Category Archives: Sémillon

What has Your West Coast Oenophile done for you lately? (part III)

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So much has been happening since my last installment of this blog. Try as I might to catch up with the myriad tastings of this past winter, just as soon as I sit down before my monitor, it seems a new obstacle is thrown my way. But the dreary annual ritual of preparing my taxes has been postpones, and I am truly hoping to wrap up my explorations and finally bring my readership up to date with all of Sostevinobile’s doings.

Following the debacle of my truncated appearance at the Swirl tasting, I was determined to make sure I calendared the San Francisco installment of In Vino Unitas correctly and arrived with sufficient time to cover the entire tasting at One Market.

Actually, the Dungeness crab tacos I had sampled at One Market a few nights before were so delectable delectable, I probably would have attended this event even if they were pouring Crane Lake and Corbett Canyon. But this cooperative marketing arm represents nearly two dozen highly prestigious wineries that distribute directly to retail and ventures like Sostevinobile, something that will prove clearly advantageous to our wine program (not that we will not also work with distributors like Swirl).

Now, apparently Your West Coast Oenophile has become a bit of a known quantity at the various San Francisco trade tasting for his penchant for appearing in shorts and a polo shirt. Note, however, that this isn’t so much a fashion statement as it is a practicality; my dedication to sustainability (and admitted parsimony when it comes to parking fees) dictates that I arrive at these events, whenever possible, on my faithful Trek 14-speed. Shorts permit me both to pedal far faster and to avoid staining my Levis with chain grease. Flash your detached bemusement if you must—cutting a bella figura will always take a back seat to philosophical adherence!


Does this really make for an enticing wine bar?

Alpha Omega might very well be the first or last word in winemaking, depending on one’s perspective. On the epic bike journey through Napa Valley that I led the Ginkgo Girl in the early part of our relationship, we made our final stop at their just-opened facility. Today it would commence my explorations, as I had not had the opportunity to revisit with them since. I found myself re-impressed by a number of their offerings, including the 2007 Chardonnay Napa Valley, their newly-released 2007 Cabernet Sauvignon that presaged the excellence of this much-anticipated vintage, and the 2006 Alpha Omega Proprietary Red, a Meritage of Cabernet Sauvignon, Cabernet Franc, Merlot and Petite Verdot.
Over the past 18 months, I have had the pleasure of acquainting myself with many of the
wineries at In Vino Unitas; as such, this event more enabled me to solidify the relationship  between Sostevinobile and these producers than to familiarize myself with their wines (although I did sample liberally and without disappointment). Naturally, it was a pleasure to see Phil Schlein of Diamond Creek and to navigate through the trio of his designate Cabernet Sauvignons: the 2006 Red Rock Vineyard, the 2006 Gravelly Meadow Vineyard, and the 2006 Volcanic Hill Vineyard without having to man the steering wheel of their gas-powered golf cart.
Similarly, Merry Edwards held forth with considerable aplomb, underscored by a triple play of her  acclaimed Pinots: the 2007 Pinot Noir Sonoma Coast as well as the 2007 Pinot Noir Klopp Ranch and the 2007 Pinot Noir Meredith Estate, both from the Russian River Valley. The Nickel & Nickel/Far Niente dichotomy presented a representative array of their wines, notably Nickel & Nickel’s 2007 Zinfandel Bonfire Vineyard and the ever-popular 2007 Estate Bottled Chardonnay from Far Niente, while sweetening the proposition with their exquisite Sémillon/Sauvignon Blanc Late Harvest selection the 2005 Dolce.
Astrale e Terra poured at a number of tastings I’ve attended in 2009, so my sampling of the 2004 Arcturus served to underscore my fondness for their Scott Harvey-crafted wines. I’d also recently had opportunities to visit both Napa facilities of sister operations Twomey Cellars and Silver Oak, with personal previews of their respective 2005 Napa Valley Merlot and the 2005 Alexander Valley Cabernet Sauvignon.
I could have bypassed their tables and still have known I relished Heitz Wine Cellars’ signature 2005 Cabernet Sauvignon Martha’s Vineyard or the 2006 Chardonnay Carneros Selection from Grgich Hills. Thankfully, my stop at their tables also introduced me to Grgich’s 2006 Miljenko’s Old Vine Zinfandel and the fruit of Heitz’ progressive conversion to organic farming, the 2004 Cabernet Sauvignon Trailside Vineyard.
Likewise, my familiarity with their offerings did not prevent my visiting Duckhorn (along with its Goldeneye and Paraduxx labels) for a tasting of their 2008 Decoy Merlot, La Sirena yet again for the 2008 Moscato Azul and the 2007 Pirate Treasured, Testarossa for its array of Pinots—especially  the 2008 Pinot Noir Gary’s Vineyard, and Mayacamas for its 2001 Merlot.

