Category Archives: Barbera

Apennine Wine (in 2,000 words or less)

One of these days I will figure out the art of concision. If anyone can demonstrate that they made it through all 6,321 words of the last installment here, Your West Coast Oenophile will treat you to free drinks for a month at Sostevinobile (once we open our doors). Count on it!

In the meantime, readers can vicariously experience the numerous discoveries I make as I continue to build an all-embracing program of the sustainable wines grown on the West Coast. This interminable pursuit led me to Danville on a warm September Sunday for what was billed as The Ultimate Sierra Foothills Wine Tasting Experience. And to think people tell me pronouncing “Sostevinobile” is a mouthful…!

I’ve attended a number of wine industry tastings at private clubs in recent months, but this event was the first not affiliated in some manner with the wine country. Blackhawk is a gated enclave in Danville, near the base of Mt. Diablo. Conceived as a master planned community in 1979, this secluded development includes the lavish homes of several prominent Bay Area sports figures, two golf courses that annually host the LPGA challenge, a renowned automotive museum, and the exclusive Blackhawk Country Club, where the tasting took place. While ample, luxurious, perhaps even graceful, it seemed an odd choice of venues, given its proximity only unto itself.

Still, once I had waited in line to be checked in by the gate guard and wound my way around serpentine lanes until I came upon the main clubhouse, the event came off with nary a hitch. This cooperative promotion between three different AVAs presented a marked disparity between the El Dorado Winery Association, which had held its own tasting earlier in the year with many of the same participants, Amador Vintners, whose wine trail I had briefly explored on my way to Lake Tahoe, and the Calaveras Winegrape Alliance, most of whose members were completely new to me.

The mountainous terrain of all three appellations lends itself to many similarities, and for œnophiles focused on the orthodoxy of Burgundian or Bordelaise varietals, this tasting offered scant familiarity. Amador, in particular, has long held repute for its Zinfandels, and while El Dorado has been a staple of Rhône Rangers since its inception, the entire region has taken quite a shining to the various Spanish and Portuguese varietals that have now proliferate throughout the state. Still, this three county region collectively produces the greatest concentration of Italian varietals on the West Coast, even discounting the mega-production of Trinchero’s Montevina and Terra d’Oro labels. Up by Lake Shasta, Trinity County may have its own version of the Swiss Alps; wineries here are transforming the Sierra Foothills into the western Apennines.

One of the first wineries I encountered this afternoon was Amador’s Driven Cellars. An intimate operation that produces six varietals in lots of 200-300 cases, they excelled with a 2007 Barbera and a 2007 Primitivo. At the next table, Dillian Wines raised the stakes with an extraordinary 2008 Barbera, juxtaposed with its 2008 Primitivo and its fraternal twin, the 2008 Hangtree Zinfandel.

I stopped by the table for Calaveras’ Hatcher Winery and worked my way through four of their wines, starting with a crisp 2009 Sauvignon Blanc. They, too, comported themselves admirably with a 2007 Barbera and an appealing 2007 Petite Sirah, but made perhaps their strongest statement with the 2007 Zinfandel, a cross-pollination of Amador and Calaveras fruit. Another Calaveras endeavor, Murphys’ Frog’s Tooth, produces a wide selection of white wines, including Viognier, Marsanne, and Torrontés. Today’s offerings included a 2009 Fumé Blanc and a very approachable 2009 Pinot Grigio, as well as the 2008 Barbera and the rich 2008 Grenache from their red portfolio.

In usual fashion, I sought to visit wineries with whom I needed to establish a relationship before revisiting those whom I have documented here previously. I had fully intended to swing by and taste Twisted Oak, but time did not allow me to reach their table on my final swing-though; however, I did want to acknowledge their pivotal role in popularizing Iberian varietals in Calaveras. Flourishing with this genre, Chatom Vineyards brought out an exquisite 2007 Touriga (I am assuming it was Touriga Nacional, not Touriga Franca), along with an appealing 2007 Sémillon and striking vintages of the 2005 Syrah and 2008 Chardonnay. Equally amazing was the 2008 Verdelho from Victor Reyes Umaña’s Bodega del Sur, a striking contrast to his 2008 Marsanne. Solomon Wine Company produced an adequate 2007 Tempranillo, plus a better 2006 Syrah, but I found both their NV Mingle, a Syrah, Cabernet Sauvignon, and Merlot blend, as well as their proprietary blend of Tempranillo, Cabernet Sauvignon,Syrah, Petite Verdot, and Barbera, the 2006 Composition, somewhat wanting.

As with Twisted Oak, I initially bypassed many of the El Dorado wineries and found not enough time at closing to take in Auriga, Fitzpatrick’s organic winery, Mt. Aukum, sister ventures Latcham/Granite Springs, Holly’s Hill, the Primitivo and Barbera of Colibri Ridge, Cedarville, Rhône specialist David Girard, and Crystal Basin—all wineries I have previously chronicled and enjoyed. I did, however, work my way through Miraflores Winery’s offerings: the 2008 Chardonnay, the 2007 Zinfandel, their choice 2006 Petite Sirah, and their special focus, the 2005 Syrah. I do wish, however, that Miraflores had brought their 2006 Barbera, the 2007 Pinot Grigio, and the 2007 Muscat Canelli (would have helped validate my premise in this entry), but Perry Creek mitigated for them with a luscious NV Black Muscat.

I finished my El Dorado visits with a sip of the 2009 Viognier from Sierra Vista and a retasting of the 2009 Chardonnay as I chatted with Lava Cap’s Beth Jones and chided her for not yet connecting me with the bottle of 2006 Sangiovese Matagrano she had promised back in the spring. Amador Foothill Winery, too, neglected to bring either their 2006 Sangiovese or the 2004 Sangiovese Grand Reserve, but more than made up for this lapse with an outstanding 2007 Aglianico. Equally impressive was the 2007 Clockspring Zinfandel, while their Grenache/Syrah blend known as the 2006 Kathie’s Côte came in not far behind; I also thoroughly enjoyed their light 2007 Sémillon.

Slightly confusing matters, the next table over featured Amador Cellars, a notable winery in its own right, with a 2007 Syrah, the newly-released 2008 Barbera, and a 2007 Zinfandel I can best describe as jammy. I bypassed familiars C.G. Di Arie and Primitivo star Bray to discover the striking wines of Cooper Vineyards, who impressed me with their 2007 Sangiovese and 2007 Zinfandel, along with a 2008 Barbera and a 2009 Pinot Grigio. I wonder, though, does Cooper make their own barrels?

The story now moves to Story Winery, a place whose URL (Zin.com) pretty much puts the winery in context. Producers of seven different Amador Zins, plus a Zinfandel/Mission blend (as well as, regrettably, a White Zinfandel), they did impress me with both their 2006 Picnic Hill Zinfandel and the 2006 Creekside Zinfandel. However, their strongest expressions came from the 2008 Primitivo and a 2006 Barbera. I did like the 2008 Amador County Zinfandel from Sera Fina Cellars, along with their approachable 2009 Pinot Grigio; unfortunately, neither their 2009 Malvasia Bianca nor the 2006 Elegant Cowboy Syrah met this same level.

I missed out on one of my favorite Italian varietal specialists, Vino Noceto (who else in California makes distinct Sangiovese Grosso and Sangiovese Piccolo?) and Terre Rouge, a house devoted to Rhône varietals while bottling Zinfandel under its Easton Wines label, but did visit with Terra d’Oro, which poured an excellent 2008 Teroldego alongside their 100-year-old vine 2007 Zinfandel Deaver Vineyard. A portmanteau honoring owner Marilyn Hoopes’ mother, Karmère (karma + mère) blended Primitivo and Barbera to create their proprietary 2008 Primabera (a wine and a name far more subtle than Lone Madrone’s Barfandel, which I cited last week); I also found much to like in their 2007 Syrah and 2009 Viognier.

I had just tasted the range of Italian varietals Jeff Runquist produces, so I limited myself to exploring his 2008 R Touriga this afternoon. After that, my friend David Roberts, whom I had met at last month’s Rockpile Tasting insisted I reacquaint myself with Il Gioiello, Morse Wines’ Italian label—as it turned out, an excellent recommendation. I found the 2007 Triumphe, an atypical Super Tuscan (70% Sangiovese, 30% Cabernet Franc) more than intriguing, while the 2007 Montepulciano continues to fascinate me.

The 2007 Cabernet Franc from Calaveras’ Brice Station stood out as their preferred wine. Less impressive were their 2007 High Country, a blend of Cabernet Franc, Cabernet Sauvignon and Merlot, and 2007 Port made from the same blend. Also from Murphys, Broll Mountain Vineyards produced a highly impressive 2005 Cabernet Sauvignon, with a 2007 Petite Sirah and 2006 Syrah that underscored this winery’s capabilities. I also enjoyed the 2007 Syrah from Milliaire.

The most impressive Syrah of the afternoon was certainly the 2005 Syrah (in a most distinctive bottle) from Vallecito’s Laraine Winery. Their 2008 Zinfandel and 2007 Chardonnay showed almost as much complexity, while their whimsical 2008 Scarlet Harlot, a blend of Syrah, Sangiovese, Merlot, and Petite Sirah, intrigued as much it delighted. I liked the 2009 Sauvignon Blanc from Newsome-Harlow; I liked their 2007 Petite Sirah; their 2008 Zinfandel Calaveras County elated me.

If only I could have been as enthusiastic about Tanner Vineyards. Their 2009 Viognier and 2007 Syrah were pleasant enough, but I had quite the tepid response to the 2009 Vermentino and the 2009 Doux Rosé, a blush Syrah. I was also underwhelmed by the 2007 Petite Syrah and the 2007 Mélange de Mère, a blend of Cabernet Sauvignon, Syrah and Merlot. Perhaps not the best coda to this very enjoyable event, but sometimes, that’s just how things play out.

Most private clubs I know would never daunt a two-star restaurant in San Francisco, and I realize that’s not the point, anyway. Clubs exist to establish camaraderie and interaction between members, not to vie for one of the slots on The Next Iron Chef. Still, the hors d’œuvres at this afternoon gathering made up in volume what they may have lacked in cutting-edge culinary. I deign to criticize the cuisine only to highlight my feelings that an event of this scope ought to be held in a more prominent and accessible location, like San Francisco or downtown Oakland, if the East Bay seems preferable.

All-in-all, these wines were too good not to merit more prominent exposure, should this event be reprised next year. I suspect quite a number of potential attendees shied away from this location, and it seemed that a number of absent Sierra Foothills wineries, like Villa Toscano, Jodar, and the incredible Lavender Hill might have participated, had a more accessible venue been selected. And the event might have allowed more wineries to participate, had its timing not coincided with the beginning of the harvest, creating a conflict of choices for numerous wineries.

I truly enjoyed this event and the vast majority of wines that I sampled. It was an impressive start for a cooperative tasting among three separate AVAs, all with individual agenda. As I told the promoters, it would have helped the afternoon flow far more smoothly, had the program guide correlated with the order of the designated tables and different rooms assigned to the tasting. A minor point for most attendees, but significant for Sostevinobile and other trade participants; then again, with a well-ordered setting and corresponding tasting guide, I might have found enough time to sample each of the wines from all 40 wineries and far exceeded the succinct 2,000 word target I had imposed on this entry!

 

Try to dismember a guy in September

T.S. Eliot was wrong—how could anyone who is as morosely fatalistic before the age of 35, as the pre-redacted version of The Wasteland clearly illustrates, not be? Granted, September may not truly be the cruelest month—Your West Coast Oenophile is a proud September baby—but, in its role as California Wine Month, it has certainly proved the most overwhelming for Sostevinobile.

Nine major events to attend and cover, in the space of little over three weeks, with several others I was forced to bypass because of time overlaps—suffice it to say I felt tugged in about a hundred different directions. This coming on the heels of Family Winemakers, with the 76 wineries I tasted there. I’m beginning to feel like a walking field blend! I’ve already written extensively on the Taste of Sonoma, and am obliged to thorough coverage of The Ultimate Sierra Foothills Wine Tasting Experience, the 11th Annual Mt. Veeder Appellation Tasting, and the Coombsville Première Tasting. Now, however, let me try to synopsize the other five events and some private explorations:

Rock Wall Does Rockpile

The day after my Disco Milestone Birthday, my friend Randy Caparoso sponsored a side-by-side tasting of the various winemakers and growers from the Rockpile AVA. This viticultural area is highly unusual, in that it owes its prominence to the recent man-made phenomenon of Lake Sonoma, which formed following the damming of Dry Creek in 1983. Unintentionally, this artificial reservoir provided a new climate modulator for the soil-poor ridge tops that were not submerged after the dam’s completion, making possible the highly-stressed Zinfandel vines for which this rugged region is famed.

Others had farmed here before or made wine from Rockpile Vineyards, but the AVA truly came into its own when Wine Spectator named the 2003 Rosenblum Rockpile Road Zinfandel its #3 wine for 2005. Fittingly, Randy’s Rockpile seminar took place at Alameda’s Rock Wall, Kent Rosenblum’s current wine venture that Sostevinobile has cited on numerous occasions. Along with the “home team,” seven other wineries poured for this trade-only event, making the afternoon quite leisurely, with unfettered access to all the winemakers on hand.

Rock Wall poured familiar selections of its wines, including the 2008 Chardonnay Russian River and a barrel sample of its 2009 Rockpile Zinfandel, chivalrously allowing its guest wineries to take the spotlight. Along with its 2007 Señal, a Zinfandel smoothed with Cabernet Sauvignon, Syrah, and Petite Sirah it had poured at Family Winemakers, Branham Estate showcased both a 2007 Rockpile Petite Sirah and 2005 Rockpile Zinfandel.

Stryker Sonoma is a Geyserville operation making a number of wines from Rockpile Vineyards. Exceptional wines, as their black ink 2006 Petit Verdot Rockpile Vineyard and new 2007 Cabernet Franc Rockpile Vineyard attested, along with an amiable 2005 Zinfandel. My friends from Seghesio poured an interesting bi-annual vertical of their Rockpile Zins, starting with their exceptional 2005 Rockpile Zinfandel. While the 2007 Rockpile Zinfandel tasted a tad less complex, the barrel sample of the 2009 vintage portended great promise

Rockpile suits a range of bold, red varietals, including the family of Bordeaux grapes. Paradise Ridge fully exploits this terrain with its 2007 Rockpile Merlot. Like Seghesio, it offered a vertical of its Rockpile Cabs, starting with the 2005 Elevation Cabernet Sauvignon Rockpile. Again, this wine did not seem as striking in 2006, but the 2007 Eleva
tion Cabernet Sauvignon Rockpile
was extraordinary
.

Rosenblum’s former winemaker, Jeff Cohn, proved ever the contrarian by pouring four Syrahs with nary a Zin—quite the Rockpile anomaly—from his own JC Cellars. Jeff actually sources Syrah from two different vineyards and pour two different vintages from each. I found the 2008 Buffalo Hill Syrah incrementally preferable its 2007 version, while the equally excellent 2007 Haley Syrah and the 2008 Haley Syrah contrasted only in style, the latter displaying  far more minerality than its predecessor.

As good as these Syrahs were, they were overshadowed by the absolutely astounding 2007 Madrone Spring Syrah that Mauritson Wines poured. Mauritson forebear S. P. Hallengren essentially founded Rockpile, first planting vines there in 1884. With seven separate vineyards in the AVA, the breadth of wines they bottle under their affiliated Rockpile label is remarkable, ranging from the 2008 Rockpile Ridge Zinfandel and the terminally-named 2008 Cemetery Zinfandel to the 2007 Madrone Spring Petite Sirah and the 2007 Buck Pasture Malbec. I also sampled their 2007 Buck Pasture Red, a Meritage with 60% Cabernet Sauvignon, 20% Petit Verdot, 10% Malbec, 10% Cabernet Franc, and can only wish they had poured their alluring 2007 Independence Red, an exotic blend of 23% Tinta Cão, 23% Touriga Nacional, 23% Souzão, 23% Tinta Madeira, and 8% Tannat.

As I alluded in my last entry, I had kind of taken Mauritson for granted after my initial exposure to their wines a while back and not really explored them in depth. This afternoon, however, they absolutely opened up my eyes (as they did for many of the other attendees) to how extraordinary so many of their wine are during the centerpiece of the afternoon: the Rockpile tasting seminar. Not that I mean to detract anything from Seghesio or Paradise Ridge or Carol Shelton, who also poured comparative selections of their Rockpile Zinfandels from the 2000s, all of whom had several highly impressive bottlings throughout this past decade.

Shelton and Mauritson each poured one of their 2001 and 2002 bottlings, starting with Carol’s 2001 Zinfandel Rocky Reserve and Mauritson’s 2001 Rockpile Ridge Zinfandel—a bit peaked, in both incidences. the 2002 Rocky Ridge, however, proved a wine whose flavors exploded on the tongue, a truly amazing wine. We leaped ahead to 2005 with Seghesio’s 2005 Rockpile Zinfandel and the 2005 The Convict Zinfandel Rocky Ridge Vineyard from Paradise Ridge joining the mix. Both of these wines struck me as amiable, as did the 2007 Shelton, but the 2005 Rocky Ridge Zinfandel Mauritson poured warranted one of my very rare !

2007 is widely considered a benchmark year for Rockpile Zins, and both Seghesio and Carol Shelton more than lived up to expectation. I felt a bit indifferent about Paradise Ridge’s selection from this vintage and, ironically, Mauritson’s bottling, while superb, seemed a bit diminished compared to the 2005. The last comparison, the barrel samples from 2009, came around full circle. Paradise Ridge showed strong, Seghesio and Shelton hinted at extraordinary things to open up with a few years’ aging, and, again, the Mauritson garnered a (pre-bottling!) .

Another of my coveted red & black accolades belongs to a wine Carol Shelton poured at the main tasting, the 2003 Zinfandel Rocky Reserve. The 2000 vintage of the same showed remarkably for a 10-year-old Zin, while both the 2004 and 2006 remained impressive. I also found the much to like in her 2007 Cabernet Sauvignon Rockpile Reserve and in the dense richness of her 2006 Petite Sirah Rockpile Reserve.

Some of the attendees at this intimate gathering wondered why know one had tried growing a white varietal in Rockpile, though the consensus seemed that rugged character of the soil might not suit itself to the majority of these grapes. In jest, I suggested they could always make a White Zinfandel. My hasty retreat to the door and my next appointment at the Green Chamber of Commerce came not a moment too soon!


No acronyms, please! SLH—the Santa Lucia Highlands.

Given my proclivity with ABM software (anything but Microsoft), along with my numerous stints writing for and marketing hi-tech and Internet enterprises, many people think of me as a techie. Hardly, even though I did submit a GUI icon for COBOL for patent and often find myself an easy mark for free Macintosh tech support among my close circles. On the other hand, my disdain for the prefab milieu of Silicon Valley (aka LegoLand) has been well documented in these entries, and, despite my overt allegiance, I will readily identify Cupertino as the home of Ridge over Apple.

