of my own amigos from our days of sequestration back in Lakeville, Connecticut, I decided to attend the trade seminar on Spanish varietals, prior to the 2nd Annual TAPAS Grand Tasting at Fort Mason on Sunday. My friend Markus Bokisch broadly elucidated the history and transformation of Albariño vinification quite ably, not terribly surprising once you’ve tasted his own deft manipulation of this varietal. Similarly, Penelope Gadd-Coster navigated aficionados through an overview on Tempranillo that was highly enjoyable and never didactic.
Onward we went, from the seminar in Building D to the quaint antechamber in Building A, known as the Golden Gate Room. Hard to believe this nowadays, but it was in this very same room that the gargantuan ZAP Grand Tasting, which now occupies two entire piers, first took place. A good omen for TAPAS, to be sure, and a much easier venue to reach than the late, great Copia, where their inaugural tasting was held.
This year’s gathering included 36 member wineries from California and Oregon, plus one lone representative from Arizona. In other words, just about the right density to remain manageable for one afternoon. My simple plan of attack meant rounds of seven wineries at a time, interspersed with a recharge of the incredible paella the chefs from Marco Paella were generously doling out from the back of the room. Maybe because of their alphabetically primacy, I first turned my attention to Oregon’s Abacela, a winery owned by TAPAS president Earl Jones. Standout among their pourings was a 2005 Tempranillo, Reserve, Southern Oregon, and I reserved some space for a revisit near the end of the afternoon with their 2006 Port, Southern Oregon, whose memory from last year’s tasting still lingered. A nearby swing brought me to Plymouth’s Bray Vineyards, whose noteworthy 2008 Verdelho preceded a taste of their striking 2006 Vinho Tinto, a blend of 5 Portuguese varietals: Tinta Cão, Touriga Nacional, Souzão, Tinta Roriz, and Alvarelhão (my spellcheck hasn’t a clue about any of these)! Bodega del Sur from Pacifica(!) similarly offered their 2007 Carmesi, an intriguing blend that spanned multiple viticultural designations, combining Tempranillo, Cabernet Sauvignon, and Syrah. Then again, compare these wines with Boeger Winery’s 2005 Milagro, a decidedly more Spanish-leaning mélange of Tempranillo, Cabernet Sauvignon, and Graciano.
Graciano, of course, has long been my favorite offering from Bokisch Vineyards, though I found myself more partial this time to their 2007 Garnacha, Lodi. Another paragon of this varietal was the 2007 Garnacha, Denner Vineyards, Paso Robles from Villa Creek Cellars, whose equally delightful 2007 Mas de Maha, Paso Robles combines Tempranillo with Garnacha and Mourvèdre. I am used to referring to Garnacha by its Rhône designation, Grenache, and I often flip between Mataro and Mourvèdre; calling this latter varietal Monastrell, as does Paso Robles’ Viña Castellano was unfamiliar to me. Nonetheless, this house produces a fine bottling of such but truly stood out for both its 2004 Tempranillo and 2005 Tempranillo. Viña Robles is of course, another neighbor taking liberal advantage of Paso Robles’s abundance of Rhône varietals, using Petite Sirah, Syrah, and Tannat to add to Touriga to make their 2007 Red Blend.
Maybe someday Bonny Doon will swap me a couple of cases of their finest (would that they still made grappa!) in exchange for my insights into Web design. A striking visual site, but a Web presence is supposed to be all about rapid access to information. To be fair, almost every design house I know is as self-indulgent with their own site; still, Randall, who needs hallucinogenic graphics when your 2007 Angel Paille already fits the bill? The good folks at St. Amant Winery offered their version of a post-prandial wine with their 2006 Vintage Port, Amador County, while St. Helena’s Tesouro Port Cellars blended Touriga, Tempranillo, Alvarelhão, Souzão and Tinta Cão to make their 2005 California Dessert Wine, a deceptively generic name for such an intriguing wine. Further north, in Jacksonville, Oregon, Valley View Winery topped the alcohol charts with their 2007 “Anna Marie” Port, Rogue Valley.
Though currently Sostevinobile does not plan to include Arizona in its mix, the Grand Canyon State was ably represented by Callaghan Vineyards, whose 2007 Padres accentuated its 58% Tempranillo with both Petit Verdot and Cabernet Franc. Iberian wine houses permeated in a number of atypical locales, like Livermore’s Fenestra Winery, which finds its strength in Portuguese varietals, including its 2006 Alvarelhão and 2006 Touriga. Also from Livermore, Murrieta’s Well blends their 2007 Zarzuela with Touriga Nacional, Tempranillo, Souzão and Touriga Francesca. Closer to San Francisco Bay, Danville’s Odisea Wine Company offers blends of epic proportion, my favorite being their 2007 Two Rows Garnacha, a duet of Grenache and Tempranillo. Poised at the Bay’s edge, El Cerrito’s Tejada Vineyards offered similar fare with their 2005 Tempranillo & Garnacha Blend, as well as a noteworthy 2006 Tempranillo, Reserve. Quaint Murphys in the Gold Country lays claim to Hovey Wine, with its standout 2007 Rolleri Cuvée Tempranillo, Calaveras County; the urban confines of the City and County of San Francisco, meanwhile, is home to James Judd & Son’s 2006 Tempranillo. Circling back to Jacksonville, Red Lily Vineyards offered one of the day’s standout wines, their 2005 Tempranillo, Rogue Valley.