My biggest mistake of the afternoon would have been skipping over Gargiulo Vineyards  simply because I had been invited for a private visit a few years back. Though my primary purpose in stopping by was to rib Jeff Gargiulo over having “deported” his daughter April to Hotchkiss during her formative years—much as my father had sent me when it was still an all-male boarding school, I serendipitously discovered how complex these wines had become over the past four years! The 2009 Rosato di Sangiovese was exquisite; the 2006 Aprile, a Napa Sangiovese, an absolute standout. Other Italian varietals that highlighted the afternoon were the 2007 Dolcetto di Nonno from Buoncristiani and the 2005 Charbono from Étude.
My rush through First Taste Yountville had not allowed me to linger appreciably over Gemstone’s lineup of intriguing wines, so today I partook amply of both the 2007 Facets Estate Chardonnay and the Cabernet-predominant 2006 Gemstone Proprietary Red. This afternoon also introduced me to Ehlers Estate, Ehlers Estate, a unique non-profit winery, with their 2006 Estate Merlot and the 2005 Estate Cabernet Sauvignon 1886 and the leonine Meyer Family Cellars, pouring its&nbs
p;2005 Mendocino County Syrah and the 2004 Bonny’s Cabernet Sauvignon.
Two other additions to the Sostevinobile roster came from Larkmead Vineyard, impressing with both the 2007 Cabernet Sauvignon and the 2007 Firebelle, a Merlot-based blend, and the multi-label venture from Krupp Brothers, featuring their 2007 Black Bart Syrah Stagecoach Vineyard and the 2006 Krupp Brothers The Doctor, an intriguing blend of Tempranillo, and Merlot, with smaller portions of Malbec and Cabernet Sauvignon tossed in for good measure.
The most intriguing discovery of the afternoon, however, was the little-heralded Vellum Wine Project, a joint project of Karl Lehmann and Jeffrey Mathy, with their first release, the 2007 Vellum Cabernet Sauvignon. Blended with 10% Merlot and 6% Petit Verdot, this extraordinary debut seemed a consensus favorite among attendees.
Nearly two weeks would pass before I took in a new wine discovery, the launch of Michael Benziger’ and Ben Flajnik’s Evolve Wines  at The Winery Collective. Right after sampling their 2009 Sauvignon Blanc, deftly rounded out with Muscat Canelli, I packed up my problem-free 2002 Corolla S for a much-delayed ski trip to Lake Tahoe. On my way up, I detoured for a truncated visit to the Shenandoah Valley Wineries, exploring many of the local Italian varietal specialists like Villa Toscano, Wilderotter, Bella Piazza, Terra d’Oro, Vino Noceto, and Bray. I had hoped to finish up here and swing through Placerville for a quick tour of Lava Cap, Boeger and Madroña, but, alas, I had to have picked the first day of Daylight Savings Time for my sojourn and the consequent loss of an hour meant I did not cross El Dorado-Amador county line until after all had closed for the evening.

Of course, I knew I would be visiting with these producers and several of their other colleagues at the first El Dorado Winery Association tasting in San Francisco that coming Saturday, so I happy proceeded to King’s Beach and the slopes of Alpine Meadows for the next three days. On my return, I surveyed the new Ritz Carlton Lake Tahoe, a resort where a former potential investor had tried to cajole me into launching Sostevinobile as an Audubon-themed wine bar! (see above) before leaving the snow country and winding my way to the Bay Area.  