Technological advances can offer wonderful advantages. Back in the days of typewriters and IBM Selectrics, I could never compose at the keyboard and always had to transcribe my manuscripts from hand-written pages; with the advent of personal computers and Quark Xpress (whose word processing functions are infinitely more elegant than MS-Word), I script seamlessly on the screen and edit as I type. It’s only when operating a technology becomes an end in itself, rather facilitating a purpose or achievement (i.e., Facebook) that I find myself contending with its value. Or simply when it doesn’t do what it’s supposed to do.

GPS stands for Global Positioning Satellite; like millions of other people, I have come to rely on this technology to pinpoint any place on the globe with utmost precision. Sometimes, however, I think it must stand for General Proximity (Sort of). The Wine Artisans of the Santa Lucia Highlands held their Summer Trade Tasting at Cin-Cin Wine Bar the following Monday. Even with plugging in their precise street address, differing mapping services put their location at point more than nine miles away from downtown Los Gatos, near the Palm Haven area of San Jose! 

A number of attendees and even some of the winery representatives failed to note this discrepancy, only to find themselves hopeless crisscrossing the Valley and arriving more than an hour late; I had enough of a sense of the general boundaries of Los Gatos to double-check and point my iPhone toward the correct listing. But even this setting could not properly identify the little side alleys and walkways that subdivided this little shopping district, causing me to squander a good 20 minutes or so crisscrossing a four block area in search of a storefront. By the time I located the bar, I was ready to drink, or should I say, sip.

No matter, once I had signed in and collected my glass, my frustration bubbled away. Most of the wineries on hand today had poured either at the Santa Lucia Highlands tasting in San Francisco back in March or at this summer’s 18th Annual Winemakers Celebration in Monterey (or both), so I naturally gravitated to newcomer Caraccioli Cellars, a tantalizing startup working out of Gonzales. Atypically, my first tasting of the afternoon was their superbly dry 2006 Brut, a méthode champenoise rendering of their Pinot Noir and Chardonnay lots. Their second cuvée, a sparkling 2006 Brut Rosé, faintly painted a pink pour in the subdued interior lighting and hinted at a touch more sweetness than a Brut typically imparts. I was struck by the acidity of their food-friendly 2007 Chardonnay, while the 2007 Pinot Noir had already attained a distinct softness to it.

This event launched the first-ever bottling for tiny KORi Wines, with a their 2007 Pinot Noir KW Ranch, an auspicious debut for this Gonzales boutique head up by the effervescent Kori Violini, who wisely eschewed any musical depictions on her label. Other wineries that chose to represent themselves with but a single Pinot were Charles Hendricks’ Hope & Grace, a Yountville-based operation pouring their Santa Lucia Highlands bottling, the 2008 Pinot Noir Doctors’ Vineyard, Scenic Routes of Marin’s Pey-Lucia Vineyards, with a 2008 Pinot Noir Frisquet, and Healdsburg’s Sequana, with their 2008 Pinot Noir Sarmento Vineyard, their Santa Lucia Highlands single-vineyard Pinot.

Tondrē Wines was scheduled to pour their 2007 Pinot Noir Tondrē Grapefield, but failed, once again, to appear. The 2007 Pinot Noir Tondrē Grapefield from Bernardus, however, proved an exceptional wine, almost the equal of their 2007 Pinot Noir Rosella’s Vineyard. Meanwhile, their 2007 Chardonnay Rosella’s Vineyard distinguished itself in comparison to the 2007 Chardonnay Paraiso Vineyard. The ubiquitous Ed Kurtzman’s August West produced a trio of impressive wines from this same grapefield, the 2008 Chardonnay Rosella’s Vineyard, 2008 Syrah Rosella’s Vineyard, and their 2008 Pinot Noir Rosella’s Vineyard, as well as a distinctive 2008 Pinot Noir Santa Lucia Highlands.

The Santa Lucia Highlands AVA has taken on quite the Burgundian aura since its inception, and, befittingly, nearly half the remaining wineries this afternoon showcased only their Chardonnay and Pinot (I realize each may also produce other varietals from outside the growing area). Having highlighted these efforts earlier this year, let me simply cite the standouts: the 2008 Pinot Noir Garys’ Vineyard from Martin Alfaro; Talbott’s extraordinary 2007 Chardonnay Sleepy Hollow Vineyard, as well as their 2008 Pinot Noir Kali Hart; Morgan’s 2008 Pinot Noir Double L Vineyard; the double charms the 2008 Pinot Noir Sleepy Hollow Vineyard and the 2008 Pinot Noir Garys’ Vineyard from Testarossa; Mariposa Wine’s Crū label, with its 2008 Pinot Noir S.L.H; the delightful 2007 Pinot Noir Four Boys’s Vineyard that Pessagno poured alongside its 2008 Chardonnay Lucia Highlands Vineyard; and a striking contrast between the 2008 Mer Soleil Chardonnay and its twin 2008 Mer Soleil Chardonnay Silver, the same wine aged in cement tanks, that Belle Glos showcased.

Pockets of contrast did appear this afternoon. Tudor Wines made a strong showing with its 2006 Pinot Noir Sarmento Vineyard, distinguished itself with a pair of contrasting Rieslings, the 2007 Radog Riesling Santa Lucia Highlands. and the drier, more approachable 2007 Radog Riesling Evie’s Blend. beyond its familiar lineup, Hahn Family Wines poured a rather likable 2008 Hahn Pinot Gris, while Ray Franscioni’s Puma Road showcased its 2007 Pinot Gris Black Mountain Vineyard, the same source of its 2007 Chardonnay.

A rosé by any other name is still a rosé; nonetheless, the 2008 Vin Gris of Pinot Noir McIntyre poured was a welcome refresher on this warm afternoon. My friends from Pelerin impressed with their 2009 Les Tournesols Paraiso Vineyard, a Roussanne/Viognier blend, to complement their 2007 Les Violettes Paraiso Vineyard, a Syrah.

Paraiso produced its own label, under which they bottled their 2008 Estate Pinot Noir and a truly delectable 2007 Pinot Noir West Terrace; their own 2005 Syrah Wedding Hill showed their impressive versatility, as well. Similarly, I found the 2007 Estate Syrah Manzoni produced equal to, if not superior, to their efforts with Chardonnay and Pinot.

I have made no pretense about my fondness for Wrath, and this afternoon only amplified my appreciation with the exceptional 2007 Syrah Doctors’ Vineyard (if only they had not run out of the 2007 Syrah 877/Noir before I approached their table)! Similarly, I have been effusive in my praise for Carmel Valley’s Boekenoogen, and was delighted to sample the 2008 Syrah Santa Lucia Highlands left behind at their station when they packed up early and left.

Obviously, I would have also like to try Boekenoogen’s 2008 Estate Chardonnay and the 2007 Estate Pinot Noir, as well, had they finished the event. From a professional standpoint, I find it highly disconcerting when wineries depart prematurely (this occurs with predictable regularity at almost every tasting)
—it seems little to ask if someone makes a three hour commitment for them to avail themselves for the full three hours and enable as many attendees as possible to sample and evaluate their wines. It’s quite an overwhelming feat to try covering everyone who pours at these tastings—and remember, folks like me are there principally to support and promote you.


Adventures in West Coast Wines

Eight things I know about Daly City:

1) Its formal name, The City of Daly City, seems woefully redundant

2) The revolution that overthrew the Marcos regime in the Philippines was largely financed in Daly City

3) Malvina Reynolds’ song Little Boxes was written about Daly City

4) Malvina Reynolds’ song Little Boxes will probably be the only song ever  written about Daly City

5) John Charles Wester, the Roman Catholic Bishop of Salt Lake City, came from Daly City. So what?

6) Daly City calls itself “The Gateway to the Peninsula.” So what?

7) No one describes San Francisco as being “just outside Daly City”

8) Steven Matthew David’s Matthew’s Top of the Hill Daly City no longer sits atop the hill in Daly City

To put matters a different way, trekking across San Francisco’s southwest boundary hasn’t been a high priority of late, other than detouring to shop at 99 Ranch on the way home from Santa Cruz or Monterey, so I was immensely pleased to accept Robert Morrison’s invitation to attend his Adventures in Wine Trade Tasting at Fort Mason. While this Daly City distributor and wine storage facility focuses heavily on imports from France, as well as Southern Hemisphere and other European producers, they carry a strong inventory of wines from California, Washington and Oregon, as well.

Although I had committed to attend the Wine Institute’s Unexpected Grapes from Unexpected Places (unless, like Sostevinobile, you’ve been combing the state for unusual wines for the past two years), I managed to sandwich in a couple of hours to meet and sample from the 23 West Coast vintners represented at this trade-only event. It turned out to be well worth the digression.
It’s pronounced “Oregon.”

As with the Santa Lucia Highlands wineries, Oregon’s houses predominantly focused on Pinot Noir—at least, in what they were pouring on this afternoon. A paragon of phenomenon, the Willamette Valley’s Amalie Roberta name that sounds utterly Burgundian—proudly poured four interpretations of its forte: the 2006 Pinot Noir Dijon Clones, an impressive 2006 Pinot Noir Amalie’s Cuvée, and their standout, the 2006 Estate Pinot Noir, along with the augur of their soon-to-be released vintage, the 2007 Vintage Debut Pinot Noir. From Dundee Hills, Dusky Goose, which ought not be confused with Zazu’s Duskie Estes of Iron Chef fame, impressed with both their 2007 Pinot Noir Rambouillet Vineyard and the 2007 Pinot Noir Dundee Hills.
Soléna Estate made its opening statement with Oregon’s other signature Pinot, pouring an easily approached 2009 Pinot Gris. Interestingly, they also featured three diffrent Pinot from sequential vintages. While the 2008 Pinot Noir Grand Cuvée still demanded time to develop, the 2007 Pinot Noir Hyland Vineyard was eminently drinkable; in turn, the exquisite 2006 Pinot Noir Domaine Danielle Laurent, fittingly named for owners Laurent & Danielle Montalieu, was just reaching its peak.
I confess to feeling tepid about the 2008 Estate Pinot Noir Patricia Green Cellars poured but very much cottoned to their 2009 Sauvignon Blanc. Oregon’s final representative of the afternoon, Et Fille daughter Jessica Mozeico complemented her three Pinots: the 2008 Pinot Noir Maresh Vineyard, the 2008 Pinot Noir Willamette Valley, and her superb 2008 Pinot Noir Kalita Vineyard with and exceptionally dry 2008 Viognier.
Les grands vins de la Californie.

Adventures in Wine’s California selections included a number of familiar faces, like Mendocino’s organic specialists Yorkville Cellars. Though their claim to be the only producers of varietal Carménère in the state would be refuted later in the month, they did make a strong showing with their latest production of the 2009 Sauvignon Blanc, their 2007 Merlot, and the 2007 Hi-Rollr Red, their second bottling of this Zinfandel-based proprietary blend that features Merlot, Malbec, Cabernet Sauvignon and a touch of Petit Verdot.

Another longtime familiar venture that has managed to maintain the quality of its wine despite considerable internal upheaval over the past decade is Healdsburg’s Pezzi-King. The current release, the 2007 Old Vines Zinfandel, still displays the same flare that originally garnered so much press for this venture, while their 2009 Chardonnay seemed eminently drinkable. Their 2008 Sonoma County Cabernet Sauvignon tasted far too early, but I had no qualms about the 2007 Dry Creek Valley Zinfandel or their fine 2008 Dry Creek Valley Sauvignon Blanc.

Even though I have long received the newsletter from Bruce Patch’s Wine Guerrilla and sampled their wine on a number of occasions, I habitually think of them as a marketing tool, à la Wine Spies or Bottlenotes. No such mistake was possible this day, as worked my way through five titillating Zins, the standouts being the 2008 Zinfandel Adel’s Vineyard, the 2008 Zinfandel Russian River Valley, and, as might be expected, the utterly sensual 2008 Zinfandel Coffaro Vineyard.

No surprise in finding Carole Meredith pouring her Lagier Meredith; contrary to Robert Parker’s ratings, I preferred her 2006 Syrah to the 2007 Syrah he rated 94+ pts. I was surprised to find my old squash opponent Jack Jelenko, late of Villa Toscano, pouring for Jeff Runquist Wines. Jack poured their newest release, the 2008 1448 R, alongside its constituent components: the 2008 Zinfandel Z, the 2008 Syrah R, a tantalizing 2008 Barbera R, and a superb 2008 Petite Sirah R. 1448 stands for the winery’s elevation; I have no idea what these initials mean.

Not that Washington. This one!

Before tackling the vast selection of Washington wineries on hand, I stumbled across Relativity, a California négociant label whose slogan “You don’t have to be a genius to drink good wine” speaks volumes. While their websites boasts of a Napa Cabernet and research has uncovered a proprietary blend they call the 2007 Quantum Reserve, Adventures in Wine apparently only handles their 2007 Merlot Oak Knoll. Several of the Washington operations represented themselves with but a single wine, to decidedly mixed results. Another négociant, Randy Leitman, poured his 2007 Randall Harris Merlot, a wine that fell short of expectations. On the other hand, Robert Karl Cellars comported themselves quite capably with their 2007 Claret, as did Syncline, with their proprietary 2007 Subduction Red, a Rhône-style blend with Syrah, Grenache, Mourvèdre, Cinsault, Counoise, and Carignane.

With its aristocratic-sounding name and derivative French label, the 2008 Syrah Cuveé Marcel Dupont from Descendants Liégeois ought to have been an impressive wine, but disappointed. Its parent company, Hedges Family Estate, also proved rather unremarkable with their 2007 Red Mountain (Cabernet Sauvignon/Merlot) and their mass-produced blend, the 2008 CMS Red, although I did enjoy their 2009 CMS White, a Sauvignon Blanc. Another Hedges label with French pretensions, the House of Independent Producers, proved rather bourgeois with their 2008 Merlot La Bourgeoisie but did score quite nicely with the 2009 Chardonnay Dionysus.

In recent years, Washington has garnered considerable acclaim for its Cabernets and Bordeaux blends. This reputation proved itself with the two selections Cadence poured: the 2007 Ciel du Cheval, a Cabernet Sauvignon- & Cabernet Franc-dominated blend, with Merlot and Petit Verdot, and the 2008 Coda, a Pomérol-style blend of these four varietals from the same vineyard. Walla Walla’s Abeja ratcheted things up a notch with their spectacular 2007 Reserve Cabernet Sauvignon and a 2008 Merlot that was almost its equal. Their regular 2007 Cabernet Sauvignon wasn’t quite in this league, but the 2009 Chardonnay proved every bit as extraordinary.

If only Washington’s premier Cabernet producer had brought a couple of their much-heralded bottlings! Leonetti Cellars did, however, mitigate most of my disappointment with their profound 2008 Merlot and an unexpected surprise, the seductive 2007 Sangiovese. Another of Washington’s most acclaimed houses, DeLille Cellars, proved their mettle with the 2006 Doyenne Syrah and a decidedly unsweet 2008 Chaleur Estate Blanc, a 2:1 blend of Sauvignon Blanc and Sémillon.

I would have appreciated Woodinville’s Efeste merely for the playful names with which it labels its wines, like its natural wine approach to Sauvignon Blanc, the 2008 Feral or the literal impression of it 2007 Jolie Bouche Syrah. Equally compelling was its 2009 Evergreen Riesling, a splendid medium-dry wine. A bit more pedantic in their labeling but still impressive were the six wines L’École No. 41 poured. The 2008 Recess Red nicely blended Merlot, Syrah, Grenache, Cabernet Sauvignon, Cabernet Franc, and Petit Verdot, while the 2007 Perigee offered a more orthodox mélange of Cabernet Sauvignon, Merlot, and Cabernet Franc. As enjoyable were the 2007 Merlot Columbia Valley and the 2006 Cabernet Sauvignon Walla Walla, but my decided preference was for both the 2007 Cabernet Columbia Valley and the exquisite 2008 Sémillon Columbia Valley.

I might have stayed longer to sample a number of the French, Italian and Spanish wines being poured—comparative tastings like this helps Sostevinobile put its own palate in perspective,—but my other obligations demanded that I pedal halfway across town and join the crowd inside the tent at Hotel Vitale. I thanked my host for his hospitality and for sparing me from an arduous commute to his warehouse, but my day was far from over.


Wines of the Mojave Desert


Maybe I shouldn’t be so facetious. Perhaps one day we will transcend the known bounds of viticulture and establish a Mojave AVA, encompassing a vast swath of tilled acreage that stretches from Palmdale to the California/Nevada border, dotted with colorful names like Château Barstow and Devil’s Playground & Cellars, producing Xeric Red from the most water-stressed Zinfandel vines ever to be planted. After all, Michael Mondavi did envision growing grapes and building wineries on Mars in Mondovino. Indeed, this breakthrough could be his vindication.

Meanwhile, pretty much every other part of California is encompassed by an AVA. To demonstrate the incredible panoply of œnology throughout the State, the Wine Institute orchestrated Unexpected Grapes from Unexpected Places, an expo of wine from 15 of California’s major wine growing regions. More than 100 different wines were featured in an open-air tent erected in front of Americano, the wildly popular bar and restaurant that anchors Hotel Vitale along San Francisco’s Embarcadero.

For Sostevinobile, the event offered a chance not so much to sample hitherto unknown wines as it was to solidify relations with the all-important regional trade associations and cooperatives. Plus, as a bonus, pre-registered trade participants were treated to an intimate presentation of Evan Goldstein’s acclaimed Daring Pairings seminar, an insightful demo of how wine focuses and amplifies the flavors of meticulously-matched food preparations.

First things first, however. Though it was hardly possible to sample every wine being poured, let me offer my findings, region by region, with no particular order of priority.

Wines labeled North Coast can contain grapes from any of the four counties comprise this mega-region. Often lost in the shuffle behind Mendocino, Sonoma, and Napa, Lake County has steadily expanded as a premium winegrowing locale over the past decade. The table this afternoon featured but two of the more prominent local producers. I opted for the full complement of wines from Italian varietal specialist Rosa d’Oro while renewing my acquaintance with Pietro Buttitta. Little doubt I would enjoy his 2006 Aglianico and a very robust 2007 Dolcetto, while the NV Nebbiolo proved a pleasant surprise. The true revelation, however, was the 2007 Primitivo, which I even commended to new Wine Institute President Tom Klein—an amazing demonstration of how this varietal distinguishes itself from Zinfandel. Having enjoyed their wines on numerous other occasions, I bypassed the offerings from Lake County’s other representative, Six Sigma, a winery I will richly embrace if they ever change their name! (Note to owner Kaj Ahlmann: people enter the wine business in order to flee corporate culture, not embrace it.)