Anomalies (at least as far as I am concerned) in nomenclature also abounded, to a degree. The parlance of business school should have nothing to do with the soaring, elegiac beauty of viticulture; still, the 2006 Tempranillo, Lake County from Six Sigma Winery represents a commendable undertaking. I kidded the proprietors of Irish Family Vineyards that their label seemed as much an oxymoron as Pasquale’s Corned Beef & Cabbage, but their 2006 Grenache and 2007 Touriga Nacional warrant no ribbing.
Providing their own laughs, of course, was the ever-outré Twisted Oak, with a quartet of nonetheless highly respectable wines, including a 2008 Verdelho from Lodi’s highly regarded Silvaspoons Vineyards. Another familiar face was Constellation’s Clos du Bois, valiantly striving to maintain an individual identity with its 2005 Tempranillo, Alexander Valley, Sonoma Reserve. This blog has also given considerable plaudits in the past to Quinta Cruz, a pre-eminent Iberian wine producer, whose 2006 Touriga combines both Touriga Nacional and Touriga Francesca.
A number of wineries came out with commendable Rosés (Rosado). After Penelope Gadd-Coster’s morning presentation, many folks flocked to the Coral Mustang display to try her 2006 Tempranillo Rosé. Solvang’s D’Alfonso-Curran dazzled with their 2007 Grenache Gris. Trenza/Tangent Wineries offered a 2008 Trenza Rosado, an uncommon Spanish-style rosé from the familiar Rhône the GMS blend. Verdad Wine Cellars, the Spanish division of Rhône-style pioneer Qupé, blended 90% Garnacha with Tempranillo to make its bone-dry 2008 Rosé.
Truth (verdad) was clearly expressed in the 100% Tempranillos from a pair of Napa wineries. Truchard Vineyards offered a vertical from 2000-2005, the standout being their current 2005 Tempranillo. Striking, too, was the 2007 Tempranillo, Shake Ridge Vineyards, Amador County from Yorba Wines. Less orthodox were the predominantly Cabernet Sauvignon blends with Tempranillo from Parador Cellars, although their 2006 Tempranillo Reserva Rancho Chiles was delightful.
Lacking a clever segue, I can only list the remaining presenters without the benefit of thematic continuity. Barreto Cellars proved strongest in their Portuguese offerings, particularly their 2005 Touriga, Lodi. From the next vintage, Pierce Ranch Vineyards shone with their 2006 Touriga . The wonderfully-labeled Dancing Coyote dueling whites from each country, with a slight edge going to the 2007 Verdelho, Clarksburg over the 2007 Albariño, Clarksburg. Premier grape grower Ron Silva, bottling as Alta Mesa Cellars from his own Silvaspoons Vineyards, truly excelled with his 2008 Alta Mesa Cellars Verdelho, Lodi
The standout producer for the afternoon also crushed Silvaspoons grapes. Matt Rorick’s whimsically named Forlorn Hope Wines dazzled with four wines. The 2008 La Gitana was one of only two Torrontés at TAPAS. The 2008 Suspiro Del Moro was, I believe, the only single-varietal Alvarelhão. A third white was his Verdelho, the 2007 Que Saudade. Lastly, he blended Touriga, Tempranillo, Tinta Cão and Tinta Amarela to make his superb 2006 Mil Amores.
It will take perhaps not mil amores but definitely mil amigos to continue sustaining TAPAS. With my strong predilection toward Italian varietals, I have watched the rise and subsequent retreat of these varietals on the West Coast, as well as the dissolution of their trade association, Consorzio Cal-Italia after its promising beginnings. Despite these vicissitudes, including Antinori’s lamentable decision to uproot the Sangiovese vines from its reacquired Atlas Peak, I see inklings of a resurgence in Italian varietals here on the West Coast and, one would hope, a restoration of the Consorzio on par with Rhône Rangers and other specialized advocacies.
I wonder whether Spanish and Portuguese varietals will need to endure a similar oscillation before truly taking hold here. Like Sangiovese and Viognier, I suppose it will take a few tries before vintners truly grasp the full nuance of Tempranillo and its compadres. And, of course, there is still the issue of acceptance from a public that has scant familiarity with these wines. Most people still associate Spanish wine with Sangria and, unfortunately, the taint of Mateus and Lancers still clouds perception of Portugal’s offerings. As always, though, I wish TAPAS all the best with their mission and look forward to the day they, too, move out of Building A and occupy the piers of Fort Mason, just like ZAP (okay, maybe just one pier—there isn’t a paella pan large enough to accommodate both exhibit halls)!