I had wanted to visit with Roger Boulton and tour the state-of-the-art sustainable winery at UC Davis is currently developing, but arrangements could not be made in time and I had to settle for a quick drive-by. Then things got interesting.
I had never made the trek from Davis to St. Helena before, but, given the deep connection, I assumed it would be a straight-forward drive. And,
besides, I always had the GPS on my iPhone to navigate me. But once I passed through Willits on Rte. 128, both data and phone service became non-existent. For the next 45 minutes, I wound my way through interminable hairpin turns, relying on faith that the exacting precision of the route signs would guide me past Lake Berryessa with more than sufficient time to make my 2:30 meeting.
If only! By the time I reach the juncture of Hwy. 128 and Hwy. 121, I was hopelessly late, unable to phone for directions, and quite unsure whether I should veer towards Napa or toward Rutherford, as the signposts indicated. Sticking my head inside the forlorn little bait shop & convenience market that occupied this juncture, I naïvely sought to ask the T-shirted, crewcut store clerk for directions. “Which is the fastest way to St. Helena?”
Without looking up, he replied. “Never heard of it!”
Incredulous, I pressed my point. “Do I follow the road to the left or to the right?”
“I have no idea,” he responded with unbridled surliness.“Wanna buy a bottle of water?”
“No,” I insisted. “I’m just asking a simple question!”
“Sorry. I don’t serve liberal freeloaders!”
Later on, I figured I made every correct turn until I reached Lake Hennessy and missed the sign for Silverado Trail. Thirty minutes later, my cell phone came back into range as I descended upon the town of Angwin, on the backside of Howell Mountain, twenty-five miles off course. Suffice it to say my familiarity with several the lesser-known enclaves of Napa County has increased substantially from the detour.
Finding my way to Postrio the next Saturday seemed tantamount a linear excursion from my front door to theirs. Though no longer operating as an everyday restaurant, the lower levels of the Prescott Hotel catered the El Dorado Winery Association’s tasting with hors d’œuvres still on par with Wolfgang Puck’s cuisine. Twenty-four wineries made the 2½ drive from the Sierra Foothills to San Francisco to pour a wide range of wines, in terms both of varietal selections and in consistency. Old friends in the crowd included Lava Cap, who has migrated over the past few years away from its Rhône focus to more standard varietals like Cabernet Sauvignon and Chardonnay. Still, I find their strength outside of the mainstream, as their 2007 Reserve Barbera attests.
Also flourishing with Barbera was Latcham Vineyards, with a 2007 Special Reserve Barbera that approached levels of the extraordinary. I also took a shining to their 2007 Special Reserve Zinfandel, while sister winery Granite Springs, long admired for their Black Muscat, made their statement with the 2006 Petite Sirah. One of El Dorado’s better-known wineries, Boeger, also impressed with their 2008 Barbera and a truly balanced 2006 Meritage Reserve, blending 38% Cabernet Sauvignon, 25% Cabernet Franc, 25% Petite Verdot and 12% Merlot.
I took immense delight in the 2006 Barbera from Gold Hill Vineyards, but reveled in the delicious pun of its proprietary Meritage, the 2006 Meriticious. David Girard, also a familiar presence, displayed his virtuosity with a number of Rhône-style wines, including the 2007 Grenache, the 2006 Syrah and the 2005 Coeur Rouge, a GMS blend with a touch of Counoise. An even more exotic blend came from Colibri Ridge, whose 2006 El Dorado Rufous Red melded a traditional Bordeaux Meritage with Tinta Cão, Tinta Roriz, Souzão, and Tinta Amarela
(I was also rather fond of their 2007 El Dorado Viognier).
As I had observed on my trip to the Sierra Foothills, Italian varietals constitute a significant focus in this region. Along with its amiable 2005 Syrah, Fenton Herriott  poured a noteworthy 2007 Barbera. Similarly, Single Leaf Vineyards coupled its 2004 Reserve Zinfandel with its 2006 Barbera. And, at the risk of sounding redundant, Miraflores also staked its claim with a 2007 Zinfandel and, again, a 2007 Barbera. And to show I am not entirely monolithic, I also noted that Narrow Gate brought a 2008 Chardonnay El Dorado and a 2007 Primitivo.
Besides, readers know I am just as fond of numerous other varietals, like the 2007 Mourvèdre Reserve El Dorado Crystal Basin Cellars poured besides its very palatable 2007 Cabernet Sauvignon Reserve El Dorado. And my appreciation ran deep for the 2008 Cabernet Franc that stood out among the wines Auriga Cellars poured. Both Sierra Oaks Estates and Sierra Vista Vineyards brought a 2005 Syrah to which I cottoned, while Holly’s Hill Vineyards’ 2008 Grenache Noir also provided the backbone of its 2007 Patriarche, a GMS + Counoise blend like the Coeur Rouge.
Zinfandel, of course, is a predominant player in this region. Wineries that did feature this varietal included Cedarville, with its 2007 Zinfandel and Fitzpatrick Winery, which produced its 2006 Zinfandel at its CCOF-certified in Fair Play. Madroña Vineyards poured its 2007 Estate Zinfandel and accompanied it with its 2006 Reserve Malbec.
Perry Creek designated its basic Zinfandel the 2006 Zinman. Its reserve releases bore the whimsical label 2007 Altitude:2401 Dark Forest Syrah and 2006 Altitude:2401 Petite Sirah. Not to be eclipsed, Mount Aukum ensconced its SuperTuscan blend as the 2006 Vertigo but its 2007 Petite Sirah Fair Play was left unadorned. Its coup de grâce for the afternoon was the delightful Port-style 2007 Ace of Hearts, blended from Tempranillo, Tinta Cão, Souzão, and Touriga.
After this event, I took off the weekend to brace myself for a pair of tastings on Monday. The latter, a select pouring of Dutton-Goldfield wines, was basically a pretext to spend a delightful evening with BeiBei Song, who had charmed me when her Essinova crew had filmed the 2010 Cleantech Open Launch. The wines, as anticipated, were uniformly wonderful, particularly the 2008 Thomas Road Pinot Noir, 2007 Kyndall’s Reserve Chardonnay, and the 2008 Kylie’s Reserve Sauvignon Blanc; my companion proved every bit as charming as she is beautiful.
Knowing I had to precede our date with Henry Wine Group ’s 2010 Taste the World, I allocated what I thought was enough time to cover this event, then return home to shower and change. But my local trade rep had misinformed me about the times for the event (not to mention failing to clue me in on its vast scope), so once again I found myself in a slight frenzy trying to cover as much as I could in the truncated space of time I had left. Bypassing the numerous tables of imports, I stated out with Paso Robles’ Ancient Peaks and their array of Estate bottlings from their Margarita Vineyard. Both the 2007 Cabernet Sauvignon and the 2007 Syrah were quite delectable; both these grapes are blended with Petite Sirah and Zinfandel in the proprietary 2006 Oyster Ridge, a true showcase for the winery. 
Many Oregon wineries excel at any varietal in the Pinot “clan” (i.e., Pinot Chardonnay), and Anne Amie roved no exception with its 2008 Pinot Gris and 2006 Winemaker’s Select Pinot Noir, but it was the 2008 Cuvée A Müller-Thurgau that really won me over. I suppose it’s surprising that more wineries haven’t designed a pentangular wine label for their Meritage, so the geometry of Cain Vineyards label for its 2005 Cain Five s
tands out as much as the wine it adorns. Its four-varietal (sans Malbec) NV6 Cain Cuvée showed true dexterity with blending, while the 2005 The Benchland held its own as a straightforward Cabernet.
It was hard, of course, to bypass wineries like Calera, Benton Lane, and Adelsheim, but I moved onto Ceàgo, an organic/biodynamic spinoff from the Fetzer family. I found their 2006 Syrah and especially their 2008 Muscat Canelli quite enticing. Too enticing, of course, was the next table, Clear Creek Distillery, Oregon’s premier grappaioli. Licensing restrictions will not allow me to serve any of these exceptional distillates at Sostevinobile, but I had to have at least one taste of the Clear Creek Grappa Pinot Noir.
Leaning over, I consoled myself with the white wine virtuosity of Claiborne & Churchill, exemplified by their 2007 Dry Riesling and the 2007 Dry Gewürztraminer. Steven MacRostie headlined at the table his marketing agency Crawford Malone had set up and, as one might expect, showcased his 2007 Chardonnay Carneros. Crawford Malone also introduced me to Eden Stuart’s 2005 Zinfandel Korte Ranch and their organically-grown 2006 SO Zin.Their newest client, Round Pond, is a winery I have long sought to try; the 2006 Estate Cabernet Sauvignon most certainly did not disappoint.
I managed to scarf a final sip of Demetria Estates’ biodynamic 2007 Pinot Noir Sta. Rita Hills (the similarity of their name to the Demeter certification standard is no coincidence). Likewise, I rushed through the last samples from Long Shadows, another wine marketer from Seattle, with Columbia Valley offerings from former Penfolds winemaker John Duval: the 2006 Sequel Syrah and a Agustin Huneeus/Philippe Melka joint venture: a Bordeaux + Syrah blend called 2006 Pirouette. 
And on that note, I complete my thirteen or so explorations that led up to Rhône Rangers, a review I will undertake once I have a glass of single malt scotch. Neat.