The Diablo Canyon nuclear power plant isn’t the only thing fired up in this dynamic wine region. Their table provided me my first exposure to Salisbury Vineyards, who, in turn, introduced me to their 2007 Syrah Noir, a varietal that had previously eluded me. Niven Family brought their entire line of labels, but I focused only on their new Zocker, with its compelling 2009 Grüner Veltliner. I also managed a taste of Claiborne & Churchill’s aptly-named 2007 Dry Gewürztraminer, a frequent favorite.

Home to more than 240 wineries, the Paso Robles AVA is California’s largest, and, in many ways, most intriguing. Not bound by arcane traditions, wineries here fully exploit its status as the new frontier for winemaking in the 21st Century. I dabbled in a few of the many familiar labels here this afternoon, starting with an earthy 2007 Tempranillo from San Miguel’s Silver Horse. Ortman Family vastly impressed me with their 2007 Petite Sirah, while Justin seems to impress everyone these days with its proprietary Cabernet Sauvignon, the much-lauded 2007 Isosceles. I didn’t tasted the 2009 Barfandel, a blend of Zinfandel and Barbera from Lone Madrone, though I have but two words to describe the name: Olive Garden.

The French equivalent for the Portuguese amador is amateur, but as far as winemaking goes, it’s entirely a misnomer. One of three regions that comprise the overall Sierra Foothills designation, Amador has proven fertile ground for Italian, Iberian, and Rhône varietals. Having made plans to attend the more comprehensive regional tasting the following Sunday, I limited myself here to Karly’s 2009 Rolle, a refined Vermetino, and
the 2008 Normale Sangiovese from Vino Noceto.

Monterey may be the seat of the Central Coast region, but it offers far more than the ubiquitous Coastal Cellars that have diluted the brand of so many premium wineries. Ironically, I bypassed such stalwarts as the 2007 Grenache from Marilyn Remark or the 2006 Claret Reserve Scheid was pouring; perhaps, I was simply in a white mood. In any case, I was happy to taste a staple of the AVA: the 2009 Bay Mist Monterey White Riesling from J. Lohr and the 2008 Loredona Riesling from Delicato.

In between the majesty of the Pacific Ocean and the monotony of Silicon Valley stands the alpine buffer of the Santa Cruz Mountains. Encompassing a cross-section of three counties, it lays claim to some of the most innovative wineries in California, like Ridge, David Bruce and Bonny Doon. Today’s table presented several of the lesser-known from this appellation, all of whom I have covered extensively over the past two years. I confess that my sip of the NV Brut from Equinox only made me long for their superb sparkling endeavor, the 1997 Blanc de Blanc Cuvée de Chardonnay. And while I tend to concentrate on their Iberian-focused Quinta Cruz label, Santa Cruz Mountain Vineyard captured my attention with their 2006 Durif McDowell Valley (aka Petite Sirah).

Miles Raymond, take heed! Santa Barbara means far more than Pinot Noir—and by that, I do not mean Ronald Reagan’s Santa Barbara Ranch, Michael Jackson’s pederastic playground, or even the unsightly offshore oil rigs near La Conchita. Of course, there was a delicious irony this afternoon that Miles’ iconic Hitching Post chose to serve their 2007 Merlot, but the true diversity of this AVA presented itself in a trio of wineries on hand. I have long wanted to sample the wines of Rancho Sisquoc, and was richly rewarded with my first taste of their 2009 Sylvaner Flood Family Vineyards, a wine that easily lived up to its advance billing. Similarly, my long-awaited introduction to Mosby rewarded me with their superb 2006 Sagrantino. It had been several years since I first met Crystal Clifton at A16, so I had no compunction about sampling the full array of Italian varietals her Palmina had transported here. As with the handful of other wineries producing this Trentinese varietal, her 2008 Lagrein defied stereotyping, but the 2009 Dolcetto was near stratospheric. I greatly enjoyed both the 2008 Barbera and the 2006 Nebbiolo, but found myself most intrigued by her pair of white wines, the 2009 Arneis and the sumptuous 2009 Tocai Friulano. All in all, this region packs more of a wallop than an irate Sandra Oh.

The second part of the Sierra Foothills triumvirate, Calaveras also displays a wide range of varietals, with particular strength in the Spanish & Portuguese grapes, as well as with Zinfandel. With plans to attend their upcoming tastings, I merely made a courtesy stop to try the surprisingly good 2007 Garsa Tempranillo from Solomon Wine Company and a refreshing 2009 Muscat Blanc from Newsome-Harlow.

They used to be known merely for their Tokay. And a 1969 song by El Cerrito’s Creedence Clearwater Revival. Much like Paso Robles, this former backwater of the wine industry has evolved over the past two decades into a significant AVA, with a number of innovative wineries and a genuine commitment to sustainable practices. As the appellation continues to evolve and establish its identity, a wide array of varietals are moving to the forefront. Once again, I managed to sample just a small selection from the array of wines being poured here, knowing I would be attending a more focused tasting in a couple of weeks. Still, I was pleased to revisit with Harney Lane and indulge in their 2009 Albariño before moving on to indulge in the 2008 Great Friends Barbera Grands Amis poured, along with the rare opportunity to taste the 2006 Teroldego Reserve from Peltier Station.

San Luis Obispo may have its own nuclear reactor; Livermore has its prestigious atomic research lab (I’m told “engineered in Livermore commands” a considerable premium on the nuclear black market). With a winegrowing tradition that dates to the 1760s, this AVA lays claim to the first labeling of Chardonnay, Sauvignon Blanc and Petite Sirah as varietal bottling in California. Though dominated by large-scale, historic wineries like Wente and Concannon, it has given rise to numerous boutique producers over the past two decades, like Picazo Vineyards, with their handcrafted 2006 Estate Merlot and the cerebral Occasio, which poured its 2008 Pinot Gris Del Arroyo Vineyard.

Juxtaposed between Fresno County and the Merced-Mariposa axis, Madera quite literally occupies the center of California. The county is best known for Mammoth Mountain and Yosemite, bears the ignominy of the Chowchilla kidnappings, and is home to a pocket of rugged, hi-tech developers in Coarsegold. While its reputation for wine has squarely rested on its dessert-style wines, like the NV Old Vine Tinta Port from Ficklin or Quady’s ever-amazing 2009 Electra, an intense Orange Muscat, the region is starting to blossom in a fashion similar to the Sierra Foothills, as the amiable NV Reserve Dolcetto from Birdstone Winery exemplifies.

Completing the Sierra Foothills triangle, El Dorado has long held a particular affinity for Zinfandel, as well as for Rhône varietals. In recent years, however, a number of these wineries have shifted toward more standard grapes, as the 2009 Reserve Chardonnay that longtime Rhône Ranger Lava Cap poured here. Nonetheless, I thoroughly enjoyed 2007 Patriarche from Holly’s Hill, a deft blend of Syrah, Grenache, Mourvèdre, and Counoise, and resolved to explore more of this AVA’s wines the following Sunday. 

It’s tempting, of course, to compare Mendocino with the Sierra Foothills and describe their appellation as “elevated,” in a manner of speaking. A prime location for Pinot Noir and Gewürztraminer, the county also lays claim to California’s finest production of sparkling wines, alambic brandies, grappa, and other grape distillates. Mendocino boasts of being “America’s Greenest Wine Region,” a claim that is bolstered by the presence of Parducci, Navarro, Fetzer and its many offshoots, and innumerable other practitioners. This afternoon, however, I was drawn to a pair of Syrahs, the 2006 Broken Leg Syrah from Drew Family and an incredible 2006 Syrah Yorkville Highlands that Meyer Family produced.

Both these regions need no introduction. Though strongly represented on this afternoon, each has already received extensive coverage in this blog. While noting the strong presence of wineries from both counties, I bypassed their stations in favor of the food pairing seminar.

The Food & Wine Tasting

Evan Goldstein, the youngest American ever to complete the Master Sommelier certification, conducted a special seminar based on his current book, Daring Pairings, a copy of which was generously given each of the attendees. After an introductory glass of Handley Cellars2006 Brut Rosé Anderson Valley, we paired a pair of wines each to three exceptional entrées prepared by the kitchen at American. The first round matched a Halibut Crudo with a traditional complement, the 2009 Fumé Blanc from Sonoma’s Château St. Jean and a less orthodox Roussanne/Grenache Blanc blend, the 2009 Camp 4 Vineyard Blanc from Santa Barbara’s Tensley. I found myself favoring the more traditional match-up.

We followed with the Liberty Duck Involtini, a thin, carpaccio-style slice of cured meat wrapped around a fig filling. While the 2009 Estate Pinot Noir from Rodney Strong paired admirably with this hors d’œuvre, I felt it illuminated the 2008 Grenache from Paso Robles’ Denner Vineyards.

The final course, a Short Rib Bruschetta with Tomato Conserva, seemed a bit perfunctory in its two pairings. Of course, I had had many occasions to sample the 2006 Reserve Petite Sirah from Concannon, but the revelatory aspect of the 2007 Cabernet Sauvignon from Robert Mondavi was that Constellation had managed to maintain its excellence.

Having attended a truncated version of this seminar at The Mechanics Institute earlier this summer, I confess I had approached the event with guarded skepticism. This previous presentation had featured only imported wines (plus New Mexico’s Gruet), which led me to suspect that Goldstein might be one of those sommeliers that take pains to eschew California wines, unless, like this afternoon, compelled to serve them. “Hardly,” Evan assured me. “The last time, I had simply grabbed whatever I had lying around.”


Vive la France?

The last event I must cover for this seemingly interminable installation was the Pre-Auction Tasting Wine Gavel conducted The San Francisco Wine Center. Another Judgment of Paris this may not have been, but here was a chance to stack my California predilection against some of the more acclaimed wines France has produced. I swear I tried to be objective.

Starting with the whites, I worked my way through comparative sips of the 1997 Verget Puligny-Montrachet Les Enseignères 1er Cru and the newer 2001 Boyer-Martenot Puligny-Montrachet Les Caillerets 1er Cru. the former, frankly bordered on being undrinkable; the latter, while faring better, hardly seemed a wine I would make efforts to seek out. In contrast, the 2004 La Carrière from Calistoga’s Peter Michael Winery proved an extraordinary wine from this exceptional producer of vineyard designate Chardonnays (and easily worth its $90 price tag).

My familiarity with much of French wine is admittedly limited; I had never heard of the 1964 Leroy Clos de Vougeot Grand Cru prior to this event and, again, found myself duly unimpressed. Nor am I versed in what years constituted great vintages. I approached both the 1967 Chateau Cheval Blanc Saint-Émilion 1er Cru and the 1970 Chateau Mouton-Rothschild Pauillac with near-giddy expectation, only to be underwhelmed. Were these notably poor vintages? Had the bottles been stored inappropriately? How was I to tell?

My reaction to the 1969 Cabernet Sauvignon from Charles Krug was admittedly tepid, but I was pleased to try what may well have been my first taste of a pre-1970s California wine outside of the Gallo-Paul Masson-Almaden jug oligarchy. Nor did the 1980 Cabernet Sauvignon from Chappellet seem to have stood the test of time. Purely by accident, however, our hosts had included two bot
tles of 1970 Cabernet Sauvignon from Robert Mondavi. I noticed one had been stamped Unfined, the other Unfiltered, in what later was described to me as simply casual experimentation during that era. The two wines contrasted starkly, and while the Unfined vintage certainly offered considerable merit, the Unfiltered shone through as an exceptional wine.

Far and away, the best wine of the evening proved to be the 1995 Cabernet Sauvignon from Caymus. Second only to 1997 as one of the spectacular vintages from the last decade, this wine stood at the peak of perfection and begged to be tasted two, three, four times (with a nary a drop to be spit!). As I prepared to leave, our hosts brought out a bottle of 2004 Gaja Ca’Marcanda Promis, a Sangiovese blended with Merlot and Syrah. If Sostevinobile poured imports, this wine could easily find its way to our roster, but for now I have to settle for the guilty pleasure of a Gaja Castello Di Barbaresco NV Grappa the next time I dine out.

Rock & Ribolla

Many, many years ago, when I first moved to San Francisco, I looked into shared housing situations—the usual purview of a would-be starving artist with a freshly minted diploma. At one point, my quest brought me to a home in Noe Valley, where the three roommates were seeking to replace the fourth, who had just moved out.

Now, to be perfectly honest, Your West Coast Oenophile will never make it into the Good Housekeeping Hall of Fame nor have a place featured in Better Homes & Gardens, but with the possible exception of the domicile of a certain lawyer/cab driver on Twin Peaks, this has to have been the most unsanitary household I have ever set foot in. So maybe it didn’t approach the squalor one sees on Hoarders, but with three practicing potters in residence, the place seemed little more than an amalgam of clay residue and decrepit furniture.

The really problem, however, wasn’t the abysmal condition of the premises but the tenor of my prospective co-tenants. The leaseholders, a boyfriend and girlfriend, seemed genial enough, pretty much conforming to a discernable type from that era—adamantly anti-nuclear, pro-Jerry Brown, heavily into alfalfa sprouts, Patchouli oil, Pink Floyd. The other occupant exuded a far different vibe, with impossibly gnarly hair and woefully undersized lenses that kept her eye in a perpetual squint—the kind of women Woody Allen tended to date while pursuing Diane Keaton in his 1970s films.

Maybe I should have been clued in by the fact her name was Zenobia. After the perfunctory tour of the house and pottery equipment, the three housemates sat me down over a cup of tea and poised to evaluate me over a single question: “if I moved in, would I be able to love Zenobia?”

I paused, not to contemplate the possibility but, rather, to figure a diplomatic way to pose my response. I looked to Zenobia, drew a deep breath, then turned to her roomies. “No!” I replied, as I made retreated for the door without hesitation. Nary a day has gone by since that I stopped to wonder what might have been.

Fortunately, attending Arlequin Wine Merchant’s California Natural Wine Tasting for the 2nd Annual San Francisco Natural Wine Week required no similar declaration of unwavering fidelity. As inveterate Sostevinobile readers know, while I have an appreciation for this approach to winemaking, I am, by no means, one of their rabid zealots. After all, if it weren’t for manipulation, few, if any, contemporary varietals would exist today (I know Sean Thackrey attempts to replicate winemaking from ancient Greek texts, but would he want to resurrect 5th Century B.C. Macedonian grapes?).

That said, there is much to commend in the minimal intervention that Natural Winemaking extols; the results, when good, can be very, very good. Elsewise, let’s just say it’s an acquired taste. The twelve wineries on hand at this event certainly covered the gamut.

I started off at the entrance where Chris Brockway’s own label, Broc Cellars, as well as his joint venture, Broadside, had set up. I suspect Arlequin and its sister operations, Absinthe Brasserie, may account for 50% of the 4600 cases of the 2008 Cabernet Sauvignon Margarita Vineyard Broadside produces—no surprise, as this wine has consistently shown excellently every year it has been produced. I have also been long enamored of Broc’s Grenache, but they opted this time to pour the stellar 2009 Carignan Alexander Valley instead. I was not as impressed with their 2008 Pinot Noir Tondrē Grapefield,but my introduction to their 2009 Vine star, a blend of Picpoul, Chardonnay, and Roussanne, proved to be quite revelatory.

I cited Littorai’s 2007 The Haven Pinot Noir in my last entry, so gladly moved up a notch to their 2007 Pinot Noir Mays Canyon. Their versatility Chardonnay kept pace with its Burgundian confrère, as evidenced by the 2008 Chardonnay Charles Heintz, also from the Sonoma Coast.

The 2007 Petit Frère from Unti seemed a serviceable GMS blend, while I found their 2007 Estate Zinfandel quite distinctive. Personal predilections aside, I have always felt this winery makes its strongest statements with its Italian varietals, like the 2008 Estate Barbera they poured here. Underscoring my contention, the 2008 Estate Sangiovese proved exemplary, one of the best expressions of this varietal I have sampled in recent months.

So many wineries I know custom crush at Copain, I often forget they have their own label, as well.with three wines poured on this particular evening, I found both their 2009 Tous Ensemble Rosé, a blush Pinot Noir, and the 2009 Tous Ensemble Viognier rather adequate, but relished their 2007 Pinot Noir Wentzel. Salinia, their offshoot from assistant winemaker Kevin Kelley, displayed an appealing complexity with both their 2006 Chardonnay Heintz Ranch and the 2006 Pinot Noir W. E. Bottoms.

I wasn’t entirely clear on the interrelationship between Salinia and its other tablemates, Lioco and the Natural Process Alliance, though these latter two endeavors comprise two of the more predominant Wine on Tap labels increasingly found in San Francisco. lioco proved just as impressive as they had at last year’s tasting, with a splendid 2007 Pinot Noir Klindt from Mendocino and their trademark 2007 Indica, a Carignane rounded out with Grenache and Mourvèdre. NPA’s 2009 Sauvignon Blanc Russian River Valley, one of the wines they also distribute in “refillable aluminum canteens” that have been conspicuously supplanting water bottles over the past couple of years, proved itself more than a gimmick or sustainably novelty. An unlisted addition to the bill, a stellar 2007 Grenache came from A Tribute to Grace, the side venture of NPA assistant winemaker Angela Osborne.

At last year’s event, I befriended Clos Saron winemaker Gideon Beinstock and eventually joined him at the 30th Anniversary party for Renaissance Winery, his principal gig in the far reached of Oregon House, CA. While I initially found myself quite favorably disposed towards his vinification, I found myself questioning some of his wines at this year’s Pinot Days. But what I had initially construed as possible cork taint repeated itself in a number of the wines he poured this day—the frequent downside to the Natural Wine movement. Both the 2009 Tickled Pink, a rosé of Syrah, and the 2005 Heart of Stone Syrah tasted off (musky), while their proprietary blends, the 2009 Carte Blanche (Sauvignon Blanc, Roussanne, Chardonnay, Viognier) and the 2005 Black Pearl (Syrah, Cabernet Sauvignon, Petit Verdot, Viognier, Roussanne) seemed pleasant, if perfunctory.

Meanwhile, my old friends from A Donkey and Goat also displayed some of the hazards of this new minimalism. Not that I didn’t like their 2008 Blend 413 (a traditional GMS with Counoise added) nor their 2007 Fenaughty Vineyard Syrah or the 2007 Vielles Vignes Syrah. But Jared and Tracey have shown themselves capable of extraordinary wines, starting with their debut Syrah in 2000 that floored everyone at Family Winemakers or, more recently, their 2006 Tamarindo Roussanne. In this context, their obeisance to the tenets of Natural Winemaking seems somewhat to have diminished their prowess.

Most Natural winemakers acknowledge this methodology poses a gamble, and sometimes that gamble can really pay off. Somehow, over the years, I had managed to bypass Arnot-Roberts at a number of tastings I had attended, so this evening’s gathering gave me an overdue opportunity to rectify this mistake. Starting with the 2009 Old Vine White Compagni Portis (Gewürztraminer, Trousseau Gris, Riesling), their wines all lived up to their considerable maverick reputation. While the 2008 Syrah Hudson clearly overshadowed the 2008 Syrah Clary Ranch, the 2009 Trousseau Luchsinger from Clearlake showed itself an exceptional wine—even if they declined to label it Bastardo. The treat of the evening, however, was the release of their 2009 Ribolla Gialla from Vare Vineyard in Napa, one of four wineries bottling from this same crop. Given my long-stated desire to taste a California expression of this varietal, I was—quite naturally—immensely pleased.