What has Your West Coast Oenophile done for you lately? (part II)

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Sometime after this year’s Super Bowl, someone named Danica Patrick “the World’s Worst Celebrity Endorser.” Given that she rather ubiquitously promotes Go Daddy.com, I presume much of this attribution stems from her product. I had meant to post one lengthy entry entitled What has Your West Coast Oenophile done for you lately?, but in “improving” its blogging application, which I use to post this blog and Sostevinobile’s other Web presences, the programming geniuses at Go Daddy’s Scottsdale headquarters reduced the capacity of the Tags field from unlimited to 500 characters, forcing me to truncate my entries. I’m starting to regard Arizona as the Bangalore of the Southwest.
I could extend the simile by comparing the burgeoning wine industries in both Arizona and India, but, fortunately, neither will find into the select program of sustainably grown West Coast vintages at Sostevinobile. And, in my perpetual quest to make this program incomparable, my next foray following WORDUP was an intimate gathering of Ivy Plus wine aficionados under the auspices of the Stanford Wine Club. These bi-monthly klatches have begun to take on an almost familial flavor, with many of the attendees regular participants. On this particular evening, a trio of Stanford-affiliated winemakers—Mats Hagstrom of Travieso, Chris Loxton of Glen Ellen’s Loxton Cellars, and Michael Muscardini of Sonoma’s Muscardini Cellars—all showcased their array of Syrahs from Sonoma and from the Central Coast. As per usual, these vintages were juxtaposed against a pair of representative imports—here a pair of Châteauneuf-du-Pape, and, as is frequently the case, clearly outshone their European counterparts, according to my palate.
The international contrast was even more pronounced later in the week, as I attended Crushpad’s farewell outside event in San Francisco, Bottlenote’s Around the World in 80 Sips. Despite its billing, however, this event seemed predominantly focused on wines from California, with distributors for imported wines manning tables that featured a potpourri of their selections. Not that I’m complaining—the more wineries I can discover that fit Sostevinobile’s criteria makes it a win-win proposition all around.
My friend Alyssa Rapp assembled a wide span of participants for this event, ranging from large-production labels controlled by the large conglomerates to little-known high-end wines that I had yet to encounter. Wineries like Cellar No. 8, Clos du Bois, Francis Ford Coppola, Frei Brothers, Rodney Strong and William Hill were probably familiar to most attendees. Others like Cannonball and Foggy Bridge seem almost ubiquitous presences at San Francisco wine tastings. From my previous incarnation in the wine business, Spring Mountain and Trione (which had spun off from its Geyser Peak holdings over a decade ago) were comforting presences to revisit. Likewise, Ackerman Family, Château Montelena, Fisher, Corison, and Skipstone have all graced this blog with their intricate wines on one or more occasions. 
I am surprised whenever Bottlenotes’ The Daily Sip newsletter uncovers a California winery I have yet to discover, and so it was a pleasant revelation to be introduced to a number of wineries at this event. Chamisal Vineyards from Edna Valley featured a delectable 2007 Pinot Noir. As Jimmy Durante so often said, “Everybody wants to get into the act,” and so, too, Bottlenotes itself debuted their own vintage, the 2008 Notoriety Pinot Noir Doctors Vineyard. Vineyard 29, which customized the bottling for Bottlenotes and shares a winemaker (Philippe Melka) with Skipstone, scored with their 2007 Cabernet Sauvignon St. Helena. I liked the 2008 PAX Roussanne/Viognier from Donelan Family, while the organic vineyard of Garden Creek, with its quaint “One Red. One White. One Family. One Vineyard” motto impressed with its five-varietal 2004 Bordeaux Blend. Hawkes Wine, which fortunately has no affiliation with my major nemesis from graduate school, offered an amiable pair of 2007 Chardonnay and their 2005 Cabernet Sauvignon, while both Healdsburg’s Stonestreet and Geyserville’s Munselle Vineyards matched a 2006 Cabernet Sauvignon with a 2007 Chardonnay.
Kelley & Young is an offshoot of the acclaimed Robert Young Estate Winery—a case of Father Knows Best totally unrelated to the TV series; nonetheless, this startup production showed glimpses of its pedigree with their 2008 Sauvignon Blanc and 2008 Merlot. Stryker Sonoma is an equally lean organization that balanced its offerings with a 2005 Cabernet Sauvignon and a more modest 2006 Zinfandel.
Our two northern neighbors each made a token appearance at this tasting. Washington’s DiStefano Winery held its own with a 2004 Cabernet Franc, while Archery Summit, the Oregon sister to Napa’s Pine Ridge, clearly lived up to its billing with their 2007 Pinot Noir. A label that enjoys incredible fanfare and a cult-like following, Scholium Project, fired on all cylinders with three of its renowned bottlings, the 2008 Naucratis Lost Slough (Verdelho), the 2007 Choêphoroi Los Olivos (Chardonnay), and the 2006 Tenbrink Babylon (Petite Sirah). In addition to the opportunity of finally meeting Scholium’s guru, Abe Schoener, this tasting afforded me the chance to sample the 2007 Chardonnay he made for Tenbrink Family Vineyards’ own label.