Natural Wine Week will return in 2011, and I am sure I will attend the pertinent events once again. Maybe I’m spending too much time with angel investors and other financial types in my quest to fund Sostevinobile—I don’t think I could afford to undertake such a risky proposition as these winemakers do. But they add yet another layer to the complexity of the wines we have here on the West Coast, and when they do succeed in their efforts, they will certainly find a niche with us.
Provided no one labels their wine Zenobia.

Innumerable enumeration? Enumerable inumbration?

Once there was an elephant,
Who tried to use the telephant

No! No! I mean an elephone

Who tried to use the telephone

—Laura E. Richards

Try to do the math. 342 wineries ÷ (2 days x 5 hrs/day) = (34 wineries/hr. ÷ 60 min/hr.)− 1 = 1.7543 min/winery. With no bathroom breaks. Forget swill & spit—there’s not even enough time to bring the glass to your lips!

On the plus side, Your West Coast Oenophile is happy to report that Family Winemakers of California seems to have finally settled comfortably into its August slot. But even if they had brought back the Aidells Sausage station and pumped me up with protein, there was no way I could visit even half the wineries in attendance.

My must-see list for Sostevinobile ran to around 98 wineries, which meant just a shade over 6 minutes with every prospect (again, assuming indefatigable bladder control), provided I didn’t spend a moment with any of the folks I’d already befriended over the years. In other words, still a Herculean feat to accomplish. And so, as always, I strove to do the best that I could.

ZAP, Rhône Rangers, Pinot Days, T.A.P.A.S.—by now, I am sure I have exhausted every possible description of a large-scale wine tasting at Fort Mason’s Festival Pavilion. All I can add is an enumeration of the innumerable wineries in attendance that I succeeded in sampling. Or is it an inumbration of the enumerable?

Arriving from Healdsburg Sunday afternoon, I attempted to survey the room and plot my plan of attack. Halfway down the first row, however, a “Hello, Marc!” drew me over to Silkwood’s table owner/winemaker John Monnich, whose Petite Sirahs are a mainstay of P.S. I Love You, treated me to a sample of his NV Red Duet, a Cabernet Sauvignon/Syrah blend primarily from his 2007 vintages. Over at the next table, Santa Barbara’s Silver Wines displayed a deft touch with blending, both with their 2005 Syrah-Mourvèdre Larner Vineyard and a unreleased, non-vintage I Tre Figli, a proprietary blend of Cabernet Sauvignon, Sangiovese, and 5% Cabernet Franc.And belying the complexity of their wines, the π-adorned Simple Math Cellars derived a winning formula for their first Family Winemakers appearance, with their 2008 Pinot Noir Sonoma Coast and a 2007 Cabernet Sauvignon Mayacamas Mountains that portends to age logarithmically.

I only managed to taste their 2005 Barbera Napa Valley, but the eclectic Sunset Cellars still made quite a calculable impression. Similarly, Alexander Valley’s Stuhlmuller Vineyards featured a 2008 Zinfandel (with 23% Petite Sirah) that allowed me to extrapolate on the general quality of all their wines. I did, however, dawdle a bit longer at the Stonehedge table, sampling their sweeter wines, the 2008 Terroir Select Gewürztraminer and the 2009 Muscat Canelli, as well as the 2007 Terroir Select Malbec.

Brentwood’s Tamayo Family Vineyards offered a 2009 Malbec Ryland’s Block and a likable 2009 Viognier Bailey that preceded indulging in their Port-style 2008 J. Jaden Red Dessert Wine, a Syrah derivative named, as are all their Signature Series wines, for one of their algebraic subset of grandchildren. The urge to become fruitful and multiply has also struck Ackerman Family Vineyards, previously a single Cabernet venture, with the release of their 2007 Alavigna Tosca, a Super Tuscan blend of their Cabernet Sauvignon with 40% Sangiovese from Luna Vineyards. And while Ancient Peaks has never positioned itself as a one-wine venture, their own proprietary blend of Cabernet Sauvignon, Petite Sirah, Merlot, and Petit Verdot, the 2007 Oyster Ridge impressed, as always.

Blue Moon Wines now bills themselves as ADS Wines, though after perusing their website, I’m tempted to refer to them as ADD; nonetheless, their seeming lack of distinguishable focus did not prevent me from appreciating their NV Rare Red, a Valdiguié from the Napa Valley. I had similar trouble getting a handle on the permutations of Azari Winery/Corkscrew, but found their 2007 Corkscrew Syrah more approachable their sweetish 2009 Chardonnay. Fortunately, I was immediately able to recalibrate with the numeric scaling of B Cellars, a Napa label devoted to blends calibrated by the Brix of their grapes.The white 2009 Blend 23 combines Chardonnay, Sauvignon Blanc, and Viognier; the 2006 Blend 24 mixes Cabernet Sauvignon, Petite Sirah, and Sangiovese. The linear progression to the 2006 Blend 25 brings a mélange of Cabernet Sauvignon and Syrah, while the single varietal 2006 Blend 26 marries fruit from Napa’s To Kalon, Dr. Crane & Stagecoach vineyards—superior, I thought, to the undiluted 2006 Dr. Crane Cabernet Sauvignon they also poured.

Despite being recruited to the Math Honors program at Dartmouth, I quit after one semester with the most soporific instructor I had ever encountered and switched to the Classics Department, where my comprehension of ancient Greek and Latin plays into my professional endeavors almost yearly. Of course, I didn’t need to master the Ionic dialect to recognize the literary references in Arger-Martucci’s labels, the highly aromatic 2008 Iliad, a blend of Viognier, Sauvignon Blanc, Gewürztraminer, and Muscat, nor the 2005 Odyssey Estate Reserve, a classic Napa Meritage that complements their varietal 2005 Cabernet Sauvignon. Italian being the direct evolution of Latin, I suppose August Ridge could have countered by calling their wines Aeneid or the Golden Ass, but the owners refrained from the pretense of allusion and instead elected to bestow simple varietal names on their 2009 Arneis, the 2007 Sangiovese, the very likable 2007 Nebbiolo, and a rustic 2008 Barbera.

How Bennet Lane construes the names for its wines seems anything but formulaic; then again, neither were their stellar Cab-centric vintages: the new 2008 Turn 4 Cabernet Sauvignon, equally impressive bottlings of the 2006 Cabernet Sauvignon and the 2006 Maximus (a Cabernet Sauvignon, Syrah, Merlot and Malbec blend), and their standout, the 2006 Cabernet Sauvignon Reserve. My observations on Beau Vigne would mirror this, as I didn’t allow the nomenclature to befuddle my appreciation of their 2008 Persuasion (Chardonnay) nor of their overtly labeled 2008 Cult (Cabernet Sauvignon).

Is 35? Sonoma’s B Wise Vineyards displays convincing proof with its 2006 Trios, a proprietary blend of Cabernet Sauvignon, Cabernet Franc, Syrah, Merlot, and Petite Verdot, while their 2005 Brion Cabernet Sauvignon offered the singular complexity of a pure varietal expression. Calistoga’s Barlow Vineyards sampled a more orthodox blend of four Bordeaux varietals, the 2006 Barrouge, which straddled the middle ground between their 2006 Merlot and the slightly more impressive 2006 Cabernet Sauvignon. And though Carrefour holds no mathematical significance, their range of varietals equated to 2005 Estate Merlot 2006 Estate Cabernet Franc ∪ 2006 Estate Cabernet Sauvignon.

Cartograph echoes a distinct discipline with obvious dependency on trigonometry and other branches of mathematics, but for the purposes of Family Winemakers solely refers to the three vertices of this Healdsburg winery’s vinification: the 2008 two Pisces Pinot Noir, the exceptional 2008 Split Rock Pinot Noir, and their somewhat anomalous white counterpoint, the 2009 Floodgate Vineyard Gewürztraminer. A more southerly interpolation of this latter varietal came from the 2009 Monterey County Gewürztraminer that Banyan Wines vinted, along with their new 2009 The Guardian Chardonnay. Meanwhile, their tasting room cohorts. Branham Estate, showcased two intriguing blends, the 2007 Jazz, a mix that subordinates Cabernet Sauvignon, along with Syrah and Petite Sirah, to Zinfandel, and the 2007 Señal, that similarly proportions the same varietals from Branham’s Rockpile vineyard, as well as their 2006 Napa Cabernet Sauvignon.

The center of the California Delta does not fall within any recognized AVA, but Bixler Vineyards grows a number of varietals there on its Union Island Farms. Admittedly, I was underwhelmed by their economical 2009 Union Island White and 2009 Union Island Red blends, but their splendid $12 2009 Union Island Pinot Grigio proved (perpetuating the math theme here) an absolute value. Another rather obscure designation, Capay Valley, furnishes the Syrah, Cabernet Sauvignon, and Mourvèdre that comprise the 2008 Open Range Proprietary Red Blend from Casey Flat Ranch, based in Tiburon. And while Anderson Valley is no revelation to most wine enthusiasts, headquarters for Pinot specialist Black Kite Cellars turned out to be a mere 1.5 blocks from my front door in Pacific Heights. (I restricted myself to sampling only their superb 2008 Pinot Noir Stony Terrace and the 2008 Pinot Noir Redwoods’ Edge, along with the more generic 2007 Kite’s Rest Pinot Noir, as owner Rebecca Birdsall Green invited me to join her private tasting the next day of every Pinot they had made since 2003!)

As always, my efforts to make new friends at Family Winemakers brings me into contact with numerous old friends who insist I taste their latest and greatest (not that this is any sort of burden), but in my ever-futile attempts to pare these blog entries to a reasonable length, let me list these in as a verbal depiction of a mathematical : Andrew Quady’s NV Deviation, an Orange Muscat infused with damiana and scented geranium; Andrew Geoffrey’s unfailingly amazing 2006 Cabernet Sauvignon; my favorite 2007 Graciano from Bokisch Vineyards; both the 2006 Cabernet Sauvignon and 2007 Cabernet Sauvignon I’d previously tasted at Joseph Family Vineyards barbecue; Lava Cap’s 2008 Barbera and 2007 Zinfandel; Ty Caton’s superb 2008 Ballfield Syrah: his co-tenant Muscardini’s Super Tuscan, the 2007 Tesoro; the 2006 Sangiovese (where was your Dolcetto?) from Pietra Santa; the new 2009 Gewürztraminer (where was your Blanc de Pinot Noir?) from Siduri; the omnipresent JoAnne and Tony Truchard with their 2006 Cabernet Sauvignon; and Steve and Marilee Shaffer of the newly-emboldened Urban Legend with their 2008 Ironworks, a blend of Nebbiolo and Sangiovese.

I might have enumerated Bill Frick among these members of this set, but I lingered at their table long enough to make my way through the 3 C’s of his quintessential Rhône varietals: the 2006 Cinsault Dry Creek Valley, the 2005 Carignane Mendocino County, and the 2007 Estate Counoise Owl Hill Vineyard, as well as his more whimsical 2007 Côtes-du-Dry Creek,a blend of Grenache and Syrah (had I known I’d be adopting a theme for this entry, I’d have opted for his two North Coast red Rhône blends, the C² and the C³)! Bill does not bottle the Rhône “varietal du jour,” but my friends at Rock Wall (which does) steered me to the table for Paso Robles’ Lone Madrone, which treated me to a taste of their 2005 Tannat. Another grape that is demanding attention in California made its Family Winemakers debut with the new release of the 2009 Grüner Veltliner from Dancing Coyote.

My next summation covers wineries that will likely not prove revelations to my Sostevinobile readers, but their renown proved too alluring to bypass along the way to my appointed destinations. Jeff Mathy & Karl Lehmann’s Vellum Wine Craft, a single bottling venture like Andrew Geoffrey, reinforced their considerable repute with their 2007 Cabernet Sauvignon from the soon-to-be certified Coombsville AVA; another Coombsville denizen, Pahlmeyer, gained considerable fame for its 1991 Chardonnay in the movie Disclosure but flourished this afternoon with a Meritage, the 2006 Napa Valley Proprietary Red; another Chardonnay movie star, Château Montelena (Bottle Shock), staked its claim with the 2006 Estate Cabernet Sauvignon; my personal pedantry aside, Littorai may not garner acclaim for their classical scholarship (Latin for “shore” is litus, litoris), but biodynamically farmed 2007 The Haven Pinot Noir proved exemplary of the many storied Chardonnays and Pinots they produce; Carneros pioneer Kent Rasmussen showed a delightful 2007 Pinot Noir and his 2007 Esoterica Pete Sirah; and also from Carneros, Robert Stemmler poured its acclaimed 2007 Pinot Noir Nugent Vineyard.

Writing this blog is a lot like Fermat’s Last Theorem (an + bn  cn when n>2), an elegant, if not empirical, premise that took over 200 years to prove. I plot out these entries with every intention of being concise, but somehow my fidelity to every possible permutation means I must labor ad infinitum. Onward, onward!

My linear progression takes us next to Calstar Cellars, a name many wineries must feel could be applicable to them, whose œnological agility seemed most pronounced in their 2007 Alta Zinfandel Cardanini Vineyard and its companion 2007 ZaZa Zin grown in El Dorado County. Next up, Charnu Winery derives its name from a French term for “fleshy,” a more than apt description of the small production 2007 Cabernet Sauvignon and its stunning predecessor, the 2006 Cabernet Sauvignon, both pure expressions of the varietal from Napa Valley. Likewise, Atlas Peak’s Cobblestone Vineyards dazzled with their 2004 Reserve Cabernet Sauvignon and the 2005 Cabernet Sauvignon.

 A good pun, whether expressed verbally or algebraically, is always a good pun,and in addition to their winemaking prowess, Napa’s Crane Brothers skillfully eschew calling their blends Niles and Frasier, opting instead for the 2007 Brodatious (a mélange of Syrah, Cabernet Sauvignon and Merlot) and the 2007 Bromance (a Port-style Syrah dessert wine), while also pouring a straightforward 2006 Cabernet Sauvignon and their trademark 2006 Syrah. Meanwhile, the rest of Family Winemakers’ C-section included Croze’s 2006 Smith Wooton Cabernet Franc, Corté Riva’s equally-appealing 2006 Cabernet Franc and perfunctory 2006 Petite Sirah, an excellent 2007 Syrah and amiable 2008 Rosé of Syrah from Coastview Vineyard, and the debut of Paul Hobbs’ new CrossBarn label that contrasted the 2007 Cabernet Sauvignon with his eponymous 2007 Cabernet Sauvignon Napa Valley.

The addition of Dragonette Cellars to the Family Winemakers roster meant an obligatory stop for Sostevinobile, but sampling their 2008 Pinot Noir Fiddlestix Vineyard, along with their 2007 Syrah Santa Ynez Valley and the 2008 Sauvignon Blanc Santa Ynez Valley, proved hardly a chore. Healdsburg’s Dogwood Cellars matched up nicely with their own 2007 Dry Creek Syrah and a 2007 Anderson Valley Pinot Noir, while truly flourishing with both their 2006 Mendocino Cabernet Sauvignon and the 2006 Mendocino Meritage, a 1:1 Merlot/Cabernet Sauvignon blend. And with four distinct points, Donati Family Vineyards of Templeton defined their particular space, highlighted by the 2007 Estate Pinot Blanc Paicines, their Bordelaise-style 2007 Claret, the unblended 2007 Cabernet Sauvignon, and the 2006 Ezio, their marqué Meritage driven by Merlot.

Decades after I studied (and excelled at) calculus, I am still hard-pressed to explain why e, a mathematical constant roughly equivalent to 2.718218285904523536, forms the base of the natural logarithm, but with no E’s from which to cull for the remaining wineries that I covered, I can refrain from having to contrive a forced segue. Indeed, my tasting notes bypass several letters until I neared the middle of the H section with Hearthstone, another Paso Robles winery that stakes its claim primarily with Rhône varietals, including the 2007 Pearl, a Roussanne/Viognier blend, and a superb 2007 Grenache. And even though I did manage it to taste Ispiri’s 2007 Cabernet Sauvignon and the 2007 Maylena, their Alexander Valley Merlot, I will resist any temptation to make a √-1 = ι correlation with the letter I.

Way back when, square roots introduced me (as I’m sure it did most people) to the concept of irrational numbers—those endless sequences that defy any discernable pattern of regularity. And perhaps I should draw inspiration from this phenomenon, randomly selecting any order for the wineries I assay. And yet the next four wineries I plucked from my list share the bond of making their Family Winemakers debut in 2010. Two of these ventures featured well-seasoned winemakers whose craft was well apparent. Glen Ellen’s Korbin Kameron brought on board Bob Pepi to lend his deft touch to their Meritage, the 2007 Estate Blend Cuvée Kristin, while Tandem’s Greg La Follette established his eponymous label with his 2008 Sonoma Coast Pinot Noir and an extraordinary 2008 Sangiacomo Pinot Noir. The other two endeavors came from unfamiliar winemakers; nonetheless, Olin Wines made a strong debut with their 2006 Sonoma County Cabernet Sauvignon, while Kristian Story showed considerable range with his 2006 Soirée Estate Meritage, the 2006 Rhapsodie Estate Cabernet Sauvignon, and a proprietary blend of Cabernet Sauvignon, Merlot, Zinfandel and Petit Verdot he simply calls the 2007 RED Special Vineyard.

Do Parallel Wines ever meet? With all deference to Euclid’s Fifth Postulate, renowned winemaker Philippe Melka proves he warrants the hyperbolic praise for his œnological skills with his 2008 Russian River Chardonnay, an intense 2005 Napa Valley Cabernet Sauvignon, and the evolving 2006 Napa Valley Estate Cabernet Sauvignon. Also doing its part to maintain Napa’s repute was Maroon Wines, with seasoned winemaker Chris Corley excelling with his 2007 Cabernet Sauvignon Yountville. And although Riboli Family Wines has been headquartered in Los Angeles since 1917, their premium bottlings now herald from the Napa Valley, spearheaded by their 2007 Cabernet Sauvignon Rutherford. I found their 2006 San Simeon Cabernet Sauvignon just as enticing, while the 2008 Maddelena Pinot Gris and the 2005 San Simeon Petite Sirah also impressed.

Few of my Sostevinobile know that I do assign a quantitative score to each of the wines I commend; one can always track down another published source to obtain wine ratings (should you feel that determines a wine’s quality). I prefer simply to expose my followers to the diverse bounty of wines produced in our midst and allow them to make their own determination—a road map, if you will, not a scorecard. Even my thematic links serve but as a literary conceit; nonetheless I found that both Mitchella and Vihuela Winery shared common bond in their Paso Robles location, consistent quality, and distinctive nomenclature. The former also focused on Rhône derivatives, first with their 2007 Syrah, followed by their unapologetic 2008 Shameless, a GMS blend. Vihuela offered a euphonic 2007 Concierto del Rojo, a blend of Syrah, Merlot and Petit Verdot, their 2007 Reserve Cabernet Sauvignon (tempered with 20% Petit Verdot), and the Syrah-based 2007 Incendio, a wine that is set to music.

Peter Paul Wines is a serious viticultural endeavor, not the remaining ⅔ of a popular folk group; though far from mellifluous to pronounce, their 2008 Pinot Noir Russian River Valley Mill Station Road drank euphoniously. And juxtaposed here purely by coincidence, Mara Winery harmonized its range of vintages with the 2009 Whitegrass (a Sauvignon Blanc), their 2006 Zinfandel Dolinsek, and the proprietary 2008 Syrage, a Syrah rounded with traditional Meritage varietals.

Counting down to my finish, I very much liked the 2006 Dry Creek Syrah from Peña Ridge. Plymouth’s Sobon Estate struck gold, metaphorically, with their 2007 Syrah. Thorne Wines from Buellton successfully staked its reputation with the single wine it produces, the 2007 Pinot Noir Santa Rita Hills. And Tulip Hill pleased the palate with their Lake County bottling of the 2008 Zinfandel Dorn Vineyard.

A number of variables still remained. I opted for Yorba Wines’ chilled 2009 Touriga Rosé. And a much-needed touch of sweetness came from Voss Vineyards2005 Botrytis Sauvignon Blanc. In contrast, Napa-based Vitus focused on more mainstream bottlings: the 2009 Sauvignon Blanc and 2007 Merlot, along with their notable 2007 Cabernet Sauvignon. And X Winery (the name represents the letter, not the Roman numeral or multiplication sign) summed up the tasting with its 2007 Cabernet Sauvignon, alongside two proprietary blends: the 2006 Amicus (Merlot, Cabernet Sauvignon, Cabernet Franc, Petit Verdot) and the 2008 Red X (Syrah, Tempranillo, Grenache, Zinfandel).
In closing, allow me to enumerate once more. Two days. Ten hours. 342 wineries. 1700 professional attendees each day (plus an untabulated head count for Sunday’s public portion). My personal tally: at least 76 wineries visited and over 155 wines sampled.
Don’t get me wrong. Family Winemakers is a wonderful conclave, one I have enjoyed long before I launched Sostevinobile. Now that I am attending in a trade capacity, it poses an invaluable resource for the wine program I am building. And while I would not go as far as labeling the numbers stifling, the event is far too large derive any notion of atmosphere or experience beyond the marathon of tasting as many wines as can be fit into the timeframe. And so, in order to depict the enormity of the experience, my craft as a Creative Writer must defer to the mathematical training I long ago abandoned. Word count: 3315.

Where there is there there

A few days after attending P.S. I Love You’s Petite Sirah Symposium, Your West Coast Oenophile ventured back across the Bay Bridge for the 5th Annual Urban Wine Xperience in Oakland. Again, having blogged this event for Sostevinobile last year,  I anticipated little in terms of new discovery, but was happy to renew acquaintances and do my small part to help publicize the efforts of these dedicated wine entrepreneurs.

There is an intangible quality to the East Bay wine tastings I’ve attended over the years, something that sharply delineates the ticket holders here from events in San Francisco. On a superficial level, the crowds look different, but only in the sense that they both equally reflect the heterogeneous population of their surrounding communities. But there is definitely a vibe that transcends ethnic makeup here, and I think it may well be a correlation between the lack of pretense among the local wine artisans and the genuine enthusiasm of the majority of attendees—hardly a poseur or dilettante in the crowd, as far as I could detect.

Last year, the Urban Wine Xperience was held outdoors, in a field beside the USS Potomac, the showcase restoration of FDR‘s “floating White House,” ensconced in the Oakland estuary. I arrived in need of some serious heat, maybe not quite the sweltering 95° of previous tasting, but definitely something to recharge the solar batteries after this summer’s protracted winter had taken its toll over the past four bleak, sunless days in San Francisco. Much to my chagrin, UWX V had moved a couple of blocks down the waterfront promenade, off the lawn and inside the enclosed showroom that anchors the Jack London Square complex.



There is no square there

Despite my disappointment at having to spend the afternoon indoors, I found the venue far more spacious and easier to navigate among the 18 various wineries, along with their partnered restaurants and caterers. The copious servings of food showcased not only their precise pairings with the wines being poured but the emerging food scene near the Oakland waterfront and surrounding neighborhoods. Certainly, I found intimations of places I am apt to explore on subsequent East Bay trips, but my focus for the afternoon centered on the appeal of the wines for Sostevinobile

I stopped by first to exchange greetings with Matt Smith, my fellow tasting panelist from the Connoisseurs Guide to California Wine, and to sample, among others, his latest release of the 2008 Alta Mesa Torrontés from his Blacksmith Cellars. Though (so I’m told) every Torrontés producer in California sources their grapes from this same vineyard, Matt manages to craft this wine with his personal touch, just as he did with the very striking 2008 North Coast Chenin Blanc, a once-ubiquitous varietal that has fallen into disfavor over the past two decades. Rounding out his inventory for the afternoon was the 2006 C.L.R.T., a wine that dare not speak its name (in accord with 2005’s Napa Declaration of Place), a Cabernet Sauvignon-based claret blended with Cabernet Franc and Merlot. 

Oakland’s World Ground Cafe matched these wines with a pork canapé, a pairing I find almost ubiquitous at fine & food affairs, but nonetheless well suited to Matt’s craftsmanship. Another restaurant I discovered just outside the exhibit hall, Bocanova, seemed a gargantuan undertaking, but also provided an intriguing pork variation to pair with Cerruti Cellars, a newcomer to Urban Wine Xperience. Their 2009 Mer Blanc Merlot Rosé heralds from vineyards in Alexander Valley, while the 2006 Cuvée Red Blend, a marriage of Sangiovese, Zinfandel and Merlot bottled under their Tudal label, boasts a Napa Valley origin. As if to forge a compromise, they melded barrels from both AVAs to produce the 2007 50/50 Cabernet Sauvignon Napa/Sonoma.

I haven’t quite ascertained how Andrew Lane Wines qualifies as an urban winemaker, though their wines certainly warranted inclusion this afternoon. Their corollary to Cerruti’s Cuvée Red blend was an amiable 2007 Rosso Napa Valley, a well-balanced ménage à trois with Sangiovese, Zinfandel and Valdiguié, another somewhat obscured varietal that had once enjoyed immense popularity. I found myself intrigued with their semi-spicy 2007 Petite Sirah Napa Valley, while enthralled with their 2007 Cabernet Franc Oakville. Franc-ly speaking, one of Sostevinobile’s most popular citations, Rock Wall Wine Company, made an equally strong statement with their 2007 Cabernet Franc Holbrook Mitchell from Napa Valley. On numerous visits to their facility, I don’t believe I’d previously tried their 2009 Russian River Reserve Chardonnay and, as with their progenitor, their array of top-notch Zins, including today’s 2008 Sonoma County Zinfandel, often leaves me scrambling to decipher my tasting notes.

Rock Wall’s Kent Rosenblum launched the East Bay winery phenomenon with his eponymous Rosenblum Cellars, now undergoing the throes of assimilation under its corporate parent, Diageo. The realignment was quite apparent in both their 2008 Zinfandel Sonoma Appellation Series and 2007 Zinfandel Paso Robles Appellation Series, not so much in the 2007 Syrah Snow’s Lake. Another spinoff from Rosenblum, JC Cellars, extended the tradition of quality begun in Alameda with a profound series of his own blends, ranging from the Roussanne-Marsanne duality of their 2008 The First Date to the complexity of the 2008 Daily Ration (Carignane, Petite Sirah, Tempranillo, Grenache, and Zinfandel) to the quixotic array of Zinfandel, Syrah, Carignane, Petite Sirah, Tempranillo, and Viognier in their ever-popular 2008 The Impostor.

JC Cellars’ white Rhône blend was paired with an incredible Seared Halibut on a fried wonton wedge from East Bay caterer Oren’s Kitchen (I confess to circling back to their table numerous times throughout the afternoon). Similarly, the Shrimp and Corn Pudding Tart from Alameda’s Little House Café proved an extraordinary complement to Stage Left Cellars’ white Rhône, the 2008 The Go Getter, a blend of Roussanne, Viognier, and Grenache Blanc. Sourced from a Syrah vineyard in Rogue Valley, their tasty 2007 The Scenic Route seemed an apt title for a descriptor of the grapes’ path back to Oakland while their 2006 Grenache stayed in-state from a vineyard sourced in Santa Maria.

One of my discoveries last year, Irish Monkey Cellars, also poured two Rhône varietals, the approachable 2008 Mourvèdre Lodi and a compelling 2007 Syrah Amador, as well as a blend of varietals they source from Napa’s Lovall Valley (a Real Estate designation, not a recognized AVA), the 2008 Chateaux du Lovall, a will-o’-the-wisp assemblage of Zinfandel, Petit Verdot, Primitivo, Syrah and Merlot. Another of 2009’s stars, Prospect 772 Wine Company, returned with the latest versions of their proprietary blends, the Syrah/Grenache mélange, the 2007 The Brat and its Viognier-infused Syrah brethren, the 2007 The Brawler, along with newcomer 2009 Baby Doll Rosé, also made from Syrah and Grenache.

At most tastings, R & B Cellars usually breaks out the kitchen sink, pouring more wines than I can fathom, but held to a mere trio this afternoon, showcasing their Sauvignon Blanc, the 2007 Serenade in Blanc, a highly likable 2007 Swingsville Zinfandel and the superb 2005 Reserve Napa Valley Cabernet Sauvignon. Also at most East Bay affairs,Urbano Cellars and Urban Legend Cellars seem inextricably joined at the hip; sequestered in different wings of the exhibition hall, they stood out today on individual merit. Urbano opened with their 2008 Vin Rosé Green Valley, a blush version of Napa Gamay (aka Valdiguié), then followed with an exceptional blend of Syrah, Grenache and Tempranillo, the 2007 5 Barrel Lodi, a haphazard assemblage of they would be, admittedly, hard-pressed to duplicate. Their standout pour came from their wondrous 2008 Sangiovese Mountain View Ranch.

Urban Cellars’ forte also stemmed from its Italian varietal bottlings, starting with the stellar 2008 Barbera Clarksburg that had crowds flocking to their table. Nebbiolo and Sangiovese worked synergistically to deliver their well-balanced 2008 Ironworks, while Marilee Shaffer delighted me with a sip from a bottle of the 2008 Teroldego Clarksburg she had secreted under the table. I also had warm feelings for the yet-unreleased 2009 Tempranillo Clarksburg and for the 2009 Sauvignon Blanc Lake County that paired rather seamlessly with Warmed Grits topped with a confit of Chicken & Corn from Oakland‘s Brown Sugar Kitchen (proving, yet again, that there can be a wine to match up with almost everything).

Ehrenberg Cellars is a venture on the cusp of coming into its own, with more people behind its table sporting badges that read “Investor” than I can enumerate. Seemingly, their food partner Paradiso had as many pasta selections on hand, each distinctive and satisfying. This wine venture, formerly known as Nectar Vineyards, showcased promising futures from its unbottled 2009 Shenandoah Zinfandel and 2009 Petite Sirah, along with the 2008 Contra Costa Zinfandel from its previous incarnation. Meanwhile the more seasoned Dashe Cellars displayed its versatility with an organic 2008 Dry Riesling McFadden Farm and a pair of Sonoma vintages, the 2009 Grenache Dry Creek Valley and the 2008 Zinfandel Dry Creek Valley, both tangy complements to the Seared Lamb & Arugula canapé from Oakland’s Chop Bar.

In my quest for objectivity, I hope Sasha Verhage will forgive me if I describe his 2007 The One Fairview Road Ranch, the Pinot Noir from his Eno Wines as not quite as mind-blowing as the 2007 The Change Agent (Grenache) and the 2007 The Freedom Fighter (old vine Zinfandel) proved this particular afternoon. Meanwhile, Dick Keenan’s Carica Wines held up their end with the 2008 Kick Ranch Sauvignon Blanc, the 2007 Kick Ranch Syrah, and Syrah-dominated GMS blend, the 2007 Temptation Sonoma County.

I was happy to find Marie Bourdillas’ Aubin Cellars on hand once again. This restrained, Burgundian-style operation offered equally-striking bottlings of their 2007 Carneros Pinot Noir and the 2007 Sonoma Mountain Syrah, along with a demure 2008 French Colombard. And, of course, I saved room for dessert, knowing that Adams Point Winery had its 18% alcohol Mango Wine on hand. In keeping with the Napa Declaration of Place, Adams Point calls its fortified blend of Cabernet Sauvignon, Syrah and Petite Sirah California Red After Dinner Wine. While I found this “not Port” quite compelling, their Chocolate Dessert Wine, the same wine with an infusion of chocolate, bordered on tasting syrupy, not quite the finale to this event I had conjured.

Efforts to transform Jack London Square into a culinary mecca have been well-documented of late, and while the quiet exit of hokey food chains like T.G.I. Friday’s, El Torito and the Old Spaghetti Factory certainly seem a positive development, I, too, question whether this destination can draw sufficient crowds to sustain a mega-enterprise like Bocanova or, speculatively, a future branch of Sostevinobile. But, on this one afternoon, there definitely was a there there, and it remains safe to say that Urban Wine Experience proves the East Bay winery scene remains a vibrant presence that will continue to endure.

One I missed. The other I made.

There can be a considerable downside to the simplicity of Copy & Paste. Your West Coast Oenophile is starting to realize that the pressures of trying to handle all the needs of Sostevinobile can sometimes cause me to overlook small but important details when I transfer information to my iCal datebook. Like the word preceding the calendar date—the month.
Perhaps I should blame my oversight on my attendance at Rock Wall’s Spring Fling Open House. The weather was perfect Saturday (something Rock Wall always seems to conjure for their major events); the salsicce spicy and enticing; the bevy of Tibetan nursing students who arrived at the tail end of the event alluringly beautiful; the usual suspects—wineries who regularly participate in these quarterly gatherings—there in force. Carica Wines, Ehrenberg , R&B Cellars all poured essentially the same lineup I had tasted at my most recent visit and reviewed here.
Of the new wines I tasted, John Robert Eppler’s JRE label showed notable progress with their 2006 Cabernet Sauvignon Rutherford. Matt Smith, with whom I had recently participated on one of the Connoisseur’s Guide to California Wine Tasting Panels, poured several releases from his Blacksmith label, including his 2008 Torrontés, a nostalgic 2008 Chenin Blanc and his Syrah, Grenache/Cabernet Sauvignon blend, the 2006 Hephaestus. Good always to see Sasha Verhage with his redesigned labels for his Eno Wines; inside the bottle, the 2007 Mr. Fix-It (Syrah) and 2007 The Change Agent (Grenache) lingered longest on the memory.
Rock Wall also debuted several wines, including the 2008 Cabernet Franc Holbrook Mitchell, the 2007 Cabernet Sauvignon Holbrook Mitchell, a Sonoma County 2008 Late Harvest Sauvignon Blanc, and the 2008 Zinfandel Reserve. The true revelation of the afternoon, however, was the much-anticipated 2008 Montepulciano Contra Costa County. A distinct varietal, not to be confused with the Sangiovese-based Italian wine of the same name, I have enjoyed this wine only twice before from other California wineries. This 88-case bottling sold out in less than a week (I did my part by returning to the tasting table several times) and truly stand as a harbinger of the risorgimento of Italian varietals on the West Coast (more on this phenomenon later).
Following the Spring Fling, I rushed back to San Francisco to order online passes to the Vinify Winery Collective Tasting in Santa Rosa. With my e-confirmation safely logged into my iPhone, I mapped out an itinerary, arranged appointments in Glen Ellen and Kenwood, then headed out from San Francisco before my usual wake-up time on Sundays.When my companion and I arrived at the industrial complex on Coffey Lane where Vinify houses its custom crush operations, the parking lot seemed eerily empty. Sure enough, Vinify’s front door was locked and neither Hillary Lattanzio nor her husband Matt were answering their phones. The sun was sweltering, Dongzhe was impatient, and I was flummoxed.

I had noticed, as we entered, that Carol Shelton operated her tasting room from another one of the complex’s warehouses. Determined that our trip not become a total wash, I pulled up to her window, hoping to fulfill a long-standing promise to visit her operations. Unfortunately, Carol was off pouring at a tasting in Southern California, but her Hospitality Manager Joanne Emery was more than happy to accommodate us. A check of my Webmail account from Joanne’s computer affirmed that our party was in fact scheduled for the last Sunday in May, so we mollified our frustration with a rather comprehensive survey of Carol’s current releases, starting with her 2008 Rendezvous Rosé, a blush expression of 100% Carignane.
I skipped past a couple of her Zinfandels I had sampled recently, settling first for the 2005 Wild Thing Zin, a much-awarded bottling smoothed by 10% Carignane. The 2006 Rocky Reserve Zin, a bold, signature Rockpile showcased Carol’s considerable repute for this varietal, as did her perennial favorite, the 2005 Karma Zin. Rockpile’s special allure figured prominently in the 2007 Petite Sirah Rockpile Reserve, while the 2005 Exhale Syrah Reserve derived from a rare second bottling of a wine that had been left in cask for over four years.
My readers, fans of Sostevinobile, and our future clientele all know how I am constantly seeking out different and obscure varietals to add to our inventory. The lineup at Carol’s tasting room yielded just such a discovery with her 2008 Sweet Caroline, a late harvest wine crafted from Trousseau Gris. We closed our visit with a taste of Dark Chocolate and the 2008 Black Magic, a late harvest Zinfandel, a fitting cap to our impromptu stop.
I have been building the wine program for Sostevinobile for nearly two years, building on an extensive involvement in the California wine industry since 1982. During this development, I have reached out to and sampled wines from 2,000 or so labels along the West Coast; as such, it seems a natural extension of my research to provided consulting services to other ventures on their wine program, particularly in helping them gain more of a focus on the bounty of wines we have available at our own doorstep. In search of assisting a small group of Italian restaurants incorporate a selection of Italian varietals grown here for their wine list, we headed across Sonoma County to the Kenwood tasting room Michael Muscardini had opened.
Michael couldn’t meet us, owing to a charitable obligation, but we were ably guided through the selections by Tasting Room Manager George Delano. We started off with the 2009Rosato di Sangiovese, a bone-dry expression of the grape I look forward to comparing with other Rosé wines at the Pink Out SF tasting next week. Next up were the 2008 Barbera Pauli Ranch from Ukiah and the 2008 Sangiovese Monte Rosso Vineyards, one of several Sangiovesi Muscardini produces. We could not resist contrasting the 2007 Syrah Gracie Creek with the 2007 Syrah Unti Vineyard before moving onto the 2007 Tesoro, a proprietary Super Tuscan with 58% Sangiovese from both Merlo and Favero Vineyards, plus 21% of Unti’s Syrah.
The 21% remaining to this bottling was Cabernet Sauvignon from Ty Caton, which now shares Muscardini’s tasting room. No Italian varietals here, but memories of working our way through a mixed case of these wines with The Ginkgo Girl last year spurred us to try several of his current offerings. Setting our palate fresh was his crisp 2009 Riesling from the Central Coast, followed by his very approachable 2009 Syrah Rosé. With a wide choice of vineyard designate reds to chose, we opted for the 2008 Petite Sirah Caton Vineyard, the 2008 Upper Bench Merlot, and the 2008 The Ridge George’s Malbec.
Of course, we could not leave without a taste of Caton’s crown jewel, the 2008 Tytanium, a well-balanced blend of 37% Cabernet Sauvignon, 30% Petite Sirah, 24% Syrah, and 9% Malbec. I had first tried the 2007 vintage of this wine last year at the Open House for Eighth Street Wineries in Sonoma, an industrial warehouse complex that houses the production facilities for Ty Caton and a handful of other boutique wineries like Three Stick, Kamen and Enkidu. I had recently sampled Enkidu’s superb inaugural Sangiovese, the 2008 Rosso Fazekas, at QuestPoint Solar Solutions’ Appreciation and Rejuvenation soirée at Green Zebra, and was happily surprised to discover their new tasting room adjacent to Muscardini. Alas, however, this wine was not on their tasting list, so we departed for a meal in Sonoma Square before returning to San Francisco.