I did taste a number of the other wines, partly in deference to Lisa Perkins of New World Wine Imports, Inc., who, besides supplying the Northwest wines, had furnished me with a ticket to the event. OK, but I’m not about to revamp Sostevinobile’s focus.
The following Monday, I paid one of my occasional visits to California Wine Merchant, where Robert Pepi showcased his Eponymous label’s 2005 Cabernet Sauvignon Napa Valley and its Bordeaux-style kin, the 2005 Red Wine MacAllister Vineyard, alongside his wizardry for Soñador, an Argentine label producing Malbec and Torrontés.
On very rare occasions, I actually get it wrong. I had originally intended to attend In Vino Unitas in Carneros the following day, but received an invite to the Swirl tasting at Jardinière for the same afternoon. I then changed my RSVP to attend In Vino Unitas on Wednesday at One Market in San Francisco and overwrote my calendar entry for Tuesday. Unfortunately, I neglected to switch the times as well, and so had slated the Swirl tasting for 1-4pm, the hours for In Vino Unitas, instead of the correct times of 11-3. My fashionably late arrival left me with less than half an hour to race through the tables, instead of the nearly two hours I had anticipated!
The good news, however, is that Sostevinobile had previously connected with many, if not most, of the wineries present; I was able to make the acquaintance of all the others I had not met previously, except for Maldonado (an omission I will surely rectify on my next swing through St. Helena). Certainly, I would hope Crocker & Starr, Elizabeth Spencer, Hollywood & Vine, Kapcsándy, Kobalt, LaTour, Favia, Lindstrom,and Revana feel no slight in my having bypassed their tables on this visit—my appreciation of their wines has been cited in this column on numerous occasions. Meanwhile, I did manage to taste an impressive 2006 Cabernet Sauvignon Napa Valley from Alondra, the sister label of Skylark. Somewhat of a misnomer, Anomaly also impressed with its 2006 Estate Cabernet Sauvignon, along with a 2003 vintage of the same from it library.
Admittedly, if I had known my time was so constrained, I might not have lingered quite so long sampling the various vintages from Fritz Hatton’s Arietta Wines. Still, this music-themed label offered a number of mellifluous Bordelaise blends, including the 2008 On the White Keys, a combination of Sémillon and Sauvignon Blanc, the Merlot-dominant 2007 Quartet, a more traditional 2007 Cabernet Sauvignon, a less orthodox Merlot/Syrah blend entitled 2007 Variation One, and his premium 2007 H Block Hudson Vineyard, a cross between Cabernet Franc and Merlot. At the next stop, Gary Brookman and Jack Edwards delineated their Rhône and Bordeaux varietals, pouring their 2006 Brookman Cabernet Sauvignon, as well as the 2008 La Diligence Marsanne Stagecoach Vineyard and the 2007 La Diligence Syrah Stagecoach Vineyard.
Regrettably, she may no longer be Celia Welch Masyczek (fellow members of La Società delle Cognome Italiane Pentasillabe and certain other readers know how much I revere intricate surnames), but her superb 2007 Cabernet Sauvignon for Corra Wines was no maiden effort! Another inveterate Napa winemaker, Karen Culler, offered equally tantalizing 2006 La Palette Cabernet Sauvignon and the 23% Syrah-infused 2007 Casaeda Cabernet Sauvignon from her eponymous label. I had sampled several of Rob Lawson’s sundry permutations at Wine Entre Femme back in February, but not his 2007 Blueline Vineyard Merlot from Hourglass. And though I had sampled numerous wines from Vineyard 29 only a few days before, their 2007 Cru Cabernet Sauvignon was a new discovery.
Another revelation during my truncated visit was Julianna Corley’s ever-so-aptly named Jules Mélange; her eclectic blends included the 2008 Vin Blanc, a combo of Sauvignon Blanc, Chardonnay and Muscat, and the 2007 Vin Rouge, another Cabernet Franc-Merlot marriage, rounded out with 19% Syrah. By now, the event had ended, but fortunately some vendors do manage to be a bit remiss in clearly their table. Tricycle Wine Company, which bottles under the Molnar, Kazmer & Blaise, and Obsidian Ridge labels, dawdled long enough for me to taste their 2007 Obsidian Ridge Cabernet Red Hills, to contrast 2007 Molnar Chardonnay Poseidon’s Vineyard with the 2007 Kazmer & Blaise Chardonnay Boonfly Hill, and to luxuriate equally in the 2007 Molnar Pinot Noir Poseidon’s Vineyard and the 2007 Kazmer & Blaise Pinot Noir Primo’s Hill.
I suppose I, too, could linger here and jam this entry with my next investigative foray, but the new constraints of Go Daddy’s ineptitude and a redesigned interface to which I am just now adapting dictate that I draw this chapter to an abrupt close and resume momentarily…