My premature trek to the Vinify tasting made me all the more resolute to enjoy the Taste of Mendocino in the Presidio the following Tuesday.  If only the weather had decided to act as cooperative as it had in Alameda the preceding weekend! Within moments of leaving the Cow Hollow Fedex/Kinko’s, where I had dropped off the sunglasses Dongzhe had left under my car seat, I found myself caught in a downpour as I pedaled furiously over to the Golden Gate Club in the Presidio. I arrived thoroughly drenched, then spent the next 20 minutes seeking out a restroom with hot air hand blower to try drying my shirt!

When I finally did get myself to a point of appearing presentable, I beelined for the tasting room and caught up with Fred Buonanno, who was pouring his Philo Ridge. Though his name, like mine, begs for Italian varietals, Fred vinifies a more mainstream Mendocino varietal selection, with an elegant 2008 Pinot Gris Klindt Vineyard, the AVA signature 2006 CORO Mendocino, and his 2006 Pinot Noir Anderson Valley. Of course, the A-Z (Z-A?) in Mendocino wines decidely must be Fred Zmarzly’s Albertina Wine Cellars; an intimate, small production, single varietal operation, Albertina made an emphatic statement with their 2006 Cabernet Sauvignon, a 330 case bottling.
Content merely to span the Bs, Brutocao Cellars and Bliss Family Vineyards herald from a single proprietorship, the former being the primary label. The more affordable Bliss brand offered a straightforward lineup, with an approachable 2008 Pinot Noir an easy favorite. Brutocao’s 2007 Pinot Noir Anderson Valley fell squarely in line with the overall excellence of this vintage throughout the West
Coast,while its 2006 Quadriga, a blend of 40% Sangiovese, 38% Primitivo, 18% Barbera, and 4% Dolcetto, provided a tantalizing glimpse of their Italian heritage wines that were not on this afternoon’s roster.
I don’t know of many wineries with the versatility to make an array of Sauvignon Blancs, but Chance Creek Vineyards certainly proved themselves quite adept in this niche. Of the three interpretation they poured, I greatly favored the 2006 95470 Sauvignon Blanc, while being slightly partial to the 2007 Sauvignon Blanc vs. the 2006 Sauvignon Blanc reserve. And, of course. I took quite a shining to their 2006 Sangiovese. The pinnacle of Italian varietals this afternoon, however, most certainty had to have been Chiarito Vineyard. Advance intimations of John Chiarito’s bottlings of several varietals unique to this region had lead a number of e-mail exchanges before the Mendocino event, and I was rewarded with tastings of his 2003 Negroamaro and his striking 2003 Nero d’Avola. To John’s credit, his 2007 Petite Sirah was no slouch, either.
I am always appreciative of a clever wine name, especially when the wine itself warrants attention, like the 2006 Sedulous from Rivino. I suppose the 18 months I have dedicated (so far) to building Sostevinobile’s wine program might qualify me for this moniker, as well, but Jason McConnell’s deft blend of Merlot and Cabernet Franc, with just a splash of Viognier, deserves the spotlight at this moment, alongside his superb 2007 Sangiovese. Meanwhile, the quaint family operations of Mariah Vineyards seemed to have posted a typo in the tasting guide, lisiting both a 2006 Syrah and a 2006 Syriah, but, indeed, the latter is a proprietary portmanteau (Syrah Mariah) and distinct bottling of but 51 cases, crafted by hand.
Kimmel Vineyards has nothing to do with late night comedy, just the production of a superb 2007 Merlot and an admirable 2007 Chardonnay. One might also suspect Naughty Boy Vineyards as well of having ties to Jimmy K., but is instead the domain of Jim & Emjay Scott and crafts a fine 2007 Dolcetto.
Diametrically opposite but without apparent sanctimony, Mendielle Vertu could easily have derived an esoteric name from owner Bently Luneau or winemaker Kian Tavakoli, but instead chose to honor Mendi, their ranch dog. Though focused on Merlot, with strongest showing from both their 2007 Proprietary Red Merlot and the 2007 Reserve Merlot, they flourished with their new 2008 Chenin Blanc. With as intense focus on Pinot Noir, Phillips Hill held forth with a trio of this varietal, the most definitive being their 2008 Ring of Fire Anderson Valley.
Claudia Springs also excelled with their 2005 Pinot Noir Klindt Vineyard, while also producing a 2009 Viognier Lolonis Vineyard and a 2009 Pinot Gris Klindt Vineyard. Coincidence? Foursight Wines brought along four Pinots, dominated by their 2007 Clone 05 Pinot Noir Charles Vineyard, and a companion 2008 Sauvignon Blanc Charles Vineyard.
Coming from opposite ends of the spectrum, two wineries showcased a single Chardonnay. Independent winery Demuth Kemos produced but a scant 96 cases of their 2008 Chardonnay Anderson Valley, while Constellation’s Mendocino Vineyards bottled 10,000 cases of its foray into organic viticulture, the 2009 Chardonnay. Other boutique proprietors included: Nelson Family Vineyards, notable for both their 2008 Pinot Grigio and 2008 Riesling; Cesar Toxqui, with a sturdy 2006 Zinfandel and a non-vintage Heirloom II, a blend of Zinfandel, Cabernet Sauvignon, and Merlot; and Drew Wines, with under 1,300 cases of their three Pinot Noirs, plus a memorable 2007 Syrah Perli Vineyard.
Dreyer Wine displayed its dual personality, with its Il Cuore line and one name for the thoroughbred who ran with such heart, Seabiscuit Ranch. I warmed to Seabiscuit’s 2006 Superfecta Red, a traditional Meritage, but had my greatest fondness for Il Cuore’s new release, the 2006 Barbera, along with their 2007 Rosso Classico, a blend of Zinfandel, Merlot, Petite Sirah, Syrah, and Carignane. Meritage components starred at Le Vin Winery, which broke out their older 2002 Merlot and 2004 Cabernet Franc for this afternoon’s gathering.
Maple Creek Winery sees itself as a fusion of wine and art, so it should come as no surprise that they poured a 2008 Artezin Symphony, a grape that itself is a hybrid of Muscat and Grenache Gris. Their notable pour, however, was the 2005 Cowboy Red, a blend of Merlot, Zinfandel and Carignane.Its Mendocino compatrio
t, Trinafour Cellars, bottled straight 2009 Muscat Canelli and 2007 Carignane, along with their 2006 Petite Sirah.
Like Fred Zmarzly, Rosati Family is a Cab-only operation, bottling 1,000 cases each year; of the 3-year vertical they poured, the youngest, the 2005 Cabernet Sauvignon, stood out as the most complex. One of the oldest names in Mendocino winemaking, Weibel Family Winery, demonstrated its small lot varietals, a 200-case 2006 Cabernet Sauvignon and a very approachable 2006 Zinfandel, bottled in the same quantity.
Of course, Weibel’s array of champagnes and flavored sparkling wines make it quite the substantial operation. I eschewed their NV Sparkelle for two of the leading méthode champenoise producers on hand, Scharffenberger, which poured its NV Brut Rosé, and the always-marvelous Roederer Estate, which indulged me in its 2002 L’Ermitage.
Following the sale of their family label to Brown-Forman, several of the 11 Fetzer offspring have started their own labels. Present today were both Saracina Vineyards, delighting with its 2006 Atrea Old Soul Red (Zinfandel, Syrah, Malbec, Petite Sirah) as well as its 2007 Petite Sirah, and Jeriko Estate, with its 2006 Pinot Noir and 2005 Cabernet Sauvignon. Like their original venture, the Fetzer spinoffs all maintain a great fealty to organic and biodynamic farming, a hallmark of numerous Mendocino wineries, including Patianna, which shone with its organic 2008 Chardonnay, and organic pioneers Frey Vineyards, whose Katrina Frey regaled me with the 2007 Sangiovese, as had her daughter Eliza with the previous vintage just as I was formally embarking on Sostevinobile’s wine program.
As always, I never seem to find the time to taste every winery with whom I set out to connect and often miss out on ones with whom I would love to reconnect. I did manage to squeeze in a taste of Esterlina’s excellent 2007 Pinot Noir Anderson Valley, along with their contrasting 2008 Riesling and 2008 Dry Riesling Cole Ranch. Edmeades offered a quartet of Zins, headlined by the 2007 Ciapusci Zinfandel. In turn, Elke Vineyard made its strongest impression with their pair of 2007 Pinot Noir Donnelly Creek and 2008 Pinot Noir Anderson Valley. I took in a quick tasting 2008 Pinot Gris and 2006 Riesling from McFadden Farm, along with their 2008 Sparkling, but somehow entirely missed both Meyer Family Cellars and Milano Family Winery (I will be sure to make amends at another date).
Had there been time to spare, I would have gladly caught up with old familiars like Lolonis, Navarro, Parducci, Bonterra, Barra, and Jaxon Keys, but, unfortunately, my unforeseen drenching en route to the event whittled away a significant portion of the time I had allotted. Fitting, therefore, that my finally tasting was the 2009 Chenin Blanc of Husch Vineyards. while my dampened attire did not lead to anything quite as dire as pneumonia, I did come down with a nasty bout of congestion and most unwelcome case of laryngitis, which kept me “hushed” for the next several days.

Back with a vengeance! The return of the Liberal Freeloader!

Ah March! With all the events I had to cover for Sostevinobile—not to mention the inexorable task of sourcing our financing—it came as great relief to close the month with one of my favorite annual gatherings, the Rhône Rangers Grand Tasting. I can’t remember when I first attended this early spring festival, but it has always served not only as a harbinger of spring but of incredible wines on the cusp of reaching the market..
Your West Coast Oenophile actually held true to his strict two-pronged agenda for this tasting. First was to visit with the first-time participants at Rhône Rangers; once completed, I would next tackle those wineries who were part of my database, but I had yet to sample. First up, I gravitated over to Black Sheep Winery, who shared its table with Milliaire, another Murphys winery with the same ownership. Notable selections were the 2008 Cinsault Dusty Lane and the 2005 Syrah Milliaire, Sierra Foothills.
From Paso Robles, Caliza, my next stop, a winery given to diverse nomenclature for its Rhône blends. Its mélange of Roussanne, Viognier and Grenache Blanc, the 2008 Kissin Cousins, was quite refreshing; its GMS blend, the 2006 Azimuth, emphasized Syrah, while the 2007 Azimuth was Grenache-dominant. I followed my list to the anomaly of Coiled Wines, a venture that produces its wine in Napa from grapes it farms in Idaho! To be honest, I’m not sure how that benefitted its 2008 Syrah Snake River Valley..
Folin came down from Oregon to pour its array of varietals, with a 2007 Estate Viognier, a young 2008 Estate Petite Sirah, and a noteworthy 2006 Syrah. Further down the coast, Paso Robles’s Katin displayed a range of wines, with an exceptional 2008 Viognier Paso Robles and a trio of Syrahs, ranging from the 2007 Syrah Glenrose Vineyard and the outstanding 2007 Syrah Michaud Vineyard to their Oregonian 2007 Syrah Del Rio Vineyard. Martinelli Winery from Windsor also produced a Syrah Trifecta, showing with the 2005 Syrah Terra Felice, placing with the 2006 Hop Camp Gravel Lens Vineyard, and winning with the exceptional 2006 Syrah Zio Tony Ranch.
Though I tend to favor Roussanne, I am always impressed by a great Marsanne and certainly Michaud Vineyards did just that with their 2007 Estate Syrah Chalone AVA. They also managed to put themselves on Sostevinobile’s radar with their 2004 Estate Syrah Chalone AVA, the clear favorite among their four verticals of this bottling. From there, I progressed to Shane, one of Kosta Browne associate winemaker Shane Finley’s acclaimed sidelines; of the multiple Syrahs he poured, I cottoned most to the 2008 Jemrose and the 2008 Judge, while noting also the easy pleasure of his rosé, the 2009 Ma Fille. From Fair Play, Skinner Vineyards claims a legacy that dates back to 1861—fortunately I did not have to wait until their 150th anniversary to discover their exception Roussanne/Marsanne/Viognier blend, the 2008 Seven Generations nor their elegant 2007 Syrah Stoney Creek Vineyard.
I also confess that I had never heard of Oregon’s Hundred Valleys of the Umpqua, which sounds appropriate for a West Coast campus of Cornell, but provides a fitting backdrop for Spangler Vineyards and their Rhône-style plantings, the source of both their 2006 Syrah and 2006 Syrah Reserve. And, from the southern extreme of this tasting, Venteux Vineyards from the self-described “windy Templeton Gap” made an impressive Rhône Rangers debut both with their 2007 Grenache Paso Robles and 2007 Syrah Tache le Verre, as well as an amiable Châteauneuf du Pape-style 2007 Farmhouse Cuvée.
So next I moved on to cover those wineries I should have covered at previous Rhône Ranger tastings or other events. In my contrarian mood, I started from the nether realm of the alphabet with Zaca Mesa, a Paso Robles winery I was surprised I hadn’t previously chronicled. Nonetheless, I found much to admire in their 2009 Estate Viognier, 2008 Estate Grenache Blanc, the 2006 Estate Syrah and an estate GMS blend from the Santa Ynez Valley, the 2006Z Three. Up in Sonoma, Valley of the Moon Winery produced a likable 2007 Petite Sirah, while perennial favorite Unti contrasted its Rhône-style 2007 Grenache Dry Creek Valley with a 2007 Syrah Benchland that seemed almost Italianate.
I’d been introduced to Mats Hagstrom of Travieso and his 2007 Amaranta Kirks’ Fairview Ranch (Syrah) at a recent convocation of the Stanford Wine Club; new this afternoon was his 2007 El Chupacabras, a blend of Syrah, Mourvèdre, Grenache, and Viognier. On the other hand, I can’t recall the first time I met Tony and Jo Ann Truchard, but it was a delight, as per usual, to delve into their 2008 Roussanne. Another familiar, Andrew Quady, was not in attendance, but his new Oregon arm, Quady North, proved a worthy extension of his famed California operations, especially with the 2007 Viognier Steelhead Run and a striking 2006 Syrah Flagship.
Also comporting themselves with considerable aplomb, Pomar Junction showcased why Paso Robles has come to exemplify Rhône varietal viticulture in the New World with a 2008 Viognier, their dry 2008 Rosé of Syrah and the understated elegance of their 2007 Syrah. Reinforcing this claim to prominence. Paso’s own Lone Madrone poured a number of varietals and blends, highlighted by the 2007 Points West Red, a combination of Syrah & Mourvèdre. And, of course, L’Aventure crystallized this reputation, flourishing with their 2007 Rhône blend, the 2007 Côte à Côte.
Loosely translated from the Greek, Kaleidos means “beautiful form; its flavors, too, evoke a sense of beauty and delight, particularly its 2005 Syrah and its sumptuous 2006 Grenache. Jemrose is a portmanteau of uncertain derivation but offers no ambiguity with its distinctive 2007 Gloria’s Gem, a proprietary mélange of Syrah and Merlot.
Coincidentally, as I set about to keyboard in my notes on Holly’s Hill, I received an e-mail from their winemaker querying whether Sostevinobile would like to purchase some cases of their Mourvèdre, and while I cannot commit to any wine acquisitions until our program is in full force, I am happy to state that I did, indeed, find the 2008 Classique quite delicious! So, too, was the 2006 Estate Syrah from Solvang’s Harrison Clarke (no relation to Myron Harrison Clarke, a name some of my readers may recall with detached bemusement).
I neglected to ask Derby Wine Estates from where the name was derived, but their 2007 Fifteen 10 White (a blend of Roussanne, Marsanne and Viognier) and their 2006 Fifteen 10 Red (38% Syrah, 28% Grenache, 28% Counoise, 6% Mourvèdre) needed no explanation. In typical fashion, Concannon Vineyard flourished with their 2004 Reserve Captain Joe’s Petite Sirah but demonstrated their versatility remains unhampered since its acquisition by The Wine Group with their 2005 Grenache and 2006 Syrah.
I wrapped up the afternoon with a trio of wineries. Boulder Creek’s Big Basin furnished an impressive lineup of Syrahs, most notably the 2007 Syrah Mandala, Santa Cruz Mountains. Paso’s Clautiere Vineyards made its strongest impression with both the 2004 Estate Syrah and the 2005 Estate Mourvèdre while Clayhouse’s 2007 Show Pony Red Cedar Vineyard, an estate Petite Sirah, spoke loudest for this venture from the Middleton Family Wines.
Despite my best intentions, I failed to cover  Los Olivos’ Curtis Winery, as well as Arroyo Robles and Arnot-Roberts, as I had penciled into my roster for the afternoon. If only there had been time to cover everyone I wanted to taste!


If Rhône Rangers had put my skills for advanced preparation and navigation to the test, two days of trying to cover the inaugural SF Vintners Market at Fort Mason showed how little they had been honed. I cannot commend Bridget Raymond of Courtesan Wines and Cornelius Geary of Radcru enough for how impressive tasting-cum-retail market at Fort Mason on April 10 & 11 turned out. Wineries from California, Oregon and a smattering of other countries filled the Herbst Pavilion at Fort Mason and showcased an impressive array of wines, ranging from hobbyist vintages to near-cult status.

Admittedly, a guide a bit more comprehensive than a four-column list printed out on a single 8″ x 11″ sheet might have made negotiating the roster of some 150+ wineries a bit easier and allowed me to cover the numerous labels I was not yet formally acquainted. In truth, however, the greater challenge to making my quota stemmed from that I was attending the Market not so much to sample new wines but to escort potential investors for Sostevinobile through the intricacies of the wine world, its products and its consumers.
As such, my notes on individual wines are scant, but I would like to commend the following wineries for the fine variety of wines I did sample and share with Sostevinobile’s suitors: Bialla Vineyards, Amapola Creek, Tom Scott Vineyard, Reynolds Family Winery, Kapcsándy, Sciandri, Dominari, Palladian, Captûre, Rosa d’Oro, Provenance, Perry Creek, Modus Operandi, Ochoa, Olivia Brion, Pavo, PB Hein, Sylk, Signorello, Spotted Owl, Lancaster, MadoroM, Ramazzotti, Respite, De Novo, TR Elliot, Terisa, Waits-Mast, Urban Legend, Two Mile Wines, Tristant, Coup de Foudre, and the collective wineries of Terroirs Artisan Wines. For now I can only acknowledge their contribution to our efforts and incorporate them into our roster, but more extensive reviews of their offerings will surely come.


By contrast, my 2010 excursion to the Trade Tasting for the Santa Cruz Mountains Winery Association in Campbell was a succinct, manageable affair. Nearly all of these wineries had participated several weeks before in a Santa Cruz tasting at Farallon, which left few new wines for me to sample. Plus, I had attended numerous Santa Cruz tastings in 2009, including an absolutely splendid staging of this same event at Trevese in Los Gatos, one of only four restaurants in Silicon Valley ever to have garnered a Michelin star.

And therein lies the rub. Much to almost everyone’s surprise, Trevese abruptly shut its doors not long after last year’s event, forcing the SCMWA to find a new locale to host their event. And certainly the Professional Culinary Institute is a fine space, albeit a bit cramped, in a building it shares with a branch of Gold’s Gym in Campbell. But whereas Trevese had pulled out all its stops, regaling attendees with trays upon trays of extraordinary cicchetti and other appetizers, this tasting furnished little beyond the customary fruit platter and cheese spread. Which would have been fine except that in between the two rooms housing the tasting was their professional kitchen, a state-of-the-art facility with expansive picture windows, which allowed attendees to peer in at the gourmet preparations these up & coming culinary stars were executing every time we passed from one room to the other! A veritable torture for even a moderate gastronome, and not even the exquisite kind!
Basta! I know I’m supposed to be discussing the wines, like my introduction to the 2005 La Rusticana d’Orsa, a single production blend focused on Cabernet Sauvignon and Merlot from the winery bearing the same name. Another winery I had not previously encountered, Beauregard Vineyards, made a great initial impression with their 2006 Chardonnay Santa Cruz Mountains. A final winery so new to this event, they failed to be included in the program guide, Dancing Creek, hinted auspiciously at their potential with their just-released 2008 Pinot Noir Regan Vineyard and a 2008 Reserve Merlot.
No newcomer to this tasting or to Sostevinobile, Kathryn Kennedy did share a new perspective on their efforts with an inaugural release of their organic 2009 Sauvignon Blanc (I continue to be impressed how this varietal particularly seems to flourish in it organic expression). While at their table, I also happily partook in their 2007 Syrah Reserve Maridon Vineyard and in both the 2005 Cabernet Sauvignon Estate and the outstanding 2003 Cabernet Sauvignon Estate, the single varietal bottlings that help put this winery on the map. Silver Mountain struck a consonant chord with their 2006 Syrah Wiedeman Vineyard, while Michael Martella once again demonstrated his virtuosity with his 2006 Fiddletown Grenache Oleata Vineyard.
One winery that has consistently impressed me is Odonata, and their 2008 Grenache Alta Mesa did much to perpetuate my endorsement. I seem to receive e-mails every week from Pleasant Valley Vineyards, which may account for my overlooking their table a time or two in the past; today, I leisurely partook of their entire inventory, noting their exceptional 2008 Erika Anna Viognier, Hansen Vineyards, the 2008 Dylan David Pinot Noir, Lester Family Vineyards, Thelma Henrietta Block, and the 2007 Abby Madison Cabernet Sauvignon, Martin Ranch (I suppose, as Craig and Cathy Handley add more grandchildren, their roster of eponymous labels will increase accordingly). Finally, I stopped by to visit briefly with Frank Ashton, who had last year introduced me to my first Torrontés from California that Downhill Winery produced. This time, his 2009 Torrontés showed considerable evolution, while his 2007 Susannah’s Barbera proved an evenly-structured wine (as did his preview of his forthcoming 2008 Alessia Barbera from Amador County).
I hurried back to San Francisco to attend a reading by William T. Vollmann at the Mechanics Institute Library, to which I have subscribed for a decade or so. I can’t remember what wine they were serving, although I did partake in more than my share, along with the bowls of Japanese rice crackers. More evidence of my liberal freeloading? I’ll let my readers decide for themselves.

What has Your West Coast Oenophile done for you lately? (part III)

So much has been happening since my last installment of this blog. Try as I might to catch up with the myriad tastings of this past winter, just as soon as I sit down before my monitor, it seems a new obstacle is thrown my way. But the dreary annual ritual of preparing my taxes has been postpones, and I am truly hoping to wrap up my explorations and finally bring my readership up to date with all of Sostevinobile’s doings.

Following the debacle of my truncated appearance at the Swirl tasting, I was determined to make sure I calendared the San Francisco installment of In Vino Unitas correctly and arrived with sufficient time to cover the entire tasting at One Market.

Actually, the Dungeness crab tacos I had sampled at One Market a few nights before were so delectable delectable, I probably would have attended this event even if they were pouring Crane Lake and Corbett Canyon. But this cooperative marketing arm represents nearly two dozen highly prestigious wineries that distribute directly to retail and ventures like Sostevinobile, something that will prove clearly advantageous to our wine program (not that we will not also work with distributors like Swirl).

Now, apparently Your West Coast Oenophile has become a bit of a known quantity at the various San Francisco trade tasting for his penchant for appearing in shorts and a polo shirt. Note, however, that this isn’t so much a fashion statement as it is a practicality; my dedication to sustainability (and admitted parsimony when it comes to parking fees) dictates that I arrive at these events, whenever possible, on my faithful Trek 14-speed. Shorts permit me both to pedal far faster and to avoid staining my Levis with chain grease. Flash your detached bemusement if you must—cutting a bella figura will always take a back seat to philosophical adherence!


Does this really make for an enticing wine bar?

Alpha Omega might very well be the first or last word in winemaking, depending on one’s perspective. On the epic bike journey through Napa Valley that I led the Ginkgo Girl in the early part of our relationship, we made our final stop at their just-opened facility. Today it would commence my explorations, as I had not had the opportunity to revisit with them since. I found myself re-impressed by a number of their offerings, including the 2007 Chardonnay Napa Valley, their newly-released 2007 Cabernet Sauvignon that presaged the excellence of this much-anticipated vintage, and the 2006 Alpha Omega Proprietary Red, a Meritage of Cabernet Sauvignon, Cabernet Franc, Merlot and Petite Verdot.
Over the past 18 months, I have had the pleasure of acquainting myself with many of the
wineries at In Vino Unitas; as such, this event more enabled me to solidify the relationship  between Sostevinobile and these producers than to familiarize myself with their wines (although I did sample liberally and without disappointment). Naturally, it was a pleasure to see Phil Schlein of Diamond Creek and to navigate through the trio of his designate Cabernet Sauvignons: the 2006 Red Rock Vineyard, the 2006 Gravelly Meadow Vineyard, and the 2006 Volcanic Hill Vineyard without having to man the steering wheel of their gas-powered golf cart.
Similarly, Merry Edwards held forth with considerable aplomb, underscored by a triple play of her  acclaimed Pinots: the 2007 Pinot Noir Sonoma Coast as well as the 2007 Pinot Noir Klopp Ranch and the 2007 Pinot Noir Meredith Estate, both from the Russian River Valley. The Nickel & Nickel/Far Niente dichotomy presented a representative array of their wines, notably Nickel & Nickel’s 2007 Zinfandel Bonfire Vineyard and the ever-popular 2007 Estate Bottled Chardonnay from Far Niente, while sweetening the proposition with their exquisite Sémillon/Sauvignon Blanc Late Harvest selection the 2005 Dolce.
Astrale e Terra poured at a number of tastings I’ve attended in 2009, so my sampling of the 2004 Arcturus served to underscore my fondness for their Scott Harvey-crafted wines. I’d also recently had opportunities to visit both Napa facilities of sister operations Twomey Cellars and Silver Oak, with personal previews of their respective 2005 Napa Valley Merlot and the 2005 Alexander Valley Cabernet Sauvignon.
I could have bypassed their tables and still have known I relished Heitz Wine Cellars’ signature 2005 Cabernet Sauvignon Martha’s Vineyard or the 2006 Chardonnay Carneros Selection from Grgich Hills. Thankfully, my stop at their tables also introduced me to Grgich’s 2006 Miljenko’s Old Vine Zinfandel and the fruit of Heitz’ progressive conversion to organic farming, the 2004 Cabernet Sauvignon Trailside Vineyard.
Likewise, my familiarity with their offerings did not prevent my visiting Duckhorn (along with its Goldeneye and Paraduxx labels) for a tasting of their 2008 Decoy Merlot, La Sirena yet again for the 2008 Moscato Azul and the 2007 Pirate TreasuredTestarossa for its array of Pinots—especially  the 2008 Pinot Noir Gary’s Vineyard, and Mayacamas for its 2001 Merlot.

My biggest mistake of the afternoon would have been skipping over Gargiulo Vineyards  simply because I had been invited for a private visit a few years back. Though my primary purpose in stopping by was to rib Jeff Gargiulo over having “deported” his daughter April to Hotchkiss during her formative years—much as my father had sent me when it was still an all-male boarding school, I serendipitously discovered how complex these wines had become over the past four years! The 2009 Rosato di Sangiovese was exquisite; the 2006 Aprile, a Napa Sangiovese, an absolute standout. Other Italian varietals that highlighted the afternoon were the 2007 Dolcetto di Nonno from Buoncristiani and the 2005 Charbono from Étude.
My rush through First Taste Yountville had not allowed me to linger appreciably over Gemstone’s lineup of intriguing wines, so today I partook amply of both the 2007 Facets Estate Chardonnay and the Cabernet-predominant 2006 Gemstone Proprietary Red. This afternoon also introduced me to Ehlers Estate, Ehlers Estate, a unique non-profit winery, with their 2006 Estate Merlot and the 2005 Estate Cabernet Sauvignon 1886 and the leonine Meyer Family Cellars, pouring its&nbs
p;2005 Mendocino County Syrah and the 2004 Bonny’s Cabernet Sauvignon.
Two other additions to the Sostevinobile roster came from Larkmead Vineyard, impressing with both the 2007 Cabernet Sauvignon and the 2007 Firebelle, a Merlot-based blend, and the multi-label venture from Krupp Brothers, featuring their 2007 Black Bart Syrah Stagecoach Vineyard and the 2006 Krupp Brothers The Doctor, an intriguing blend of Tempranillo, and Merlot, with smaller portions of Malbec and Cabernet Sauvignon tossed in for good measure.
The most intriguing discovery of the afternoon, however, was the little-heralded Vellum Wine Project, a joint project of Karl Lehmann and Jeffrey Mathy, with their first release, the 2007 Vellum Cabernet Sauvignon. Blended with 10% Merlot and 6% Petit Verdot, this extraordinary debut seemed a consensus favorite among attendees.
Nearly two weeks would pass before I took in a new wine discovery, the launch of Michael Benziger’ and Ben Flajnik’s Evolve Wines  at The Winery Collective. Right after sampling their 2009 Sauvignon Blanc, deftly rounded out with Muscat Canelli, I packed up my problem-free 2002 Corolla S for a much-delayed ski trip to Lake Tahoe. On my way up, I detoured for a truncated visit to the Shenandoah Valley Wineries, exploring many of the local Italian varietal specialists like Villa Toscano, Wilderotter, Bella Piazza, Terra d’Oro, Vino Noceto, and Bray. I had hoped to finish up here and swing through Placerville for a quick tour of Lava Cap, Boeger and Madroña, but, alas, I had to have picked the first day of Daylight Savings Time for my sojourn and the consequent loss of an hour meant I did not cross El Dorado-Amador county line until after all had closed for the evening.

Of course, I knew I would be visiting with these producers and several of their other colleagues at the first El Dorado Winery Association tasting in San Francisco that coming Saturday, so I happy proceeded to King’s Beach and the slopes of Alpine Meadows for the next three days. On my return, I surveyed the new Ritz Carlton Lake Tahoe, a resort where a former potential investor had tried to cajole me into launching Sostevinobile as an Audubon-themed wine bar! (see above) before leaving the snow country and winding my way to the Bay Area.  

I had wanted to visit with Roger Boulton and tour the state-of-the-art sustainable winery at UC Davis is currently developing, but arrangements could not be made in time and I had to settle for a quick drive-by. Then things got interesting.
I had never made the trek from Davis to St. Helena before, but, given the deep connection, I assumed it would be a straight-forward drive. And,
besides, I always had the GPS on my iPhone to navigate me. But once I passed through Willits on Rte. 128, both data and phone service became non-existent. For the next 45 minutes, I wound my way through interminable hairpin turns, relying on faith that the exacting precision of the route signs would guide me past Lake Berryessa with more than sufficient time to make my 2:30 meeting.
If only! By the time I reach the juncture of Hwy. 128 and Hwy. 121, I was hopelessly late, unable to phone for directions, and quite unsure whether I should veer towards Napa or toward Rutherford, as the signposts indicated. Sticking my head inside the forlorn little bait shop & convenience market that occupied this juncture, I naïvely sought to ask the T-shirted, crewcut store clerk for directions. “Which is the fastest way to St. Helena?”
Without looking up, he replied. “Never heard of it!”
Incredulous, I pressed my point. “Do I follow the road to the left or to the right?”
“I have no idea,” he responded with unbridled surliness.“Wanna buy a bottle of water?”
“No,” I insisted. “I’m just asking a simple question!”
“Sorry. I don’t serve liberal freeloaders!”
Later on, I figured I made every correct turn until I reached Lake Hennessy and missed the sign for Silverado Trail. Thirty minutes later, my cell phone came back into range as I descended upon the town of Angwin, on the backside of Howell Mountain, twenty-five miles off course. Suffice it to say my familiarity with several the lesser-known enclaves of Napa County has increased substantially from the detour.
Finding my way to Postrio the next Saturday seemed tantamount a linear excursion from my front door to theirs. Though no longer operating as an everyday restaurant, the lower levels of the Prescott Hotel catered the El Dorado Winery Association’s tasting with hors d’œuvres still on par with Wolfgang Puck’s cuisine. Twenty-four wineries made the 2½ drive from the Sierra Foothills to San Francisco to pour a wide range of wines, in terms both of varietal selections and in consistency. Old friends in the crowd included Lava Cap, who has migrated over the past few years away from its Rhône focus to more standard varietals like Cabernet Sauvignon and Chardonnay. Still, I find their strength outside of the mainstream, as their 2007 Reserve Barbera attests.
Also flourishing with Barbera was Latcham Vineyards, with a 2007 Special Reserve Barbera that approached levels of the extraordinary. I also took a shining to their 2007 Special Reserve Zinfandel, while sister winery Granite Springs, long admired for their Black Muscat, made their statement with the 2006 Petite Sirah. One of El Dorado’s better-known wineries, Boeger, also impressed with their 2008 Barbera and a truly balanced 2006 Meritage Reserve, blending 38% Cabernet Sauvignon, 25% Cabernet Franc, 25% Petite Verdot and 12% Merlot.
I took immense delight in the 2006 Barbera from Gold Hill Vineyards, but reveled in the delicious pun of its proprietary Meritage, the 2006 Meriticious. David Girard, also a familiar presence, displayed his virtuosity with a number of Rhône-style wines, including the 2007 Grenache, the 2006 Syrah and the 2005 Coeur Rouge, a GMS blend with a touch of Counoise. An even more exotic blend came from Colibri Ridge, whose 2006 El Dorado Rufous Red melded a traditional Bordeaux Meritage with Tinta Cão, Tinta Roriz, Souzão, and Tinta Amarela
(I was also rather fond of their 2007 El Dorado Viognier).
As I had observed on my trip to the Sierra Foothills, Italian varietals constitute a significant focus in this region. Along with its amiable 2005 Syrah, Fenton Herriott  poured a noteworthy 2007 Barbera. Similarly, Single Leaf Vineyards coupled its 2004 Reserve Zinfandel with its 2006 Barbera. And, at the risk of sounding redundant, Miraflores also staked its claim with a 2007 Zinfandel and, again, a 2007 Barbera. And to show I am not entirely monolithic, I also noted that Narrow Gate brought a 2008 Chardonnay El Dorado and a 2007 Primitivo.
Besides, readers know I am just as fond of numerous other varietals, like the 2007 Mourvèdre Reserve El Dorado Crystal Basin Cellars poured besides its very palatable 2007 Cabernet Sauvignon Reserve El Dorado. And my appreciation ran deep for the 2008 Cabernet Franc that stood out among the wines Auriga Cellars poured. Both Sierra Oaks Estates and Sierra Vista Vineyards brought a 2005 Syrah to which I cottoned, while Holly’s Hill Vineyards’ 2008 Grenache Noir also provided the backbone of its 2007 Patriarche, a GMS + Counoise blend like the Coeur Rouge.
Zinfandel, of course, is a predominant player in this region. Wineries that did feature this varietal included Cedarville, with its 2007 Zinfandel and Fitzpatrick Winery, which produced its 2006 Zinfandel at its CCOF-certified in Fair Play. Madroña Vineyards poured its 2007 Estate Zinfandel and accompanied it with its 2006 Reserve Malbec.
Perry Creek designated its basic Zinfandel the 2006 Zinman. Its reserve releases bore the whimsical label 2007 Altitude:2401 Dark Forest Syrah and 2006 Altitude:2401 Petite Sirah. Not to be eclipsed, Mount Aukum ensconced its SuperTuscan blend as the 2006 Vertigo but its 2007 Petite Sirah Fair Play was left unadorned. Its coup de grâce for the afternoon was the delightful Port-style 2007 Ace of Hearts, blended from Tempranillo, Tinta Cão, Souzão, and Touriga.
After this event, I took off the weekend to brace myself for a pair of tastings on Monday. The latter, a select pouring of Dutton-Goldfield wines, was basically a pretext to spend a delightful evening with BeiBei Song, who had charmed me when her Essinova crew had filmed the 2010 Cleantech Open Launch. The wines, as anticipated, were uniformly wonderful, particularly the 2008 Thomas Road Pinot Noir, 2007 Kyndall’s Reserve Chardonnay, and the 2008 Kylie’s Reserve Sauvignon Blanc; my companion proved every bit as charming as she is beautiful.
Knowing I had to precede our date with Henry Wine Group ’s 2010 Taste the World, I allocated what I thought was enough time to cover this event, then return home to shower and change. But my local trade rep had misinformed me about the times for the event (not to mention failing to clue me in on its vast scope), so once again I found myself in a slight frenzy trying to cover as much as I could in the truncated space of time I had left. Bypassing the numerous tables of imports, I stated out with Paso Robles’ Ancient Peaks and their array of Estate bottlings from their Margarita Vineyard. Both the 2007 Cabernet Sauvignon and the 2007 Syrah were quite delectable; both these grapes are blended with Petite Sirah and Zinfandel in the proprietary 2006 Oyster Ridge, a true showcase for the winery. 
Many Oregon wineries excel at any varietal in the Pinot “clan” (i.e., Pinot Chardonnay), and Anne Amie roved no exception with its 2008 Pinot Gris and 2006 Winemaker’s Select Pinot Noir, but it was the 2008 Cuvée A Müller-Thurgau that really won me over. I suppose it’s surprising that more wineries haven’t designed a pentangular wine label for their Meritage, so the geometry of Cain Vineyards label for its 2005 Cain Five s
tands out as much as the wine it adorns. Its four-varietal (sans Malbec) NV6 Cain Cuvée showed true dexterity with blending, while the 2005 The Benchland held its own as a straightforward Cabernet.
It was hard, of course, to bypass wineries like Calera, Benton Lane, and Adelsheim, but I moved onto Ceàgo, an organic/biodynamic spinoff from the Fetzer family. I found their 2006 Syrah and especially their 2008 Muscat Canelli quite enticing. Too enticing, of course, was the next table, Clear Creek Distillery, Oregon’s premier grappaioli. Licensing restrictions will not allow me to serve any of these exceptional distillates at Sostevinobile, but I had to have at least one taste of the Clear Creek Grappa Pinot Noir.
Leaning over, I consoled myself with the white wine virtuosity of Claiborne & Churchill, exemplified by their 2007 Dry Riesling and the 2007 Dry Gewürztraminer. Steven MacRostie headlined at the table his marketing agency Crawford Malone had set up and, as one might expect, showcased his 2007 Chardonnay Carneros. Crawford Malone also introduced me to Eden Stuart’s 2005 Zinfandel Korte Ranch and their organically-grown 2006 SO Zin.Their newest client, Round Pond, is a winery I have long sought to try; the 2006 Estate Cabernet Sauvignon most certainly did not disappoint.
I managed to scarf a final sip of Demetria Estates’ biodynamic 2007 Pinot Noir Sta. Rita Hills (the similarity of their name to the Demeter certification standard is no coincidence). Likewise, I rushed through the last samples from Long Shadows, another wine marketer from Seattle, with Columbia Valley offerings from former Penfolds winemaker John Duval: the 2006 Sequel Syrah and a Agustin Huneeus/Philippe Melka joint venture: a Bordeaux + Syrah blend called 2006 Pirouette
And on that note, I complete my thirteen or so explorations that led up to Rhône Rangers, a review I will undertake once I have a glass of single malt scotch. Neat.