It’s Showtime at the Apollo

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Long before I met the Ginkgo Girl, Your West Coast Oenophile more than once venture out solo on a Saturday evening, desultorily returning just as Saturday Night Live was playing its closing strain. Immediately afterwards, NBC broadcast a hip variety show called It’s Showtime at the Apollo. Broadcast from Harlem’s legendary Apollo Theater and featuring some of the leading black musical acts of the time, it was hosted by Sinbad before he became funny. Or after—I was never quite sure. Amateur performers also competed for a shot at stardom in a Gong Show-like atmosphere that often had them being given the hook midway through their performance.

Last Saturday night, Showtime at the Apollo took on a whole new connotation as I ventured to the remote Yuba County enclave known as Oregon House, CA for the 30th Anniversary celebration at Renaissance Winery. Because of its isolation, I had never actually been to this estate, but my encounter the preceding Thursday with Clos Saron’s Gideon Beinstock, who also serves as Renaissance’s winemaker, convinced me to make the nearly three-hour trek. To say it was revelatory would be an understatement.

There are cult wines, and then there are cult wines. The former category includes those highly prized $500 Napa Cabernets produced in limited allocations like Screaming Eagle, Harlan Estate, Colgin and Dalla Valle Maya (all of whom I highly urge to send sample bottles to Sostevinobile). The latter refers to those wineries that fly under the radar for most people but command an intensely loyal following among wine cognoscenti, labels like Thackrey, Linne Calodo, and, of course, Renaissance. As such, I had expected to find a little ramshackle operation: dirt road, creaky old barnhouse, manual bottling line, and a plank for a tasting room. Instead, I tailed a white stretch limo from Marysville Road (once I had determined that the street sign Rice’s Xing stood for Crossing, not a Chinese surname) to the presidial gates of Apollo, the opulent 1,300 acre estate where Renaissance operates.

 

The enormity of this property took me by complete surprise; the lushness of its extensive landscaping, the grandeur of its gilded statuary, the richness of its architecture presaged revelations for which I was wholly unprepared. Even if I hadn’t been dizzy from driving in near 110° heat, my head would have been in a whirl. The moment I had parked my car, the solicitous staff was eager to accommodate me. A woman named Geneviève asked if there was anything she could get for me. “A deed of trust,” I quipped. 

But, alas, transferal of ownership seems highly remote, as I discovered that Renaissance is held by a non-profit entity known as The Fellowship of Friends. Being that an abundance of articles assaying this movement already populates the Internet, it serves little purpose for me to delve into the nature of their philosophy or the notoriety arising from this utopian settlement, though as a well-trained Classicist, I must concede that their assimilation of Greek and Roman mythology seemed rather tenuous, as did their mélange of as many other core beliefs as the learned Mr. Thackrey blends into his esteemed Pleiades.

Allegations aside, the focus of this gathering was a celebration of the wine, and rarely does one ever have a chance to taste a vertical of nearly every vintage a winery has produced. From 1982 onward, Renaissance has produced an exemplary Cabernet Sauvignon that rivals any comparably-priced production from Napa or Sonoma. Interestingly, however, Renaissance’s vintages seemed uniformly to defy the historic patterns from these other regions. Where a Napa vintage excelled, here was typically an off-year; years in which the North Coast dovetailed, Oregon House reached pinnacles. The pre-dinner gathering tasted 24 different Cabernets, covering the three winemakers who have toiled here since Renaissance’s inception. Following a few early, admittedly offbeat efforts, founding winemaker Dr. Karl Werner hit his stride with the 1984 Cabernet Sauvignon Reserve, a wine that still drank remarkably well 23 years later. Several years later, his widow, Diana Werner, found her forte as his successor in the 1990 Cabernet Sauvignon. Gideon apprenticed under Diana and took over the helm in 1993. After 16 years of attenuating Renaissance’s extensive plantings into a refined, manageable vin de terroir program, his pennants are the 1997 Cabernet Sauvignon, a wine that has grown in stature here as rapidly as it has declined elsewhere, and the phenomenal 2001 Cabernet Sauvignon, a bottle of which was generously included in our take-home gift packet.

Dinner patrons received a box of six bottles to bring home, a mixed selection of Cabernet Sauvignon, Viognier, Roussanne, Syrah and Granite Crown, a proprietary red blend. Herein lies the root of my, frankly speaking, bewilderment at the arrangement of this gala. Those of us who stayed on for the dinner were fêted with a three-course meal, followed by dessert. Rather than serve entrées with wine pairing that elegantly matched each course, the dinner was accompanies by yet another dozen vintages of Cabernet Sauvignon, all of which were selected from Gideon’s Vin de Terroir or Reserve bottlings. Now had we been at a winery like Silver Oak, which only bottles Cabernet, I could understand this monolithic approach, but Renaissance offers a wide array of distinctive reds and whites, both as single varietals and artful blends. This inundation with Cabernet seemed, at best, quite awkward, especially following the pre-dinner tasting we had just enjoyed.
Perhaps it is a phenomenon of living in such exclusive isolation, but there seemed to have been no coordination between the wine selections and the preparation of the menu, which, in turn, tended to clash with itself as the meal progressed. The first course consisted of a duck leg in cherry sauce atop a bed of lentils. A respectable balance of these ingredients, to be sure, but a course that had consistency at all with a pairing of four Cabernets. Had we been served, instead, the 2004 Mediterranean Red, a Grenache-dominated GMS blend, or a vertical selection of the same, the wine and food would have married elegantly (I suspect the 2002 Pinot Noir might also have fit the bill).
The next course consisted of a delicately roasted slice of lamb, one of those rare selections that actually matches up quite well with Cabernet. But the chef’s choice to smother the meat in an overbearing garlic compote seemed almost heretical and, again, created a jarring clash between food and wine that no alternative selection might have complemented. Still, a more orthodox lamb preparation might well have been served by the 2005 Syrah, the 1996 Claret Prestige, or the 1999 Merlot Premier Cuvée with equal aplomb to a Cabernet.

A random selection of Brie, Pont-l’Eveque, and Morbier comprised the final course. The disparity of these cheeses with yet another round of Cabernet even struck Gideon, who discounted the compatibility of each. Here again, the course might have been better served with a Pinot Noir, or any of Renaissance’s notable whites: the 2006 Roussanne, the demure 2006 Sémillon Vin de Terroir, the 1993 Sauvignon Blanc still featured in their Library selections or the 2007 Carte D’Or, a Sémillon-Sauvignon Blanc blend.

Gratefully, the dessert offered no Cabernet pairing. Still, the peach cobbler could have skillfully been accentuated with any number of late harvest wines from the Renaissance roster: 2006 Roussanne Vendanges Tardives,1992 Riesling Late Harvest, 1989 Sauvignon Blanc Late Harvest,2006 Sémillon Late Harvest or the 1995 Chardonnay Vendanges Tardives. I am told that, early in its development, Renaissance excelled at making a German-style Riesling that put the winery on the map, so to speak. I suspect a resurrection of one of these bottlings might have similarly pared well.