Getting Lei’d in the 2010s

Welcome to 2010! Call it hubris (ὕβρις), if you will, but I like to think this will be Sostevinobiles era. Time, of course, will tell.
2010 marks a number of personal milestones. It now has been 20 years since I’ve touched a Microsoft program, other than to reaffirm what an execrable excuse for software the megalomaniacs in Redmond, WA produce. It also marks 35 years since “food” from McDonald’s (or whatever substitute they serve) has tainted my palate. And it’s now been 10 years since I’ve succumbed exclusively to my well-documented febrile predilection.
Nonetheless, things in 2010 have started out quite well for Your West Coast Oenophile (like most folks, I’d have to say that, after 2009’s debacles, where else could they go but up?). Typically, I gauge my prospects for each new year by how I fare in my inaugural squash match, a particularly telling sign this year since I had been plagued with assorted leg injuries over the past 12-15 months. This diminution of my agility, along with a concomitant rustiness to my game, had allowed numerous opponents whom I could previously dispatch with remarkable ease, to prevail effortlessly against my dizzying array of lobs, boasts, and rails.
And it seemed this streak of unmitigated losses might continue, as my opponent, John H., manhandled me throughout the first two games of our match and mounted a formidable 4-point lead midway through the third. But, as the saying goes, squash is to racquetball what chess is to checkers, and I knew I could muster the psychological fortitude that would prove the ungluing of adversary. I steeled my determination and held on to even the score at 10-10, then won 13-11 in the tiebreaker. The spell now broken, I coated through the fourth game and held ground in the fifth before breaking out with an 11-7 victory and, with it, the match. Decidedly, a true portent for the ensuing twelve months, both on and off the court.


An enlightened detail from Custom   

The next day, I managed to prevail against the misdirected zealotry of the San Francisco constabulary and have my most recent traffic offense, a baseless charge of crossing through an intersection without stopping at the blacked-out signal light, dismissed as a gross miscarriage of justice. Actually, the officer on duty merely failed to file his report and appear at the hearing, but I do like to inflate my victories whenever possible.
Later that evening, I had the pleasure of attending the unveiling of Roman Padilla’s new art show entitled We are All Commis, a visual paean to sustainability. Commissioned by Hotel Biron, a quaint confrère near San Francisco’s Hayes Valley. This series of directed pastiches includes several fragments from my more whimsical writings—the first time Sostevinobile has been enshrined in art! Needless to say, copious amounts of 2006 Talmage Barbera and 2006 Siani Farms Carignane from Cazadero’s organically-farmed Wild Hog Vineyard were consumed over the course of the evening’s festivities, though not enough to test whether my earlier triumph over the SFPD might be replicated.

A clarion call?
A most heartening development for Sostevinobile in 2010 has been the sudden rash of blogs and discussions challenging the consistency of restaurants and other locavores establishments serving imported wines. The first has been a rather provocative LinkedIn discussion, started by Jon Wollenhaupt of Excel Meetings & Events in San Francisco and chronicled by SFGate bloggers Michael Bauer and Zennie Abraham, posed the question: “Should the ‘Eat Local’ ethic apply to wine as well? Should San Francisco restaurants only serve Napa/Sonoma wines?”
This thread has already reached 162 entries, including my own, and while it has veered off on numerous tangents that hardly seem germane to the origin query (particularly among restaurateurs in states that have limited production of local wines), it has shown that people here and throughout the West Coast do question the rationale behind serving imports when an abundance of excellent wine is available here. 
Another wine blogger, Amy Atwood, posed a similar question on her mydailywine column: “Drink Local Wine Debate: A Harbinger of Change?” Much to my surprise, the most aggressive response came from local Australian wine evangelist Chuck Hayward, formerly of San Francisco’s Jug Shop:

“Do you mean to tell me that amongst the almost 3000 wineries spanning over 100 AVAs in California that they all make wines that are “too much?” They found those five wines, I am sure there are plenty of wines out there that meet the stringent criteria that somms want today. Just get to work and find them!!


“The real issue here, however, is hypocrisy. Preaching local and then saying that the wine portion of the dining experience is exempt is just plain elitist and hypocritical.”

I can only wish I had the temerity to make such an indictment, though outside of this forum, Sostevinobile has iterated much of the same. With so many others now echoing our central tenet, I suspect a successful launch and enduring run for our venture lays just beyond.

Still, the most auspicious omen for the upcoming decade assuredly has to have been losing, then amazingly recovering my iPhone Bluetooth earpiece. Seen to the right at nearly 150% its actual size, this teeny device fell, imperceptibly, from my pocket Wednesday evening sometime after I had shopped at San Francisco’s Rainbow Grocery. Several hours and stops later, I discovered that the Bluetooth signal on my phone had disconnected, but it wasn’t until I returned to my flat that I realized the earpiece was no longer on my person. A frantic search throughout my blue Corolla confirmed my worst suspicions—my headset had been lost, and hopes its retrieval, quite slim.

No, this is not a hash pipe!

I placed late night calls to Nihon Lounge and to Heaven’s Dog,the two establishments where I had stopped for cocktails and where I had reached into my front pocket for a pen to sign my receipts. Their searches in the vicinity where I had sat turned up empty, but I was reassured they would call me after the morning cleaning crew had swept through the bar. On the other hand, Rainbow did not reopen until the morning, so I had to wait until then before speaking with their Customer Service team.
The morning calls proved just as futile. Resigned to having to purchase a new device, I headed off to Traffic Court, determined to plead my case as vociferously as needed for my exoneration. I entered the court room at 1:36 PM and by 1:40, I had my dismissal  in hand. Having allocated the whole afternoon for this appearance, I decided to take the time I’d been spared and make one final, implausible search to find my lost Bluetooth. After a futile return visit to Heaven’s Dog, I made a meticulous search of the area nearby where my friend and I had parked the night before, hoping that I might find the earpiece squashed on the pavement (whereby I could still claim it under Apple’s warranty). No such luck. I then pedaled over to Rainbow, in search of the same remnant, then figured I might make one last futile attempt to investigate the space where we had parked by Flour + Water.
From fortitude comes fortuity
As I had before, I crouched down and looked beneath the automobile that was now parked in the same space alongside 13th Street. As I ought to have expected, nothing. But just as I prepared to remount my 14-speed Trek, there on the sidewalk, out in plain sight, completely intact, lay my 1½” long Bluetooth earpiece, as if no one had even touched it over the past 18 hours!
I pressed the activation button and it connected to my iPhone with nary a glitch. Phoning my drinking companion from the night before, I queried through the remote microphone, “How do I sound?” “Fortuitous,” he replied. Here was the first crest of a wave of luck I whole-heartedly intend to ride throughout 2010.
And so far, I seem to be (at least until I show up at the 2010 Olympic Club Singles Squash Invitational this coming weekend). I discovered a pair of wines, grape varietals which have enjoyed cursory mention in this blog as components of blends, but not as distinct wines. The 2008 Sylvaner Flood Family Vineyards from Rancho Sisquoc showed faint reminiscences of a Riesling or a Gewürztraminer and married nicely to a Cajun-spiced catfish I prepared. On the other hand, I found the 2007 Chasselas Doré Pagani Ranch that Berthoud Vineyards produced a wine with no easy comparisons and a somewhat incongruous match for the Dungeness crab I steamed over the weekend. It did, however, pose a fairly decent complement to the store-prepared Italian Wedding Soup I consumed the next evening as the start of my avowed weight loss program for 2010.

The next evening, I attended my first party for 2010 at the Tonga Room, a San Francisco landmark purportedly destined for demise later this year. Guests at this kickoff event were asked to create name tags with their New Year’s resolution or other goals for 2010. Never one to turn down the opportunity for a pun, I scribbled in “Here to Get Lei’d,” a line that my friends and Facebook fans know belies my true avowal:

2010 New Year’s Eve, I will be pouring the West Coast’s finest bubbly at Sostevinobile!

Marc’s flat-out mean & lean post-Thanksgiving slimdown: the sequel

I didn’t do so well last week. 1,788 words when I was aiming to come in under 1,000. And that was meant to include this entry, as well! I just hope all will be forgiven by the time I reach the end of the electronic page this time!
I wanted to get my review of Holiday in Carneros out before December, but the demands of raising funds for Sostevinobile occupy front and center for Your West Coast Oenophile. I am determined to generate a financial tsunami this month!
It was another kind of tempestuous storm that afflicted my very temperamental digestive system on the morning before I set out for Carneros. If only Jacuzzi had a Jacuzzi at their winery! Or, failing that, a stiff shot of grappa to quell my agita. Instead, I settled for a few gulps of olive oil, great hospitality, and some splendid wines.
The formal event paired an assortment of Italian appetizers with their 2008 Gilia’s Vernaccia, an appealing 2006 Cabernet Sauvignon, and the 2006 Rosso di Sette Fratelli, a Merlot named for the brothers who founded the various Jacuzzi enterprises. But, as Tasting Room Manager Teresa Hernando quickly showed me, the winery’s true forte is in its wide range of Italian varietals and blends. Given my self-imposed limitations for the afternoon, I skipped the 2007 Pinot Grigio and opted for the 2008 Arneis before moving onto a selection of reds. Here I bypassed the 2006 Primitivo and, surprisingly, the 2006 Sangiovese for a sample of the 2006 Aleatico, their Mendocino 2007 Barbera, and the incredible 2007 Nebbiolo from Carneros. As often happens, my retasting of the 2006 Lagrein seemed less sweet than it had at the Napa Valley Wine & Grape Expo, thereby mitigating my disappointment in Whitcraft’s discontinuation of this varietal. With time pressing, I thanked Teresa and promised to return for a more comprehensive tasting in the near future, making mental notes of their family commemoratives, the 2006 Giuseppina, the 2005 Valeriano, as well as their Chardonnay, the 2006 Bianco di Sei Sorelle (Six Sister’s White). Seven brothers + six sisters = 13 siblings! Is it any wonder we associate hot tubs with…?
My friend Sasha Verhage from Eno had told me a while back about his satellite tasting room in the Cornerstone Place complex just down the road from Jacuzzi, and while the tasting collective Grange Sonoma was not pouring his wines, they did feature a number of their other members, which gave me the opportunity to try the 2005 Cabernet Sauvignon Alexander Valley from Mantra. Around the corner, the wafts of wood-fired pizza lured me to Roshambo’s new base of operations since Turley acquired their Dry Creek winery. Sales manager Steve Morvai offered generous pours of the 2006 Justice Syrah and the 2006 Rock, an equal blend of Zinfandel, Syrah and Petite Syrah, while enticing me with descriptions of his own Syrah project, Les Caves Roties de Pente, a Bonny Doon-like tweak of a renowned Rhône producer. Another Cornerstone tenant, Larson Family Winery, poured a selection of both their own label, and Sadler-Wells, a joint venture between proprietress Becky Larson and Jean Spear, a veteran wine marketer. While I found both the 2005 Sadler-Wells Chardonnay Carneros and the 2005 Sadler-Wells Pinot Noir Sonoma Coast perfectly amiable wines, the 2006 Larson Family Winery Cabernet Sauvignon Sonoma Valley proved the true standout.
I think I failed to locate Bonneau’s tasting room on Bonneau Road because it was housed inside the Carneros Deli. My loss, I am sure, but the reception I received at Schug amply mitigated for my miscalculation. Despite their legendary prowess, I initially tried to beg off from sampling their selection of Pinot Noir (too much sensory overload from the previous day’s PinotFest) and pared their much-welcomed bowl of Creamy Wild Mushroom Soup with both the 2006 Merlot Sonoma Valley and the 2006 Cabernet Sauvignon Sonoma Valley. However, an introduction to scion Axel Schug convinced me to indulge in their truly wonderful 2007 Pinot Noir Carneros, along with the equally appealing 2004 Cabernet Reserve. Only the many stops still on my itinerary kept m
e from sampling the rest of their library wines being poured.
If you produce both wines, why would you call one Pinot Grigio and the other Pinot Blanc (or, for that matter, Pinot Gris and Pinot Bianco)? Granted, I understand the marketing concept, but the linguist in me argues for consistency. Allora, my query seemed to generate a bit of bewilderment at Robledo Family Winery, which perhaps should call the pair Pinot Gris and Pinot Blanco (or so my Easy Translator widget indicates). Rhetorical conundrums notwithstanding, I was immensely please finally to meet this pioneering family and experience their hospitality. Patriarch Reynaldo Robledo’s storied ascendancy from farmhand to winery owner has been well documented on their Website and in other media, but their wines demonstrate that this evolution is far more than a Horatio Alger tale. I did appreciate both the above-mentioned 2006 Pinot Grigio and the 2006 Pinot Blanc, but the eye-opener was their 2005 El Rey Cabernet Sauvignon, an exceptional Lake County varietal. Even more striking, the 2005 Los Braceros, a blend of Merlot, Cabernet Sauvignon, and Syrah, pays homage both to the Robledo’s roots as well as their winemaking virtuosity. 
For some reason, I’d always thought Adastra was a Paso Robles winery. The name sounds like a Paso Robles name. As I crossed over to the Napa portion of Carneros to visit their ramshackle barn, it even felt like Paso Robles. But Dr. Chris Thorpe’s certified organic winery is authentically Carneros, and it only takes a sip of winemaker Pam Starr’s opulent Pinot Noir, the 2006 Adastra Proximus to recognize the winery’s sense of place. No Miles Raymond dilemma here—I found the 2006 Adastra Merlot as enticing as the Pinot, while the 2007 Ed’s Red, Adastra’s second label, proved an intriguing blend of 43% Syrah, 39% Zinfandel, 13% Petite Sirah, 4% Cabernet Franc, 1% Petit Verdot
Burgundy and Bordeaux took center stage at nearby McKenzie-Mueller, a boutique winery just across the street. The 2006 Pinot Noir and 2006 Chardonnay made a nice introduction to this previously unfamiliar label, but winemaker Bob Mueller’s forte lay in the components of a Meritage, in particular the 2005 Merlot, the 2004 Cabernet Franc, and the truly outstanding 2006 Malbec. Even the curious strains of a male folk duo singing Eartha Kitt’s Santa Baby could not detract from this delightfully unpretentious destination.
As laidback as Adasta and McKenzie-Mueller may have been, Ceja proved just as ebullient. Pint-sized owner Amelia Morán Ceja made a most irrepressible hostess as she escorted me back to the bocce courts for a taste of tri-tip that I washed down with a generous pour of its perfect complement, the 2005 Syrah Sonoma Coast. The 2006 Pinot Noir Sonoma Coast certainly held its own, but their trademark Pinot Noir/Syrah/ Cabernet Sauvignon 2007 Vino de Casa Red Blend seemed positively redolent. I managed to taste their 2005 Napa Valley Cabernet Sauvignon while listening to Amelia expound her recipe for the risotto she was readying to prepare for 37 or so family and friends, then headed out to complete my loop for the afternoon.
Alas, the hour I spent at Ceja meant I missed the last moments at Étude, who was just closing down as I entered the new tasting room. Michael Mondavi’s Folio, with its seemingly incongruous Irish flag out front, also was unattainable, so I headed over, as promised, to the Carneros Inn and FARM, their onsite restaurant from the Plump Jack Hospitality Group. The setting was warm; the pulchritudinous Ms. Cheung’s effusive greeting even warmer. As if I hadn’t sampled enough wines this afternoon, she poured me a complimentary selection from her wine list and sent over a much-appreciated bowl of Truffle Fries. Just the reinvigoration I needed before heading back to San Francisco.
Was my entire excursion to Carneros merely a pretext to visit Yvonne? A chance to see her hard at work in her role as manager/sommelier? Or maybe a promising portent for Sostevinobile? We may well have to wait to 2010 to find out…