The coda to this meal was the complete omission of coffee or tea service. After considerable pleading, I managed to wangle a triple shot of espresso from the coffee maker housed within the full bar that serves their tasting room—a necessity before navigating the late night trip back to San Francisco. Gideon and I shared a most amiable conversation as the caffeine slowly surged through my veins, and I departed with nary a wisp of concern over my sobriety.
Showtime at the Apollo had indeed been an unanticipated adventure into the unknown, if nothing else one of the most esoteric destinations I have yet encountered. I think of the true homage to Persian culture and Zoroastrian beliefs one encounters at Darioush; on the other hand, the ersatz classicism of Ferrari-Carano’s garrish architecture illustrates the diametric opposite, a pallid imitation of a style and culture, lacking any depth of comprehension or genuine appreciation. The setting here lay somewhere in-between, underscored by a demagoguery that held an invisible sway over the course of the evening’s events. But I had come to Renaissance for the wine, and the wine I had been served had, isolated in its own context, been quite excellent.
I have long appreciated this winery for its incredible versatility with so many wines that they had not served on this celebratory evening. I would hope, as Renaissance strives for recognition as a premier winemaker unfettered by implication or exposé, that it take full advantage of the panoply of superb vintages they have to offer and rest upon these laurels.

All aboard!

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Sometimes public wine tastings are all about the wine. Sometimes it’s the event itself that takes center stage. This past month, Your West Coast Oenophile has attended two tastings put on by the Santa Cruz Mountains Winegrowers Association (SCMWA); both gatherings proved to be impeccable.
I waxed rather eloquently in a previous posting about their trade tasting at Trevese in Los Gatos. My most recent encounter was for their annual Wine with Heart benefit, held for the second time at Roaring Camp in Felton. The afternoon could not have been more pleasant.
I suspect I am not alone in having climbed Highway 17 from Los Gatos to Santa Cruz innumerable times since the late 1970s without ever veering off near the summit and discovering a vibrant community nestled in the hills. Perhaps this semi-clandestine location is what has allowed Felton to retain its quaint charm. In any case, Roaring Camp features a recreation of a turn-of-the-century whistle stop and still operates a Southern Pacific rail line that runs to the boardwalk far below. 
Many wineries gave both time and tastings quite generously to this event; their contribution to the medical research this event helps sustain is quite laudable. But, like a good Lothario, I compulsively seek out that which I have yet to conquer. Ahlgren Vineyards started me off with a stark contrast the understated 2005 Ahlgren Sémillon and a boisterous 2004 Ahlgren Cabernet Franc. From Campbell, Pinder Winery (not to be confused with Pindar, a meretricious Boeotian lyricist from the 5th century BCE, as well as a modern-day Long Island winery) displayed their Rhône-style virtuosity with their 2006 Viognier and 2004 Mourvèdre Contra Costa. Aptos Creek Vineyard, a decidedly boutique affair, offered a 2004 Pinot Noir Santa Cruz County that made one wish it were not such a rarity. The same could be said for the 2007 Chardonnay from Bruzzone Family Vineyards. A third micro-producer, formerly known as Dragonfly Cellars but transitioning to their taxonomic equivalent, Odonata Wines, sampled the remainder of their 65-case special 2006 Durif. 
Keeping things local, Hunter Hill Vineyards resonated with a 2005 Estate Syrah Santa Cruz Mountains and a 2005 Estate Merlot Santa Cruz Mountains. Fernwood this afternoon (not to be confused with Fernwood 2Night (nonetheless made mirth with their 2006 Central Coast Petite Sirah and 2006 Il Cane Sangiovese. Not to be outdone in the pun department, Burrell School brought a wide selection of their academically-themed wines, the standout being their aptly-named “Spring Break,” the 2005 Syrah Estate Pichon Vineyard. Handcrafted Pinot Nor from Clos Títa included their eminent 2005 Pinot Noir Cuvée, Santa Cruz Mountains. In keeping with the Santa Cruz aura, two organic wineries were showcased: Silver Mountain Vineyards with their 2003 Alloy (a Bordeaux-style blend of Cabernet Sauvignon, Petit Verdot and Merlot) and Zayante Vineyards, whose 2007 Santa Cruz Mountain Estate Clos du Z combines Grenache, Petite Sirah, and Syrah.
. This highly-coveted designation has to be resuscitated for the amazing 1997 Blanc de Blanc Méthode Champenoise Sparkling Chardonnay from Equinox . A one-man sparkling operation, this 100 percent Chardonnay spent nine years en triage, and was bottled with no dosage. If only he had brought his 2006 Bartolo Fiano as well!
But regrets were not to be had on this gloriously sunny afternoon. After the tasting portion had closed down, guests were treated to a ride on Roaring Camp’s Santa Cruz, Big Trees & Pacific Railway halfway down the mountain toward Santa Cruz. It reminded me of the train ride Dr. Zhivago and his family took from Moscow to Yuriatin. Only it was warm here. And the train cars were open-air. And these were not the Urals. And I don’t recall wine freely flowing in the movie. Several of the wineries brought their leftover bottles along, and generous glasses from Naumann Vineyards, Byington , Cooper-Garrod Estate and Bonny Doon kept everyone well-oiled for the ensuing 1½-hour trek.
Of course, all good things must come to an end. Back at the camp, the Ginkgo Girl and I took in the lingering rays of sunshine before heading back to San Francisco. Even she had to agree, it had been a most splendid afternoon.